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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why my throat is sore but I quickly decide that it was the airplane, those things are a wonderland for bacteria, and at least the snafu with the projector gives me time to take a sip from the glass of water in front of me, a glass that I’ve already topped up with a little whisky, which is a crime against single malt, I know, believe me I know, but it’s become a ritual now, every time I give one of these keynotes I find myself reaching for the hip flask, and it doesn’t hurt anybody in the end, and I don’t think anybody would blame me for needing to steady my nerves (even though my nerves never need steadying, I’ve often felt that they’re not so much made of organic material as they are built from some sort of steel or copper, pinging under my skin like telephone cable) given the size of the audience and the importance of this speech, which is not to say that I’m bragging about it, because somebody has to be on the podium and it might as well be me, and the years I put in at the coal face mean that I have a certain amount of experience to share, and my natural gravitas (again, I’m really not bragging, this is just a statement of fact based on my appearance – a full head of silver hair, a certain sharpness around the eyes – and voice – which isn’t as deep as you might expect, but there’s gravel on the riverbed) means that people tend to listen to that experience; you can see them now if you look around the hall, backs still straight in their seats and eyes still clear from coffee, hungry for somebody to explain to them why they bothered to register for this conference, hungry for somebody to bring some life to what would otherwise be a dry and dirty topic (I won’t bore you with the details,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

February 2017

In Case of Death

David Nash

poetry

February 2017

1. Cessation of Breath: Is He Breathing?   He’s not breathing, and he cannot go on like this. He...

Interview

March 2017

Interview with Rodrigo Hasbún

Enea Zaramella

Rodrigo Hasbún

TR. Sophie Hughes

Interview

March 2017

Rodrigo Hasbún (born Cochabamba, Bolivia, 1981) has published two novels and a collection of short stories; he was selected...

fiction

January 2017

Peace

Patrick Cottrell

fiction

January 2017

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down...

 

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