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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

GADAPA (THRESHOLD)   Pedavva cried her last words, ‘Gadapa duram, khaadee deggera’   Gadapa is the site of our experience – always nearing almost touching like a wish It is where you will find our land, which we neither own, nor belong in   Women slapped against walls nailed with frames of ancestors and blessing gods, sit at the gadapa talking with the neighbouring women Hanumavva with more than tobacco-packet in her bosom waits at the gate for more than a bus to the next village Nagaraju traded his body for some touch at the bank where the stillborn are let in the river that Mogulappa cried   The women who raised me accuse me of appropriating and violating their carework of loving I love like it’s the only skill needed to survive in this country   I can’t love like your men Body full of violence, fascist to the teeth, logically invalid by bones A blind bull tricked, shot and sold in the crowded Monday bazaar   Pedavva cried like the waves of the flood that transgressed our thresholds with all its laborious force on 26th July, 2005 She entered life like the waves to collapse a home built to bury her body   Like gutter flood she broke in through the roof, occupied from the cracks, claimed from the toilet drain just to belong   Now squatting across the line, skilfully sifting the city sludge in sieves, we strained no gold Only a wasteful amount of soil, soggy cooked rice and plastic   Just like our dreams of breaking the world and the Mithi River streaming with flamingos     BORN AND RAISED IN BAMBAI 17 for Nishant   At the mouth of the world I ache for nothing but the feeling of being swallowed In the slow, changing colours of the twilight I saw God from the local train passing over the bridge They were tailoring curtains No third eye or big hands Just crow wings & burnt skin spread across the sky I prayed to them for their seeping light in my veins and my pericardium They sang to the drumbeats Come find me at jaatara where pioneers meet their death where you last confided in Begum’s eyes where all your brothers descend where the hearts turn as soft as entrails under the knife Through

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Prize Entry

April 2015

Smote, or ...

Eley Williams

Prize Entry

April 2015

To kiss you should not involve such fear of imprecision. I shouldn’t mind about the gallery attendant. He is...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

 

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