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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

‘I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living’ Anaïs Nin, The Diary of Anaïs Nin, Vol 5 (1974)   HOSTILE, ALIEN, ALIENATED FROM LIFE   I’m not sure I would make a good collectivist I’m the kind of girl who, when asked by a neighbour to help weed my building’s shared garden, would look up from where I was sun-tanning and say I was too pretty to work (OK – I helped anyway) If dinnertime conversation drifts to utopia, a friend will concede that I can have ‘my own personal corner’ in the commune It’s embarrassing to admit, but I’m not all too gifted at living with other people, even if I romanticise it by dreaming of the ‘hot girl singularity’ that will merge my consciousness with that of my best friends The tendency worries me, given the state of the world Consider that:   The word for world is forest1 The word for world is mother2 The world is made, and remade, through ‘worlding,’3 ‘worldmaking,’4 or ‘worldbuilding’5 The world is rendered by empire, destroyed, and remade forever after The world is a model, a simulation, an ‘infinite game’ that is open all the way up to its borders The world is autonomous and alive It teems with life and voices Some voices are hallucinations, resounding across dimensions Some worlds are hallucinations, hewn in great detail from the base material of the void The world is meant to go on, and on, and on, with or without you The world is defined by its boundlessness in time, dis- and reassembling infinitely Yet the world can only be engineered through the finitude of rules, borders, and forces The world isn’t just an impression, smeared together with other impressions; it needs physics, mechanics, and designers to work Because the world labours to understand its own origins, and constantly re-plots the coordinates of where it might like to end up, the world depends on momentum It requires collective desire Without these things – without a tight relation between

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

October 2014

Roman Nights

Martin Glaz Serup

TR. Christopher Sand-Iversen

poetry

October 2014

4.    It’s New Year’s Eve, I’m standing newly divorced on a roof in a town, we toast the...

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

 

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