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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Universal Access   I have only ever lived among pollution Tell me it is not the sky I look at but an irradiated blanket, pitched between my street lamps and the real sky To that I say the real sky is immaterial, an idea cast too far back into the dark to matter My pollutions define me   As a child I favoured invented worlds, populated by tribes with kaleidoscopic cultures, another one always over the mountain ridge Today, in the city, the promise of a never spent or perfected flux is all that keeps me here The new thing ever opening Frontiers of the affordable and good   I am stranded in the middle of Moby Dick: p 274 out of 509 The Pequod, after listing in the South Pacific, has embarked upon its first ‘cutting in’, the process of safely flaying a whale of its blubber, which requires the whole crew to heave a hook-fed rope through the blowhole until everything gives at once, for the blubber envelopes the whale precisely as the rind does an orange   Part of me would sooner stay here There is too much to read Far from a complaint, this is only to state the necessary obverse of infinity’s appeal Were we to know that our present book was the last we were yet to read, its conclusion would be intolerable Heaven, then, must be to choose a fixed point, knowing the brawl of infinite, receding options, as if slipping into a particular chair while rain hammers on the skylight Here I can dip my fingers in the dripping hide   Through my browser I watch a documentary, free of charge, about a church repurposed as a data centre where a record of every web page is collected through time Truly, there is a holiness in this: shades of God’s forensic love for hair and sand As well as sites they preserve books scanned by human hand, so that Melville’s relishing and fretful bulk can expand along its ultimate democratic tangent to take its place beside the novel’s Wiki page, as captured on almost every day of its existence   A great wall:

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

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April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

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April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

 

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