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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to the music of Satie’s Embryons desséchés in the middle of the opera, Pistorius Rex, & in the very womb of the theatre which cannot be located on earth NO-OUVERTURE: But an interlude, a Quaalude, under Europa, an etude, a vein where the scholar can ride a pen assassination, an arbour assignation in which a nymph snaps her neck and goes cyanic like a cygnet, her pupils unspooled, and a poet hangs his lyre amid the branches lyre-stage death of the author wearing a gold noise-cancelling machine for a crown and golden jump rope for a noose getting high, lying down like a jock on the highway with his hands in the curls of another jock because they saw it in a movie: how to love and bury their hands in each other: androphiles on the dividing line remember when the jocks all extinguished themselves in an Illiad of trust, magic, desire and idiocy? – Our opera’s got too much of these already! – so bring on the ballet already! TABLEAUX MORTES: Ahem The wealthy men of S——– would like to see their mistresses’ dinner-plate tutus and powdered thighs, teasing calves, ankles so easily cocked between thumb and finger Leave the slippers on, sister Tiny spoons for caviar and cocaine But the bone spoon is the best spoon Occiptal dishlet, better than Spode or a krater of the moon Place to sip Spores and spicules Dear eyebone! China white! Knockout punch! Fontanel! Ahem As patrons of the Opera, these men demand more ballets per Opera They are refugee princes, pencil manufacturers, salt-peter synthecisers, clockwork organisers, and beaver-pelt hats purveyors And also the purveyors of ringtones, Glocks, and daytrading software They sit in stalls and boxes with chains hanging down their chests because they are also mayors & brewers from New Glarus

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

Prize Entry

April 2017

Terre Haute

Lauren Van Schaik

Prize Entry

April 2017

We’ve been quarantined in the school gym for three weeks when we realise just how much we’ve forgotten. Not...

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

 

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