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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

We were clearing the dishes after dinner when I found myself telling my 15 year old son the story of La Llorona I’d been re-reading Clarissa Pinkola Estés’s collection of folktales and myths, Women who Run with the Wolves (1992) It’s a work that reveals itself over time and one of a handful of books I return to whenever I find myself at one of life’s crossroads I’d just read ‘La Llorona’ and left it open, face down at the edge of our table while we ate I was reeling It was not the first time I’d encountered this tale, yet I did not remember it from earlier readings Perhaps I was not ready I scraped broccoli stems off a plate into the bin I started, ‘Once upon a time, there was a poor Brown woman in Guatemala and she fell in love with a wealthy hidalgo,’   ‘What’s a hidalgo? And where is this taking place?’ He handed me another dirty plate   ‘It’s a Spanish lord in colonial times And the story comes from a small Latin country in central America, not far from Haiti’   I am from Haiti   ‘So,’ I continued, ‘They were happy because the lord thought this poor woman was very beautiful and he took her into his hacienda – which is Spanish for villa – surrounded by bougainvillea and the sweet smell of almonds from the fragrant virgin’s bower that climbed the old stone walls They made two babies together and loved and cared for them One sunny morning she smiled at him and he didn’t smile back He told her without looking at her that he was leaving her and taking the children with him He had found a woman he could marry, European and wealthy Our lady looked around herself and saw that everything good had been taken away from her In despair, she took their two small boys to the river and she tied a rock to her ankle Hugging them tight, she jumped in where the water was deep They all drowned She came back though,’   ‘What?’ He stopped loading the dishwasher and looked at me

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

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April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

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April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

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October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

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October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

 

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