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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The Mole says: name, and I answer I waited for him at the indicated location and he picked me up in the Peugeot that I’m now driving We’ve just met He doesn’t look at me, they say he never looks anyone in the eyes Age, he says, 42 I say, and when he says that I’m old I think that he’s definitely older He wears little black sunglasses and this must be why they call him the Mole He tells me to drive to the closest square, settles into his seat and relaxes The test is easy but it’s very important to pass and for this reason I’m nervous If I don’t do a good job, I’m not in, and if I’m not in there’s no money, there’s no other reason to join Beating a dog to death in the port of Buenos Aires is the test to find out whether you’re willing to do something worse They say: something worse, and look away, as if we, those on the outside, don’t know that it’s worse to kill a person, to beat a person to death When the avenue splits into two streets I choose the less busy one A line of stoplights changes from red to green, one after another, and lets us advance quickly until a dark, green space emerges from between the buildings I think that maybe there are no dogs in this square, and the Mole orders me to stop You didn’t bring a club, he says No, I say But you’re not going to beat a dog to death if you don’t have anything to beat it with I look at him but don’t answer, I know he’s going to say something, because now I know him, it’s easy to figure him out But he enjoys the silence, he enjoys thinking that each word that he says is a point against me Then he gulps and seems to think: he’s not going to kill anyone And finally he says: today there’s a shovel in the trunk, you can use it And no doubt, behind

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

Interview

June 2017

Interview with Elif Batuman

Yen Pham

Interview

June 2017

Elif Batuman never intended to become a non-fiction writer. She always planned to write novels, and it was only...

feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

 

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