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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The gym was crowded, so crowded there was a line forming at the showers, so many white bodies so close to each other, so close to touching There was something as sinister as sisterly about all those bodies lined up in the tiled room, bodies with the same attributes in different variations, two of these, two of these, one of these The gym was already a sort of selector for the healthy and the able, and so the variations were minor, unremarkable until unclothed and paraded all around in one damp space Darker nipple, lighter nipple Puffy nipple, flat nipple Nipples, all of them   In the sauna, where Anja went to wait for the shower line to diminish, she was surrounded by bodies still, but bodies that were being still, elbows folded in against sweaty sides, breasts flattened unthreateningly upon reclining rib cages She knew she was an alien There they were, inhabiting their bodies, and here she was, rocking around inside hers They knew what their bodies looked like, and they knew what their attitudes toward their bodies looked like –  sanctioned variations on confidence and insecurity: this one likes her legs but worries about her lopsided shoulder; this one hunches because she’s too tall; this one defies anyone to call her thighs too big and so wears very tight pants; this one is warm and round and doesn’t self-criticise, but she does work her upper body extra hard on Tuesdays   Anja didn’t know how to classify her body, she only knew that whatever it was, it wasn’t her fault She was naturally thin, and that was supposed to be good But she had gotten even thinner than usual in the last weeks, which was supposed to be not good She had noticed a rash on one of her forearms, which was definitely not good Disease was easy to pinpoint as objectively bad But the fact that being thin was supposed to be good seemed irrelevant, since in past eras it would have been better to be plump It was hard to rest on any single aspect for reassurance, knowing

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

feature

Issue No. 1

In Somaliland

feature

Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

 

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