Mailing List


Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind If we imagine the first English iconoclasts in action as they undertook to rid churches of images and holy objects in the sixteenth century, images of grim-faced fanatics wielding hammers and flaming torches are likely to spring to mind But if iconoclasm is loud and violent in its fury, it is haunted by its quiet aftermath, in which the meanings that it releases prove troublingly difficult to control One response might be to leave nothing behind at all In 1547, as iconoclasm in England assumed new ferocity under Edward VI, a royal injunction urged the clergy to remove and destroy all ‘monuments of feigned miracles, pilgrimages, idolatry and superstition; so that there remain no memory of the same’   This enforced forgetting, however, was a dangerous strategy If superstition were utterly purged and its memory obliterated, there was the risk that it might be repeated The overcoming of error needed to be remembered if its repetition were to be guarded against In many churches broken statues or desecrated images were accordingly left in situ, as salutary reminders of a reviled past This too had its risks, however Even in their broken form, such idols might continue to inspire reverence rather than revulsion After all, if the fragmentation of relics in the Middle Ages in no way reduced their sanctity – a splinter from the True Cross was as holy as the whole – then the sacred remained sacred even in its ruined state Iconoclasm, which seemed to aim at absolute and irrevocable change, turned out to be torn between forms of remembrance and forgetting that it could not fully control   Art Under Attack is the first exhibition devoted to the history of British Iconoclasm, and it is in many ways the realisation of an iconoclast’s nightmares If the iconoclast wants the object to vanish and be forgotten, the exhibition reveals the stubborn tendency of defaced objects to linger and accrue new meanings The first two rooms, devoted to the Reformation of the sixteenth and seventeenth century,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

feature

July 2013

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

feature

February 2013

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

feature

May 2014

The Quick Time Event

David Auerbach

feature

May 2014

The ability of computers to semantically understand the world – and the humans in it – is next to...

Art

Issue No. 6

Interview with Edmund de Waal

Emmeline Francis

Art

Issue No. 6

As we speak, Edmund de Waal, ceramicist and writer, moves his palms continually over the surface of the trestle...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

 

Get our newsletter

 

* indicates required