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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

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The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

There are two categories in the literary system I’d like to celebrate at high speed: the lonely writer, and the magazine And before we celebrate one writer in particular, I want to perform a mini pause and consider that second category, the magazine, the category of which The White Review forms such an elegant example I guess I think that the fact that such a magazine exists is one proof that literature might still be possible in this distracted era For the lonely writer needs the magazine, very much – the magazine and its lonely editors Because, speaking as one such melancholy novelist, it has to be admitted that, given the amount of pre-existing stories and myths and objects and products in this world, it’s basically crazy to want to add to this giant heap The wish to do so is a small conundrum of vanity And one possible instrument for the solving of this conundrum is an editor Laziness, after all, is natural Moral murkiness, stylistic self-satisfaction, lack of sense of humour: these are the usual modes of the writer alone with her computer screen To avoid such things it’s therefore useful and dispiriting, usefully dispiriting, to have in your head the presence of an acerbic and disappointed editor, as a totem of that other absent presence, the disappointed reader   But while it’s true that if I think of a quick list of magazines I love from the last century or so – beginning with The White Review’s ghost, La Revue Blanche, then moving on through T S Eliot’s Criterion, Georges Bataille’s Documents, Marguerite Caetani’s Botteghe Oscure, Cahiers du cinéma, Phyllis Johnson’s Aspen, The Paris Review – they’re sometimes associated with particular editors, just as also they might be associated with a specific group, and even a specific manifesto, I’m not sure in the end if editors or groups or manifestoes are precisely why magazines are so important The real machinery of a magazine is how it converts the solitary act of writing into something social It gathers writers together, as in some allegorical apartment block It makes visible works and

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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feature

Issue No. 14

Editorial

The Editors

feature

Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

poetry

January 2014

Three New Poems

Antjie Krog

poetry

January 2014

Antjie Krog was born and grew up in the Free State province of South Africa. She became editor of...

 

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