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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors Watching those baseboards char should be enough to make any good woman lie back in bed and let it happen The fact that I got up and hauled Angela out with me is proof enough of my selfishness   The years with her father before the fire—when I still had my figure and the energy to walk about, the will and ability to be moved—passed with such seeming ease, but the truth of those days and the trouble they held is lost in the archives of memory’s drunken catalog Its delicate, age-soaked pages stay with me like an old phone book packed and moved out of some sentimental urge   If anyone has found an adequate response to that fiction of chemical and circumstance which is love, it is my Angela Even when she was a girl, she squirmed out of my grasp and kissed the kitchen table instead She was barely toddling and would force me with pleads and screaming to spend hours on the bridge over the county road, tucking flowers between its wooden slats   She shrank into a child’s malaise when they demolished the old post office The workers had dumped the remnants of the structure and covered it with a few buckets of sand, and she wept and reached for it This wasn’t her usual brand of sadness, the kind she had when her blanket was tumbling in the dryer and she could only watch from her crib, a few sweet tears on her cheek At the pile, she was hysterical I let her down and she stumbled toward it, tripping over her feet, grinding dirt into her hands and face, ruining her play clothes She kicked and crawled, wailing, scrabbling at the pile until finally her fingers found purchase She took hold and leaned back with her full weight, wrenching a brick free and inspiring a plume of dirt A man walking down the road stopped and stared She cleared the brick from the pile, covered it with her body, and was asleep

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

May 2012

Reflux

José Saramago

TR. Giovanni Pontiero

fiction

May 2012

First of all, since everything must have a beginning, even if that beginning is the final point from which...

feature

August 2017

What Makes A Gallery Programme?

Pac Pobric

feature

August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

poetry

November 2013

Shine On You Crazy Diamond

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each...

 

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