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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Если у вас в мегаполисе ещё помнят обо мне, ссыльном, Знай, кто спросит: я умер, едва приговор огласили Мёртвый живу, хожу, тело донашиваю, Оно послушное – ссыхается на костях Я здесь чужак, варвар, языка не носитель, Неба коптитель, волосы стали белые, Мёртвыми губами учу гетскую грамоту, Мёртвыми ногами топчу твёрдую воду Что тебе рассказать, чтоб не скучала? Скачут Кони по гладкой реке, и стрелы летают, Рыбы торчат изо льда с открытыми ртами, Некому их вынимать Некому меня понимать Вино замёрзло, стоит само без кувшина, Кусок вина отломлю и сосу, как сиську Яблок не достать Ты бы меня не узнала Местные замотаны в шкуры, на тогу косятся, Только лица и видно, да и те в бороде Даже звёзды здесь не как у людей   If anyone in your global city still holds me, exile, in memory, Know that I died as soon as they read out the sentence I live dead, walk around dead, wear out the remains of my body, My agreeable body, flesh cracking on dry bones Here I am an alien, barbarian, non-native speaker, Idler with time on his hands but white in his hair, I don’t get their speech, I forget the words that I study, Just consonant clusters, no vowels for poetry What can I talk about so as not to bore you? Horses Slip on hard rivers, arrows hit targets, philosophy is stupid Fish stick out of the ice with mouths agape, Too much air for them, too little ear for me Wine frozen overnight, it stands by itself, the vessel in shards, I chop a piece off and suck on it like an infant The apples at the market are tawny and wrinkly like shrunken heads The locals, fir-tall, fur-clad, point at my toga, make shivering Gestures No human faces – just beards and hair over fur Even the stars look down on me     AFTERWORD   In 8 CE, the Roman poet Publius Ovidius Naso was exiled on the direct orders of Augustus to Tomis, a distant imperial outpost on the Black Sea in what is now Romania He died there a decade later, never receiving permission to come home despite his constant entreaties The exact cause of Ovid’s punishment is unknown; the poems he composed in Tomis appeared in two collections under the titles of Tristia, or ‘Laments’, and Epistulae ex

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

feature

Issue No. 9

Ordinary Voids

Ed Aves

Patrick Langley

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Issue No. 9

I am standing in a parallelogram of shrubbery outside London City Airport. Ed is twisting a dial on his Mamiya...

 

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