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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

As I swam in the bathtub, they wondered what they had done to have a fish instead of a daughter My father sat back as I thrashed against the hook of his hands His mouth and eyes: three blank holes, staring at the creature he reeled from his wife’s thighs Mother pressed my thin-lipped grimace to her breast Nipples bloody, pink as worms, she thought I would bite if not suck She wondered if it was the poison she ingested while I was gestating She worked at a plant where beets burned into sugar Smoke drifted in manufactured clouds Air sweet as pure honey Father believed it was punishment for all the fish laid on my grandfather’s butchering block Frantic, golden eyes wide as the screwdriver came for their brains Maybe she’s not a penance, my mother said, but a gift from God So many of Jesus’s miracles were born out of swarms of bass And maybe it was the thought of God loving them so much, he crept between their entwined bodies to deliver a wonder Maybe it was that their trailer home, with its canyons of cracked vinyl, peeling paint needed a little magic Or maybe it was the look in my fugitive eyes when I stared back at my father— so human, so afraid of death— that made him decide to ignore the operas of sirens that sprang in shipwrecks from my lips He cupped me in his palm My scales slipped off Like a sequin cocktail dress, they collected on the floor and revealed skin Vulva ugly and purple, loose like the lips of a many-hooked fish, but human   See, my mother said, it’s a child after all

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

poetry

July 2011

Comfort Station

Medbh McGuckian

poetry

July 2011

A witness has said that you raped women And brought them to the barracks to be used by the...

 

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