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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight Earlier that year a canopy of Portland stone had been erected over the entrance to the underground, part of London’s preparations for the Olympics, and through a rectangular frame in the structure, at the edge of the park, a tangle of colour appeared A patch of wildflowers was growing there, next to the manicured shopping streets of Mayfair A sign said the meadow had been planted as part of some scheme This sounded like a paradox: I didn’t know that wildflowers could be planted, let alone meadows I was struck by a correspondence between this artificial meadow and the rioting that had taken place in the city that summer, which had been framed as an irruption of wildness   In his Politics Aristotle claims that humans surpass bees in their political nature, and philosophers have often used bees to describe the political nature of humans Meadows, where the social desires of bees are fulfilled – if you can call them desires – have been overlooked as a form for thinking about politics The wildflower meadow, increasingly endangered and artificially produced in the twenty-first century, describes a relationship between individual and environment that is both complex and immediate The appearance of wildness in the city becomes a question of aesthetics, which is to say, a question of how the relationship between an event and its frame produces certain effects, and of politics, when an act of observation decides which events are wild and which are cultivated by human policy   Wildflowers in the British Isles have historically been concentrated in areas of semi-natural grassland, often maintained for the production of hay for livestock, sometimes left uncultivated for other reasons and tramped through by grazing animals whose digestive systems redistribute seeds and produce the special diversity of the meadow In the seventeenth century, the English mystic Thomas Traherne described meadows ‘more Divine than if Covered with Emeralds’ He saw the meadows as a book in which a message had been written: just as God makes water available

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2011

The Moon over Timna

Rikudah Potash

TR. Michael Casper

poetry

September 2011

In a copper house Lived the new moon, The new moon Of Timna. In a copper coat With a...

feature

October 2014

Blood Out of a Zombie

Laurence A. Rickels

feature

October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

 

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