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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d heard then one of the stories I tell Mario now, I would have said poor guy, and then I would have added, fully convinced, he’s crazy, or maybe, he’s pretending to be crazy or he’s lost it, or better yet, he’s loco, and the world, muchachos, listen up, this world is an endless black joke, but at least I – I don’t know about you – but I, officer Warren Sutpen, ex-nightwatchman of the glorious Harry Ransom Center of the University of Texas, here, at my forty-some years and ready to respond to the call, still find myself saved   Saved from who or what? I don’t really get it I don’t get it now, and I didn’t before And the thing is, before, say, a shitload of years ago, I didn’t talk like this For example, not six months ago, the word ‘joke’ meant something funny to me, like ‘just kidding’, or ‘playing a trick’, and ‘black’, I mean, ‘negro’, was just a little word I couldn’t use, no, never ever, not to talk about los pinches negros, for instance (Mario, my psychologist, calls them ‘African-Americans’, and if they’re Chinese, they’re ‘Asian-Americans’, and if they’re Latinos, he calls them ‘Hispanics’ and if they’re Hindus he calls them ‘Indians’, and so all this networking or whatever it is seems to go really well for him, since he says everything in this nice, musical way that I just can’t imitate whenever he corrects me with his perfect accent and the manners of the white Texan he actually isn’t)   He also says two marvellous things about ghosts The first: Warren – he looks at me, I listen – is that they seem very real, but really, they’re the product of delirium, of a mental anomaly that’s perfectly controllable if only you accept it, and of course, Mario, I accept it, and moreover, I’ve made that very clear to all the fucking ghosts The second is that talking with them shouldn’t be considered psychotic

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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feature

December 2013

The Horror of Philosophy

Houman Harouni

feature

December 2013

An article published in this same venue opens with a grievance: ‘We lack the philosophers that we require for...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

 

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