Mailing List


Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

DEDICATION   Flamingo, urchin, bestiaric beast: Paroling city matters, you re-form From pigeon’s dirty feather to a quill   A parlour game: we reach the dovetailing Between those singing spasmic pities that We summon, and the dank urbanity   You wreak It comes to punish this reserve Love: whether zoo, circus, menagerie, All matters of a name more so than form,   Let us rush towards autowilderness, Strifed with wet, chaostic humours 1 Erotic prescience : I sense us : one   We’ve taken flyte, so let us rest in shelter, Into the original of the world, Nothing can stop our loved country from mattering   ONE   *   There is a woman turning a woman turning itself on   Sick hydra starting up    I dream of sea becoming seaworthy to sea   The sea drownsy    in its offensive capability   Drownsy Baby        thirsting in its sleep        Hush now   Totemic fetish or mnemonic logo    :    her offensive cheep    :    untid’ly starting up for the tide    :                cheap   *   You cannot scry in your own silver when its ripples split the vision   They cannot peer into a depth they’ve mined        and filled Selfsang in their own gags        Dull drams overfilled —spilling unward   Eat your eyesight, bastard            Ring yourself unfit   *   Q: Where has this water gone? Why disappear?   A: Add an arch to the middle of valour There’s your answer       In the mean time, build a city        Then build a countryside for balance   Now, not sea at all                They become   ardor’s coldened shoulder            Ardor eccentric Radiating inward   Throttling at different purposes and speeds   *   TWO   An altared state urned in a loss of verse Severed then served with coming of the morning My love has earned this insurrective swerve That seeks to crash the calming of his mourning   *   You rest inequality   If I was embedded in a painscape, it’d be different   Q: Where do you rest? A: Camped out in the bedazzled house of his runtish fantasy   His House Believes   As it is now, there is an asterisk to every kiss     Let me rest in that nest of those pink, electric branches   There, there is safety   *   THREE   To have a handle on something is to have the capacity to turn it on or off   *   What I    cuse him of I    cuse myself   *   When they are together, their shape is endless and content   The sea drinking the sea                    The sea is drinking the sea   *   The vulvic octopus dies with her young Meanwhile, I:    waste    with my    youth   The staggering dear does not accept my hand, fawning

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

feature

July 2013

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

feature

February 2013

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

feature

April 2017

Everywhere and Nowhere

Vahni Capildeo

feature

April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

 

Get our newsletter

 

* indicates required