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Rose Higham-Stainton
Rose Higham-Stainton writes about future feminisms through material and immaterial  cultures, and is based in Norfolk. Her work is held in the Women’s Art Library at Goldsmiths College and has been published in Art Monthly, MAP Magazine, PIN—UP Magazine, The Skirt Chronicles, Ache, Worms, Deleuzine, SPAM PLAZA and The White Review. She is the author of Herēma published by Sticky Fingers Publishing and Foam of the Daze published by Bottlecap Press. Rose also works with sound and visual language and has been a guest on Montez Press Radio and NTS radio, exhibited at 4COSE in London and LUCKY as part of Kunstverein München's transdisciplinary artist residency Peripheral Alliances. She co-runs Devotion writing workshops with the poet Sophie Robinson.

Articles Available Online


A Cunning Stunt

Essay

May 2022

Rose Higham-Stainton

Essay

May 2022

‘What’s the difference between a policeman’s baton and a conjuror’s wand? One’s for stunning cunts and one’s for cunning stunts.’ – Anon   A...

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Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

Art

Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

 

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