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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Elif Batuman never intended to become a non-fiction writer She always planned to write novels, and it was only when she was told that nobody wanted to read a retelling of Dostoevsky’s Demons set in a Stanford-like Comp Lit PhD program that she ended up with The Possessed: Adventures with Russian Books and the People Who Read Them (2010) An essay collection containing work previously published in n1, Harper’s, and The New Yorker, where Batuman is a staff writer, The Possessed pioneered the ‘bibliomemoir’ Its tremendous success set off an obscure chain of events that would lead to such things as the discovery that Jonathan Franzen keeps weed in his freezer, and magazine photo shoots ‘clutching a Russian-language volume of Dostoevsky’ to her bosom   Batuman has, however, returned to her first love: having recently completed one novel, The Idiot, she is working on two more (one a sequel, another about Turkey) The story behind Batuman’s newest book is like the dream of a writer on deadline crossed with a television cooking show: stymied by the novel she was under contract to write, she turned to an abandoned draft of a different novel she had written sixteen years prior, during a year off from her PhD Intending simply to borrow some choice period touches, Batuman found the real beginning of the story she had been hoping to tell — ‘here’s one I prepared earlier!’ — even if the manuscript itself, with its Y2K postmodern trappings, was painful to behold She set out to edit and rewrite what became The Idiot, the autobiographically inspired story of Selin, an 18-year-old Turkish-American girl, during her first year at Harvard in 1995 Selin goes to work on linguistics, befriends a cultivated Serbian named Svetlana, and falls in love with Ivan, a Hungarian mathematician in her beginning Russian class They write to each other by email, at that time a new technology possessing for Selin a mystery and romance that seems utterly impossible today   Though I was already an admirer of Batuman’s work, The Idiot hit particularly close to home I met Elif in London, in the

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

August 2013

The External World

David OReilly

Art

August 2013

  The External World from David OReilly.   BASIC ANIMATION AESTHETICS   For the purposes of talking about animation,...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

 

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