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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Establish remorse from outset Express bewilderment at sequence of events so unlikely, so absurd and catastrophic Assure all present of blemish-free record, respect for civic infrastructure, fondness for quiet life and simple pleasures (milkless Earl Grey, sensation of shower on collarbone scar, smell of wet denim, etc) Adopt strong posture, upright but unhaughty, chin raised to illustrate mettle Remain composed Nod solemnly when alleged acts detailed Promise to provide context in form of days preceding—disorientating effect, toll inflicted on sense of self/place in grand scheme/professional trajectory Blame said effect for alleged recklessness, surrendering to moment, abandonment of principles (loyalty, punctuality, even keel, modesty, graft, appropriate attire, camaraderie) Downplay partiality for music, arts Highlight childhood aptitude in mathematics, science Maintain eye contact to correct extent, avoid long monologues   Declare intention to act as own legal counsel Suggest deep knowledge of judicial protocol less important than conveying modern life’s near-infinite complexity, pressures of which intolerable Use as evidence images chanced upon recently of Earth from space, utterly dark but for luminous streaks—flight paths, arcing and meshing across planetary surface, brightest over teeming cities such as ours, sparsest over distant wildernesses beckoning like empty rooms at party hosted by enemy How to contend? How remain steady before visions so stunning, quotidian routine rendered (meaning-wise) scant? How defecate, shower, shave face, commute, toil, defer to superiors, remain polite at sandwich outlet when handsome, better-dressed, wealthier man barges past holding forth into hands-free set, causing spillage of expensive scalding-hot beverage onto newly-purchased, freshly-ironed shirt?   Resist digression   Expect prosecution to roll out photograph Contemplate image, wince, tilt head Express respect for Bill Pointer and work—recall The Singing Dunes tattered copy on Uncle Steve coffee table, youthful hours lost in pages, disbelief such places/people real, magnificence of world revealed Voice regret current incarceration prevents visit to Pointer retrospective at V&A State desire to encounter Pointer, shake hand, thank sincerely With rueful smile relate compulsive maternal scrapbooking of every traceable picture appearance across international print media—three scrapbooks required, fourth purchased as precaution Remark on poignant comparison with Robbie’s Achievements Book, maintained by mother throughout boyhood, pages stuffed with house-point cards,

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

March 2015

House Proud

Amelia Gray

fiction

March 2015

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors. Watching those baseboards...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

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January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

 

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