‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing.’—Michael Haneke, in an interview   The voice, now over 70, is usually candid, bumptious; the statements – zealous, with the pang and the patina of a reproach – typically fixed at the high pitch of imperiousness. A choice remark: ‘Why do I rape the viewer? I try to rape him into being reflective, and into being intellectually independent and seeing his role in the game of manipulation.’ Or, another: ‘I look at the viewer directly, I talk to him, I wink at him. I do this again