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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

  Mark well, O Job, hold thy peace, and I will speak Job 33:31     To deliver man from his neighbours – isn’t that the function of progress?  And what are the joys and calamities of humankind to me?  That’s right – nothing at all  Then why is it that I can’t have any time alone, not even when I’m travelling?   They asked us: Who’s going to Petrozavodsk?  A conference  An international conference  Come on, doctors, someone has to go!  Yes, we know what these conferences are like  A couple of emigrés – that’s the ‘international’ for you  The short bout of drinking, the hotel, the lecture, the long bout of drinking – then back home again  After the lecture, you’re still answering questions, but behind your back, brawny little red-faced men are pointing at their watches – time’s up  These little men are the local professors – in the provinces these days they’re all full professors, the same way that a white man in the American South is either a judge or a colonel   Well then, who’s going to Petrozavodsk?  So I volunteered:  Lake Ladoga?  Alright, why not?   ‘Not Ladoga  Onega’   What’s the difference?  Have you been to Petrozavodsk?  Neither have I       The station is a pretty frightening place  For my own protection I assume the air of a veteran traveller  I walk to the carriage pretending I’m bored, so that it’s immediately obvious I’m no stranger to railway stations – no point trying to rob someone like me   The train from Moscow to Petrozavodsk takes fourteen and a half hours, incidentally  Your fellow travellers are almost invariably a source of unpleasantness: beer and vobla, cheap cognac – ‘Bagration’ and ‘Kutuzov’ – pouring out their hearts one moment, picking a fight the next   The train begins to move  Everything’s okay – for now I’m alone   ‘Tickets please’   ‘Excuse me,’ I ask the conductress, ‘but could we reach some sort of I mean so I can have the compartment to myself?’   She looks at me ‘That depends on what you’re going to do in it’   What is there to do in it?   ‘Read a book’   ‘In that case,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

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October 2011

The White Review No.3 Editorial

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

 

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