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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as part of a series of International Literary Meetings I accepted the invitation because I had never been there and I wanted to get to know the city Also, two of my favourite writers, John Banville and Rick Moody, were taking part in the symposium This question of the connections between fiction and reality, which is touched upon more and more each day, was a topic about which I had already written an infinite number of times and in a variety of formats, and it seemed like the time had come for me to arrive at a firm position on the subject, even if it was one that I myself lacked faith in   I still remember how, throughout the flight, I thought about the absurd things I imagined I would find in Lyon, and how I ended up falling asleep When I woke up we had already arrived In the airport an imbecilic-looking character was waiting for me (I had a bad feeling about him from the moment I saw him), a young taxi driver holding a placard on which he had written – very badly, with three grotesque spelling mistakes – my name   Usually, the taxi drivers who do this kind of job do it in a routine, bureaucratic manner They exchange a few short words with you and then drop you off, with the efficiency required, in your hotel, and nothing more My taxi driver, however, was in the mood for talking and nosing around in my business Noticing that my French was not perfect, he suggested we speak in Portuguese, his mother tongue, which was a pain as my Portuguese is worse than my French   Halfway through the journey he confessed that he didn’t really know how to get to the Hôtel des Artistes, where I was meant to be staying After explaining that he had only received his taxi driver’s licence three days ago, he started to make use of the traffic lights in the outskirts of Lyon to consult a map of the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

fiction

January 2012

Collapse - A Memoir

Jesse Loncraine

fiction

January 2012

Author’s Note   I began writing about the war five years after it was over; a war the world...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

 

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