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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



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Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

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May 2016

Cinema on the Page

Jonathan Gibbs

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May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

I’m not up on the Internet, but I hear that is a democratic possibility People can connect with each other I think people are ready for something, but there is no leadership to offer it to them People are ready to say, ‘Yes, we are part of a world’— Studs Terkel   Studs was an inspiring historian The child of Russian immigrants living in Chicago, he spent his life talking to people — famous people from Dr King to C P Ellis and pretty much everyone in between — but mainly to normal people, working people (and, all too often, unemployed people) The classic oral historian, he was an obsessive archivist who told us about economics and politics as felt in our everyday lives He catalogued the daily routines of communities; the small niggles of wage labour that collected over a lifetime grind us into the floor, as well as the little acts of humanity that we build our relationships on Studs mapped personal stories of working-class solidarity, and, all told together, he mapped the political changes of almost half a century Culture drove Studs He started his career as a screenwriter and actor, starring in his own sitcom Studs’ Place, until his outspoken political allegiances got him blacklisted by that indignant little senator, Joe McCarthy In 1952 he got an hour-a-week spot on 987 WFMT Chicago, a small local arts station, and soon was broadcasting five days a week He continued to do so for the next forty-five years The majority of those broadcasts were interviews and, combined with a number of books of collected memories, they formed his life’s work In them he talked to the people mass-culture sees only as ‘audience’, and asked them what constituted their own culture of daily life   Studs died at the dawn of a global financial crisis (his epitaph: ‘Curiosity didn’t kill this cat’) he might half recognise from his youth; capital, unregulated, crashing like a wall of water through people’s daily experience, tearing apart the fragile homes we’ve made for ourselves But the way the working class constitutes itself within capital

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

READ NEXT

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Issue No. 13

Under a Bright Red Star

Federico Campagna

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Issue No. 13

Five is a number dense with theological significance. Five are the books of the Torah, five the wounds of...

fiction

March 2015

House Proud

Amelia Gray

fiction

March 2015

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors. Watching those baseboards...

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September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

 

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