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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

In the early 2000s, Belgium, Germany, Holland, Sweden, Switzerland, the United Kingdom, New Zealand and Australia began implementing a screening technique for asylum seekers and undocumented migrants called ‘Language Analysis for the Determination of Origin’ (LADO) This attempts to determine if the accent of an undocumented migrant corroborates their claim of national identity For example, the authorities aim to determine – based on accent alone – whether a Somali is from Mogadishu (a legitimate place from which to claim asylum) or in fact from northern Somalia (considered a safe place to live and thus to be deported back to) The tender to carry out these tests was mostly won by two private Swedish companies, Sprakab and Verified These companies conducted phone interviews with asylum applicants in the target countries, using Sweden’s largely unemployed former refugee population as a resource of informants to listen in on calls and conduct interviews These informants’ non-scientific assertions on where they thought people ‘really’ came from were then reworked by linguists, who bolstered the claims with international phonetic symbols and turned them into forensic reports for use in court in the target countries   When academic linguists throughout the world were alerted to this flawed screening process, they began to contest its ideology of monolingualism Linguists insisted that the voice is not a bureaucratic document, but rather a biography, and an index of everyone you have ever spoken to The itinerant lives of refugees meant that their voices in particular should not be used as a national identifier They argued that while the informants conducting the interviews may speak the same language as the applicant, they frequently were not from the same place This could affect the dialogue and the quality of the data After hundreds of wrongful deportations, governments finally began to listen to these campaigning linguists Yet rather than scrap LADO, they insidiously incorporated the critiques, deciding that since dialogue was rendering the tests unscientific, they would use monologues instead Now, rather than soliciting speech in an interview, asylum seekers were expected to simply speak for fifteen minutes non-stop They were free to say

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

feature

July 2014

Another month, another year, another crisis: eleven years in Beirut

Paul Cochrane

feature

July 2014

Rumours of impending conflict can wreak a particular type of havoc. This is not as physically manifest as the...

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

 

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