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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Professor Lock-up straightens behind his security screens as I push my detergent cart into the lobby The drop in temperature shocks me The lobby is like a refrigerator   ‘Good evening’ Professor Lock-up inclines his head ‘How is The Great Dr Clean-up today?’   ‘I am well, thank you’   We ask after each other’s wives and children and, throughout the exchange, his gaze roams beyond me and down over his screens   ‘God is good,’ I say ‘Regrettably, I must hurry tonight’   I cannot waste another minute here with him; I am no longer looking for a security man’s stories, ordinary tales such as:   Professor Li has flown home already The heat was too much for him His ankles swelled red and he shuffled about his lab in ordinary slippers The next week, he did not sign in at all His replacement will come on Tuesday   or:   You have probably heard, but Dr Huang is flying his parents out for this ‘New Year’ celebration they do Imagine   ‘We will talk soon’ I fish my pass from my bag ‘Another time’   Professor Lock-up squints at his screens His screens are divided into grids that show every empty corridor and laboratory in the Loop’s vast campus He straightens, looks back to the glass doors and rubs his thick neck   ‘I don’t know if you have – ’   ‘Oh, I have heard’   Truly, the thrill of Professor Lock-up’s ability to translate the scientists’ abrupt language has faded; more so now that I am learning to understand it for myself To hear one of their stories is to hear them all   I no longer collect tales of decorated professors, of technicians and student researchers returning to Beijing   I have wrung the last juice from rumours of small families and thin wives who wait indoors, afraid of how the sun might greet their skin   These stories are everywhere My children – even little Kofi, whose mouth is always open, who clings to his sisters’ legs to stand – are no longer satisfied by them My little ones have realised the scientists are, under their differences, like us No children want to hear tales about people like their parents   ‘I will clean Conference Suite Three

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

 

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