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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The cat’s paws brush through the letterbox, looking for some jellied meat or an opening in the family Cat pushes a letter through the door The letter marked JH Ottessa, dead brother of mine My brother’s bedsheets still warm-sweaty My brother’s paw prints dented into the doormat Rain water falls heavy from the gutter makes me look up, makes me remember what day it is what time it is I call my little girl’s name Annette A        eh Annette A        eh voice through the wall, and the echo of her name, Annette, from the other side Her face screwed up fingers in ears not to have to hear, Annette, all the damn half-hour of the morning of all the days to be playing up the day of the funeral day late for church day   But a child can grieve, let the child be grieving, let the child        be   Eight years old were you brother? And I a bit older I see you running down the street, a sun-blazed strip lined with flowers begging for water, petals blown-out hearts It was a day with corn, heavily spiced and salted Smoke and charcoal Nice Heat beating a path into our bones, our brows wet You had a rug tied round your neck with garden twine, lying out in the sun charge up charge up, before flying off, past the street light, past the telephone wire, past the aeroplane Almost choked yourself to death I stretched out a hand to you, hooked onto a gate latch – the lynch mob’s latest victim, to save you from a strangling You hit my hand away And again Something in your eyes said this isn’t a game But I pulled you up pulled up out of the fire, that time, my hand melting into yours   The church is cold Warmed with bodies, they sitting on they heels        huh        sitting in the dirt        huh        rocking on they legs, mouth open moans we perform the wailing of the milk, divide up the ashes, and return to our        leaking gutters   You were fifteen you were fine, then acting strange

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

feature

November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

feature

November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

 

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