share


You Arrive at A White Checkpoint and Emerge Unscathed

after Mahmoud Darwish 

 

Why is a boy an exclamation, 

and why are his dead a period?, 

why do his sinews tighten when he sees 

a Palestinian body? Does his vision narrow 

because of their flight, 

or because their world is raining with salt? 

Why is a boy with a gun different 

from a boy with a jail cell?, 

if the tools of rupture are our arms for 

repurposing the body, and the arms of 

the state are our means of repurposing the male, 

are we finally useful and breathing and nervous…? 

Does the white mean Night’s arrival?, 

or does night signal the white’s escape?, 

and when that white city boy becomes 

a White City man, 

does the hate in his heart subside?, 

or does it become an ellipses, 

a Bauhaus history of stories started 

and left unfinished 


ABOUT THE CONTRIBUTOR

has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



READ NEXT

feature

August 2013

The Ghosts of Place

Dylan Trigg

feature

August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

 

Get our newsletter

 

* indicates required