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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I am standing in front of a room full of people reading out a story The room is dark I am wearing a head torch so I can read the story My hands are shaking The story is about me getting drunk and having sex with a person A lot of people in the room know about me getting drunk and having sex with a person I did not know the name of the person I had sex with   After I have read the story I wander round the room and don’t know what to say I have already said over a thousand words in a row Sometimes when I approach a group of people one of them will say something positive and either clasp my arm briefly or touch the upper section of my arm I am approaching as many groups of people as possible so I get the highest number of positive things said to me I am feeling happy This is partly because I have been told a lot of positive things but also because I have drunk around five bottles of beer The number of people in the room is decreasing The amount of beer in the room has already decreased to zero This is worrying as the two main things I want are alcohol and people   There is a person I want a lot standing and talking about some objects I arranged on and near a wall I think that I should go and talk to the person If I crashed into the person while we were both in cars I would definitely talk to the person about the arrangement of solid waves in the shell of their vehicle, perhaps implying that they should permit the serendipitous beauty of the incident to assuage their feelings I go to talk to the person The person did not see me say over a thousand words in a row so I feel like they are less likely to object to me talking to them The person does not know that I arranged the objects on the wall but expresses

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

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Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

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November 2012

Film: Difficulties in Impression Management

Patrick Goddard

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November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

 

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