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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Patrick Keiller, an architect ‘diverted’ into making films, is principally known for his Robinson series, which began with  London (1994) and has continued with Robinson in Space (1997) and, most recently, Robinson in Ruins (2010) In the meantime, he has also been a consistently productive essayist, and a collection of his written work, entitled The View from the Train: Cities and Other Landscapes, has recently been released by Verso Spanning more than twenty years of creative and incisive engagements with English landscape, the book marks a timely intervention, both as a luminous companion to the cinematic work and a remarkable body of scholarship in its own right   Steeped in continental influences, Keiller has recently been described as the ‘most theoretically rigorous inheritor of the Situationist legacy’ by none other than Will Self  And yet a uniquely sideways and melancholic gaze renders his work resistant to easy absorption within the glut of contemporary ‘psychogeography’ The influence of Surrealism is palpable, with the scholar Ian Walker having gone so far as to name his book on English Surrealist photography So Exotic, So Homemade – a phrase lifted directly from Keiller’s London Having curated a recent series of screenings at the ICA, which drew on the success of the 2012 Tate Britain Commission The Robinson Institute, it seems clear that Keiller’s star is on the rise He and Robinson, the ‘fictional, wandering scholar’ of his creation, are entering the limelight as never before, despite the ‘increasing insubstantiality’ of Robinson himself – a fact which itself draws our attention to the rich vein of meditations on decay, dilapidation and ruin in Keiller’s work Narratives of displacement and decline, as well as the heritage of the English journey, also figure prominently in both the films and the new essay collection, which often reveal the theatres of everyday life to be quite different from how they might appear to the habituated glance; to be part of the great multiplicity where a fluctuation on the stock market and the growth of lichen on street-signs take place in curious correspondence From the collapse of civic identity under Thatcher to the banking crisis

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

Prize Entry

April 2017

1,040 MPH

Alexander Slotnick

Prize Entry

April 2017

Isaac Goodchrist, Esq. reviewed the 48-hour letter.   …therefore, in the strictly professional opinion of this author, the nation’s...

Prize Entry

Issue No. 17

Grace

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato...

 

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