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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve never heard of: with an audience of 700 million, it has few rivals for sheer reach A China Central Television institution since 1982, the show provides an annual bromide of light-hearted comedy, music, and choreographed patriotism on the eve of the country’s most important festival In a nation reeling from frenetic development and riven by social tensions, it’s a reminder of the cultural ties that bind (most of) China together This year, Chunwan rings in the Year of the Rabbit on the evening of 2 February But even in China, this throwback to a bygone era of modernist spectacle is not immune to larger shifts in the way we consume media The show is losing its younger viewers: according to a recent online poll on Sinacom, 50 percent of respondents who saw the show called it ‘bad,’ while only 13 percent said it was ‘good’ It seems that colourful ethnic minority maidens singing about social harmony just don’t cut it any more for the post-‘80s generation Alarmed over declining ratings, broadcasters have turned to the internet for the first time this year to infuse new life into the old Chunwan beast, planning to draw several musical performers from the online ‘grassroots’ CCTV and other Chinese media have long had a troubled relationship with the 380 million ‘netizens’ who comprise China’s online population Of course, this comes as no surprise to those familiar with the overall status of internet speech in China A small army of censors regularly scrub references to sensitive topics like Falun Gong, Tibet and Liu Xiaobo from bulletin boards Facebook, Twitter and Tumblr, among other social networking platforms, are blocked: in this visualisation of global Facebook connections, there’s a conspicuous hole where China should be Historically, censors have also intervened to halt the careers of apparently harmless internet celebrities, which China produces in spades With a massive online population isolated by the so-called Great

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Art

October 2013

At the Tate Britain: Art Under Attack

Joe Moshenska

Art

October 2013

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind. If we imagine...

feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

 

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