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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Guiding issue 31 of The White Review are questions of survival How to carry on in the aftermath of catastrophe? How to reckon with the spectres of history? How to transform an ordeal into something liveable – or even something pleasurable?   Within these pages, violence is the subject of scrutiny and polemic, but wounds and weapons are also reimagined The issue begins with Lina Meruane’s darkly erotic short story ‘Deeper’, translated by Megan McDowell, in which a woman refuses to sew up a surgical lesion because she’s found another use for her ‘new opening’ In ‘Seaglass’, a personal essay on displacement and loss in Libya and Lebanon, Moad Musbahi uses washed-up glass as a metaphor for ridding shrapnel of danger Issue 31 also contains two startling works of short fiction by Pip Adam, in which people begin to grow so large that the rich and powerful arrange for their disposal, an essay by Philippa Snow on Anna Nicole Smith, who lived and died in the image of her idol, Marilyn Monroe, and a letter to England by Thomas Glave, in which the author addresses the legacy of the British Empire Elias Rodriques explores the role insomnia, music and kinship play in the lives of a Jamaican family who relocate to the US, and Celia Bell’s anti-fable, ‘The Magic Dollar’, tells the tale of a woman who murders her own conscience There is poetry by Fran Lock, Kimberly Campanello and Shripad Sinnakaar, Fernanda Melchor discusses her love of horror and nota roja (a form of sensationalist journalism popular in Mexico), and Anuk Arudpragasam reflects on writing about the Sri Lankan Civil War and its aftermath   ‘Maybe I could just catch a shaft of light, and something could transform’, the artist Jamie Crewe says in a far-reaching interview, in which they discuss using the myth of Orpheus and Eurydice – the story of a woman consigned to live in darkness – as ‘a way of talking about transness’ Crewe rephotographed a scene from the animated video Pastoral Drama (2018) especially for the cover of The White Review, and a series of stills from

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

feature

May 2014

How Imagination Remembers

Maria Fusco

feature

May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

poetry

Issue No. 2

Letter to Jim Jarmusch [Broken Flowers]

Jon Thompson

poetry

Issue No. 2

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others...

 

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