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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Resistance needs to be recorded Resistance needs symbols: ideas that can travel faster than speech, last longer than memory Nowhere is this more understood, more fought over, than in Palestine   From the inception of the Zionist project, battle has raged over language, over landscape, over image The ‘land without a people’, the ‘merciless terrorist’, the ‘humane soldier’, the occupying army searching for a ‘partner in peace’  For over one hundred years Palestine and her neighbours suffered countless defeats, losing land and lives again and again, facing up to a vastly superior military power again and again – yet somehow remaining the aggressor in the mainstream Western media   And for Palestine, public opinion in the West is one of the keys to freedom   Times are changing The internet has widened the battlefield – citizen journalists, bloggers, photographers make up a limitless army of volunteers The Boycott Divestment Sanctions movement empowers everyone with effective moral choices   The Palestine Festival of Literature, PalFest, is an annual series of readings, talks and workshops featuring writers and artists from Palestine and around the world For the last four years it’s taken place in cities across the West Bank and historical Palestine This year will be our first in Gaza   PalFest is by its very nature transient – it moves every day, crossing borders and military checkpoints to get to the audiences that aren’t allowed to come to us But its aims are long term So we’ve always made sure everything is recorded, and that videos are cut and uploaded live throughout the festival To present to the world a vision of Palestinian life that is not directly related to the Israeli occupation To show how keen the audiences are, how good the art is, how smart and resilient the students are   We were lucky to have my good friend, the documentarian Murat Gökmen, with us last year Over the festival week he went through a nasty interrogation, a full body search and a healthy dose of tear gas but he’s produced a film that captures the feeling of being on the road with PalFest and puts forward useful observations about what we’re all

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

Interview

Issue No. 18

Interview with Eileen Myles

Maria Dimitrova

Interview

Issue No. 18

I sat across from Eileen Myles at a large empty table in her London publisher’s office a few hours...

fiction

January 2012

Collapse - A Memoir

Jesse Loncraine

fiction

January 2012

Author’s Note   I began writing about the war five years after it was over; a war the world...

 

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