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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of The Garage Museum of Contemporary Art Before I take my seat in the back of the BMW he is driving, Roman tells me that he loves his country, his wife, and Princess Diana, after whom he named his daughter Having discovered this is my first visit to the city, he decides to take me on an impromptu tour of the centre We drive past ‘Putin’s house’, aka the Kremlin, and St Basil’s Cathedral, where he launches with glee into a retelling of a legend of Ivan the Terrible, in which the original ‘Tsar of all Rus’ pokes out the eyes of the cathedral’s architect in order to ensure he never makes anything so beautiful again Then onwards to the glass-domed shopping centre, GUM, itself a potted history of Russian politics: commissioned by Catherine the Great, nationalised after the revolution, briefly used by Stalin to display the body of his wife Nadezhda after she committed suicide, and today a mall so firmly at the lux end of the spectrum that even the ice cream concession is made by Bulgari Last but not least on the tour is Pushkinskaya Square, to view ‘the first Soviet McDonald’s’, where today Roman buys his morning coffee He opens the glove department and proudly shows me the evidence: full of empty cardboard cups   This particular McDonald’s outlet opened on a January day in 1990 30,000 people turned up, and in a sign of the coming change, employees handed out red flags with yellow logos to the crowds, the hammer and sickle replaced by the golden arches The queue that snaked its way around the square that day would not be a one off Come summer, visitors would still be waiting in line for eight hours, to experience the freedom of blocking their arteries in the US style One year later, the Soviet Union would fall, and in the murky scramble that ensued, a few men would make their fortunes buying up state-owned

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

 

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