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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific experiment For six weeks, he lived in a flooded apartment in the Virgin Islands with a woman named Margaret Howe, who was tasked with teaching him human language Needless to say, this was not successful     Margaret’s Visitor The doorbell never rings I still anticipate the TV sitcom bait-and-switch, the postboy’s shock as Peter concertinas through the water to the door, rotates the handle with his bottlenose and nabs the letter in his mouth, delivering a suave Midwestern ‘Thanks’ – and I descend, still fresh from six weeks in a Lurex bathing suit, to wait for his reply I see the postboy see the desk that hovers with its laminated paperwork, like the chrome cloud of an indifferent God; the hair I shaved to bring us closer tufting out, my black lips like a faded mime: and I see Peter, halfway human now, his eyes above the water sitting on his nose, easy as spectacles ‘Oh no,’ he says, ‘it’s no trouble at all,’ craning to sign, the pen between his teeth I’m by his side: a painting of two homesteaders leaning on leaf-nets as if they were farming tools A ball bobs in the background, childishly, but we have put such things away I ask him where he’d like our new delivery We watch the postboy stagger, fish-legged, down the street, his mouth a gasping blowhole     Fourth of July Of course he wouldn’t wear a hat Of course the soggy tickertape Of course this can of frosting in the dark, water-light softening its jagged edges, and for just a tick I seriously thought: what if I

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

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April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

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April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

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November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

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November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

 

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