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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts might play in a period of ‘national emergency’ Discussing artists’ responses to recent tragedies, the two poets agree that ‘to think of [art] as something that happens in seclusion from lived experience feels wrongheaded in the world we live in’ As we put this issue together, this idea has been greatly on our minds, and it resonates throughout the magazine In her piece exploring the ethical implications of prisoners’ visual representations, Hatty Nestor asks ‘how empathy could materialise as visual art’; we hope that the pieces which follow share a spirit of enquiry, compassion and engagement with our complicated times   The past few months – since our fabled summer party on the rooftop of Bold Tendencies, when hundreds crowded onto hay bales to hear Claire-Louise Bennett’s mesmerising reading – have been a period of transition at The White Review This issue appears in a brand new design by Thomas Swann; it is the first under a new editorial team led by Željka Marošević and Francesca Wade We have launched an anthology, featuring highlights from the magazine’s first twenty issues, and a poet’s prize (the winning portfolio, by Lucy Mercer, will be published in Issue 22) In response to a growing concern at the shrinking number of outlets providing accessible and incisive arts coverage, we’ve begun publishing regular reviews of new books and exhibitions online, alongside poetry, fiction, interviews and essays We’ve hatched plans for events across the UK, established new collaborations, and designed some enviable tote bags, now for sale on our revamped website   In this issue, the personal and the political collide in bold and unexpected ways Speaking in advance of her major Tate Modern retrospective, Joan Jonas reflects on a growing sense of environmental consciousness in her performance and installation work Alev Scott reports from the Balkans on the legacy of the Ottoman Empire, while Megan Hunter explores the connections (physical and psychical) between writing and pregnancy We are delighted to present fiction and poetry from a range of new

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

Interview

March 2017

Interview with Rodrigo Hasbún

Enea Zaramella

Rodrigo Hasbún

TR. Sophie Hughes

Interview

March 2017

Rodrigo Hasbún (born Cochabamba, Bolivia, 1981) has published two novels and a collection of short stories; he was selected...

Art

July 2013

Redressing the Balance: Women in the Art World

Louisa Elderton

Art

July 2013

London is among the capitals of the international art world. Every day and night is witness to innumerable new...

fiction

September 2016

Colonel Lágrimas

Carlos Fonseca

TR. Megan McDowell

fiction

September 2016

The colonel must be looked at from up close. We have to approach him, get near enough to be...

 

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