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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Walter Benjamin said of Kafka that his work dealt in ‘the purity and beauty of a failure’ That ‘once he was certain of eventual failure, everything worked out for him en route as in a dream’ Wresting the Czech novelist from the critics who had variously lumped him into one of two camps – the psychoanalytic or the mystical – Benjamin was keen to assert the far more prosaic origins of Kafka’s absurdity: the ultimate fallibility and smallness of man that ultimately renders all fleeting and often fortuitous achievements, funny   What Kafka dealt with from an almost metaphysical perspective, became the subject of latter-day comics dealing in the far more kitchen-sink enactments of this same scenario – the petty anxieties of the Petit Bourgeois This was the social strata rendered humourless by the bald ambition and anxiety that attends climbing the social ladder, becoming an easy target of ridicule along the way Kafka is the Paul Klee to Tony Hancock’s John Bratby, but the state embodied by both, the sense of wry detachment, and sense of alienation from the systems of governance and bureaucracy that ultimately decide one’s fate, also continued the experience of childhood I have often marvelled at the ways in which our society maintains the idea that adulthood should constitute the discarding of such scepticism, to me, insisting on a form of delusional and uncritical conformity The childish amongst us, of which a large concentration seem to exist in the fields of artistic expression and academia, are those who have not yet ceded to the forces of economic one-up-manship, who no different to how we were when we were five, see much of the world as constituting a mystery of jargon and dumb stress   I have long been interested in the psychic impacts of social mobility The orphan state it creates in the winners, and the anguish left for everyone else This state of detachment from bureaucratic forces, the imperviousness to success and failure that I describe here, ought to be the experience of childhood And yet I wonder whether it was a prelapsarian state cut short for

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

 

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