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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

WHISKY WITH MOTHER as the electric blue fades into the small hours and now, a long way from home, my hands are covered in excrement I didn’t know my own smell, the layer of smell that forms on the body as the hours without water go by My tongue gets distracted by eating grass Sucking on an animal’s hard udders, sucking on the fur, the teeth all dolled up, or imagining the death of your parents It’s all the same From the moment he entered my head, this saltwater hell Zealous hammering on my veins The trouble with my brain is I can’t hold it back, it rolls on and on through the spiky undergrowth like a bulldozer Where am I I don’t recognise these big houses I’ve never rounded this bend in the road Degenerate desire Damaging desire Demented desire I don’t know how to get back My mother will be blind drunk, sprawled on the sloping grass, her feet carved up by the blades The clouds are tree trunks at this time of night My hangover’s fierce and I collapse any old how to masturbate, my hair electrified, my skin hot, my eyelids stiff My hand works away then falls still as an insect, so that nothing is enough Me and him in a convertible Me and him on a muddy road Bodies shouldn’t have breasts after a certain age; when my breasts turn to thick heavy flesh I’ll have them removed Women should stop opening their sex, too I look for a word to replace the word I look for a word that shows my devotion The word that marks the spot, the distance, the exact centre of my delirium We should be like tiny snakes till the end, and be buried that way, in long holes like gutters I get up feeling anxious, my head thick with blood I walk round the house and open the windows The wind sweeps over the insect corpses trapped in the mosquito net He keeps jars back there full of rusty water and all kinds

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

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October 2013

Enjoy His Symptoms?

Michael Sayeau

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October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

Art

Issue No. 1

The Idea Machine: Brion Gysin

Marina Cashdan

Art

Issue No. 1

Painter, performer, poet, writer and mystic Brion Gysin (1916-86) was an early prophet of our age. He was a...

 

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