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Aaron Peck
Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Articles Available Online


The Abyss Echoes Back: Judith Schalansky’s ‘An Inventory of Losses’

Book Review

January 2021

Aaron Peck

Book Review

January 2021

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion. The soft clay tablets...

Book Review

May 2018

Harry Mathews’s ‘The Solitary Twin’

Aaron Peck

Book Review

May 2018

Imagine a small fishing village on the edge of the world. Its inhabitants are progressive and content. The surroundings...

Painter, performer, poet, writer and mystic Brion Gysin (1916-86) was an early prophet of our age He was a pioneer of the cut-up method, a technique that in many ways anticipated the internet’s impact on the way that we break down information and ascribe meaning to symbols and words   His innovations include early sound poetry and a scientifically-researched device known as the Dreamachine Despite forging a creative practice that would influence some of the twentieth century’s most important artists, from the Beat Generation to Bowie, Gysin has slipped into relative obscurity His anonymity is in stark contrast to his lifelong friend and collaborator William S Burroughs, whose Naked Lunch became a countercultural bible and must-read for any teenage recluse Gysin was born in England to Canadian parents in 1916 He was introduced into Surrealist circles while studying at the Sorbonne, and after the war accompanied Paul Bowles to Morocco It was there that Gysin met Burroughs The two ended up back in Paris together in 1958 at the infamous Beat Hotel Their experiments with the cut-up technique, in which words and phrases are literally cut up into pieces and rearranged to disassociate them from their received meanings and reveal new ones, culminated in Burroughs and Gysin’s The Third Mind, a book-length collage manifesto on the possibilities of the practice From the late 1950s to the early 1960s, Gysin’s style manifested itself in a series of calligraphic paintings and drawings that he produced in Morocco Fluent in written Japanese and Arabic, Gysin’s script-like canvases represent an attempt to fuse writing and painting into a single complex system of mark-making He used a grid formation, making marks from top to bottom as well as right to left, to create a dense pattern of abstract language Circa 1960, Gysin collaborated with Ian Sommerville, a mathematician and budding computer scientist studying at Oxford He and Sommerville were attempting to computerise the shift and change of words and sounds, naming these experiments with printed words and magnetic tape Permutations Works like ‘Pistol Poem’, comprised solely

Contributor

May 2017

Aaron Peck

Contributor

May 2017

Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Gloria

fiction

May 2017

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked with the confidence of a...

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Art

Issue No. 12

After After

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

poetry

June 2012

At Night the Wife Makes Her Point: Two Poems

Gioconda Belli

TR. Charles Castaldi

poetry

June 2012

AT NIGHT, THE WIFE MAKES HER POINT   No. I don’t have Cindy Crawford’s legs. I haven’t spent my...

 

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