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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Dear Friends, It’s been just over two months now since we launched our second issue at Daunt Books Cheapside and we have plenty of news to share, events to unveil and, most importantly perhaps, deals on subscriptions and past issues of The White Review We’d like to start, however, by congratulating Patrick McGuinness, who had a poem in our last issue, for making the Booker longlist with his novel The Last Hundred Days Issue 3 Our third issue will, this time around, launch in the Gallery on the third floor of Foyles’ flagship Charing Cross Road bookshop on 13 October from 6-830pm Following a brief presentation of the issue by the editors, British sculptor Richard Wentworth – interviewed here for our second issue – will be joined by author and critic Marina Warner – interviewed in the new issue – to discuss contemporary art and literature As usual, there will be some nibbles, lots to drink and an after-party in a nearby drinking establishment To reserve a space for the launch, please email editors@thewhiterevieworg Issue 3 will feature interviews with writers Will Self and the aforementioned Marina Warner but also an unusual discussion on artistic collaboration and contemporary art with Danish conceptual duo Elmgreen & Dragset Around the interviews will be the usual mix of fiction, poetry, reportage, essays, photography and artwork from two dozen artists and writers, all presented in our bespoke typeface As with the last issue, you can expect a few more innovative design features courtesy of The White Review’s artistic director and designer Ray O’Meara   Back Issues, Subscriptions & Tote Bags Ahead of the next launch, we are launching a subscription deal: £3999 gets you four issues (please specify which issue you’d like it to start at…) and a limited edition tote bag that will be sent out with the third issue in mid-October Visit our website for more details on this Please note this deal is only available until 13 October We’re

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

 

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