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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I lost my faith the year my Grandma passed away She was here and then she was not, and my belief slipped away with similar ease It was a year in which loss was rife: an aunt had passed several months before, and almost a month to the day later, another died suddenly, leaving behind a husband and toddler I watched something break in both father and son The boy stopped speaking and could only communicate his grief in actions He was always opening and closing cupboards and doors, as if he was looking for his mother, or maybe he understood, and was searching for a space large enough to house his ache   The day my Grandma died, something in me broke I spent a long time not knowing how to say this, not knowing what language there was to say this, not knowing that it was okay to say this I spent a long time not knowing The only thing I know now is that I will spend eternity not knowing There are no answers, but there are ways to cope   Instead of language, an image: at the funeral of my aunt, standing slightly to the side as the casket was lowered into the ground Watching my uncle take some crumbling earth in a closed fist, and hearing it scatter on the casket like light rain Other family members were invited to do the same Each fistful of soil felt like a soft hand against a door, knocking, knocking, knocking – knowing there could be no answer   On the first day, my mother paced the house She swept the corners of our living room, gathering all she could I could see that with this simple act she was reaching into the corners of her own mind, gathering all she could there too, hoping not to forget We had a small service in the same room a few days later, during which the pastor assured us that death was not the end He was right Time had taken on a different, hazy quality in which we seemed locked in stasis, moving in

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

Feature

November 2017

Small White Monkeys

Sophie Collins

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November 2017

Small white monkeys stretch around in the dirt beneath a tree but do not get dirty. They pick themselves...

poetry

November 2014

Like Rabbits

Bethan Roberts

poetry

November 2014

When my husband unrolled the back door of the brewery’s lorry and hoisted first one cage, then another, onto...

 

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