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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

First of all, since everything must have a beginning, even if that beginning is the final point from which it cannot be separated, and to say cannot is not to say wishes not, or must not, it is simply impossible, for if such a separation were feasible, we all know that the entire universe would collapse, inasmuch as the universe is a fragile construction incapable of withstanding permanent solutions – first of all, the four routes were opened up Four wide roads divided the country, starting from their cardinal points in a straight line or ever so slightly bent to follow the earth’s curvature, and therefore as rigorously as possible tunnelling through mountains, dividing plains, and overcoming, supported on pillars, passing over rivers and valleys Five kilometres from the place where they would intersect, if this were the builders’ intention or rather the order received from the royal personage at the appropriate moment, the roads divided off into a network of major and secondary routes, like enormous arteries which had to transform themselves into veins and capillaries in order to proceed, and this self-same network found itself confined within a perfect square which clearly measured ten kilometres on each side This square which also had started out, bearing in mind the universal observation that opened the story, as four rows of trig points set out on the ground, subsequently became – once the machines that opened, levelled and paved the four roads appeared on the horizon, coming, as we said, from the four cardinal points – subsequently became a high wall, four curtain-walls which could soon be seen, as was already clear from the drawing- boards, delimiting a hundred square kilometres of flat or levelled ground, because a certain amount of clearing had to be done Land chosen to meet the basic need of equidistance from that place to the frontiers, a relative advantage, which was fortunately confirmed later by a high lime content which not even the most optimistic had the courage to forecast in their plans when asked for their opinion: all of this simply brought

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

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December 2016

Wildness of the Day

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier...

 

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