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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

The contemporary hunter-gatherer does not hunt to survive Rather, he (neo-survivalism is a predominantly heterosexual male pursuit) forages for something else, something experientially ‘Other’ It’s a phenomenon popularised by the rise of survivalist entertainment – reality TV, docudramas, dedicated YouTube channels, and open-world online survival games – in which contestants must prevail on a desert island, or in the midst of a zombie apocalypse, with only a sharp knife and a bit of twine for tools His efforts are equal parts sportsmanship and showmanship, a combination that manifests in a compulsion to record and make public his triumphs of resourcefulness Actively prepared for emergencies, he is ready to drink his own urine (a feat that proved too great for guest star Barack Obama during his appearance on Running Wild with Bear Grylls), for the collapse of government, economy, and power grids, for threats that are, as Donald Rumsfeld famously put it, both ‘known unknowns’ and ‘unknown unknowns’   In her video work Mouth (2017), currently on show at Arcadia Missa, New York-based Croatian artist Maja Čule depicts the contemporary hunter-gatherer – a group of urban survivalists somewhere near New York City, who choose to hunt for their food rather than take the more convenient option of buying it from a shop The video’s protagonists are performers instructed by Čule – some of whom identify as survivalists themselves Blurring in and out of fiction, documentary and narrative film, Mouth alternates between two locations: the grim, neon-lit interior of an animal sanctuary, where we watch a woman named Senka tend to the animals under her care, and a forest, in which we follow a group of men roaming about in the dark, armed with sticks and pocket-sized torches   While Senka is busy at work, the men flex and posture for the camera, leaning excessively on walking staffs made of whittled tree branches, or using them to prod at the foliage One gazes at his feet as he disturbs murky pond water with his boots, another twirls the stem of a leaf between his index and thumb, but they do nothing of note The closest these ‘hunter-gathers’

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

poetry

December 2011

Return After Earthquake

Jeffrey Angles

poetry

December 2011

although left for months my house is still standing here on terra firma branches broken by snow fallen into...

 

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