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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

In 1999, living in France for the first time, I picked up a copy of Passion simple by Annie Ernaux at the Fnac My French wasn’t great, but the vocabulary was simple, as was the subject: one woman’s obsession with her Russian lover ‘From September last year,’ she writes, ‘I did nothing else but wait for a man: for him to call me and come round to my place’ Entire days slip by in this heightened state: the cycle of waiting, then finally hearing from him, or seeing him, then the emptiness again, followed by the immediate hunger to repeat the experience It taught me so much about the unfulfilment of fulfilment I loved how spare and almost unemotional the prose was, all while evoking this most emotion-ridden of experiences, and in time, reading her other work, I would come to understand that this écriture plate, or flat writing, was one of its strongest, most unique attributes From books like La place (A Man’s Place, 1983, for which she won France’s prestigious Prix Renaudot) or Une femme (A Woman’s Story, 1988), about the deaths, respectively, of Ernaux’s father and mother, to Les Années (2008), recently published in English, translated by Alison L Strayer, as The Years, Ernaux demonstrates a striking ability to take the most wrenching of experiences and render them unflinchingly, without moral judgment   Ernaux was born in 1940 in Normandy to a working-class family; her parents worked in a factory and later ran a small café and shop This background informs all of Ernaux’s work, from her early anti-novels Les Armoires vides (Cleaned Out, 1974) and Ce qu’ils disent ou rien (1977) to her later masterpieces L’événement (Happening, 2000), about an illegal abortion, or Mémoire de fille (2016), which takes place during the summer of 1958, when she worked as a counsellor at a summer camp in Normandy, and explores the shame she felt following her first sexual experience with another counsellor there [1] Elizabeth Bowen once described herself as a writer ‘for whom places loomed large’; this is also true of Ernaux, for whom the past is a

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Art

Issue No. 3

Borism

Lee Rourke

Oliver Griffin

Art

Issue No. 3

ES9 is the latest body of work by Oliver Griffin in his archival series The Evaluation of Space. Taken...

fiction

December 2013

A Lucky Man, One of the Luckiest

Katie Kitamura

fiction

December 2013

Will you take the garbage when you go out? My wife said this without turning from the sink where...

 

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