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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

1 APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him   Plain white Fruit of the Loom   He scrawls across its front with a fine-tipped Sharpie   The desk is from a former jam factory, although he doesn’t know this – in fact, it pre-dates his birth, which he’s also unaware of He dragged it here from an apartment on the ground floor in the block opposite, which had been broken into and vandalised once the old man who lived there had been ambulanced off to hospital, to cough out the last of his wretched days   They had dragged it – the desk, not the old man – across the parched grass that dissects the housing blocks, across the spaces where it is always great to be six, always boring to be sixteen, into what he laughingly calls home   Home sweet home, homie   He could be in Malmö, Belleville, or Detroit   But he isn’t   He could be a barista, a real-estate agent, or a code programmer   He is none of these   He wears tracksuit pants, tucked into Reebok socks, a pair of Adidas pool-sliders, and a string vest coloured in the red, green and gold of the followers of His Most Imperial Majesty Jah Rastafari!   King of Kings!   Lion of Judah!   He likes the story – no! – he loves the story about Hailie Selassie   The story, so he was told – in a bar near the sports stadia, on the outskirts of Moscow, near the river, that’s where you always hear these sort of stories; either there, or in a graffiti-tagged pedestrian underpass; or very early one morning in a half-empty Metro carriage; even, perhaps, after midnight, shouted over the BPMs of the Ceephax Acid Crew at the Solyanka Club; hell, just about anywhere – but the story he heard in that bar, before the derby between Spartak and CSKA at the Luzhniki Stadium, a football match that he wasn’t going to attend, was this:   That after the King of Kings was cremated, along with a greyhound, and a chicken – the ashes of all three were then mixed together and thrown onto the winds   He thought that

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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February 2015

A Closer Joan

Shawn Wen

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February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

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March 2014

Burroughs in London

Heathcote Williams

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March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

 

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