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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

‘The interior of a pocket is hidden away’, writes Francis Whorrall-Campbell in the speculative manifesto ‘Pocket Theory’, a response to Ursula K Le Guin’s 1986 essay ‘The Carrier Bag Theory of Fiction’ ‘Tucked inside we might find weird lives and weird literature’ Secretive, suggestive, intimate: the pocket, Whorrall-Campbell argues, is a fitting home for chimerical, hard-to-define narratives   Issue 33 of The White Review contains a number of slippery and illuminating subjects, from the inner cosmos of the sleeping psyche to the murky world of inheritance ‘The Dream Laboratory of Nicolae Vaschide’, an extract from Mircea Cărtărescu’s surrealist novel Solenoid (2015), translated from the Romanian by Sean Cotter, describes the hallucinogenic awakening of a child prodigy who becomes a psychologist and dream scientist ‘His thoughts, until then unsettled and cold like crystal vials, now burst open’, Cărtărescu writes, ‘the way a lily bud bursts, arching and turning in a brilliant efflorescence’ In an interview with Noga Arikha, the author Siri Hustvedt discusses her polymathic practice, the problems with mind- body dualism and her experiences of working across literature and the sciences ‘Let Them Know by Signs’, an essay by Rosa Campbell and Taushif Kara, traces the strange histories and causes of the conspiracy theory, from the Kenyan belief that British colonisers were stealing the blood of Africans to strengthen anaemic Europeans, to QAnon and Pizzagate   ‘There’s a family tree that my uncle was able to recover,’ Ariel Saramandi writes in the ‘The Inheritors’ ‘Some of the branches were drawn to look like fingers; at my great-grandfather’s name there’s an amputation, a cut to mark the place where whiteness ends’ ‘The Inheritors’ combines essay and fiction to piece together an account of land dispossession in Mauritius, where Creole heirs were routinely cut off and land documents buried in archives or destroyed The weight of inheritance is also explored in Gina Apostol’s new fiction ‘The Court Case’, in which a flamboyant mother chases after a lost family estate in the Philippines In Brazilian writer Itamar Vieira Junior’s excerpt from the novel ‘Crooked Plow’, translated from the Portuguese by Johnny Lorenz, two young sisters raid

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

poetry

July 2015

About Blue: Velestovo

Tatiana Daniliyants

TR. Katherine E. Young

poetry

July 2015

About Blue: Velestovo   1   …when I say the name: Velestovo, I think of deep blue. Of blue...

 

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