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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the renowned anthropologist and activist Although critically acclaimed in academic circles (he has been described as ‘the best anthropological theorist of his generation’), I was surprised to find relatively little on the man and his work – save a few articles and interviews regarding his involvement in various alter-globalisation movements over the past decade, a few more concerning his controversial departure from Yale, (he now teaches at Goldsmiths University of London), and of course, the odd intellectual dispute with Slavoj Zizek in the LRB   Yet, since June, interest in Graeber and his work has soared, indubitably due to the expansion, replication, and success of the Occupy Wall Street movement, something which Graeber has been heavily involved in from its formative stages, causing the mainstream media to characterise him as a sort of ‘anti-leader’ of the global anti-capitalist movement Articulate, engaging, and profoundly intelligent, Graeber has become a popular spokesperson for the protests (although one should be careful with the term given the non-hierarchical structure and ethos of the camps), an eloquent commentator who offers a historically engaged analysis of the movement’s aspirations and grievances alike   His most recent book, Debt: The First 5000 Years, which explores an alternative history of money and markets that is steeped in violence and oppression, has been described by Bloomberg Business Week as providing ‘an intellectual frame and a sort of genealogy’ for the occupations Meanwhile, in recent articles and interviews Graeber has been particularly vocal on the point of demands, or more specifically the lack of, from OWS and its ilk – a strategy the media has remained utterly baffled by, insisting it to be antithetical to the change they seek, and using it as evidence of the protestor’s ‘lack of clear aims’ or understanding   Instead, Graeber has put the spotlight on the anarchist principles of the Occupy movement, explaining that the lack of concrete demands is part of a pre-figurative politics The protestors act as though they are ‘already living in a free society’, and thus

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

Prize Entry

April 2017

1,040 MPH

Alexander Slotnick

Prize Entry

April 2017

Isaac Goodchrist, Esq. reviewed the 48-hour letter.   …therefore, in the strictly professional opinion of this author, the nation’s...

fiction

July 2015

Agata's Machine

Camilla Grudova

fiction

July 2015

Agata and I were both eleven years old when she first introduced me to her machine. We were in...

 

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