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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

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Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

‘Being so caught up So mastered’ Yeats     I was too shy to say anything but Your poems are so beautiful What kinds of things, feelings, or ideas inspire you, I mean, outside the raw experiences of your life? He turned a strange crosshatched colour as if he stood in a clouded painting, and said, Thanks, but no other phenomena intrude upon my starlit mind     I see you are wondering what this is all about Don’t mind me, I’m talking to myself again Yes, poetry is nice and often beautiful, yet it doesn’t beget much attention, money, or even a simple thanks for placing the best words in the best order That’s when I forget all about your incessant demands, and the restless subject leaps the stream in Technicolour— until the Remembrancer appears and says, Stop this wasteful life     Doctor, lawyer, thief These fancies of yours could cost a life or worse, two Meanwhile, he perceives my gifted body upholding my mind as I’m explaining my stuff on the Unicorn Tapestries, cheeks starting to colour, feathers ruffling, quiet shudders He shrugs, Your content sounds too beautiful but I’d like to read it sometime Okay He says all the right things, like I love you Hyacinth Girl Things get interesting until the sudden blow: Thanks     For the memories What I’ll think seeing his new work in The New Yorker is Thanks for nothing, asshole, as he drops me for that prolific pastoral life with his wife upstate The more I think about it, it all depends upon your phantom attention Surely a world embroiders itself in one’s mind at any moment, words resounding, ardent present clarifyingly beautiful And beautifully truthful You know? Here I should put in a lapis colour     Or a murky midnight blue Or have the crowd stagger by in a riot of colour pinning down the helpless beast with spears and ritualistic thanks to their gods What one really wants to get at is the real, the eternally beautiful like The White Album or something That’s what makes one perilous life worth living All the brute indifference, humiliation, and failure can put one in the mind to give up, freak out, kill somebody, heart battered, so mastered Oh you     Wherever I go, on the subway, in my cubicle,

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

December 2016

The Giving Up Game

Rowan Hisayo Buchanan

fiction

December 2016

The peculiar thing was that Astrid appeared exactly as she did on screen. She was neither taller nor shorter....

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

 

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