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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

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Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

There were seven of us sat around the table Seven grown adults, sat around the table It was late We had eaten, and we had drunk, and now were drinking more The table, the heavy oak table, was if you will a beach from which the tide of a long and boozy dinner had receded, leaving its surface strewn with a tideline detritus of cork, crumb and ash Among which, on the table, having first cleared a space, with his hand, the side of his hand, Matt, a bottle An empty wine bottle, laid on its side Upon which, Matt’s hand rested, like a spider, fingers braced and knuckles up, as if to make a bridge in snooker   He wafted the bottle casually this way and that, the way a hoodlum sweeps a machine gun from side to side to cover his cowering targets, its malevolent arsehole neck-hole eyeing us each in turn   Come on, he said How about it?   God, people said I mean, come on, please   Grinning, he went to do it, coiling his wrist right round on itself to gain maximum torque, but Cath gave something like a snort of disgust and said, You’ve got to say what it is first You can’t just spin it   Okay, said Matt What was your most unusual sexual experience? And bang! he set it off, the bottle, sent it twirling on its axis in a spookily smooth, almost wobbly motion, as if it were moving above rather than on the surface of the table   I watched it spin, all my attention drained to my peripheral vision, to gauge the others’ reactions, their levels of dismay, acceptance, keenness As I did so I tipped my chair onto its two back legs, to signify insouciance, or ambivalence I wondered, in my tilting, about Matt’s choice of tense What was, he had said What was our most unusual sexual experience Were we that old that our most unusual sexual experience was, necessarily, behind us? Possibly, even, all of our sexual experiences?   Certainly we were too old for this game Spin the bottle is for students, a celebration of the fact

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

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Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

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Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

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March 2015

Plastic Words

Tom Overton

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March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

 

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