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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation, a marshland waterlogged – soggy ground needs time to dry it out –   but time as sea wind not calendar, the time found inside spaces stretching out and over like skin on a drum is a resonance, a wave that submerges the entire rock, not chiseling or scratching at one area only, not just a mind to impress upon   but a flattened and silken self all bound into the support of the water, head rising up then down to find my breath     DIVINATION AT HIGH WATER   Small birds dip on the tide, one instant silver, next dark as shadow and, seep-into-it, disappear again in the glint of sun on the wave; and turning under into the crust of water, taking on edges and then reversing, then – flicker –   there is no need to carry a narrative high on my shoulders as the light makes me another story, touching distance huge as the earth’s arc,   no collapse of form or dissolution, but an alteration, a submission to the sky and then, for a moment, enlarged as wide as a firmament, my body, a long afternoon of rain, becomes thunder     PORTENT IN THE HIGH WOODS   The men sit before the hearth, spit words into flames Some thing is coming over the mountains, along forest tracks and past the stream   They know this as he saw it in a dream, heard horses’ hooves stick in sandy mud, saw in his sleep a shadow in the high wood, long-lined like a tree but swerving down the path like a torrent   He says this out loud Men lean inwards, look east across lead-lined windows, terraced gardens, sodden topiary to feathery fog, the flood   And in woods, at a fire-pit in the grove, twigs are laid on the centre-stone, a mist swirls then scatters as oaks creak and crack, cloudy droplets skulk like rainclouds over the earth   At their hearth, the men cackle, scramble for spears and swords Across mountains, in the estuary, the thick tide is far and out Lithe winds ride in over the valley One man licks his lips to taste the salt   *   In the grove, weary bodies rest on the sound of the mist, which crunches  now like the rock that

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

Issue No. 17

Winter Diary

Galina Rymbu

TR. Joan Brooks

poetry

Issue No. 17

who bravely blasts their breath through the horn flares of gloomy streets, into dripping construction trailers, dropped by the...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

Interview

September 2012

Interview with Michael Hansmeyer

Lawrence Lek

Interview

September 2012

Every project made with a computer expresses a relationship between aesthetics and technology. The historical progress of technology works...

 

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