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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

The Chief   The sound of the bell for the closing of the temple gate reaches my ears I am on my way to bring in the horses, as I can’t leave them outside to sleep during the old moon The sky is cloudy and dark, and the wind blows harder the further uphill I go The last rays of the setting sun still cling to the western ridge I don’t know if it’s the weather or the events of the day, but I can’t shake a sense of foreboding I get off my horse at the top of the hill No matter how much of a hurry I am in, I can’t ride past the ovoo without stopping I’m bent over, plucking a stone from the grass, when my daughter comes riding up on horseback A cold breeze blows across her forehead as she tells me the hunters have arrived Sure enough, there is a jeep parked in front of the ger camp below   I let go of the reins, add the stone to the top of the ovoo, and walk slowly around it in prayer The hunters are early I thought they would wait until after the old moon had passed But outsiders have no respect for our customs and laugh at such things as heavenly omens   My daughter sits slumped in the saddle Her eyes are blank, like her mind is somewhere else She’s been quiet lately and spends most of her time lying around I’ve caught her talking in her sleep a few times and had to slap her awake Now that it’s winter and there’s less work to do, she’ll get lazier and lazier Or maybe she’s just at that age She’s sixteen now, and I can tell from the way she turns clumsy and stupid whenever we have young guests staying at the camp that she’s started noticing boys I feel excluded as a father, or like I don’t exist to her anymore A long time ago, I had a mare that followed a wild horse into the steppes and disappeared That mare meant a lot to

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

Art

Issue No. 2

Sri Lankan Contemporary Art

Josephine Breese

Art

Issue No. 2

Sri Lanka has developed a thriving, vital contemporary art scene over the past twenty years. New artists are emerging...

poetry

October 2014

Roman Nights

Martin Glaz Serup

TR. Christopher Sand-Iversen

poetry

October 2014

4.    It’s New Year’s Eve, I’m standing newly divorced on a roof in a town, we toast the...

 

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