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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Five is a number dense with theological significance Five are the books of the Torah, five the wounds of Jesus, five the pillars of Islam and the elements of the universe according to Aristotle The Pythagoreans called the star with five corners, the Pentagram, ‘health’, and used it as a secret sign by which to identify themselves On the fifth day God created the creatures of the sky and of the oceanic abysses and ‘He saw that it was good’ Multiply five by one hundred, the secular number par excellence, and you get 500 February 1513, February 2013: five centuries that close upon themselves   In the last days of February 1513 – halfway through the 500 years of the Little Ice Age – an old, feverish man was meeting his end in a Vatican palace It is recounted that as he lay on his deathbed a fierce wind blew through the streets of Rome He was Julius II, the ‘Pope dressed in armour’, the warrior Pontifex who had spent his life fighting to ‘push back the barbarians’ – that is, the French superpower – and to create an independent Italian kingdom Having succeeded the weak Pius III, who ruled for only three weeks before being poisoned by his own attendants, Julius II was well aware of the perils of his position   He would go down in history as one of the most intrepid figures of the Italian Renaissance, a visionary politician and patron of the arts as well as a supremely corrupted Pope, quick to anger and plagued with syphilis He showed little interest in theology, but he understood his job better than most of his predecessors or successors: he knew that the Vatican seat was an imperial throne, and dared to act accordingly Having started his career as a Franciscan, the order most devoted to poverty, he had no ideological difficulty in seeing through the religious pretensions of the Church to its essential nature as an instrument of power: the steel blade that cuts through

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

Prize Entry

April 2017

Terre Haute

Lauren Van Schaik

Prize Entry

April 2017

We’ve been quarantined in the school gym for three weeks when we realise just how much we’ve forgotten. Not...

 

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