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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Growing up in an evangelical church I took communion most weeks To a child’s mind it seemed an excitingly gruesome process: the bread, broken, shared and eaten to represent Christ’s body; the wine drunk to represent his blood This morbid, albeit normalised, ingestion is intensified in Roman Catholic orthodoxy’s concept of transubstantiation, in which the bread and wine are not mere representations, but in the moment of consumption are believed to be Christ’s flesh and blood incarnate   This theological nuance might be described as the difference between simile and metaphor, or being like and being the thing itself In relation to her new work, ECZEMA!, artist and writer Maria Fusco described transubstantiation as ‘the biggest metaphor you can get’ An experimental musical score and script written for one voice, it attempts not so much a visual or aural representation of the skin disease as its embodiment in sound, words and performance Commissioned as part of a festival celebrating the NHS’s 70th birthday, ECZEMA! premiered – importantly, given the NHS’s Welsh origins – at the Wales Millennium Centre in Cardiff, where it was also recorded for future release as a vinyl EP with Matthew Herbert’s label Accidental Records   In the windowless Hoddinott Hall, a big fat metaphor sat front and centre: a pipe organ ‘The skin is an organ An organ is the skin’, read the text in the lime green handouts distributed among the audience, indicating how Fusco intended the instrument to be understood Despite this primer, it was a shock when a churning sound started up from the large pipes mounted on the far wall of the hall The restless, animalistic rhythm formed the sonic and conceptual backbone of the piece, and a direct channelling of eczema’s definitive gesture: the scratch Fusco is a lifelong eczema sufferer, and working with prototyper Yann Seznec, she wore a ‘scratch glove’ fitted with sensors and accelerometers in order to record the movement of her scratching as data The particular scratch that comprises the score of ECZEMA! lasted 30 seconds It was then stretched out to a duration of 30 minutes and ‘fed’ through the organ by the

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

fiction

April 2013

How to be an Astronaut

J. D. A. Winslow

fiction

April 2013

I am standing in front of a room full of people reading out a story. The room is dark....

fiction

January 2014

The Black Lake

Hella S. Haasse

TR. Ina Rilke

fiction

January 2014

Oeroeg was my friend. When I think back on my childhood and adolescence, an image of Oeroeg invariably rises...

 

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