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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated (2002) commanded a $500,000 advance and was released when its author was barely 25 Originating in a creative writing thesis written under the guidance of Joyce Carol Oates when he was an undergraduate at Princeton, it tells the story of one Jonathan Safran Foer, a young American Jew in search of the Ukrainian woman who saved his grandfather from the Nazis   Hailed by The Times as a ‘work of genius’ after which ‘things will never be the same’, it won the Guardian First Book award and was – unfortunately, disastrously – made into a film starring Elijah Wood in 2005 The praise wasn’t universal, with the book also facing charges of preciousness and factual inaccuracy   His second novel, Extremely Loud and Incredibly Close (2005), is narrated by a 9-year-old boy who has lost his father in the 9/11 attacks Ending in a flipbook showing a figure falling from the Twin Towers – or ascending, depending how one decides to flip the pages – it also divided opinion Salman Rushdie called it ‘ambitious, pyrotechnic, riddling, and above all … extremely moving’; influential New York Times critic Michiko Kakutani described it as ‘cloying’ ‘While it contains moments of shattering emotion and stunning virtuosity that attest to Mr Foer’s myriad gifts as a writer,’ she added, ‘the novel as a whole feels simultaneously contrived and improvisatory, schematic and haphazard’ Meanwhile, the film adaptation, released earlier this year, was ‘almost universally reviled’, according to the Guardian’s Xan Brooks, but made the author himself cry   This is the way it has been for Safran Foer ever since his extremely successful and unnervingly mature debut: he is the only contemporary writer, with perhaps the current exception of Jonathan Franzen, to command such extreme reactions from the reading public Foer-bashing, imaginatively and appropriately dubbed ‘Schadenfoer’ by the Guardian, threatened to spiral out of control in 2008 when the likes of Gawker took it out on the author’s lifestyle Married to fellow author Nicole Krauss, Safran Foer is a practicing vegetarian

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Art

July 2014

(holes)

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses...

 

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