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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

As they say of politics, I have found essay-writing to be the art of the possible Certain work can only be done in those spooky months when particular trajectories align: what was once opaque becomes transparent, and the story may be told in its complete complexity Try to write such an essay at the wrong moment and your movement will be impeded You will have the rudimentary shape you want, but all the curves and angles and lines will remain coarse – crude, compared to what you might have written had you waited   I only really came to understand these things when I began to imagine an essay that I knew I must write, but equally knew I would fail at For years I waited, and if I try to write it now, it is owing to an intuition that has arrived as a blessing of maturity I have become the writer who might accomplish this task On top of that, something has informed me that for a few ripe months the barriers are down, and I may cross in and out of this longed-for terrain unimpeded   I must get this essay right Each word that I put down becomes a part of my living memory – in a very real sense this is self-creation – and that first cut is always the deepest Yes, it is possible to work around the scar later on – to revise, reformulate, rediscover, redirect – but that first attempt is decisive Everything grows from those initial, indelible words   It was a midsummer’s evening, and through the window looking down on the bay the sky reddened, the sun sank beneath the earth That declining sun brought me fear I reasoned to myself that so long as I could see the light, I was safe from whatever had come unleashed in my mind But as that blackness climbed over the land, so too did some blackness encompass my head This is illogical, I know – magical thinking – but these were my terms that evening I was truly afraid of what the dark of night would bring

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

poetry

December 2011

Sonic Peace

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Beneath the sun My interchangeable routines Are formed from superfluous things Managing this place is A metal will, swelling...

 

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