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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Felix Bazalgette
Felix Bazalgette is a writer from London. His work has been published by the Economist, the New Statesman, Little White Lies and 3AM, among others. In 2016 he was shortlisted for the Fitzcarraldo Editions Essay Prize.

Articles Available Online
Mathieu Asselin’s ‘Monsanto: A Photographic Investigation’

Book Review

May 2018

Felix Bazalgette

Book Review

May 2018

I’ve often wondered how high finance has ended up so closely involved with the earnestly ethical practice of documentary photography. The Swiss asset manager...
Notes on the history of a detention centre

Essay

Issue No. 20

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed. Set back from...

READ NEXT
After After

Art

Issue No. 12

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even ‘after’ is so finished that...

feature

October 2013

The Good Soldier

Jess Cotton

feature

October 2013

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial. The deaths of the Greek heroes,...

poetry

January 2014

Three New Poems

Antjie Krog

poetry

January 2014

Antjie Krog was born and grew up in the Free State province of South Africa. She became editor of...

poetry

October 2012

Saint Anthony the Hermit Tortured by Devils

Stephen Devereux

poetry

October 2012

  Sassetta has him feeling no pain, comfortable even, Yet stiffly dignified at an odd angle like the statue...

 

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