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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a French flag on my cheek with a blue-white-and-red roller It was the World Cup quarter-final and France were playing Brazil When that game ended (1-0 from a Thierry Henry goal in the fifty-seventh minute), my friends and I ran outside to Boulevard Saint Germain to hear the cacophony of car horns and watch a group of young men spreading a French flag so large it stretched across the boulevard, enveloping the cars on the road, turning Saint Germain into a river of the three-coloured fabric As we walked towards the Seine, the Saint Michel fountain was full of people singing and shouting ‘qui ne saute pas n’est pas Français!’ (‘You’re not French if you don’t jump’)   That summer, I learned the words to the Marseillaise Although at that point I’d lived in France for three and a half years, I’d never picked up anything beyond ‘Allons enfants de la Patrie / La jour de gloire est arrivé!’ Perhaps because that idea, patrie, which impossibly combines homeland, nation, birthplace, feels untranslatable Or maybe it was the feeling that the anthem creates an image of France that feels white and monolingual and Catholic — an idea of France that includes few of its people I knew that football players were often criticised for not singing along to the Marseillaise before matches, because they felt the song did not represent them I understood them I was still looking for a France that I could celebrate   *   The celebrations of that summer, with people pouring into the Paris streets, marked a distinct shift from the intense demonstrations in the city that year The previous autumn, dissent arose following the death of two teenagers, Zyed Benna and Bouna Traoré, who were electrocuted when police chased them to a power substation The demonstrations in response sparked violence across Paris and the rest of the country Months later, in the spring, students were demonstrating over a new labour bill that introduced ways for employers to fire workers under

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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poetry

November 2013

Shine On You Crazy Diamond

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each...

fiction

January 2014

Textile

Orly Castel-Bloom

TR. Dalya Bilu

fiction

January 2014

It was not only avoiding thoughts of home that helped the good sniper to carry out his mission as...

poetry

April 2012

Jules & moi

Heather Hartley

poetry

April 2012

80% of success is showing up. —Woody Allen   A morning of tiles, park benches & sun, green, un-...

 

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