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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

There are two categories in the literary system I’d like to celebrate at high speed: the lonely writer, and the magazine And before we celebrate one writer in particular, I want to perform a mini pause and consider that second category, the magazine, the category of which The White Review forms such an elegant example I guess I think that the fact that such a magazine exists is one proof that literature might still be possible in this distracted era For the lonely writer needs the magazine, very much – the magazine and its lonely editors Because, speaking as one such melancholy novelist, it has to be admitted that, given the amount of pre-existing stories and myths and objects and products in this world, it’s basically crazy to want to add to this giant heap The wish to do so is a small conundrum of vanity And one possible instrument for the solving of this conundrum is an editor Laziness, after all, is natural Moral murkiness, stylistic self-satisfaction, lack of sense of humour: these are the usual modes of the writer alone with her computer screen To avoid such things it’s therefore useful and dispiriting, usefully dispiriting, to have in your head the presence of an acerbic and disappointed editor, as a totem of that other absent presence, the disappointed reader   But while it’s true that if I think of a quick list of magazines I love from the last century or so – beginning with The White Review’s ghost, La Revue Blanche, then moving on through T S Eliot’s Criterion, Georges Bataille’s Documents, Marguerite Caetani’s Botteghe Oscure, Cahiers du cinéma, Phyllis Johnson’s Aspen, The Paris Review – they’re sometimes associated with particular editors, just as also they might be associated with a specific group, and even a specific manifesto, I’m not sure in the end if editors or groups or manifestoes are precisely why magazines are so important The real machinery of a magazine is how it converts the solitary act of writing into something social It gathers writers together, as in some allegorical apartment block It makes visible works and

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

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April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

Interview

Issue No. 1

Interview with Tim Walker

Karl Smith

Interview

Issue No. 1

‘I’m not so motivated by fashion and brands,’ explains Tim Walker – one of the world’s leading fashion photographers....

 

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