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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

in a sheltered garden    in the business lounge the new state scientists invented for very hard things, men break into the heated pool they dip their toes into a dare and dream all night of drowning they look up the skirt of an escalator and see the skinless red muscles of the groin slide under their desk before sundown   men’s papers are square offices with revolving doors inside their folders labelled PIOUTA POA POOMA they boil the ocean into streams of sweating campus hire boys, bird-dogging the postman into a running bullet   in a sheltered garden they are spinning-off non-core competences: effective altruism, saying excuse me, holding doors open, greeting strangers, taking pills with water their plates are always full   somewhere they are bricking up  the small forgotten edges of the universe   let’s run the numbers off the loop let’s think of low-hanging fruit how apples provide colour, their shadow the threat of a back hand    raised to hit     testaments   sin crouches at cain’s door in the shape of a sickle the door handle is a fish pull it and deborah enters, swatting a wasp as a woman brings a king cream in a silver dish she hammers a tent-pin through his head   at the land of nod east of eden a child crawls into a cave of olives his brother is the shrunken bottle people used to take to war your daughter-in-law who loves you, who is more to you than seven sons  hangs a gold plate around her neck    two men hide under a flaxen roof and become windows to the prostitute’s conversion she hangs  crimson thread from their foreheads   boys dress in lamb skins and trick  their fathers into blessings over lentil stew an ostrich egg hangs over a green canopy, our inheritance  enter here cradle it in your hands     away in 1997   3 par 4 and the course stretches out into green across rumbled wooden bridges and manicured trees grasses tease the edge of weeds, wag the dog cracks chestnuts as swampy emerges from a network of underground tunnels he staples a public notice with a flying golf ball: pop bands branding ecstasy as a four-day week!  yellow flags wane half-mast in the breeze   along the bridle way london loops streets of halfidentical houses, a garden metal-pronged with a broken trampoline and power -washed patio there are lodges and round bushes, a princess counts stems of potted basil

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Interview

Issue No. 15

Interview with Zadie Smith

Jennifer Hodgson

Interview

Issue No. 15

Zadie Smith’s biography is one of contemporary writing’s fondest and most famous yarns of precocious and meteoric literary success....

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March 2016

Behind the Yellow Curtain

Annina Lehmann

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March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

 

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