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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

SKITAFLIT, DAY 49   704 Dawn Breaks above the grey-dusted grey-fronted houses 903 Well the office is looking just lovely today 916 Crazy Katy has stolen my pencils again 918 Actually she is denying all knowledge of my pencils 920 Still, who else would have stolen a perfectly good set of pencils? Who? 922 Crazy Katy writes, I know you’re writing about me If I want to I’ll go and find it I say, fine, go and find it, whatever 924 Crazy Katy says, I won’t bother, it’s too pathetic But of course she’ll look anyway     1100 Mother Mary and the blessed saints, that was a long meetingmeetingmeeting 1105 This morning I had three meeting meeting meeting and tomorrow I have seven meeting meeting meeting meeting meeting meeting meeting 1109 During the rest of my working life I will have 45,000 meeting meeting meeting meeting meeting meeting 1454 A pause during which I was seized by a mild bout of complete and utter futility but I think it’s passed at least for the time being 1457 At least for now 1516 If a ten tonne truck crashes into us 1517 To die by your side, the pleasure the privilege is mine 1519 I don’t mean by your side, Crazy Katy, not yours – if you’re looking, which I know you are 1523 There is a light that never goes out 1526 I don’t know, perhaps it could be an allegory for faith or hope or something but perhaps it could just mean: 1527 There is a light that never goes out 1735 Thank Christ I am going home     CYN23, DAY 49   901 Oh do not ask me what I am 902 I know what I am 903 I am human I am dynamite     MANNATING, DAY 49   1335 Gorgons awake, I have lost my charger 1405 If it all goes black, it really all goes black 1430 So I have developed a new sense of the temporal continuum 1445 and instead of going forwards I am now going sideways 1446 Crabwise 1501 So in fact these progressions by minute by minute by minute 1504 are not happening in a linear forwards motion but are going along to the side – edging – 1510 and instead of us proceeding onwards to some destination 1511

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

feature

July 2013

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

Art

Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

fiction

July 2014

Zone

Mathias Enard

TR. Charlotte Mandell

fiction

July 2014

I remember the day Andrija the invincible collapsed for the first time, the warrior of warriors whom we’d never...

poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

 

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