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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of The Garage Museum of Contemporary Art Before I take my seat in the back of the BMW he is driving, Roman tells me that he loves his country, his wife, and Princess Diana, after whom he named his daughter Having discovered this is my first visit to the city, he decides to take me on an impromptu tour of the centre We drive past ‘Putin’s house’, aka the Kremlin, and St Basil’s Cathedral, where he launches with glee into a retelling of a legend of Ivan the Terrible, in which the original ‘Tsar of all Rus’ pokes out the eyes of the cathedral’s architect in order to ensure he never makes anything so beautiful again Then onwards to the glass-domed shopping centre, GUM, itself a potted history of Russian politics: commissioned by Catherine the Great, nationalised after the revolution, briefly used by Stalin to display the body of his wife Nadezhda after she committed suicide, and today a mall so firmly at the lux end of the spectrum that even the ice cream concession is made by Bulgari Last but not least on the tour is Pushkinskaya Square, to view ‘the first Soviet McDonald’s’, where today Roman buys his morning coffee He opens the glove department and proudly shows me the evidence: full of empty cardboard cups   This particular McDonald’s outlet opened on a January day in 1990 30,000 people turned up, and in a sign of the coming change, employees handed out red flags with yellow logos to the crowds, the hammer and sickle replaced by the golden arches The queue that snaked its way around the square that day would not be a one off Come summer, visitors would still be waiting in line for eight hours, to experience the freedom of blocking their arteries in the US style One year later, the Soviet Union would fall, and in the murky scramble that ensued, a few men would make their fortunes buying up state-owned

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

Art

Issue No. 1

'Untitled (book covers)'

Viktor Timofeev

Art

Issue No. 1

A slideshow presenting a series of collages by the London-based Latvian artist Viktor Timofeev, one gouache by whom was...

 

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