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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

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The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to One Who Saw It, but its pleasures were more austere than baroque – and deservedly made it a multiple award-winner The stories broadly divided into two types: those, like the title story, that played on antiquated scientific and historical narrative modes, and those that dug themselves deeper into a wholly subjective experience of the world In these stories, nameless first-person narrators used compulsive self-analysis as much to distance themselves from feeling as to bring themselves closer to any kind of understanding of their lives Greengrass continues both strands of her writing in this, her first novel; you feel that stories from her collection like ‘All the Other Jobs’ or ‘Dolphin’ could easily have evolved into a book such as this, or been sewn into the fabric of this one   SIGHT sets its tone with the decidedly ambivalent opening line: ‘The start of another summer, the weather uncertain but no longer sharply edged, and I am pregnant again’ What follows comes in three parts, each of which focuses on a significant event in the life of the unnamed narrator – a woman living in London with her partner, Johannes, and their young daughter, and, yes, awaiting the birth of their second child – but each of which also folds in the story of a particular intervention in the history of medicine   First, we get the death of the narrator’s mother, some years earlier, and the discovery, in 1895, of the X-ray, by German physicist Wilhelm Röntgen The second section sets off the intricate cross-generational relationship between the narrator, her mother and her maternal grandmother, a Hampstead psychoanalyst, against the equally complex dynamic between Freud and his youngest daughter, Anna, whom he analysed, and who lived on in his London house after his death, nurturing his legacy Lastly, we have the birth of the narrator’s first daughter, and 18th century surgeon John Hunter, who among other things investigated the development of babies in utero   This might seem rather a lot

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

Prize Entry

April 2017

THIS PAGE INTENTIONALLY LEFT BLANK

Anna Glendenning

Prize Entry

April 2017

 1. PhD   Blue bedroom, Grandma’s house, Aigburth, Liverpool   I gave birth to one hundred thousand words. Tessellated,...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

 

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