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FIONA ALISON DUNCAN
FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary Prize for Bisexual Fiction.

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Interview with Fanny Howe

Interview

Issue No. 29

FIONA ALISON DUNCAN

Interview

Issue No. 29

Fanny Howe’s bibliography is as bewildering as her itinerant biography. Born in 1940 in Buffalo, New York, the poet and author grew up in...

Interview

January 2020

Interview with Jamieson Webster

FIONA ALISON DUNCAN

Interview

January 2020

Jamieson Webster serves as a torchbearer for a field out of popular favour. Her practice, psychoanalysis, was last century’s...

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title with Charlotte Brontë’s 1853 novel about Lucy Snowe, an impoverished and extremely truculent governess Pester’s book is divided into four theatrical acts, and this poem closes Act 4: although, strictly speaking, the collection ends with the coda ‘Heavy ending’, ‘Villette’ is the last thing that happens before the actors make their bow In it, the voice of the speaker and the actions of Brontë’s protagonist are unified, like two film reels playing simultaneously: ‘In the novel Villette,’ it begins, ‘either I or Lucy Snowe live and work in a girls’ school that either she or I found in a small French town’ The poem continues, explaining that I / Lucy have recently suffered a romantic disappointment with Dr Graham, their ‘heavy and imaginative crush’, and resolve to bury his letters, which they have invested with a ‘devotional adoration’ The poem ends in an ecstasy of submission:   In this gesture / in my gesture, Lucy Snowe rejects the possibility of possessing the letter She applies / I apply a fantastical value to the letter The letter passes into an earthed state of absence I use / Lucy uses burial as a way to disown the letter and to refuse being privately subjected by the letter She instead / I instead ecstatically ritualise her poverty / my poverty, and her otherness / my otherness to ownership of objects, and evacuate the self into love   VILLETTE, although well received at the time of its publication, disappeared from the mainstream literary consciousness soon after, and remained mostly ignored for the best part of a century In 1970, Kate Millett offered a radical reading of the novel in SEXUAL POLITICS that drew on earlier understandings (notably Virginia Woolf’s) of it as a proto-feminist text Lucy, for Millett, is a study in the effects of a ‘male-supremacist society’ upon a woman’s psyche: ‘She is bitter and she is honest; a neurotic revolutionary full of conflict, back-sliding, anger, terrible self-doubt, and an unconquerable determination to win through’   Later

Contributor

June 2019

FIONA ALISON DUNCAN

Contributor

June 2019

FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary...

Exquisite Mariposa

Fiction

July 2019

FIONA ALISON DUNCAN

Fiction

July 2019

I broke three contracts in 2016. The first was verbal, a monogamy clause. But he was fucking around too, and I knew, because everybody...

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Art

June 2016

Art and its Functions: Recent Work by Luke Hart

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a...

Interview

January 2016

Interview with Marlene van Niekerk

Jan Steyn

Interview

January 2016

Marlene Van Niekerk is the foremost Afrikaans writer of her generation. She is a renowned poet, scholar, critic, and...

Interview

September 2016

Interview with Garth Greenwell

Michael Amherst

Interview

September 2016

Garth Greenwell’s debut novel What Belongs to You has won praise on both sides of the Atlantic. Edmund White...

 

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