share


You Arrive at A White Checkpoint and Emerge Unscathed

after Mahmoud Darwish 

 

Why is a boy an exclamation, 

and why are his dead a period?, 

why do his sinews tighten when he sees 

a Palestinian body? Does his vision narrow 

because of their flight, 

or because their world is raining with salt? 

Why is a boy with a gun different 

from a boy with a jail cell?, 

if the tools of rupture are our arms for 

repurposing the body, and the arms of 

the state are our means of repurposing the male, 

are we finally useful and breathing and nervous…? 

Does the white mean Night’s arrival?, 

or does night signal the white’s escape?, 

and when that white city boy becomes 

a White City man, 

does the hate in his heart subside?, 

or does it become an ellipses, 

a Bauhaus history of stories started 

and left unfinished 


ABOUT THE CONTRIBUTOR

has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



READ NEXT

Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

poetry

February 2012

Sunday

Rachael Allen

poetry

February 2012

Supermarket Warehouse This is the ornate layer: in the supermarket warehouse, boxed children’s gardens rocking on a fork-lift truck,...

Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

 

Get our newsletter

 

* indicates required