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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated (2002) commanded a $500,000 advance and was released when its author was barely 25 Originating in a creative writing thesis written under the guidance of Joyce Carol Oates when he was an undergraduate at Princeton, it tells the story of one Jonathan Safran Foer, a young American Jew in search of the Ukrainian woman who saved his grandfather from the Nazis   Hailed by The Times as a ‘work of genius’ after which ‘things will never be the same’, it won the Guardian First Book award and was – unfortunately, disastrously – made into a film starring Elijah Wood in 2005 The praise wasn’t universal, with the book also facing charges of preciousness and factual inaccuracy   His second novel, Extremely Loud and Incredibly Close (2005), is narrated by a 9-year-old boy who has lost his father in the 9/11 attacks Ending in a flipbook showing a figure falling from the Twin Towers – or ascending, depending how one decides to flip the pages – it also divided opinion Salman Rushdie called it ‘ambitious, pyrotechnic, riddling, and above all … extremely moving’; influential New York Times critic Michiko Kakutani described it as ‘cloying’ ‘While it contains moments of shattering emotion and stunning virtuosity that attest to Mr Foer’s myriad gifts as a writer,’ she added, ‘the novel as a whole feels simultaneously contrived and improvisatory, schematic and haphazard’ Meanwhile, the film adaptation, released earlier this year, was ‘almost universally reviled’, according to the Guardian’s Xan Brooks, but made the author himself cry   This is the way it has been for Safran Foer ever since his extremely successful and unnervingly mature debut: he is the only contemporary writer, with perhaps the current exception of Jonathan Franzen, to command such extreme reactions from the reading public Foer-bashing, imaginatively and appropriately dubbed ‘Schadenfoer’ by the Guardian, threatened to spiral out of control in 2008 when the likes of Gawker took it out on the author’s lifestyle Married to fellow author Nicole Krauss, Safran Foer is a practicing vegetarian

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

 

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