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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

Britain has always been a nation capable of telling itself a good story It has rarely mattered whether that story was true The story itself is usually enough: to bring the troops to the beaches, to quiet the servants in the cellar, to quell the coloniser’s unease, to ward off the threat of uprising, to clinch the referendum vote   And on a sunny day in May, the story Britain told itself was one of inclusivity and progress, eked out in gentle doses, in the form of a biracial divorced millionaire American bride for the brother of the future king Revellers camped out on the streets of Windsor, in sleeping bags not unlike those of the homeless who sleep there every night, though the former slept more soundly, without the threat of evacuation And while the nation cheered for the international couple, who had been quietly fast-tracked through Britain’s punishing immigration process, tens of thousands of UK-foreign couples denied spousal visas under the Conservatives’ draconian immigration laws will have watched the wedding on separate continents, if they could bear to watch at all While 2,640 members of the public were invited by the Royals to stand outside of St George’s Chapel, roughly the same number of men and women sat in mostly windowless cells, at Britain’s nine immigration detention centres And across Westminster, Home Office officials likely clinked champagne flutes with relief, as the nation turned its eyes away from the ongoing disgrace of the Windrush scandal to glimpse a television actress’s first wedding dress of the day: a pure white garment of double-bonded silk, held together by minute stitches, invisible, the way the workings of power always hope to be   The Modern Royals! declared fawning international magazine covers in the days and weeks that followed, seemingly unaware of the contradiction in terms For the first time since Brexit or Grenfell, the eyes of the world were on Britain, and the nation delighted in the pretty, self-flattering image the wedding conveyed If you squinted, and didn’t think too hard, Britain appeared on that day to be a nation proud to be inclusive,

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

fiction

August 2016

Boy With Frog

Kristin Posehn

fiction

August 2016

My first impression was of a tall building laid down for a nap, with all its parts nestled together...

Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

 

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