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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea Antoine held his in both hands and smiled at me wolfishly He had a bald, muscular head, and a flushed red face He took a long sip of tea, set down the cup, and leant across the table towards me   ‘The first rule is, don’t bring girls here We will be able to hear you We will be able to hear everything’   The plywood second floor had been erected by the three architecture students themselves, hammered into stilts and bolted to the girders criss-crossing the roof of the warehouse Antoine rapped his knuckles on the kitchen table which, he told me, was made of the same plywood as our rooms upstairs   ‘We can hear everything,’ he said again, flashing me a knowing grimace   He held my gaze and continued to knock on the table The rhythm became more and more suggestive, as he wrapped out a deliberate doing-it beat, alternating between his knuckles and the back of his fist Then he stopped the banging and laughed loudly, throwing his head back ‘Arrête,’ said Valentine sharply, topping up my cup with more tea Leaning towards me conspiratorially, Pascal pointed a drum-stick at Antoine and whispered loudly in English, ‘I often break his rules’   The morning after my first night at the warehouse in Montreuil, I was reading at the kitchen table when I heard Pascal start laying into his drum kit in his room beside the kitchen His girlfriend emerged, rubbing her eyes She told me that Pascal practiced every morning before lectures She sat down next to me in her pyjama t-shirt, waiting for the kettle to boil We sat at the table as the drum kit sent spasms of energy through the legs of the second floor, straight up into Antoine’s room above us       2   The architecture students played in a brass band together, The Super Lapins, led by Antoine, who played the trumpet Valentine played the trombone It was Pascal, the drummer, who came to knock on the door of my plywood box-room, after his morning practice session

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2012

Letter from a New City to an Old Friend

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]...

feature

Issue No. 4

The White Review No. 4 Editorial

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

 

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