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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

i   Oyster cards were first issued to members of the British public in July 2003; by June 2015 they will have been replaced by a contactless card payment system As we grow old these rectangles of blue plastic will fade into memory; they will become historical curiosities, representing little more than a transitional phase in the history of payment systems, weekend engineering works on our noble journey from the physical to the digital, from the actual to the virtual But let’s not allow the Oyster card to disappear from public consciousness unremarked upon; let’s take some time out from our hectic schedules and look up into the dim light; let’s take stock for just a moment, gulp in the close cold air, feel the dank wind of history on our faces, and contemplate the significant role this stored-value contactless smartcard has played in our everyday lives over the last decade or so     ii   Consider an example Let’s say you’re not a Londoner You don’t live here; you’re an alien We’ll sculpt you a bit more as we go along but, to begin with, let’s just say you’re an alien in London and see how that sits You won’t, don’t worry, remain undeveloped But everything in its time For now, enjoy the not-knowing, enjoy the formlessness, the weightlessness You could become anyone Think of the possibilities, the opportunities All we know, for now, for certain, is that you are, let’s say, an alien in London   You arrived, by plane, on a one-way ticket, say, your purpose, at the moment, dark to us You think nothing, once reunited with your suitcases at London Gatwick, having trudged with them through arrivals (and after everything that happened on the flight you might have appreciated some help), of taking a taxi to your hotel in Acton An indulgence, perhaps, but you are happy to spend money at times like these You’re not rich, you’re not profligate, but money is there to be spent You can’t understand people who hoard – people who save and save and save, knowing they will die with their accumulated wealth unspent, inactive, a

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

May 2013

Techno-primitivism

Vanessa Hodgkinson

David Trotter

Art

May 2013

What follows could have been an essay or an interview. In the event, it resembles the one as little...

Interview

May 2011

Interview with Alison Klayman

Shepherd Laughlin

Interview

May 2011

Until his arrest in Beijing on 3 April as he boarded a plane to Hong Kong, Ai Weiwei was...

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February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

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February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

 

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