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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

(this) black girl as shadow-boxer   Born soft, bulging, with sympathy & all manner of fruitful & barren laws, you cannot help but burst into prayer Always, till you wander into that invisible second of ecstasy, sweet communion with self   In silent moments, your little black girl smiles from inside you She smiles a Sunday morning, slept in on – a small sacrifice for the better of others She’s your reflection – a mirror from which you’re always backing away She stares at you long –   watches you wear pretend-earnest Pray that you pray for her joy, her days of abundance, of expansion Teach her to pray with precision for there are likely to be days when your breasts will search for ripeness   but black rot will come easier touch yourself – again & yet again till you wander into that hour of ecstasy, sweet communion with self, begging you to fulfil a wish, to no longer erase yourself       Small Inheritances   Your amai once was a girl too, adolescent, a curious young being, with skin like salted caramel, & a mouth full of salt, lemon, all things unsweet, your amai was once a girl too Who, like you, knew how to squander a full night’s sleep on fantasy, to swap it for full days of broad, deep slumber through heartbreak, through the last sliver of dim light, falling through the blinds soon after sunset She would tell you how hairless your head was, stuck between her thighs for hours How the midwife told her swallow, breathe,                  before asking if her father’s sisters hadn’t taught her that real, strong women birthed in silence, tongues tucked behind gritted teeth On days she used belts, switches & extension cords for broken cups, curfew slips, & other small things You cried for her, mostly for yourself You could never tell if it was that you looked like your father or because birthing you almost killed her     On Legalising MaryJane   You remember your grandfather’s imprecise smile Teeth a yellowing white like the sun’s glare at high noon; lips almost black like night on a full moon Mornings were spent tending to his fields before meeting afternoon, under the shade of the msasa, armed with a worn leather-bound bible; old newspapers &, a worn leather pouch Your assigned role: grab a piece of lit firewood from the kitchen hut for him to light what you thought to be newspaper-rolled cigarettes You remember your grandfather’s eyes; they had clouds

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

fiction

April 2014

by Accident

David Isaacs

fiction

April 2014

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic...

Art

May 2013

Techno-primitivism

Vanessa Hodgkinson

David Trotter

Art

May 2013

What follows could have been an essay or an interview. In the event, it resembles the one as little...

 

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