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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s’, for a photo shoot entitled ‘They Made New York’ Among them were Philip Glass, Chuck Close, Susan Sarandon, Fran Lebowitz and DJ Kool Herc Almost everyone smiles, except for one man in the middle, who carries the face not of a celebrant but of a survivor This man is the writer, artist and filmmaker Gary Indiana   Born Gary Hoisington, Indiana was raised in Derry, New Hampshire At 16 he was accepted to the University of California, Berkeley, only to drop out shortly after He would crash around various communes until he found his place among a group of filmmakers developing what became known as ‘narrative porn’ – smut with a storyline, which would come to resemble modern reality TV In 1973, Indiana arrived in Los Angeles, where he was hired as a receptionist for an inner-city medical clinic and had access to ‘an endless supply of pharmaceutical amphetamines’ He took occupancy at the Bryson Apartment Hotel, a complex once considered ‘the finest apartment-house west of New York City’, and later made noir-famous by Raymond Chandler, who used it as a backdrop in his 1943 story ‘The Lady in the Lake’ By 1977 the Bryson was inhabited by junkies and dregs; Indiana, too, was falling apart A near death experience sent him packing to Manhattan, a place that to him had already had its moment: ‘I didn’t come to New York,’ he points out, ‘until 1978’   Defining Indiana by location, occupation or time is a tricky endeavour In the early eighties, he acted in experimental films, put on plays and wrote art criticism for The Village Voice, before publishing his debut story collection Scar Tissue and Other Stories in 1987 His first novel, Horse Crazy (1989), in which an older male writer falls for a younger former junkie-turned-waiter, is set against the backdrop of an AIDS-ravaged New York The writer character closely resembles Indiana, distilling his life into

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

October 2013

Enjoy His Symptoms?

Michael Sayeau

feature

October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

Interview

October 2012

Interview with Sjón

Mary Hannity

Interview

October 2012

In Iceland, they eat puffin. The best-tasting puffin is soaked overnight in milk. ‘Then give the milk to the...

 

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