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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total war where humanity no longer exists, or rather only in traces, and where the actors — actresses, rather, since these are almost always feminine creatures who appear and utter cries of rage — seem to belong to a dominant species other than homo sapiens It’s also extraordinary in its form: a series of instructions and slogans that describe, with the only narrative techniques being their alignment and their brutality, the chaos and suffering, the distant hopes, the apocalyptic whirlwind, the suicidal unrest of an entire planet No explanatory prose smoothes over the collision between writers and this terrifying war; no external voice slips into the text to guide the visitor and tell him the story No narrator, no characters, and yet a story transpires, filled with grandiose events and barely-felt emotions: an epic It’s a magnificent fiction wholly distanced from the ordinary traditions of the novel and, if poetry didn’t have such a poor reputation nowadays, it might even be said to evoke a sort of long poem   But this book becomes even stranger once we realise that Maria Sudayeva wrote it in two languages, French and Russian, accumulating neologisms and inextricably entwining the two idioms, with a conscious intent to refuse her images any tidy cultural anchor, and undoubtedly to affirm her disgust toward all manners of nationalism, even linguistic Because this woman, who took her life before she could be recognized for who she was — one of the most original artists of the new, post-Soviet generation, if not the most original — was also a partisan She was wary of a rebirth — she was certain of it — of Great Russian nationalism which would arise from the new Russia’s commercial and Mafia roots, and in opposition she maintained the principles of internationalism and radical cosmopolitan behaviour I met her once, in a place where the Russian world was shown in an unflattering light, and it was clear that her ability to speak Russian discomfited her She struggled to differentiate

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

 

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