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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Jennifer Hodgson
Jennifer Hodgson is a writer from Hull. Most recently, she edited The Unmapped Country (And Other Stories), a collection of the 'lost' stories of Ann Quin.

Articles Available Online
Chris Kraus’s ‘After Kathy Acker’

Book Review

October 2017

Jennifer Hodgson

Book Review

October 2017

Acker by Kraus is a tantalising prospect. How do you go about writing a biography of an inveterate self-mythologiser, who made over fiction into...
On a Decline in British Fiction

feature

Issue No. 7

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal state seems indigenous to the...

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How to Be an American

fiction

August 2013

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in shadow than it seems as...

Interview

January 2015

Interview with Rodrigo Rey Rosa

Scott Esposito

Interview

January 2015

Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move...

feature

June 2014

A Grenade for River Plate

Juan Pablo Meneses

TR. Jethro Soutar

feature

June 2014

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife. Five young hooligans huddle round him...

Art

Issue No. 11

Sarah Jones

Sarah Jones

Art

Issue No. 11

A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11. 

 

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