The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...
As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...
I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...
On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...
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