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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

(this) black girl as shadow-boxer   Born soft, bulging, with sympathy & all manner of fruitful & barren laws, you cannot help but burst into prayer Always, till you wander into that invisible second of ecstasy, sweet communion with self   In silent moments, your little black girl smiles from inside you She smiles a Sunday morning, slept in on – a small sacrifice for the better of others She’s your reflection – a mirror from which you’re always backing away She stares at you long –   watches you wear pretend-earnest Pray that you pray for her joy, her days of abundance, of expansion Teach her to pray with precision for there are likely to be days when your breasts will search for ripeness   but black rot will come easier touch yourself – again & yet again till you wander into that hour of ecstasy, sweet communion with self, begging you to fulfil a wish, to no longer erase yourself       Small Inheritances   Your amai once was a girl too, adolescent, a curious young being, with skin like salted caramel, & a mouth full of salt, lemon, all things unsweet, your amai was once a girl too Who, like you, knew how to squander a full night’s sleep on fantasy, to swap it for full days of broad, deep slumber through heartbreak, through the last sliver of dim light, falling through the blinds soon after sunset She would tell you how hairless your head was, stuck between her thighs for hours How the midwife told her swallow, breathe,                  before asking if her father’s sisters hadn’t taught her that real, strong women birthed in silence, tongues tucked behind gritted teeth On days she used belts, switches & extension cords for broken cups, curfew slips, & other small things You cried for her, mostly for yourself You could never tell if it was that you looked like your father or because birthing you almost killed her     On Legalising MaryJane   You remember your grandfather’s imprecise smile Teeth a yellowing white like the sun’s glare at high noon; lips almost black like night on a full moon Mornings were spent tending to his fields before meeting afternoon, under the shade of the msasa, armed with a worn leather-bound bible; old newspapers &, a worn leather pouch Your assigned role: grab a piece of lit firewood from the kitchen hut for him to light what you thought to be newspaper-rolled cigarettes You remember your grandfather’s eyes; they had clouds

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

June 2015

Hotel

Mónica de la Torre

poetry

June 2015

Hotel   The housekeeper has children living in town with her but her husband and relatives are in Somalia....

poetry

August 2016

Three New Poems

Sarah V. Schweig

poetry

August 2016

‘The Audit’ and ‘Red Bank’ are excerpts from Schweig’s forthcoming book, Take Nothing With You (University of Iowa Press, 2016).  ...

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February 2011

Red Shirts in Thailand

Sam Brown

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February 2011

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed...

 

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