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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife An orange erythema appeared around the wound When he got a fever, his lymph nodes swelled up and purple spots spread over his back, my mother called the ambulance from the village mayor’s house It came two hours later and took him away to the hospital, sirens blaring, with a suspected case of blood poisoning My mother said they replaced all his blood and pumped medicines into his stomach with a special pump   Miraculously, he managed to turn the corner after three weeks, but when he came home I hardly recognised him: he had lost more than twenty pounds and had gone almost completely deaf His eyes had lost their brightness, and his formerly swarthy face had turned the colour of a horseradish root He was given sick leave and for the time being stopped going to the paper mill He would get up at seven, throw his camouflage jacket over his shoulders and look out of the dining room window at the pond and the beehives, which stood scattered among bare currant bushes At nine, he would wash, put on his loafers and change into a shirt and his favourite, slightly too tight jumper with a black and white diamond pattern After swallowing two raw eggs, he’d look through old illustrated books about birds and fish which he’d brought home from the recycling centre at the mill, or he’d take out an old hunting knife with a deer-hoof handle from his taxidermy box and would sit opening and closing it as if he were playing some sort of game That’s how it was almost every day: he didn’t stuff animals any more, he didn’t play poker, he didn’t go fishing and, increasingly, he hardly ever said a word to anyone   He perked up only when he read in Beekeeping magazine that over the course of the harsh winter the frost had destroyed numerous apiaries in southern Poland He jumped up from the sofa, fetched a blackened saucepan from the dresser, poured

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

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July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

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July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

fiction

September 2014

The Fringe of Reality

Antoine Volodine

TR. Jeffrey Zuckerman

fiction

September 2014

Many thanks to those who have allowed me to speak; now I’ll do so.   I’m actually not talking...

 

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