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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

1 ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband’   Marriage falls into a specific category of things I don’t want to think about because their meaning swells the more you do Personally, socially, historically And yet, I am always interested in love stories: I listen to my friends talk about their love lives and when they apologise for dwelling on something – ‘is this boring?!’ – I answer, ‘love is the subject’ I am interested in how we organise our lives by connection with other people, in how we live alongside others, in how love is a social construct and a form of relation Love is the subject, by which I mean, love is something we want to narrate and discuss, because words make this inexplicable and incomprehensible thing – other people – feel less ambiguous, perhaps closer to certainty   I don’t mean to conflate marriage and love Quite the opposite – it is marriage’s function as an organising logic that I fear, that I believe does not work for anyone (especially not women) When I speak of marriage, it is not love I think of, but power I think about Phyllis Rose discussing this in the introduction to Parallel Lives: Five Victorian Marriages (1983): ‘When we resign power or assume new power, we insist it is not happening and demand to be talked to about love Perhaps that is what love is – the momentary or prolonged refusal to think of another person in terms of power’ But power is impossible to sidestep A page later: ‘Who can resist the thought that love is the ideological bone thrown to women to distract their attention from the powerlessness of their lives?’    Perhaps it is due to this ‘ideological bone’ that I am writing about marriage when what I’m really interested in is love I am not confusing the two as much as recognising what Devorah Baum delineates in the introduction to On Marriage, that ‘marriage is so fundamental to shaping our ideas about what it means to get attached that one

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

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Issue No. 10

Seventeen Contradictions and the End of Capitalism

David Harvey

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Issue No. 10

Prospects for a Happy but Contested Future: The Promise of Revolutionary Humanism   From time immemorial there have been...

poetry

September 2011

Nigel

Patrick Langley

poetry

September 2011

Jamie sat alone at the edge of the dance floor and wondered how long it would be until Nigel...

 

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