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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

https://soundcloudcom/user-856373367/retrievals   About ‘Retrievals’:   I like to hear writing that is made out loud Words vibrate in the air and you forget them, but you can feel them on your skin I don’t call what I make ‘radio plays’ I just call them ‘audio pieces’ I like to keep it all as open as possible   ‘Retrievals’ is an audio piece, made using an online automated voice generator There are many sites that offer the use of text-to-voice technology (Vocograb, Voxmark, NaturalReader) These websites can manufacture hundreds of different voices – men, women, children, the elderly – from across many different languages and dialects They offer voices that sound sad, or whisper intimately in your ear Some sites are free Many make you pay for a particular voice   Automated voices are produced for specific practical uses They help the visually impaired, or those who have difficulty reading They inform you where your train is going They ask whether you want to pay with cash or card They are calm and well-mannered They are nearly always women We do not listen to them, only overhear what they have to say People who really listen in on them are often disturbed or put off, and programme their self-service checkout to ‘silent’ when they can   Automated voices do not sound uncanny or robotic to me They sound spectral and angelic Each is a voice that once belonged to someone, each a literal remnant of recordings made by a voice actor, who provided all the phonemes, phrases and speech-parts, which are put together later ‘Retrievals’ was made using a character called ‘Will (Sad)’, from acapela-boxcom The website contains no information concerning the real human being who was paid to perform the words for ‘Will (Sad)’ Any chance beauty of accent or inflection this voice might still possess remains only as the echo of something once heard, then lost, now forever misremembered If automated voices sound ‘futuristic’ then it’s a backwards kind of future They are forecasts of what has already been said   I never keep what I’ve written for audio pieces; in this respect, voice-generator websites are ideal You can

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

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November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

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November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

 

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