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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d heard then one of the stories I tell Mario now, I would have said poor guy, and then I would have added, fully convinced, he’s crazy, or maybe, he’s pretending to be crazy or he’s lost it, or better yet, he’s loco, and the world, muchachos, listen up, this world is an endless black joke, but at least I – I don’t know about you – but I, officer Warren Sutpen, ex-nightwatchman of the glorious Harry Ransom Center of the University of Texas, here, at my forty-some years and ready to respond to the call, still find myself saved   Saved from who or what? I don’t really get it I don’t get it now, and I didn’t before And the thing is, before, say, a shitload of years ago, I didn’t talk like this For example, not six months ago, the word ‘joke’ meant something funny to me, like ‘just kidding’, or ‘playing a trick’, and ‘black’, I mean, ‘negro’, was just a little word I couldn’t use, no, never ever, not to talk about los pinches negros, for instance (Mario, my psychologist, calls them ‘African-Americans’, and if they’re Chinese, they’re ‘Asian-Americans’, and if they’re Latinos, he calls them ‘Hispanics’ and if they’re Hindus he calls them ‘Indians’, and so all this networking or whatever it is seems to go really well for him, since he says everything in this nice, musical way that I just can’t imitate whenever he corrects me with his perfect accent and the manners of the white Texan he actually isn’t)   He also says two marvellous things about ghosts The first: Warren – he looks at me, I listen – is that they seem very real, but really, they’re the product of delirium, of a mental anomaly that’s perfectly controllable if only you accept it, and of course, Mario, I accept it, and moreover, I’ve made that very clear to all the fucking ghosts The second is that talking with them shouldn’t be considered psychotic

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

 

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