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Tolu Agbelusi
Tolu Agbelusi is a Nigerian British poet, playwright, performer, educator and lawyer. A Callaloo fellow, she was longlisted for the Jerwood Compton inaugural prize and has been published widely including by Ake Review, Pittsburgh Poetry Review and in Peepal Tree Press’ latest anthology, Filigree. Creator of Home Sessions, a poetry development program for young Black poets, Tolu has also led several workshops as well as a series of guest lectures to PhD students at Birkbeck University. More information at www.ToluAgbelusi.com.

Articles Available Online


After Carrie Mae Weems ‘The Kitchen Table Series’   Hands placed just so, I instructed the mirror to document transformation – becoming my mother with nothing more than a gesture and the sheen of bright red gloss Who knew ten years later, I’d avoid mirrors that threw her in my face Did I say all mirrors? Except I was crashing them against concrete Finding the most triangular edge Digging the earth of my body for a reflection I could believe Hospital windows wouldn’t break I’d know That was a long time ago Different time Today my mother’s hands are a constant shiver I stand behind her Frame her hands in mine and pull the lipstick across The mirror looks at us I don’t break it I don’t avoid her eyes staring from my face and hers at the same time How could I? I’ve now lived long enough to know what it took to be her
Locating Strong Woman I

Prize Entry

November 2018

Tolu Agbelusi


READ NEXT

Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

fiction

April 2013

Fairy Tale Ending

Stacy Patton

fiction

April 2013

Rodeo Cowboy You meet him at a rodeo dance on the Fourth of July. You are 17. He is 20;...

feature

November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

 

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