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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

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Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Although I had landed two hours before, I was drinking wine and not coffee as I waited for a friend, a newly credentialed lawyer, to explain his concerns about civil liberties in his country At my back, shrieks rose My mistake had been remembering the yearly transformation of the Bassin de La Villette as festive This visit to a café on the canal’s bank had been my suggestion Floating dive bars lift anchor, replaced by kayaks and bulky platforms within which it’s possible to pilot a child’s plastic boat or, last year’s innovation, to swim A whine reached us from a zipline A boat whose deep pink sail bore a logo for the 2024 Olympics rotated slowly, moored unstably to two buoys The city’s bid was in Meanwhile, temporary metal fences cordoned off the canal, and last August, to walk alongside it, one had to submit to a guard rifling through one’s bag To another American, I pointed out Doric columns, the Villette Rotunda, built in the eighteenth century as a tollbooth in the city’s wall Like a tree, Paris has grown in concentric rings; this wall, where taxes used to be exacted, was succeeded by a looping railway, by the Périphérique highway, and, most recently, by a scheme called Grand Paris, which will incorporate some of the suburbs into an extended Métro web and administrative system So unpopular were the taxes – and, by extension, the Rotunda – that its architect, Claude-Nicolas Ledoux, was imprisoned by revolutionaries in 1793 The American had heard of Ledoux’s dream, a city of three thousand inhabitants laid out radially around a salt works that the architect had built He sketched buildings whose geometries cross Neoclassical and ziggurat – Space-Age avant la lettre A vast orb sunk among mausoleums would serve as a cemetery As with the factory, which centred a director’s house the architect called a ‘temple of surveillance’, the design emphasised sightlines The panopticon was not, for Ledoux, incompatible with utopia On the contrary, in Chaux city, the architecture would refine the thinking of the citizenry[1] They would have nothing to hide Michel

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

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January 2012

The Common Sense Cosmos

Ned Beauman

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January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as...

fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

 

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