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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival With the word arrival, though, I’ve already said too much: there’s something so familiar in the soapy taste of the air that I wouldn’t dream of describing my walk into town as a return: I don’t think of myself coming back; I’ve never been away No, I never really left the town, sometimes I fled it, that’s all: in truth it was the town that never really left me The town took me over with its drab devastation, in which some perpetually stalled upheaval seemed in progress, an inexplicable upheaval I always had this impression, long before the whole country’s upheaval, and it lingered after the country’s authorities had surrendered and fled, after the government and its closest vassals had been replaced: this town seemed in no way to confirm the changing of the system In a past apparently impossible to fathom now, the town must have plunged into paralysis, and that collapse had survived the regime change   For years I fled from the town, years that have sped from my grasp as though chased by the furies, and yet never passed quickly enough for me These are all the years I can recall with ease, quite in contrast to those I spent here in this town It’s as though in those other cities, the bigger, more attractive ones I chose to live in, I never really settled down Those cities’ easily summoned images were dimmed by a sense of loss, a sentimental feeling originating in this town to which I return from time to time It’s here that this barely explicable sense of absence grew on me, one I only really felt once I had settled down elsewhere with the more or less firm resolution to stay It made itself felt as a kind of living without a background, it was a state of severance, a state without a past, and yet I’d learned to feel severed from the past in the small town afternoons   Time persisted here in dogged immutability; the autumnal fog

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

Interview

May 2017

Interview with Hari Kunzru

Michael Barron

Interview

May 2017

In the summer of 2008, the English novelist Hari Kunzru left London for New York City after accepting a fellowship at...

feature

February 2015

Greece and the Poetics of Crisis

Joshua Barley

feature

February 2015

On the Aegean island of Skyros, in the Carnival period immediately preceding Lent, a more ancient ritual takes place....

 

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