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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

14 It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in two The seeds where they spill out look wrong and terrible, as though I am cutting the meat of my own hand, and so it’s not a surprise when I hear a knock at the door The bag sits ready at the bottom of the stairs, cottons and flannels collapsing in on themselves after a week of my hands folding them, unfolding them, refolding them It’s the driver, a woman with hair and eyes so pale it’s as if she came from somewhere further north than I could imagine, some new and colourless frontier She cocks her head not unsympathetically and tells me: It’s time     13 You have choices, I’d told myself again and again in the last days At the supermarket, debating rye flour or strong wholemeal, fresh pollock versus frozen white reconstituted slabs Every choice was a joy, I told myself, a delight At the till, the woman’s sick-looking hands flaked over my choices I hoped she was joyful At night I watched the organised joy on TV rather than participating out in the streets, and I did often consider stepping out to the parade, but I knew it wasn’t for me I wasn’t pastel sugar-coloured and there was nobody for me to lift up with my arms, or be lifted by, because to be lifted is always better, more suitable     12 A teenage girl, Jennifer, latches onto me immediately I feel very tender at the sight of her outlined eyes, the bracelets she tears at rhythmically that are supposed to be talismans for things such as love and belonging At the first service station she sinks low in her seat, refusing to get off I bring her a sandwich of plastic cheese and she chews it meditatively   My mother will be on her way, she says She’s caught me up before She hits the seat in front of her with her palms, nervous energy coming off her like heat Can you hurry up? she calls out to the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

 

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