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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

Others have it worse, have had, will always ‘We,’ though, own the record now for largest building collapse   A double you could call it Work with it Live with it Others far away die (and live) with the daily probability of car bombs, bus bombs, persons exploding in the neighbourhood They experience bombs from the sky and the earth, and are exhausted and homeless, and watch their children wasted by hunger, maimed, lost; and can’t keep in touch with friends to get help, join forces, or mourn And can have scarcely a thought except for today’s survival Scarcely a thought period For example, that history is what hurts Thought must seem like a leisure activity for those whose survival is in doubt Like reading   And so, what is my experience worth, displaced from a lower Manhattan loft for three weeks by air quality and marginal restrictions and shock?   What use is my experience? What do I make of it, putting it together? A form it may take in what we make A half-recalled remark someone made about a very long sentence or two of mine   A memory bears me from inside myself perhaps an hour and a half beyond that first clear sight from the parking lot across the street from our old six-storey brick building eight blocks from the shining north tower of the World Trade Centre abstractly, palpably burning, and a few minutes later the south which from my angle with scarcely a sliver of space between the two seemed to catch fire from the north; and carries me beyond several things I did thereafter during an extended moment of unusual dimensions (a structure also of some outside and inside project encompassing me) such as shut my absent neighbours’ fourth- and fifth-floor wide-open windows that I’d noticed from where I stood at five minutes of nine across the street C thinking floors, height, sky, fire, distance, closeness, passengers, and a ‘thought’ that the plane, which I had not seen, was gone into that hole it had made (that I could see) shaped by subtraction – while with me in the

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

feature

January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

feature

Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

 

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