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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

On a pale marble fountain in Dubrovnik, I posed I pretended I too was a stone figure, water gushing from my smooth, full breasts A focal point in a crowded square of coffee drinkers and nuns, radiating from within I couldn’t wait for my vision of a woman to emerge In my grandmother’s wooded garden, I wore my red plaid dress backwards, playing at having a bust, three buttons undone My collarbones would be something beautiful, I knew Like me, my friends rehearsed womanhood One friend would lead me to her mother’s closet and pull out the silks and laces for us to wear Another drew a brassiere, stockings and garters on her Barbie doll Barbie and Ken slept naked I pressed them together and held them still I imagined this cool, dry embrace was the path to ecstasy The hair jarred me out of this fantasy I was dreaming in the dusk of a blanket fort, my arm behind my head Springing from my underarm was crooked, pale brown wire I felt too old for my t-shirt – painted birds in puffed, bright colours If I ignored the strands, would they disappear? My first menstruation came on Easter Sunday And the next at Christmas Then again at Easter, Christmas and in some years at high summer I felt connected to something great, God or otherwise, yet wanted nothing to do with the blood I wanted only to be an effigy Now, I tried to will it away I thought the dry time between bleeding meant I was succeeding ** My father and I hiked up the hill behind our house, past where the fires burned, past the horse stalls, past the fire roads and to the strip mall where I took karate lessons I felt strong, free, free again Free as one can only feel in suburban Los Angeles when one realises it is possible to live without a car I loved my breasts, small, nonetheless there, my strong legs The way the fabric clung to me, the yellow dust and sweat on my skin My

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

May 2012

Monopoly (after Ashbery)

Sarah Howe

poetry

May 2012

I keep everything until the moment it’s needed. I am the glint in your bank manager’s eye. I never...

feature

July 2011

Herat

Sam Duerden

feature

July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

fiction

January 2016

Forgetting: Chang'e Descends to Earth, or Chang'e Escapes to the Moon

Li Er

TR. Annelise Finegan Wasmoen

fiction

January 2016

Source Material   Her story is widely known. At first she stayed in heaven, then she followed a man...

 

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