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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in the ‘digital age’, or the inescapability of ‘late capitalism’ and all its surreal portents It is not incidental that these women are largely estranged from the seats of power behind these worlds, as formative as these industries may be to their psychologies Silicon Valley and Wall Street and their international counterparts are both distinct but not dissimilar wellsprings of the worst forms of male delirium, and only appear to make room for women if they are preternaturally beautiful arm candy (Margot Robbie, imperious and magnificent, stamping a stiletto onto Leonardo DiCaprio’s forehand in The Wolf of Wall Street), girl-genius rebrands of iconic men (Elizabeth Holmes, forever in that Steve Jobs-inspired black turtleneck) or savvy can-do businesswomen who can play with the most vicious of them (Sheryl Sandberg, leaning into a void)   Market-friendly femininity is created in boardrooms filled by people who do not care for its subjects at all To live so far from the seat of power but feel it so intimately gives rise to a fragmented, ever-refracting selfhood that hates her particular slice of the world yet cannot help but feast on its scraps I spend too much money on Glossier products, despite knowing that the cool-girl beauty brand is snake oil for wannabe socialites I can’t stop following the Riverdale actresses on Instagram I do not know how to manage a savings account, and continually fail to girlboss my way to financial freedom despite Sheryl Sandberg’s best efforts I am impotent, trivial, shallow, and stupid – and at the same time entirely convinced of my own importance   You may call this self-delusion, or in the words of New Yorker staff writer Jia Tolentino, the inevitable result of growing up in a time when femininity operates as a ‘trick mirror that carries the illusion of flawlessness as well as the self-flagellating option of constantly finding fault’ Tolentino had written those words in 2015 as deputy editor at self-proclaimed ‘supposedly feminist website’ Jezebel while reflecting on

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

December 2016

Wildness of the Day

Orlando Reade

feature

December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier...

fiction

April 2013

The Final Journals of Dr Peter Lurneman

Luke Neima

fiction

April 2013

Editors’ note: After several months of debate we have decided to publish the succeeding text, a reproduction of the...

Art

November 2015

None of this is Real

Anna Coatman

Art

November 2015

Rachel Maclean’s films are startlingly new and disturbingly familiar. Splicing fairy tales with reality television shows, tabloid stories, Disney...

 

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