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Preti Taneja
PRETI TANEJA is a writer and activist, and Professor of World Literature and Creative Writing at Newcastle University, UK. Her novel WE THAT ARE YOUNG (Galley Beggar Press) won the UK’s Desmond Elliott Prize, and was listed for awards including the Folio Prize, Republic of Consciousness Prize (UK), the Shakti Bhatt First Book Prize (India) and Europe’s premier award for a work of world literature, the Prix Jan Michalski. It has been translated into several languages and is published in the USA by AA Knopf. Her new book, AFTERMATH on the language of trauma, terror, prison and abolition is part of the Undelivered Lecturers series from Transit Books USA, and will be published in the UK by And Other Stories in April 2022.


Articles Available Online


Order, Order

Essay

December 2021

Preti Taneja

Essay

December 2021

‘INQUESTS INTO THE DEATHS ARISING FROM THE FISHMONGERS’ HALL AND LONDON BRIDGE TERROR ATTACK CASE MANAGEMENT’1   with asides, insertions, questions and other patterns...

Fiction

Issue No. 30

HOTEL STATIONARY (AND THIS IS THAT)

Preti Taneja

Fiction

Issue No. 30

And the night John Berger died, I, Maria, pale shadow, the youngest sister of Sabine, was walking the city....

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way She speeds down the freeway; she has left the coast and the San Francisco Bay behind her, she has passed through the suburban towns of Hayward Dublin Livermore and travels inland toward the central highway of the state where there are no longer suburban towns and there is no longer heavy traffic and there is the city which lies at the southern end of the interstate, and so she moves quickly, presses the gas pedal down with her right foot to move the green car through space to in some five and half hours arrive to Los Angeles And the music is loud in the car because she wants it to play loudly and she has set the volume of the music player close to its highest setting to hear Glenn Gould’s vocalisations as he plays ‘The Art of Fugue Contrapunctus XIV’ She wants the companionship of his wide hums and refracted moans to accompany the yellow-dried fields of grasses passing by her, the hills roll down the highway, the California aqueduct winks bluely once and then again at her left like a wide blue eye and she wont see it again for two hundred miles, and her own persistent noises, the noisiness of bees of the motorised car of her thinking and of Gould’s golden mouth rising above the keyboard at his fingers’ edges and up into space and his dead articulations and the dead man playing the notes and humming along to the musical notations and the speed of the car and the fugue moves her forward towards the hour she will arrive hours from now to Los Angeles and she cannot stop this day moving forward moving towards her like a barricade, the black day continues apace and the sun running across the windshield of the car ‘The service is at one o’clock at the Catholic church near her mother’s house on Pico Boulevard’   ‘It’s funny, Fyodor, it was the best sex I have ever had, but that’s not enough This

Contributor

February 2020

Preti Taneja

Contributor

February 2020

PRETI TANEJA is a writer and activist, and Professor of World Literature and Creative Writing at Newcastle University, UK. Her...

In conversation: Preti Taneja and Gina Apostol

Feature

February 2020

Gina Apostol

Preti Taneja

Feature

February 2020

Adelaide, Writers Week, March 2019. It was 41 degrees, and it was the furthest I have ever flown. I was standing at the fringes...

READ NEXT

feature

Issue No. 7

The White Review No. 7 Editorial

The Editors

feature

Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

 

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