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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

This story featured in The White Review 18, published in 2016       On the way to the dental clinic they talk about going home for Christmas It’s November and Marianne is having a wisdom tooth removed Connell is driving her to the clinic because he’s her only friend with a car, and also the only person in whom she confides about distasteful medical conditions like impacted teeth He sometimes drives her to the doctor’s office when she needs antibiotics for urinary tract infections, which is often They are twenty-three   Connell parks up around the corner from the clinic and the radio switches itself off He has taken the morning off work to drive Marianne to the appointment, which he hasn’t told her He’s doing it partly out of guilt A week previously Marianne gave him head in his apartment and complained afterwards that her jaw hurt, and he was like, do you have to complain about everything all the time? Then they argued They were both a little drunk   Marianne remembers the incident differently She remembers giving Connell head for a while on his sofa and then she stopped because her mouth hurt He was pretty nice about it and they had sex on his couch instead Only afterwards, when she started talking about her mouth again, did Connell say: you complain a lot more than other people They were lying side by side on the sofa then Marianne said, you mean your other girlfriends And Connell said no, he meant people, as in everyone He said no one he knew in any capacity complained as much as Marianne   You don’t like hearing people complain because you’re incapable of expressing sympathy, Marianne said   I already told you I was sorry the first time you complained   You like women who don’t complain because you don’t want to see women as fully human   Every time I criticise you, it turns into a thing about me hating women, he said   Marianne started to sit up then She gathered her hair into a roll and felt for a clip to put through it   I find it suspicious, she said That you always

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

feature

March 2014

Burroughs in London

Heathcote Williams

feature

March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

fiction

April 2014

by Accident

David Isaacs

fiction

April 2014

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic...

 

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