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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I There is no substitute for that moment when a book places into our mind thoughts we recognise as our own For those who carry a pencil, this is the thing we underline The identification is instant and intimate If the sentence is long enough, the sensation can even overtake us while we are still in the process of reading the thought that summoned it These notions spring from a mind similar to ours, except this mind has read books that we have not, has known experiences we lack, has relentlessly stripped away its banalities until this apt remark remains We admire those who create these thoughts, even as we secretly believe that we might have been the ones to write them first had we lived differently These discoveries come over us with the force of a reclaimed memory: life momentarily regains a sense of potential We feel awe, gratitude, and magnification Just the other day I encountered such a line in the poet Mary Ruefle’s essay ‘Madness, Rack, and Honey’: she calls on Mary Oppen to describe this very experience, and Oppen herself calls on Heidegger to help her do so ‘When Heidegger speaks of boredom,’ quotes Ruefle from Oppen, ‘he allies it very closely with that moment of awe in which one’s mind begins to reach beyond And that is a poetic moment, a moment in which a poem might well have been written’ In which one’s mind begins to reach beyond – that is precisely it Our senses are momentarily augmented Things heretofore imperceptible emerge into existence An essential few phrases become the focus of our thoughts, and if we can, we scribble them down immediately Irrepeatable once they have been lost, they carry within them a full poem   How fitting that Heidegger links this moment to boredom: it is precisely in those unconstructed white expanses that our thoughts are freed from the channels that normally guide them through a day In this sense reading may be thought of as a variety of boredom On many days I reach this quasi-bored state after having taken the morning train into

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

feature

July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

fiction

December 2011

Travel

Paul Kavanagh

fiction

December 2011

Taxi The taxi stopped and Henry climbed into the taxi. The taxi driver went around the block three times...

poetry

July 2012

Poem for the Sightless Man (After Kate Clanchy)

Abigail Nelson

poetry

July 2012

This is just to say,   that the inked glasses that you wear look like the sound of shop...

 

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