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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself and it became necessary to start again from scratch Art had already been invented, and the only thing to be done was to go on producing works, and the myth of the avant-garde came about to restore the possibility of making the journey from the origin again   If the actual process had taken two or three thousand years, what the avant-garde proposed could only function as a simulacrum or a pantomime version, hence the ludic, or at any rate the not-too-serious quality, the carnivalesque instability which avant-garde movements have possessed But history abhors stable situations, and the avant-garde was the response of a social practice – art – the purpose of which was to recreate an evolutionary dynamic   In effect, once the ‘professional’ novel – if we limit ourselves to the art of the novel – had come into existence, in a state of perfection that cannot exceed its premises (the novel of Balzac, Dickens, Tolstoy, Manzoni), it runs the risk of becoming congealed One could say that if the only risk is that novelists might keep on writing like Balzac, then it is a risk we are willing to take, and with pleasure But in reality it’s optimistic to talk of a mere ‘risk’ because this process of congealment has actually taken place Thousands of novelists have continued to write Balzacian novels during the twentieth century: an unending stream of commercial fiction, fleeting, frivolous novels written for the purposes of either entertainment or ideology To take even a single step further, as Proust did, requires a colossal effort and the sacrifice of an entire life The law of diminishing returns comes into play: the innovator covers almost all the ground in his initial attempt, leaving his successors a space that gets smaller every day and in which it’s more and more difficult to move forward   Once a professional novelist is established, he has two equally melancholy alternatives: to keep writing the ‘old’ novels in updated settings; or to heroically attempt to take

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

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Issue No. 13

Under a Bright Red Star

Federico Campagna

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Issue No. 13

Five is a number dense with theological significance. Five are the books of the Torah, five the wounds of...

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October 2012

Crown of Thorns Starfish

Caspar Henderson

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October 2012

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and...

 

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