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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I did not want to walk The day was dull But imperative or impulsion pushed me out, onto the road Whether to turn left, or to turn right, I did not know Left, to the north, had once been a favoured path, but I could hear the weather beating hard on the corner there, and turned then to the right I took the sheltered way In the cold air the shapes of the island, hillshapes, streamsshapes, rockshapes appeared bared to me, undiluted My thoughts that day were clear and hard as those shapes Marred only by a waking dream that had not left me at dawn There were but two bounds to my being One hard, sheeny, as if carved of same landscape The other, the dreamscape At the hilt of the road sheep were being moved along, a collie at their heels The owner was following On seeing him a nervy grin repeated across my face I stood away to the side until the sheep passed and then stepped into the road to join him The boy stopped   Hello How a things? How a things? These your sheep? Half of them They’re some good-looking sheep Ah, they’re alright, surviving, like And you? How are you?   Alright Surviving, like   The conversation rhythmed unperturbed as if written already We had only to mime the words This was the way of provincial greeting, I remembered I bent to the dog, reached close and saw then its manky eye Wary, I jumped back He mumbled to it, a tongue not mine, snapped his fingers and the dog came to him It stretched its neck up close along the length of the boy’s outside leg meeting his index finger there, finger that fell meeting and stroking the short fur on the upperjaw, the muzzle   You’ll be down t’ pub after?     ***     We were sat on low stools at a low table   What’ll you have?    To invite an outsider to drink with him meant only one thing   To then invite another to join in, meant something quite else The latter, blue eyes, sallow skin, (a trait

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

feature

Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

feature

Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

Prize Entry

April 2017

1,040 MPH

Alexander Slotnick

Prize Entry

April 2017

Isaac Goodchrist, Esq. reviewed the 48-hour letter.   …therefore, in the strictly professional opinion of this author, the nation’s...

 

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