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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

I’d like to introduce you to a book, an impressive book that no one read when it first came out in Romania in 1936 or later when it was reissued in 1970: Adventures in Immediate Irreality by M Blecher And when the first German edition appeared, which wasn’t until 1990 in a translation by Ernest Wichner, no one read that either, even though few books published in Germany since 1990 could compare with Blecher’s novel for sheer literary intensity But perhaps that’s why the book never attracted a wider audience?   In order to convince you, I’d like to let the book speak for itself   ‘The crowds, making the rounds, would pass from zone to zone, bright lights to darkness, like the moon in my geography book’ is how Blecher describes people visiting a fair And no other sentence better describes his own text The external plot isn’t easy to describe – it’s really the ongoing reflection of an interior narrative, a manic inner monologue written in the first person, in which the narrator’s striving for self-assurance becomes a confession This narrator is a nameless adolescent roaming through the summer heat of a small town He has no goal whatsoever, he is searching, as Blecher says, for the correspondence between himself and the waxwork panopticon of places, people, and objects set in the world The search produces emotional upheavals that he calls crises, which all come from the ‘terrible question of who I actually am’ – a question whose answer ‘requires a lucidity more basic and profound than that of the brain’ In the words of Blecher’s narrator: ‘And I have returned implacably to the surface of things … Never, under no other circumstances, have I felt so clearly as in moments like these when every object must occupy the place it occupies and I must be the person I am’   Places, persons, objects – and this vagabond narrator that speaks of himself so perplexingly and so intriguingly that it goes far beyond being ‘a complete stranger’ to himself Because what this person says about himself goes beyond what even a person might

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

feature

Issue No. 4

The White Review No. 4 Editorial

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but...

feature

September 2014

The Mediatisation of Contemporary Writing

Nick Thurston

feature

September 2014

Trying to figure out what marks contemporary literature as contemporary is a deceptively complicated job because the concept of...

 

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