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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Rain falling onto thick layers of accumulated dust had left the windows of the criminal investigations office so mottled that they were virtually opaque Beyond them, roofs could dimly be seen, huddled grimly beneath a lowering city sky When the Dongbu Police Station had first moved here, some two years before, the location had been nothing more than a hill on the city outskirts, in an area recently zoned for development Then houses had begun to spring up, and now the area was completely built up As he contemplated the brightly colored roofs, aligned in a variety of shapes that seemed to suggest their owners’ vain fondness for things western, or their pretentiousness, Sergeant Nam fell into the state of melancholy, as was nowadays almost habitual for him The fact that he owned no home of his own among all those many houses stretching before his eyes, where his wife and children might live and take their ease, kindled in him a deep sense of failure As he recalled the two little rented rooms he would return to after work, unless something unexpected occurred, Sergeant Nam reviewed glumly his career, over which a dark sense of impending failure loomed Nam Gyeongho was his name, born in 1945 His parents had been ordinary, run-of-the-mill folk but, since they had experienced the almost universal poverty of the 1950s, his childhood had been subject to the average degree of misery that other children of his age had had to endure His middle and high school years, spent in a small country town, had left no memories, sad or happy As he neared the end of his high-school education, there had arisen a growing lack of proportion between their limited financial resources and the enthusiasm for further education that his parents were beginning to manifest That finally took him away from their small town and turned him into a student enrolled in evening classes at a second-rate university in this city, for a course of study he had finally given up half way through  

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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January 2016

Suite

Pierre Senges

TR. Jacob Siefring

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January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

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July 2012

Ways of Submission

Saskia Vogel

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July 2012

On a pale marble fountain in Dubrovnik, I posed. I pretended I too was a stone figure, water gushing...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

 

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