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Fran Lock
Fran Lock is the author of numerous chapbooks and eleven poetry collections, most recently White/ Other (87 Press, 2022), which was a  Poetry Book Society Recommendation. Fran is the out-going Judith E. Wilson Poetry Fellow at Cambridge University (2022-23), researching feral subjectivity through the lens of the medieval Bestiary. A collection of essays relating to dirty animality, queer failure, and trash-feminist practice, Vulgar Errors/ Feral Subjects, will be published by Out-Spoken Press later this year. A collection of poems inspired by the Cambridge University Library and Parker Library bestiaries, The Dire Hyena's Knot, will be published by the 87 Press in 2024. Fran's other work includes the chapbook Forever Alive (Dare-Gale Press, 2022), and the critically acclaimed collection Hyena! Jackal! Dog! (Pamenar Press, 2021). A further collection with Pamenar, 'a disgusting lie' (further adventures through the neoliberal hell mouth) is due later this year. Fran is an Associate Editor at Culture Matters, where she most recently edited the mammoth anthology The Cry of the Poor (2021). She is a member of the new Editorial Advisory Board for the Journal of British and Irish Innovative Poetry, and she edits the Soul Food column for Communist Review. She is the co-host of the cross-cultural poetry podcast Social Yet Distanced, and she is currently working on a poetic riff on the Unabomber Manifesto, worryingly entitled Industrial Society and its Future (The Musical).

Articles Available Online


Three Poems

From the archive

Issue No. 31

Fran Lock

From the archive

Issue No. 31

#DROWNINGNOTDROWNING   to find me, plausible and aspiring in a relevant dress and full of promise. oh internet, oh tumblr, at twenty your sunniest...

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fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

fiction

April 2013

Towards White, 1975

Scott Morris

fiction

April 2013

In the morning, the square was white. Voula’s hair was white. A pigeon on a bronze horse shifted, sent...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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