Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t had a business sense?’ The dealer, who did so much with his Paris gallery between 1907 and 1914 to usher Cubism into the world, felt similarly indebted: ‘it is great artists’, he said, ‘who make great dealers’ Then as now, one without the other is unimaginable   Kahnweiler is one among several historic dealers in modern and contemporary art who might serve as role models to the gallerists who are today responsible for bringing ground-breaking artists to a wider public He was, by some accounts, a meagre businessman, but he had the temper for Cubism when few others did He knew not only how to spot artists (he showed all the principal Cubists: Picasso, Georges Braque, Juan Gris, Fernand Léger) but also how to put them into conversation When his artists were unsure, he suggested titles for their work; he wrote about their paintings to provide audiences with context; he recognised the force of their style ‘I did not have the slightest doubt,’ he said, ‘as to either the aesthetic value of these pictures or their importance in the history of painting’   By the time he opened his gallery at 28, rue Vignon, the Salon de Paris had long been on the wane and public tastes were shifting The most affluent members of the bourgeoisie had the money for art, but only a nascent sensibility for abstraction They needed a gallery like his to put the art into context Kahnweiler’s Cubist programme – like Alfred Steiglitz’s photography programme at his 291 gallery in New York, or Charles Egan’s Abstract Expressionist emphasis at his eponymous New York gallery in the 1940s – lent focus to a new chapter in the history of modernism   The most important dealers have always made that their task That’s what the American art dealer Leo Castelli did with his gallery, which he opened in New York in 1957 In January 1958, he hosted Jasper Johns’ first solo show The exhibition, which included Johns’ paintings of American flags, rang the closing bell for

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

feature

November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

feature

November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

poetry

March 2013

Fugitive

James Byrne

poetry

March 2013

I trace the stacked voices of shouters how they immingle fraternally on first hearing with the vaporous nick of...

feature

July 2011

Herat

Sam Duerden

feature

July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

 

Get our newsletter

 

* indicates required