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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

What is a university for? Even for those outside of the higher education sector, this is a question that’s becoming increasingly difficult to avoid In February and March this year, the Universities and Colleges Union (UCU) organised fourteen days of strike action over a four week period, which saw staff and students standing on picket lines in freezing weather conditions, mass marches and rallies through campuses and city centres, and a significant rise in union branch membership across the UK Primarily, the strike was about pensions, but it soon became apparent that the industrial action represented a resistance to the encroaching neoliberal agenda in higher education more broadly, as banners on the picket line borrowed from Mark Fisher: ‘Against the slow cancellation of the future’ The pensions issue itself — the proposal from Universities UK (UUK) to transform the Universities Superannuation Scheme (USS) from a defined benefit scheme to a defined contribution scheme — is symptomatic of the increasing marketisation of the university The former guarantees its members a retirement income; the latter depends on the stock market, and represents a loss of between 10 and 40 per cent for staff UUK, which describes itself as ‘the voice of universities’, is an organisation of the vice chancellors or principals of higher education institutions, who have seen their own pay more than quadruple in less than 20 years Meanwhile, staff pay has seen a real terms decline since 2009, and pensions, particularly in the public sector, are deferred wages: the proposed changes provided proof, if proof were needed, of the political agenda behind the current drive to reform British universities   This discussion took place just after the vote to suspend strike action was passed, and inevitably, we had a lot to discuss Along-side the more visible scandals of the past few years — Toby Young’s appointment to the Office for Students springs immediately to mind, and the ongoing right-wing media attack on campus no-platform policies — university staff are increasingly on some variation of an insecure contract, something that actively works against the diversification of the academic workplace The Home Office crackdown

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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June 2012

Nothing Here Now But The Recordings: Listening to William Burroughs

Charlie Fox

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June 2012

About a month ago I was in Berlin. Every night I had a very strange dream. I was watching...

fiction

January 2016

Good People

Nir Baram

TR. Jeffrey Green

fiction

January 2016

Good People opens in Berlin in 1938. Thomas Heiselberg has grand plans to make the company he works for the...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

 

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