share


You Arrive at A White Checkpoint and Emerge Unscathed

after Mahmoud Darwish 

 

Why is a boy an exclamation, 

and why are his dead a period?, 

why do his sinews tighten when he sees 

a Palestinian body? Does his vision narrow 

because of their flight, 

or because their world is raining with salt? 

Why is a boy with a gun different 

from a boy with a jail cell?, 

if the tools of rupture are our arms for 

repurposing the body, and the arms of 

the state are our means of repurposing the male, 

are we finally useful and breathing and nervous…? 

Does the white mean Night’s arrival?, 

or does night signal the white’s escape?, 

and when that white city boy becomes 

a White City man, 

does the hate in his heart subside?, 

or does it become an ellipses, 

a Bauhaus history of stories started 

and left unfinished 


ABOUT THE CONTRIBUTOR

has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



READ NEXT

Art

October 2012

Mitra Tabrizian's Another Country

Matt Mahon

Mitra Tabrizian

Art

October 2012

Mitra Tabrizian’s Another Country (2010), a collection of nine large-scale photographs taken between 2009-2010, present to the viewer an...

feature

June 2014

Hoarseness: A Legend of Contemporary Cairo

Youssef Rakha

feature

June 2014

U. Mubarak It kind of grows out of traffic. The staccato hiss of an exhaust pipe begins to sound like...

poetry

November 2015

Two Poems

Ko Un

TR. Brother Anthony of Taizé

TR. Lee Sang-Wha

poetry

November 2015

Kim Geung-Ryeol   During the Japanese colonial period he attended Japan’s Military Academy, became squadron leader in the Japanese...

 

Get our newsletter

 

* indicates required