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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

1 ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband’   Marriage falls into a specific category of things I don’t want to think about because their meaning swells the more you do Personally, socially, historically And yet, I am always interested in love stories: I listen to my friends talk about their love lives and when they apologise for dwelling on something – ‘is this boring?!’ – I answer, ‘love is the subject’ I am interested in how we organise our lives by connection with other people, in how we live alongside others, in how love is a social construct and a form of relation Love is the subject, by which I mean, love is something we want to narrate and discuss, because words make this inexplicable and incomprehensible thing – other people – feel less ambiguous, perhaps closer to certainty   I don’t mean to conflate marriage and love Quite the opposite – it is marriage’s function as an organising logic that I fear, that I believe does not work for anyone (especially not women) When I speak of marriage, it is not love I think of, but power I think about Phyllis Rose discussing this in the introduction to Parallel Lives: Five Victorian Marriages (1983): ‘When we resign power or assume new power, we insist it is not happening and demand to be talked to about love Perhaps that is what love is – the momentary or prolonged refusal to think of another person in terms of power’ But power is impossible to sidestep A page later: ‘Who can resist the thought that love is the ideological bone thrown to women to distract their attention from the powerlessness of their lives?’    Perhaps it is due to this ‘ideological bone’ that I am writing about marriage when what I’m really interested in is love I am not confusing the two as much as recognising what Devorah Baum delineates in the introduction to On Marriage, that ‘marriage is so fundamental to shaping our ideas about what it means to get attached that one

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

March 2017

Snow

Hoda Barakat

TR. Marilyn Booth

fiction

March 2017

Hoda Barakat’s The Kingdom of this Earth turns to the history of Lebanese Maronite Christians, from the Mandate period...

fiction

Issue No. 17

Harmless Like You

Rowan Hisayo Buchanan

fiction

Issue No. 17

Interstate 95, September 2016   Celeste sat on the front seat wearing her black turtleneck sweater. She had three...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

 

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