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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

As Taggerston’s morning televised administrative work is winding down, the cast and crew of Lives of the Innocents accumulate at the studio and commence setting up for the afternoon shoot There’s only one television studio on the island, so they have to share A scene of film set banality ensues – crew setting up, large metallic objects and green screens on stilts moved to and fro, thick cables tripped over, groggy men cursing loudly into walkie-talkies and mobile phones, the bearded fox in the director’s seat making regal gestures next to the iPad-bearing female assistant, the scent of coffee and electricity, the whir of electric fans beneath the thin murmur of voices Lucia always arrives early to pick up the script, a sense of demonstrative duty The actors only have an hour to learn their lines before shooting starts Time to find out where Hornby is going today Krstal Mrdok brushes past her towards the coffeemaker   —Why Lucia, I have to say, that is the loveliest dress I ever saw you wear Did you get that around here? Or did you have someone make it for you?   It’s been around three years now since Krstal Mrdok was written into the show Actually she’s the first non-Sagosian, quasi-elite actress ever to appear on Lives of the Innocents since the show started some twenty-three years ago Her character arrived rather mysteriously, as Lives of the Innocents typically evades referring to real life events on the island, opting instead for a sort of idealized or fantasy version of Sagosian life It’s not even really Sagosia, more a fictionalized version of what used to be called Sagosia, named Port Matthews on the show – though the quasi-native audience can clearly recognize all the local referents, from the typical Sagosian accent to locales (on those occasions when they venture outside the studio to do outdoor shoots – something the producers generally frown upon since it requires extra expenditures, particularly given the unpredictability of the weather in the wet season)   One of those awkward moments – innumerable since Krstal first

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

READ NEXT

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

poetry

May 2016

Two Poems

Sam Buchan-Watts

poetry

May 2016

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of...

 

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