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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

The mothers check their belongings into lockers and pass through metal detectors They learn the rules of the public gallery and the name of each judge After court adjourns for the day, they walk to the supermarket wearing winter coats over their saris, boots sinking into the snow Some remove their gloves to catch snowflakes, licking their palms to see if it’s true, it’s just water, while others concentrate on their wheelchairs and canes    Under fluorescent lights, the mothers compare different brands of biscuits and squeeze loose tomatoes and onions    One mother is the first to return to the island She is disappointed with the straight-backed chairs, the ‘No food or drink!’ signs and the realisation that the trial is concerned with crimes and humanity, while she herself is consumed by the absence of a single person who was born on the second day of Navaratri His name had to begin with an ‘a’ or ‘aa’, which is why she named him Ahilan    Ahilan Sivapragasam, Pranavan Muthukumar, Keerthana Ravichandran   The mothers have written these names on forms submitted at every administrative level The names are now in a public database, and the list has been filed with the court as evidence    In the gallery, the mothers sit next to diligent undergraduates and doctoral candidates who lean back, unimpressed Many of these students will write research papers about enforced disappearance as defined in the Rome Statute They will use ‘disappear’ as listed in the dictionary (verb, used without object) but, on the island, people are objects who receive the action: they do not disappear, they are disappeared   In the gallery, the mothers sit alongside journalists who write for syndicates, magazines and news outlets, including those from the island One journalist watches the mothers closely and, even when they seem bored and distracted, she writes about their resilience Another is a staunch supporter of the defendant He writes headlines like ‘Crocodile Tears in Kangaroo Court’ for which his editor commissions a cartoon of the mothers as sly reptiles, their eyes peering over the waterline as the defendant dangles at the end of

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

January 2016

Meteorite

Liliana Colanzi

TR. Frances Riddle

poetry

January 2016

The meteorite retraced its orbit in the solar system for fifteen million years until a passing comet pushed it...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

Art

Issue No. 12

Parra!

Parra

Art

Issue No. 12

 

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