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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

The gym was crowded, so crowded there was a line forming at the showers, so many white bodies so close to each other, so close to touching There was something as sinister as sisterly about all those bodies lined up in the tiled room, bodies with the same attributes in different variations, two of these, two of these, one of these The gym was already a sort of selector for the healthy and the able, and so the variations were minor, unremarkable until unclothed and paraded all around in one damp space Darker nipple, lighter nipple Puffy nipple, flat nipple Nipples, all of them   In the sauna, where Anja went to wait for the shower line to diminish, she was surrounded by bodies still, but bodies that were being still, elbows folded in against sweaty sides, breasts flattened unthreateningly upon reclining rib cages She knew she was an alien There they were, inhabiting their bodies, and here she was, rocking around inside hers They knew what their bodies looked like, and they knew what their attitudes toward their bodies looked like –  sanctioned variations on confidence and insecurity: this one likes her legs but worries about her lopsided shoulder; this one hunches because she’s too tall; this one defies anyone to call her thighs too big and so wears very tight pants; this one is warm and round and doesn’t self-criticise, but she does work her upper body extra hard on Tuesdays   Anja didn’t know how to classify her body, she only knew that whatever it was, it wasn’t her fault She was naturally thin, and that was supposed to be good But she had gotten even thinner than usual in the last weeks, which was supposed to be not good She had noticed a rash on one of her forearms, which was definitely not good Disease was easy to pinpoint as objectively bad But the fact that being thin was supposed to be good seemed irrelevant, since in past eras it would have been better to be plump It was hard to rest on any single aspect for reassurance, knowing

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

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Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

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Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

 

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