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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Resistance needs to be recorded Resistance needs symbols: ideas that can travel faster than speech, last longer than memory Nowhere is this more understood, more fought over, than in Palestine   From the inception of the Zionist project, battle has raged over language, over landscape, over image The ‘land without a people’, the ‘merciless terrorist’, the ‘humane soldier’, the occupying army searching for a ‘partner in peace’  For over one hundred years Palestine and her neighbours suffered countless defeats, losing land and lives again and again, facing up to a vastly superior military power again and again – yet somehow remaining the aggressor in the mainstream Western media   And for Palestine, public opinion in the West is one of the keys to freedom   Times are changing The internet has widened the battlefield – citizen journalists, bloggers, photographers make up a limitless army of volunteers The Boycott Divestment Sanctions movement empowers everyone with effective moral choices   The Palestine Festival of Literature, PalFest, is an annual series of readings, talks and workshops featuring writers and artists from Palestine and around the world For the last four years it’s taken place in cities across the West Bank and historical Palestine This year will be our first in Gaza   PalFest is by its very nature transient – it moves every day, crossing borders and military checkpoints to get to the audiences that aren’t allowed to come to us But its aims are long term So we’ve always made sure everything is recorded, and that videos are cut and uploaded live throughout the festival To present to the world a vision of Palestinian life that is not directly related to the Israeli occupation To show how keen the audiences are, how good the art is, how smart and resilient the students are   We were lucky to have my good friend, the documentarian Murat Gökmen, with us last year Over the festival week he went through a nasty interrogation, a full body search and a healthy dose of tear gas but he’s produced a film that captures the feeling of being on the road with PalFest and puts forward useful observations about what we’re all

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

READ NEXT

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

 

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