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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Joaquim Baiano’s land is near the source of the river, and the pumpkins he grows there are simply unbelievable When his groaning truck arrives at the market, its noise made even more unbearable by the lack of a damper, it’s the pumpkins the people want to see Not everyone is interested in buying them, they’re too big, but everyone likes looking at them, using the palms of their hands to measure the orange curves, tapping on the shells with their fingers to hear the sounds they make Tock, tock Tock, tock No one understands why Joaquim Baiano’s pumpkins are so big, they assume there must be some secret behind it, though they don’t know what exactly It’s the devil’s work, God doesn’t make pumpkins that size, they whisper at the market stalls, their suspicions given further fuel by the fact that Joaquim Baiano never, ever goes to church He doesn’t live off pumpkins alone, today he’s brought bananas, cassava, greens and pigeon peas The peas are pre-weighed and sold in plastic bottles he gets from the wife of the guy who owns the grocery store With all the fizzy drinks people consume there’s no shortage of plastic bottles in garbage heaps, tossed down alleyways or floating in the river, and so instead of throwing them away the grocery store owner’s wife distributes the empty bottles to the poor She’s a serious woman who wears long trousers and does her hair up in a bun, not one for chatting, she just comes out from the back of the store with bags full of plastic bottles, hands them over and turns around again Joaquim Baiano has no wife and it’s quite possible there’s never been anyone Alone in his wilderness, he looks out for himself Since he was a boy he’s washed and repaired his own clothes, cooked his own food and tended to his cassava without uttering a word He doesn’t even have a dog And it was in silence that he arrived early this morning in his truck He came down from the hills, meandering through the shades of

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

poetry

August 2013

Poem from fortune: animal spiral

Sarah Lariviere

poetry

August 2013

xi. inside friend friend is not the landscape: to turn into the water wears and deposits rock, time friend,...

fiction

November 2014

The Lighted Way

Jeremy Chambers

fiction

November 2014

Dad used to believe that the souls of the dead rise up into the air and become one with...

 

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