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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Wow it’s so still Isn’t it eerie Oh yes So calm Everything’s still That’s right Look at the rowers – look at how fast the rowers are going Ominous – yes, like the calm before the storm If you like Look at the rowers! Two long boats and bodies – rowers – like rungs or something Like notches or rungs – or struts or bolts – something The sound of the machine drying the bathmat behind me in front of you, very low – a good machine Time to leave you to it pretty much Handwriting, here and there – little notes, as you go along, things not to forget They move me actually Along with the photo on your travel pass, they move me   I didn’t put on my hat even though it’s as cold as forever and the hat’s right there in my bag at the bottom My mascara came away in the night and for that hat to look any good requires a little recent eye adornment – I realise that And I didn’t say anything, not a word, about the creature beneath the water No mention of the monster The flowers are lovely instead, especially the roses Oh yes, you say They’re high enough that I don’t see Mary getting out of her car I don’t have to see her any more, walking by and going into her house – it’s nice actually   Would it be a scaly monster with a tremendous tail I wonder, or something wraithlike with straggly wings? Will it, in other words, be something dredged or something fallen? A decision doesn’t fix because the day is actually more nuanced than at first appeared – and anyway, I don’t know where exactly, but there is something shifting and suddenly the whole scene is quite altered And yet, for all the world, it appears perfectly composed As if hovering in fact The whole vista hovers   Some kind of trick, obviously I could remain like this all day I expect, and not get any closer to working it out   It wouldn’t be a big deal – the monster’s

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

April 2012

Jules & moi

Heather Hartley

poetry

April 2012

80% of success is showing up. —Woody Allen   A morning of tiles, park benches & sun, green, un-...

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

 

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