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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

INTERMISSION   She stabilised She started dying and then stopped My brother said her aneurysm had sealed       stuck   between a kidney and her spine with no place for blood to leak I’m on the way out         she kept saying to friends and family daring them to say she wasn’t Perky       almost belligerent   It was always hard for her to feel valued Her combative talk was more loving than sugary words   She was surprised how many people wanted to speak to her       say goodbye see her one more time       weak as she was   people who never cried started weeping on the phone she cheered them up with bedside gossip          tell me       how many men        did your mother           sleep with       really?   I held my mobile to her ear so she could chat with my daughter in Colombia   a grandson in Barcelona another in Palestine and her sister-in-law   in a bad way too who said in her soft voice I shall follow you soon     THE BUS TO SOLITUDE   I ask the driver to tell me when we reach Schloss Solitude I don’t speak German   I did once       my mum knew it she took a mini-gap-year in Germany 1937 why on earth did her parents send her there then or was it Berne       why didn’t I ask?   German for me was one of those paths not taken I’ve mostly forgotten       except the sound some grammar       a few songs   but the driver seems to say that when we get to Solitude I’ll know and of course there’s a sliding screen   with Next Before and After clearly marked in rolling surtitles like Stations of the Cross We bowl through the streets of Stuttgart   the road begins to climb through a deciduous muddle of forest coming into full green foil each leaf jumping out of bud   a promise my mother will never see again          burgeoning  she used to say       with a grin at the fancy word   We are on a mountain with a castle on the summit       like the story she loved as a child       I have her copy there will be mines below       a princess   who has to be kept safe from underworld goblins plotting to flood the mines and take over the kingdom   and a winding stair       leading to a secret chamber where magic will take place on its own terms which appear to other people as an empty

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 20

Editorial

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

 

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