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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

It’s tempting to imagine Prabda Yoon’s short story collection Moving Parts originating as a series of iPhone notes: a scroll-down of speech fragments, draft jokes and random tangents ending mid-sentence Only, since there were no iPhones back in 2002 when this collection was written, better to visualise the stories being tapped out on a Windows 98 desktop computer Like Comic Sans, Yoon’s writing is scrappy, playful and morbid – there is a sense that anything could happen, or as one character puts it, that the ‘world outside could zoom in any direction’   Translated from the Thai by Mui Poopoksakul, these eleven stories all feature protagonists living in Bangkok Together, the stories capture the dislocation of a mushrooming cityscape at the turn of the millennium In a translator’s afterword, Poopoksakul identifies with the generation given voice by Yoon: one whose ‘collective consciousness is tied to the experience of growing up in a fast-urbanising country’ Poopoksakul explains: ‘Prabda and I are both children of 80s Bangkok, old enough to remember the city without a sky train or a McDonald’s, but young enough for these signs of modernisation not to seem out of place when we imagine our hometown’ This rapid change pulled their generation in two directions: ‘hyper-nostalgia’ and ‘hyper-curiosity’ Yoon finds metaphors for this disorientation: young urbanites, gridlocked by traffic, sit in air-conditioned cars watching sodden pedestrians waiting for buses in the rain; across the city, no one can figure out the time: a woman’s wristwatch reads 247; the car’s mini-clock says 242; while the radio display reads 245 The city’s cogs continue to turn, but these inconsistencies breed a subtle discomfort Things are out of joint   Yoon has arranged the book in terms of a strange, contorted body, with each story or ‘part’ corresponding to a section of the human form In ways that are variously surreal, or science-fictional, he explores how it feels to be composed of a jumble of these body parts, and to be subject to their whims: be they faulty or missing; or even seditious, plotting against their owners, getting them in all kinds of trouble The

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

Interview

May 2015

Interview with Catherine Lacey

Will Chancellor

Interview

May 2015

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi. She is a New...

Art

July 2011

Interview with Steven Shearer

Vanessa Nicholas

Art

July 2011

Canada’s representative at the 54th Venice Beinnale is Steven Shearer, a soft-spoken and mild-mannered Vancouver-based artist whose work delves...

 

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