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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

When the water first left us, so did the birds   Manzour1, the great white pelican, no longer flew over our disappeared shores His excessive grunt was arrested, he was denied the pleasure of dipping his feet in the water like before    When the water first began to leave us, it was the year 20302 and panic ripped through our town like a swarm of locusts The fishermen, in the dead of night, called on their mystic, Umm Qays, to perform the ritual of Irja’ ya bahr, whose song asks for the return of the sea Umm Qays emerged from her abode, a clay house with white windows, carrying a bright flame that revealed the kohl under her eyes ‘Said and Radi, take me to the manba’3,’ she said to the youngest of the fishermen Arriving at the last source of water, she knelt in front of it, kissing the sand, and as her lips drew to the shore it turned crimson    ‘Said, Radi, lift me up,’ she said She sat on their shoulders as her words poured down ‘Irja’ ya bahr, enough oh sea, Irja’ ya bahr, enough oh sea, Irja’ ya bahr, enough oh sea’ She commanded the water to end its mischief     Said and Radi, with their limbs arranged in perfect symmetry, lifted Umm Qays higher as her voice got louder Her words entered their bodies, and as they chanted they formed a single tapestry of sound: ‘It is your Lord who drives the ship for you through the sea that you may seek of His bounty Indeed, He is ever, to you, merciful!’    Umm Qays licked the flame she was carrying in her arm and it grew into a majestic, bright light It took over the sky, covering the few stars ‘Now,’ she said, as she buried the flame in the water The fishermen, with their eyes falling to their knees, recited silent prayers, hoping the extinguished flame would bring an end to their anguish   But their optimism was cruel, as was Umm Qays’ promise The water did not return   *   After years of drought, our government

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

Issue No. 18

Interview with Eileen Myles

Maria Dimitrova

Interview

Issue No. 18

I sat across from Eileen Myles at a large empty table in her London publisher’s office a few hours...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

Interview

June 2013

Interview with Lars Iyer

David Morris

Interview

June 2013

Like so much of the dialogue that marks time across Lars Iyer’s books, this conversation began in the pub....

 

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