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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Due to our destructive behaviour, writer EO Wilson foresaw humanity soon entering the Eremocene – the ‘Age of Loneliness’ This fresh hell would be plagued by an environment void of the many forms of life we see and take for granted today, and, for us humans, result in existential and material isolation Perhaps it already feels this way Maybe we’ve discreetly slipped into the Eremocene without much fanfare It does seem sadly fitting that Wilson passed away at the end of 2021, a year overshadowed by isolation, and that we seem to be burning our way closer to a fully realised Age of Loneliness Also fitting is the appearance of Missouri Williams’s debut novel The Doloriad; a nihilistic fictional diorama into which she places her characters and watches them suffer      The Doloriad opens with a palpable sense of dread and a shimmering blackness in the language (The first chapter is appropriately titled ‘Prolegomena to Future Agonies’) Dolores, who is mute and has no legs, is stuffed in a wheelbarrow and pushed into the forest by her uncle, who is also her father She is soon abandoned as a marriage offering to a potential group of distant humans on the horizon If this feels too grim from the get-go, it’s not, because Williams is an intelligent stylist, deftly unfolding energetic prose reliant on her powerfully strange imagery: ‘Their uncle shuffled along with his unwieldy burden and the cracked lenses of his glasses repelled the sun; the light bounced away from him, splintering into new delusions, and those bright disks, fixed to the head and the long, dry stick of his body, gave him the appearance of a watchtower on the move’ It’s gorgeous stuff, weird and dark, more Thomas Bernhard and Deafheaven than Chuck Palahniuk and Korn   The bulk of the novel concerns a massive inbred family overseen by the Matriarch soon after a cataclysmic event that has left the world barren, except for a few birds, insects, a poisoned river and the ‘unbearable whiteness of the new chemical sky’ There’s Jan, Agathe, Marta, Mary, Adam, Jakub, legless Dolores

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

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June 2014

Hoarseness: A Legend of Contemporary Cairo

Youssef Rakha

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June 2014

U. Mubarak It kind of grows out of traffic. The staccato hiss of an exhaust pipe begins to sound like...

 

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