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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the placid horizon of water struck me with a sense of fear It was the same feeling many people get when swimming in the open ocean: you imagine the emptiness stretching for hundreds of metres beneath your kicking legs and experience a kind of vertigo; the blackness below assumes a hostile presence, and you wonder what it might conceal, and shudder at the loneliness of sinking into it   I was visiting the northeast corner of Turkey – a region once known as the Pontos – in pursuit of sparrowhawks I had heard about a local falconry tradition that seemed so unusual as to be scarcely credible As I became more interested in the region, however, and the falconers and their dying pastime, I became ever more fascinated by the Black Sea itself If the Mediterranean has been a canvas for human history, a teeming petri dish in which Western culture evolved, the Black Sea has had a more diffident relationship with the people surrounding it Apart from in the north, the flat curves of its coast are largely bereft of the islands, peninsulas, and natural harbours that have folded the Mediterranean so snugly into the societies that fringe it Before they strung their colonies along its southern shores 2,500 years ago, the Greeks called it Axeinos – the Inhospitable Sea   Perhaps I felt this fear because of what I had read about the flood During the last ice age, when global sea levels were more than 100 metres lower than they are today, the Black Sea was a freshwater lake disconnected from the Mediterranean As the ice melted and the sea level rose, it remained as much as 90 metres lower than the neighbouring sea, which was separated from it by the sill of land on which Istanbul now lies In 1997, American scientists Walter Pittman and William Ryan published a theory claiming that the waters of the Mediterranean spilled over this sill 7,500 years ago in a cataclysmic

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

feature

March 2013

Heroines

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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