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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

This all happened in Barcelona, in the spring of 2017 I haven’t spoken to him ever since, we never got back in touch for some reason, and plus after I went back to Buenos Aires I met Agustín and soon we got together and I believe we were happy for a while, so I forgot about him and my brother and Barcelona and all of that And yet sometimes I still think about him, I don’t know why I remember I used to look at him, my head on the pillow, trying to make out his body moving through the semidarkness of the room, picking some clothes and then gradually coming into view at the foot of the bed, where he would sit and get dressed I remember I used to watch him walking out onto the balcony for the first cigarette of the day (stiza or stizza, that’s how he used to call it in Italian) and then stepping back in and leaving the windows and the white shutters ajar so that the sounds and the smells and the light of the city might pour into the room once the sun rose, once the city rose, because before that, as I quietly, almost secretly watched him getting ready for work, I would often find myself under the impression that he was the only human being alive in the whole of Barcelona, that I was spying on him, that I shouldn’t have been there, in his flat, in the flat of a man I barely knew, and in fact I never got used to that impression, to Cesare’s silent figure groping his way through the obscurity in the early minutes of the day, go on yes please don’t stop and this is the more surprising the more I consider that on the other hand I did get used, during those twelve days we spent together in Barcelona, in the spring of 2017, to the basic rhythms and patterns of his routine I

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

February 2013

Redacted, Redacted

Les Kay

poetry

February 2013

Here the censorship, which you’ve taught yourself, is self-inflicted (low sugar, low fat); it begins with the swinging shadow...

Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

poetry

December 2016

Three Poems

Adelaide Docx

poetry

December 2016

ADVICE FROM BENJO CORTEZ GALLERY OWNER, CHELSEA THE RED CAT, NEW YORK, 2AM    When I feel something It...

 

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