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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month stint in Germany, was the first book I ever translated, staying in my friend Sophie’s spare room during the freezing Seoul winter of 2012 I first heard of Bae during initial reading for a PhD in contemporary Korean literature; she was described as ‘doing violence to the Korean language’, which I think was intended as a criticism, but which sent me on an immediate search for fiction by this author who sounded thrillingly like Clarice Lispector (whose Complete Short Stories are currently being translated into Korean, via the German translation, by none other than Bae Suah herself)   But the book for whose publication Bae Suah and I are currently on a bookshop tour of the States is not called The Essayist’s Desk but A Greater Music ‘A greater music’ are in fact the novel’s first words The entire first passage, which stretches over three pages, circles through a discussion of why that phrase, ‘greater music’, is both ungrammatical and inappropriate in the situation, making it fiendishly difficult to translate (a recurrent theme with Bae Suah’s work) It was this book in particular that garnered the criticism of linguistic violence, its Korean apparently sounding as though it had been translated from German – precisely what its protagonist, a young Korean writer staying in Berlin, is attempting in her language classes, writing about Schubert, statelessness, and the teacher with whom she has fallen in love   The second of Bae’s books which I’ve translated in full is known to its Korean readers as The Low Hills of Seoul, but the book that came out from Deep Vellum in early 2017 is titled Recitation Initially, I toyed with combining these two as The Low Hills of Seoul: A Recitation It’s a stretch to call a disembodied voice a protagonist, but former ‘recitation actor’ Kyung-hee is the closest this novel has to one But while the book features instances of recitations given on stage and heard as recordings, the more significant and indeed revolutionary thing is that it

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

feature

April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

feature

April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

 

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