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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Chatsworth, established in 1888 in the northwest corner of the San Fernando Valley, took its name from the family seat of the Duke of Devonshire The developers who subdivided this part of Ex-Mission San Fernando, formerly called Rancho El Escorpión, preferred to associate themselves with England’s landed gentry rather than with the poisonous arachnids native to the place As in Hollywood, another formerly rural tract absorbed into the city of Los Angeles, efforts to elevate the tone of the area were never entirely successful Companies producing mainstream entertainment, including the one responsible for the television programme 24, have maintained offices in Chatsworth, but they have generally been overshadowed by the more enduring presence of the sex industry; besides many porn studios, the trade publication Adult Video News has its headquarters in the neighbourhood, and sex toys are manufactured there Most recently, Chatsworth distinguished itself as the place where the figure of Vern Blosum, a painter whose work achieved notoriety in the early 1960s, started to emerge from obscurity   In February 2006, Jon and Tina Cassar bought a painting that looked like Pop Art, as anyone would say: a realistic depiction of a parking meter captioned with the text ‘Twenty Five Minutes’ (the amount of time left on the meter) in the kind of plain block letters used by professional sign painters Jon Cassar, a producer of 24, which consists of hour-long episodes unfolding in an hour of real time, must have felt almost as though the painting, with its image of a finite period time about to expire, had been made expressly for him The Cassars’ notes describe the circumstances: ‘Purchased, Twenty Five Minutes, Vern Blosum 1962, at a price of $1000 In Chatsworth, CA At a corner storage lot Due to storage container being vacated Unknown reasons why Unknown owner Maybe due to no longer paying rental storage fees or could be it was left unclaimed’ After taking the painting home, the new owners found on the back of it a label reading, ‘L A Co Museum of Art, LOAN CAT 88, MR & MRS L ASHER’

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

Issue No. 12

Parra!

Parra

Art

Issue No. 12

Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

poetry

Issue No. 19

Two Poems

Sophie Robinson

poetry

Issue No. 19

sweet sweet agency   the candy here is hard & filled & there is nothing i love more than...

 

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