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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Consider the exclamation mark Medieval in origin, this blink of ink has a gift for controversy A single point can signal a moment of joy or incredulity Use two or more, though, and risk being dismissed as shrill or shouty, especially if you are a woman   Feminist thinker and independent scholar Sara Ahmed has written 11 books, but her latest, Complaint! (2021), is the only one to employ an exclamation in its title Yet to immerse oneself in her body of work – which includes several public lectures, seminars and workshops – is to feel an intensification of everyday experience Her works are all attuned to affect, wilful subjects, and the phenomenology of trying to make yourself heard while living in a marked body: as an ‘unhappy queer’,’ a ‘melancholic migrant’, a woman and/or person of colour As Ahmed wrote in What’s the Use? On the Uses of Use (2019), ‘Sometimes, I feel like I am an exclamation point, as if in being I am shrieking’   In that book, a roving work of phenomenology, she examines ‘use as technique’ by closely examining a constellation of things, including an empty tube of toothpaste, a postbox, an arm and Jeremy Bentham’s desiccated body She shows how utilitarianism was historically used to shape the subjectivities of those deemed least desirable and most disposable – the poor, the incarcerated, the orphaned and the unhoused   What’s the Use? is the final book in a trilogy that began with The Promise of Happiness (2010), which looks at the regulatory uses of happiness, followed by Willful Subjects (2014), which valorises ‘wilfulness’ – a disposition towards disobedience, or to be ‘what gets in the way of what is on the way’ – as a way for feminists and minority groups to assert agency In its own way, each of her books tracks, with forensic care and attention, the peristalsis of power: what feeds it, what impedes it, what lubricates its sinuous passage through the halls of institutions and everyday life Bodies, for Ahmed, are a locus of feminist investigation Having an ‘out of skin’ experience – being at odds with the

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

READ NEXT

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

fiction

June 2016

Beast

Paul Kingsnorth

fiction

June 2016

I stood in the river up to my knees and the river was cold. The water filled my boots...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

 

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