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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

On the final evening of the conference, Clara leaned against the railing of her fifth floor balcony and watched mist gather over the slow, brown river A dirty sunset tinted scattered clouds and backlit the bare trees on the promenade In the grounds of the hotel, a white plastic marquee had been erected and the first guests were making their way along lamp-lit paths for the conference’s closing party   Within the sliding doors, her phone shuddered on a squat glass table Tilly’s smile glowed on the screen, the only light in the dim room – Tom calling to see how her paper had gone and so she could kiss Tilly goodnight before heading down to the party She flicked on the bedside lamp, slipped in her earbuds Tilly was on Tom’s lap, facing the camera In her hair, she wore a little mauve ribbon that he must have tied especially for the call Look, Tilly, here’s mummy, he chirped, flapping a hand at the laptop camera, encouraging her to do the same Tilly wasn’t waving though She stared from the phone as if she had no idea who the strange woman smiling at her from the strange room was Look, it’s mummy, here she is, say hi mummy, Tom urged, and winked his hand She’s just tired, he said, she’s been constantly asking where’s mama But by now, Tilly was completely absorbed with her own image in the upper corner of the screen, pulling faces, chatting away in a private language of saliva and surprise    Even though it was only three nights, Clara had dreaded the idea of being apart from Tilly for the first time She’d been set on declining the invitation, but Tom assured her it was a perfect opportunity for her to ease back into work He’d be fine, as long as she left them enough tittie juice She hated when he called it that, but laughed obligingly and expressed milk into a dozen labelled and dated plastic bags Despite their efforts to wean her, Tilly was still breastfeeding at 15 months and Clara fretted over how

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

 

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