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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

When I was born my mum and the nurses had laughed at my long baby fingernails ‘You were a soft ball with these sudden sharp surprises,’ my mum said, ‘like finding bits of eggshell in your omelette’ I think about this a lot I wedge my thumbnail into the omelette-y skin behind my other thumbnail I do it until red appears like tomato juice   I have always had long and fast-growing fingernails I am getting revenge on the woman who lives upstairs   *   On February 17th I meet Melanie in the foyer of our building To ‘meet’ a person can have three meanings:   To see or talk to someone for the first time To come together with someone intentionally To come together with someone unintentionally   When I ‘meet’ Melanie on 17 February in the foyer for me it is the third meaning   The building is supposed to be called Benson Tower but the first ‘e’ and the second ‘o’ have been gone since before I moved in It has always been Bnson Twer The building is marginally nicer on the inside that it is on the outside Melanie is standing by the fluffy green notice board but she isn’t looking at the flyers, she’s looking at her phone I close the front door behind me and walk past her I wait at the door into the stairwell She hasn’t looked up   ‘Are you coming this way?’   (Now she does look up)   ‘Sorry?’   ‘Upstairs Are you going upstairs?’   ‘Oh Yeah, sorry In a sec’   ‘I can wait’   ‘Do you live here too?’   It is clear that Melanie thinks we are ‘meeting’ in the first sense, even though we’ve met several times I can remember all of the times that we have met Once, we met in the doorway She approached me from behind and we stood side and side, looking at the street It was raining and I said ‘It’s raining,’ and she said ‘Cats and dogs,’ and then she laughed She pulled her scarf over her head and walked out She was wearing tan ankle boots and I wondered if they would fill up with rainwater like two novelty flowerpots   Another

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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feature

June 2014

Turning the Game Around

Daniel Galera

TR. Rahul Bery

feature

June 2014

Once upon a time there was – no, better: you are a thief who wanders through the cities and...

feature

February 2011

The dole, and other bailouts

Chris Browne

feature

February 2011

One of my first actions as a Londoner was to sign on for as many benefits as I could...

poetry

January 2016

Three Honey Protocols

Monika Rinck

TR. Nicholas Grindell

poetry

January 2016

FRIEDRICH NIETZSCHE PONDERS LOVE   Honey protocols, hear how they mock, snow white and super blue: On the footpaths,...

 

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