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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

feature

Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen The  cakes are modestly presented in a glass cabinet: stripes of sponge alternate with chocolate cream; globes of mango gleam on mousse Oblongs of raspberry and banana jelly Older couples sit at round tables, sip kaffee and lift cake-cream inch-by-inch to mouths They’re conscious not to eat too quickly, so as to avoid nausea, and ensure instead continued pure delight A little nothing, pleasant chat; a few read the papers   Our protagonist has the table by the window, hung with a doily curtain There’s a cigarette smoking itself out in his thrown- away left hand; his closed right one rests on the open pages of an empty notepad                             See (1)   Florian was walking with his schnauzer, Bernie, along the far shore of the See He preferred this less trodden, further side because it meant he had a good view of the town, busy and self-important on that nearer side And he liked being closer to the great faces of mountains, which jacked themselves right up hard, grey and granular, above all the people’s things and houses   His head was clear and only had in it air, Bernie running and her fetching the next stick, and the soft-firm earth and grass under their feet   They stopped on the path to look over the See Its surface was soft as a lady’s undergarment You could place your finger in its surface and feel it drop under, without resistance Today’s winter water had black, mirrored surfaces; nothing could be seen beneath them   Then Florian’s eye settles on something, as a fisherman focuses on the red point at the end of his line in the water His eyes are drawing an outline – round the objects he can see They are – this shape – like this – two rectangles bobbing among some dead black stalks The black of the rectangles is greyer than the See’s black Their sheen is harder than the water’s; more moulded, less easy to penetrate                                 At the Pension   The protagonist arrives at the pension This is situated in the village adjoining the town, where slopes are levelled in tiers to make space for the houses There are broad,

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

feature

Issue No. 9

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

poetry

January 2016

Sex-Desert

Galina Rymbu

TR. Joan Brooks

poetry

January 2016

I’m screaming lying alone in this settlement     everything empty only emptiness sex – is a desert  ...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

 

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