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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

From the start he was thrown in at the deep-end when the head keeper just handed him a pail of steaks and hustled him through the gates of the enclosure The thinking was that, since he was Jewish and not Christian, the lions would not have a taste for him Roth was dubious, but complied   The way to be was fearless but non-confrontational ‘Show them who is boss’ was the mantra Keepers before him had felt the temptation to become pally with the lions, to try and become friends with them They had paid the price So: ‘Show them who is boss’ They had filed into the lecture theatre to have a seminar right at the beginning of their terms at the zoo At the front a bushy-faced keeper had given them a brief talk on precisely this subject The talk was entitled ‘Show them who is Boss’ They had shown clips from Grizzly Man, mainly the sequences from just before Treadwell’s death The elderly keeper had stood guffawing at the back He was an ex-Kossack He was a traditionalist when it came to death The lions sat in the cages Roth had been told that the more intelligent the lion the more impossible he could be The more mangy, the more bedraggled and lazy-eyed and ghetto-looking the lion, the less you should worry Those lions weren’t intelligent enough to be mean Roth put his shoulders back every day and strode, like Clinton, into the enclosure The point was about body language They had to know that he wasn’t a man to mess with He looked out into the audience sometimes to see the anxious crowds, anxious for him Inside his head, he snorted at them Inside his head, he tossed his head What he had come to realize was that the lions were less interested in him than each other This realization came as a relief If he ever got knocked about it was usually an accident The day-to-day challenge was not to tame them; the day-to-day challenge was to get them at

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

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April 2017

Symbols Made Me Hardcore

Joe Bucciero

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April 2017

‘A Sound System, like the property of any system, is the interaction of the sum of its parts.’ —...

 

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