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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the renowned anthropologist and activist Although critically acclaimed in academic circles (he has been described as ‘the best anthropological theorist of his generation’), I was surprised to find relatively little on the man and his work – save a few articles and interviews regarding his involvement in various alter-globalisation movements over the past decade, a few more concerning his controversial departure from Yale, (he now teaches at Goldsmiths University of London), and of course, the odd intellectual dispute with Slavoj Zizek in the LRB   Yet, since June, interest in Graeber and his work has soared, indubitably due to the expansion, replication, and success of the Occupy Wall Street movement, something which Graeber has been heavily involved in from its formative stages, causing the mainstream media to characterise him as a sort of ‘anti-leader’ of the global anti-capitalist movement Articulate, engaging, and profoundly intelligent, Graeber has become a popular spokesperson for the protests (although one should be careful with the term given the non-hierarchical structure and ethos of the camps), an eloquent commentator who offers a historically engaged analysis of the movement’s aspirations and grievances alike   His most recent book, Debt: The First 5000 Years, which explores an alternative history of money and markets that is steeped in violence and oppression, has been described by Bloomberg Business Week as providing ‘an intellectual frame and a sort of genealogy’ for the occupations Meanwhile, in recent articles and interviews Graeber has been particularly vocal on the point of demands, or more specifically the lack of, from OWS and its ilk – a strategy the media has remained utterly baffled by, insisting it to be antithetical to the change they seek, and using it as evidence of the protestor’s ‘lack of clear aims’ or understanding   Instead, Graeber has put the spotlight on the anarchist principles of the Occupy movement, explaining that the lack of concrete demands is part of a pre-figurative politics The protestors act as though they are ‘already living in a free society’, and thus

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

feature

September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

 

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