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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Myself Mona Ahmed is a photobook and a work of epistolary world-building Published in 2001 by Scalo, it comprises photographs of the life of Mona Ahmed, a woman who lived in the heart of old Delhi, and letters in which Mona tells her life story She addresses the letters to Walter Keller, the publisher, and signs them off ‘With love, Myself, Mona Ahmed’ The images in the book were taken by the artist Dayanita Singh, Mona’s friend, sibling, parent, lover, confidante – Singh struggles to give their relationship a name She met Mona in 1989, while on assignment for The Times UK newspaper She walked down Akbar Milkman’s Lane, in the historic neighbourhood of Turkman Gate, to the house of Sona and Chaman – a famous pair of hijras from old Delhi, known for their high glamour and elegant dances Mona, who was Chaman’s student at the time, opened the door Covered in jewellery and delicate makeup, she posed for Singh’s camera for hours, only to ask for the film roll, because she wasn’t happy with where the images were to be published The exchange of that first roll of film was the start of a decades-long friendship   Mona was raised in middle-class Delhi, separated from family in Pakistan because of Partition As a child, she read the Quran, played with her dolls and dreamt of becoming a performer When Mona was estranged from her family she found a home with the hijra community She danced at weddings, housewarmings and children’s naming ceremonies; she gave blessings, she sang In 1990, she adopted a baby girl, Ayesha, whose birthmother had died during childbirth Ayesha was orphaned, and left in Mona’s care by her grandmother ‘I distributed sweets in the neighbourhood and recited the azaan (Muslim prayer) in her ears,’ Mona writes in a letter to Keller, ‘I wanted to give her all the world’s happiness’ For Ayesha’s first few birthdays, Mona hosted elaborate parties, inviting hijras from India, Pakistan and Bangladesh Singh was the designated photographer, and the images are magnetic, each detail revealing the thoughtful extravagance of Mona’s world: flower bracelets to welcome the guests;

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

December 2013

The Horror of Philosophy

Houman Harouni

feature

December 2013

An article published in this same venue opens with a grievance: ‘We lack the philosophers that we require for...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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