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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

‘Not my name I live on the streets of an era in which saying one’s name is a cause for suspicion The name I bear today may not recognise me tomorrow So I do not bind my face to a particular name’ João Gilberto Noll   This is how it begins When it seems as if it’s all over Staring at the ground without blinking, I notice a piece of damp earth that seems like it’s in the wrong place I pick it up with both hands and without really knowing why, I put the fistful of damp earth that’s in the wrong place in my pocket, and decide to walk until I know where I’m trying to get to Maybe to a place where this bit of earth fits I pass by a neighbour’s house, knock on the door, and while I’m waiting for them to answer, I notice the outline of a perfect rectangle on the ground where a doormat has been removed Without really knowing why, other than the strong smell that seems to be coming from it, I push the outline of the mat further down into the tightly packed earth and exchange the damp earth in my pockets for a dry clump I fill both pockets again and depart, as if I’ve just left a message I go up a hill I dig a hole to leave the dry earth in and take a bit of quartz stone which, I don’t know if you know, is the most common stone on our planet and can be used to make many things: soap, toothpaste, sandpaper, optic fibres, watches, radios, ashtrays, even cheap jewellery I don’t want to do anything with this stone, I just want to carry it I pick up the stone which also smells of damp earth and don’t look back For reasons not worth mentioning, I move on Some would say: I depart But I say: I split I arrive at the border between my city and the next

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

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Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

 

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