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Rose Higham-Stainton
Rose Higham-Stainton writes about future feminisms through material and immaterial  cultures, and is based in Norfolk. Her work is held in the Women’s Art Library at Goldsmiths College and has been published in Art Monthly, MAP Magazine, PIN—UP Magazine, The Skirt Chronicles, Ache, Worms, Deleuzine, SPAM PLAZA and The White Review. She is the author of Herēma published by Sticky Fingers Publishing and Foam of the Daze published by Bottlecap Press. Rose also works with sound and visual language and has been a guest on Montez Press Radio and NTS radio, exhibited at 4COSE in London and LUCKY as part of Kunstverein München's transdisciplinary artist residency Peripheral Alliances. She co-runs Devotion writing workshops with the poet Sophie Robinson.

Articles Available Online


A Cunning Stunt

Essay

May 2022

Rose Higham-Stainton

Essay

May 2022

‘What’s the difference between a policeman’s baton and a conjuror’s wand? One’s for stunning cunts and one’s for cunning stunts.’ – Anon   A...

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Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

feature

September 2013

A God In Spite of His Nose

Anna Della Subin

feature

September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

 

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