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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

And all the circus ponies had to go home   I   In the ticket booth a woman chews gum She’s thin, but in a way I don’t begrudge, which isn’t like me I ask, ‘Where have the performers come from?’ because I know he will ask me this later I know because I know him She chews at me She shrugs and I decide I’ll say Russia, because he has a thing about Russia   II   The acrobat’s hair was yellow, long, and bluntly cut to match the ponies’ tails They would perform for her, only She would dismount from the tightrope like a yoyo, landing at the centre of the ponies’ circle From above their formation might have been an asterisk   III   Her actual plummeting was unscripted, so at odds with the music I felt nauseous Once we got to grips with the idea we were prepared for horror We were ready for her limbs, all akimbo, her neck at an impossible angle I saw a woman cover a child’s eyes with something like foresight She was supposed to plummet She was supposed to drop like a stone like a penny like a raindrop like a well-worn simile on a disillusioned readership We waited for the ripples in the yellow sand; our eyes fixed on the ground   We waited for her body to appear in the crosshairs on the surface of our eyes We couldn’t help our subsequent disappointment I saw the woman uncover the child’s eyes with something like embarrassment We averted our collective gaze upwards and found her We’d been duped She hung like a bird feeder from the safety net; her hair was knotted round her throat and round the mesh Her limbs swayed like hollow tubes on a wind chime   IV   The crowd hourglass’d through the tent entrance The motion made me think of an arrow on a woman’s midriff in an ad for probiotic yoghurt The people murmured with one voice Refunds would be processed as soon as possible   V   She wore her loneliness like a leotard, tight at the upper thighs and under arms She fed the ponies what she fed herself, which isn’t

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

poetry

November 2014

Like Rabbits

Bethan Roberts

poetry

November 2014

When my husband unrolled the back door of the brewery’s lorry and hoisted first one cage, then another, onto...

 

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