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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

11 22 2011 – LOVE DOG     For months Hamlet has been floating around Its book covers popping up everywhere Non sequitur references during my classes with Avital Ronell In other texts In my letters to Elaine and in her letters to me The other night, in my laundry room, someone left a copy on a shelf of donated books On tables at work I even stole one copy and took it home with me as a token, as proof   Ronell says, ‘In Hamlet readiness is all’ and ‘All of Hamlet happened in the ear’ A few weeks later, Žižek came to Ronell’s class and said that Hamlet is about the way the beginning of ethics is trying to decide something and decision always involves indecision and procrastination How an act always comes both too early and too late, so there is never really a ‘right’ moment for an act One begins with the wrong moment because it is always the wrong moment A few days ago, Elaine sent me a quote by John Berger: ‘In the minute that’s still left we have to do everything’ The day X came to class Ronell brought up Hamlet, again, and suddenly all the ghosts had a name, making them real I couldn’t believe my ears Yet even though we were finally in the same room together, how can you know what someone hears – (what X heard) – when we never really know this about anyone? When I asked a female acquaintance at the bar we were at if she thought X had heard what I said under my breath the night we were together, she answered: ‘He doesn’t need to hear you He knows’ The question is, how did she know? When I mumbled something cutting to him as he went outside to smoke a cigarette, taking a risk by saying anything at all, he asked me to repeat what I’d said I pretended I hadn’t said anything and he pretended he didn’t hear anything Denial is one of the ways cognition works You’re just hearing things and You’re just seeing things are

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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April 2017

The White Review Short Story Prize 2017 Shortlist (UK & Ireland)

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April 2017

  click on the title to read the story   A Journey Through Famous by Kanye West by Liam...

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Issue No. 7

Comment is Fraught: A Polemic

Mr Guardianista

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Issue No. 7

When not listening to the phone messages of recently deceased children or smearing those killed in stadium disasters, journalists...

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

 

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