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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

FEATURE

July 2015

ROSE MCLAREN

FEATURE

July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

FEATURE

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

ROSE MCLAREN

FEATURE

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Seeing the pen hover millimetres above my notebook in anticipation, Dona Vilma holds up her hand ‘Ask me anything you like’, she says to me with a smile ‘But you can chop some potatoes while we speak’ I switch on my tape recorder instead   On a tiny scrap of land on the eastern outskirts of São Paulo, off an unpaved path leading to the favela beyond, stands a small squat building made of poured concrete and chipboard A banner outside reads ‘Cozinha Solidária Almoço Grátis’ Solidarity Kitchen Free Lunch It is a modest affair, but for many residents of Jardim Iguatemi the facility had become a second home    Six days a week Vilma and Rose arrive at 8am and get to work cooking for never less than 100 people When I first visit in 2021 to interview them, at the peak of the Brazilian summer, the ground dried to a cake of dust, the menu is beef and potato stew served with filling manioca and rice Vilma, a retired school cook, is in charge Dona is a prefix of respect Her silvery hair is tidied away by a white scarf cheered up with a teddy bear motif; her leopard print blouse is protected by a red apron She navigates bumper packets of beans and sacks of flour piled high, hauling heavy cooking pots of steaming food on and off the small gas stove Later a colleague arrives with black plastic sacks splitting under the weight of sturdy carrots and leathery spinach, bulbous spring onions and big bunches of deep purple beetroot, all grown and donated by a nearby community garden    I still think about the kitchen a lot, as Brazil nears the end of Jair Bolsonaro’s gruelling four-year presidential term: it represents the cruelty of this country, one that welcomed a far-right leader with a mix of social fury and misjudged financial self-interest; but the kitchen says something too of Brazil’s perseverance and generosity   I first came to Brazil in 2012 Three years previous The Economist had used its cover to hail the country as an economic miracle: the headline ‘Brazil

CONTRIBUTOR

August 2014

Rose McLaren

CONTRIBUTOR

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

FEATURE

Issue No. 6

ROSE MCLAREN

FEATURE

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

FEATURE

February 2012

ROSE MCLAREN

FEATURE

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

 

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