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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

  Hydnellum Peckii   I used to own the sweetest, smallest compact mirror It was barely bigger than my thumbnail, which meant you could digest your face in pieces: an iris, a nostril, one freckle alone in a sea of skin, the corner of your mouth I found it in an antique shop, buried in a cardboard box full of old rings, chipped enamel, lockets with their mouths firmly shut, battered gold plate spoons, and semi-precious gems clouded with age My hands came away smelling of metal It was silver, round, and on the top sat a tiny solid silver rose The compact mirror was the only thing I owned that I truly cherished My sister-in-law broke it She said she was just looking for something, a brush or whatever, even though my hair is too thick for brushing and therefore I do not own one Seven years bad luck to break a mirror, especially if the mirror was mine I took the glass pieces and ground them up using the pestle and mortar we had in the kitchen until the glass was quite fine and then I sprinkled it in my sister-in-law’s tuna sandwich that lunchtime I liked to picture the insides of her all cut up and bleeding with a hundred tiny incisions     Agaricus Bohusii   The trees look as if they are growing small pale green shrivelled hands There’s a bite on my arm: the soft part just up from my wrist, when I turn my hands so that my palms face the sky A red bud, pink blossoming outwards I scratch it until I bleed I like the sound bites and spots make when you pop their pus-filled heads Yesterday I helped cook chili con carne, which was always my husband’s favourite meal, although here the chili isn’t real Neither is the carne The meat, in fact, comes in metal containers with thick foil lids You peel them back like opening tins of cat food It is a weird hybrid of actual animal and meat substitute It tastes like nothing at all, for which we are all truly thankful If they were

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

poetry

September 2012

Moscow - Petrozavodsk

Maxim Osipov

Anne Marie Jackson

poetry

September 2012

  Mark well, O Job, hold thy peace, and I will speak. Job 33:31     To deliver man...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

 

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