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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs all of our actions, however unpredictable or freely chosen they may seem, and that our ‘cultural’ free will is consequently no more than a kindly illusion with which we dupe ourselves, as much a part of our innate heritage as the rest On the face of it, this proposal is extremely bold or outright preposterous: the idea that everything could be foreordained would seem to be refuted by the wild variety of human lives, beginning with the extravagant iridescence of thought, the unpredictability of our least reactions and the ideas that come to mind willy-nilly; and if it’s unconvincing in an individual case, how could it explain the incalculable differences between one human being and another, no matter how closely related they are? But this impression of difference is precisely the illusion that the hypothesis aims to dispel, and all one has to do (I’m not saying this is easy) is accept that it is an illusion for the variations to become irrelevant and the veil that hid our essential instinctive uniformity to fall away There’s no need to give up those variations, or sacrifice one’s ‘surface’ differences to a ‘deep’ essence, because, in fact, there’s no such essence; it’s all surface And what’s to stop all the countless minutiae of our acts, thoughts, desires, dreams and creations, everything that happens second by second between birth and death, being inscribed a priori in our genes, in the form of a programme that’s identical for every member of the species? Science has accustomed us, by now, to greater wonders of computing Humans have always been very sure that their actions are determined by a kind of causation that is free and superior, ‘cultural’ rather than natural… And the equally ancient hypothesis of instinctive programming has always been reserved for animals and applied to them with fanatical rigour   I don’t know if I’ll be able to persuade anyone The idea is too shocking and arbitrary; and in a way it’s self-defeating because if

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2011

The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

feature

July 2011

Herat

Sam Duerden

feature

July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

 

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