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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

https://soundcloudcom/user-856373367/david-hawkins-field-recording/s-oqrsd2iveh1   FIELD RECORDING   When you record the air, its soundings go boneward    A small, ear-sized mushroom collapses upwards into    a state of pure colour and to draw it with sounds    then becoming words is an amiable task A ladybird    lands on your sleeve: it smells brightly,    orange-tipped emulsion, chewing noise until listening pauses: aural history is an opening skull, huge weathered stones left by ancestors    are a broken eminence Could we be its fontanelle?    As a slender membrane sinks like a trampoline    through the filleted sky, so the ear grows into the ground    at the speed of slow echo We want to exist    like humpback whales, let our song gather itself    around the whole world and return the same notes    yet somehow changed by the timbres of distance,    but that sheer blue crow feinting on its updraft    is a new distraction picked from a bucket    of luminous seeds and fungi Before you pack the gear away    please mention the grass growing and the gentle blush    teeming in your cheeks, the near swoop of an eyebrow   https://soundcloudcom/user-856373367/david-hawkins-roadkill-redacted/s-LXwjkvo1TKM   ROADKILL REDACTED   It’s true that I’m the slightly bloated carcase of a young roe deer sprangled on the edge of the central reservation Like something in amber, my legs are a tangled glyph, my face flayed by insects, as traffic iterates and reiterates its sane and modal realism A million flies have drunk from my fraying tear ducts Neutral voids, my eyes; where small nightmares well up and print themselves on tarmac in an abacus of

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

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February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

 

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