share


Social Contract

Formally, I and the undersigned—

What? Use, like Mama said, your

imagination if you still have one

where scripts still sway like spring-

hipped hula girls on Ford dashboards,

where cursive still wraps its tail

around your right hand like a pet

corn snake, where syntax still

stutters, lurches into a sin, a sandwich,

a pleasured refrain; if that much of you

remains, you’ll see them, us, me

(lonely as a broken doorknob),

the possible contours of silent

manifestos.—do hereby request

you speak for us only if you

speak for us. We realise

there is that which we do

not see. We realise there is

that which you do not see.

We realise knowledge

is fragile as mucous membrane,

but we don’t want much.

Only not to be taken,

 

only for hope everywhere—

wildflowers, voice, water.

 

We will pay—have paid—

with ocean bodies, river minds.

 

Let us watch the water rise,

smash stone.


ABOUT THE CONTRIBUTOR

is a doctoral candidate studying poetry at the University of Cincinnati. He earned an MFA from the University of Miami, where he was a James Michener fellow. His poetry has appeared in a variety of literary journals.

READ NEXT

feature

Issue No. 14

In Search of the Dice Man

Emmanuel Carrère

TR. Will Heyward

feature

Issue No. 14

Towards the end of the 1960s, Luke Rhinehart was practicing psychoanalysis in New York, and was sick and tired...

poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

 

Get our newsletter

 

* indicates required