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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist A member of the influential literary association Gruppe 47, with Günter Grass, Heinrich Böll and Paul Celan, he was extremely well-connected in the world of German publishing and an astute observer of the literary scene As this 1980 letter to his publisher Siegfried Unseld, the formidable director of Suhrkamp Verlag, reveals, he was one of the first to notice the importance of Renata Adler’s experimental novel Speedboat —S W   *   Dear Siegfried,   You were not mistaken in your suspicion that Renata Adler’s Speedboat would ‘hit home’ with me I find it – to use a fashionable word – a captivatingly good book, at least the – more or less – five sixths that I understand: to understand the remaining sixth, one would either have to be an American or know America very well, because it is an eminently American book, and sometimes I lack the key to the metaphors But that does not compromise a reading of the book, because its structure allows you to open it up at random and read it, without being aware of the context, like a breviary   Now you ask me why the book is so good I may assume that you have read it, so that my answer can only be seen as a recommendation to those who have not read it To sum up this answer in a sentence, I would say: here journalism has grown far beyond its own boundaries to create a masterpiece That has, to my knowledge, never happened before, not least because journalism, however outstanding it may sometimes be, must be measured by its currency value, and thus has to respond to a precise theme But I have never read a report whose theme, as here, is nothing less than our life   In general, it does not take any particular analytical perspicacity to unmask our life as an absurd and potentially catastrophic sequence of events, deliberate or otherwise, an implementation of something that is essentially impossible But this book does more than that,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 1

In Somaliland

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Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

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Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

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August 2013

The Ghosts of Place

Dylan Trigg

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August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

 

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