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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

A twilit bedroom Silence Ceiling view of the base of a hyper-extended bed—the length of a catwalk Slow pan of ruffled bedsheets in close-up—magnified sheets like an Arctic mountain range Shitty camera quality—that of CCTV or a sex tape, colours drained Zoom out Slow tracking shot reveals one by one, as in a Tarkovsky film, a series of sleeping faces—silent apparitions of celebrities—Taylor Swift—Kanye West—Kim Kardashian—eyelids shut, lips loose, mouths ajar—a slumbering parade of pop royalty—not in their usual livery but nude—trashily nude—classically nude Most of the body parts—arms and torsos and necks—are purpled with tattoos Most of the nipples—black or pink—are pierced A pink Caucasian cunt in extreme close-up Blackout   ‘At once both superficial and deep,’ a man’s voice intones—Kanye West’s We fade up on Kanye, wearing a silver jacket, sat in a swivel chair at a mixing desk being interviewed by journalist Zane Lowe ‘Both deep as a canyon and superficial as a razor blade,’ Kanye says, eyes wild, head dipped ‘So, you think you’re pushing the boat out?’ Lowe asks ‘I’ve reached a point in my life,’ Kanye answers loudly—as drums begin a 4/4 beat—’where my Truman Show boat has hit the painting’ Freeze-frame close-up of Kanye’s face, mouth agape—an oil painting filter is now applied to Kanye’s facial image—bass drum and hi-hat kicking—and now all at once a synthetic accordion and descant recorder come in doubling a jaunty melody—the freeze-frame of Kanye’s face cuts for a split-second to an image of Freddy Kruger—then black—and Kanye’s rap enters:   For all my Southside niggas that know me best I feel like me and Taylor might still have sex Why? I made that bitch famous   A glittering legend flashes up on the screen:   ☆ FAMOUS ☆ BY ♫ ‘KANYE WEST’ ♫   ♦   Shoulder to shoulder, half concealed by the sheets, half revealed by the sheets, in that enormous bed they lie, the celebrity bodies in Kanye West’s ‘Famous’ video And lie in more senses than one, all the bodies being at once hyper-real and hyper-fake, seemingly real yet actually prosthetic But, once become an image, isn’t everything real?

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

May 2011

Two Prose Poems From 'The Sacrifice of Abraham'

Alexander Nemser

poetry

May 2011

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group...

fiction

September 2013

Seiobo There Below

László Krasznahorkai

TR. Ottilie Mulzet

fiction

September 2013

1 KAMO-HUNTER Everything around it moves, as if just this one time and one time only, as if the...

Art

July 2011

Interview with Steven Shearer

Vanessa Nicholas

Art

July 2011

Canada’s representative at the 54th Venice Beinnale is Steven Shearer, a soft-spoken and mild-mannered Vancouver-based artist whose work delves...

 

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