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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects, hosting a few performers who crawl the floor, softly pawing their faces, on all-fours Dressed in comfortable basics, they’re determinedly imagining that they’re cats And that day, they were cats for six straight hours: emulating cat mannerisms, ignoring visitors, being aloof   I Am A Cat, the title of the piece, is the creation of Finnish artist Tuuli Malla, one of 30 performance pieces over 30 days that herald the opening of Nahmad Gallery, collectively titled ‘I Am Not Tino Sehgal’ It’s a brave move for a commercial gallery founded by two under-30s, Tommaso Calabro, formerly a project coordinator at Sotheby’s in Milan and London, and Joseph Nahmad, younger brother of London-based gallerist and collector Helly   Throughout the month-long exhibition – which, it should be noted, has no official affiliation with Tino Sehgal – there’s little that would be familiar to the old guard on Cork Street, which has for decades played host to the more exclusive of London’s contemporary art galleries in the West End When there aren’t cats, there is a performer scrawling the name ‘Tino Sehgal’ in various animal shapes into notebooks on the floor (Damiano Fina’s But I have him), an artist playing at gallery invigilator, sitting silent and unmoving, reading Ulysses next to a walkie talkie (Beth Fox’s This Work)   For Italian/French art collective VOO’s piece, Coined Situation, the artists placed a single performer in the centre of the room, surrounded by 1p pieces It’s a large mountain of tarnished bronze, but seems diminished when we learn that it amounts to £1,000 – the sum the collective receives for participating in the show The performer sits alone, moving the coins around, piling them into towers I ask what I’m supposed to do and little yellow cards are proffered, reading ‘1 MOVE for 1 COIN’ Eloise Lawson set the rules rather more clearly for her piece, What Is The Meaning of this Gathering? All participants were blindfolded and guided into a closed-off gallery space, where they joined other participants and the

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

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June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

Art

June 2013

NEOLOGISM: How words do things with words

Maryam Monalisa Gharavi

Art

June 2013

A version of this paper was delivered at the Global Art Forum at Art Dubai in March 2013. The...

 

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