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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

there is no doubt, here it is, on the sign:                Prawn chowder   prawn                                    chowder   (words already unfamiliar but growing more distant as I say them in my head for a third time)   prawn ?           chowder ?   on reflection        cream of cauliflower doesn’t seem so bad which is why I’m ladling (eyebrows peaking, just a little, at how the soup matches the sides of the takeaway container) And now I’m paying                                                               tap your card darling and tapping (darling)          and     walking and my hand!, container too hot, palm softening, losing lines, switching hands (surprisingly pink!), round to the lifts, sound chiming, me picking up pace, just fast enough to make it, stepping in someone else asking                                                             what floor   One ‘One’? Christ, should’ve said ‘first’ rubbing my leg against the side   Intercom, now,                                                                      First Floor Out, doors wide, down into the corridor (averting my eyes, upwards, away from the red and orange concentric circles across the carpet), upper arm preparing to negotiate the swing doors, nudging myself and the soup carefully slowly slowly through   I must walk as if I am not checking whether the sofa and table are free, I have no purpose, nonchalantly wandering, with my soup that is not too hot and my spoon that is just in my hand for whenever I fancy using it, purely making a casual parade of the office, bearing to the left, towards the kitchen area where a certain sofa resides, not that I’m hoping to get that exact sofa and table I use most days, just after the fridge, hidden behind the coffee station, and which may or may not be occupied, no no, just walking, just scheming at how, if someone has their lunchbox firmly on the table, how I can walk (not dejected, not me!) as if I am only passing by, not turning around,   (approaching now, scanning for a foot sticking out, a coat draped on the side) I will keep walking, I decide, walking, and just go

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

fiction

March 2015

Wedding Watcher

Helle Helle

TR. Martin Aitken

fiction

March 2015

I strayed into the church on an impulse. It was a mistake to get off the bus in the...

 

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