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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

In 2021, I collapsed all of my identities onto themselves Previously, I had written under my legal name – essays and reviews – unless I wrote about sex work, in which case I published under one or two pseudonyms I solicited clients and created a public-facing escort persona, social media and all, under an entirely different name, and referred to myself as such with people who hired me I had a whole other name to reveal to them as my real name – also fake – if they pushed too hard    I was never very good at convincingly committing to multiple identities, or maybe it’s more accurate to say that I was lazy about it My efforts at promoting and becoming the me’s without my real name were halfhearted, and it showed Slowly, I thought, why not remain Sophia, full-time? I became myself and I quickly developed a higher retention rate with men who wanted to pay to sleep with me Everyone preferred Sophia, which is to say: what people really want to buy from sex workers is not sex, but a mode of authenticity with fewer imperfections, and it was easier for me to feign this when I was pretending about other things less I will always answer more warmly – more truly – to my own name    The art and sex markets are ripe for scam – for price gouging and asset manipulation – because consumers are purchasing a conduit to a feeling Each buyer is in search of a particular state of being and wants to see that state reflected back to themselves Whether meaningful or shallow, the particular state one desires is priceless, as in: ever fervently and desperately sought, intrinsic to desire itself, commanding at whatever level of the market one is dipping into The buyer is seeking confirmation of who they are, or who they want to be, or who they were, in purchasing a painting or an overnight: a virile man; a widow with taste; a just-promoted banker; a cheating spouse; maybe a failson who wants, violently, success I spoke with Sarah Michelson,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 16

Scroll, Skim, Stare

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

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Issue No. 17

Ada Kaleh

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

fiction

January 2014

To Kill a Dog

Samanta Schweblin

TR. Brendan Lanctot

fiction

January 2014

The Mole says: name, and I answer. I waited for him at the indicated location and he picked me...

 

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