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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

I’d like to introduce you to a book, an impressive book that no one read when it first came out in Romania in 1936 or later when it was reissued in 1970: Adventures in Immediate Irreality by M Blecher And when the first German edition appeared, which wasn’t until 1990 in a translation by Ernest Wichner, no one read that either, even though few books published in Germany since 1990 could compare with Blecher’s novel for sheer literary intensity But perhaps that’s why the book never attracted a wider audience?   In order to convince you, I’d like to let the book speak for itself   ‘The crowds, making the rounds, would pass from zone to zone, bright lights to darkness, like the moon in my geography book’ is how Blecher describes people visiting a fair And no other sentence better describes his own text The external plot isn’t easy to describe – it’s really the ongoing reflection of an interior narrative, a manic inner monologue written in the first person, in which the narrator’s striving for self-assurance becomes a confession This narrator is a nameless adolescent roaming through the summer heat of a small town He has no goal whatsoever, he is searching, as Blecher says, for the correspondence between himself and the waxwork panopticon of places, people, and objects set in the world The search produces emotional upheavals that he calls crises, which all come from the ‘terrible question of who I actually am’ – a question whose answer ‘requires a lucidity more basic and profound than that of the brain’ In the words of Blecher’s narrator: ‘And I have returned implacably to the surface of things … Never, under no other circumstances, have I felt so clearly as in moments like these when every object must occupy the place it occupies and I must be the person I am’   Places, persons, objects – and this vagabond narrator that speaks of himself so perplexingly and so intriguingly that it goes far beyond being ‘a complete stranger’ to himself Because what this person says about himself goes beyond what even a person might

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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poetry

July 2011

Letter of a Madman

Guy de Maupassant

TR. Will Stone

poetry

July 2011

Introduction by the translator In the early hours of 2 January 1892, sensing the approach of insanity, the renowned...

feature

January 2011

Futures Past: Monumental Memorials of Modern Berlin

Leila Peacock

feature

January 2011

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the...

fiction

May 2015

A History of Money

Alan Pauls

TR. Ellie Robins

fiction

May 2015

He hasn’t yet turned fifteen when he sees his first dead person in the flesh. He’s somewhat astonished that...

 

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