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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a huge wall of melting ice outside the German Embassy to a performance in which the movements of two nude figures wearing ancient Grecian helmets twitch at a grey curtain   Their latest exhibition, Components, at the Hannah Barry Gallery, brings together four years of sculpture and performance work, shedding light on ongoing thematic preoccupations and material attitudes in the artists’ work This group of works reveals an acute fascination with corporeality, temporality and spatiality, and the experiences and situations that occur from different combinations of these aspects   The artists employ an array of unconventional and alternately austere and sumptuous materials – gelatine, glass, ice, gold, feathers, tar, concrete, neon, are all used in making painting, sculpture and performance to explore our attitudes towards beauty and human behaviour Theirs is a collaborative endeavour focused on creating knowledge and meaning, towards a better understanding of our world   Manon Awst (b 1983, Wales) and Benjamin Walther (b1978, Dresden), have shown at Junge Kunst (Wolfsburg), Kunstraum Aarau (Switzerland), Künstlerhaus Bethanien (Berlin), Nassauischer Kunstverein (Wiesbaden), Cass Sculpture Foundation (Goodwood) and the National Museum of Wales (Cardiff) Here, they answer questions put to them by journalist and critic Francesca Gavin     APPLE Explain the motif of the apple in your work We like the ambivalence surrounding the apple – it represents an act of corruption, the fall from grace, but also the beginning of civilisation and the birth of love We used it once in our piece Temptation where it was placed next to a hand grenade Both objects are golden BERLIN How does it influence the content and aesthetic of your work? Berlin is fragmented through its history There are breaks and interruptions that make it unique We feel challenged by that Aesthetically, we love its dark, stark, cold side – we can relate to this COLLABORATION Tell me about your working processes We admire each other and like spending time together From the moment we met we had this need to make things together – it felt very natural Being in the studio every day is important

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Interview

May 2015

Interview with Catherine Lacey

Will Chancellor

Interview

May 2015

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi. She is a New...

fiction

Issue No. 14

Beetle

Joanna Kavenna

fiction

Issue No. 14

SKITAFLIT, DAY 49   704 Dawn Breaks above the grey-dusted grey-fronted houses 903 Well the office is looking just...

fiction

January 2014

Hagoromo

Paul Griffiths

fiction

January 2014

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great...

 

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