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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the King’s Road and the Thames On the right-hand side of the thin corridor’s crisp white walls hung three dozen framed figurative paintings of identical sizes, each no bigger than a paperback book These were David Hockney’s series of flower sketches, executed on tablet computers and smart phones   The enthusiasm which William Boyd shows for these is in keeping with the evident pleasure he has in a range of creative arts – his career contains numerous film and television credits, alongside his notorious forays into the art world as the ‘lost’ abstract expressionist painter Nat Tate’s biographer Having authored a monograph in 1998 on Tate, backed by stellar co-conspirators David Bowie and Gore Vidal, he convinced many in the art world of the existence of this entirely fictitious artist who had supposedly killed himself at the age of thirty-two in 1960 – in the style of Hart Crane, by jumping off a boat – after destroying ninety-nine percent of his work Opposite Hockney’s digital essais sat a solitary Nat Tate, painted in preparation for the hoax by Boyd himself a decade or so ago   The interview took place in an excessively heated first-floor living-room; paintings in various styles cluttered the walls, illuminated by tall bay windows The central coffee table was stacked full of books, six or seven high – Robert Musil’s The Man Without Qualities and Lewis Crofts’ The Pornographer of Vienna prominent among them – testament to the meticulous research that goes into the composition of a William Boyd novel His next book, set in Freud’s Vienna, will be his sixteenth, in a career spanning three decades that includes several short-story collections and volumes of non-fiction   Perhaps his most ambitious projects have been the trilogy of works that tasked themselves with chronicling entire human lives, beginning with The New Confessions and Nat Tate: An American Artist These include his most celebrated novel, Any Human Heart, which tracks the course of its hero Logan Mountstuart through the chaos of the twentieth century Boyd’s life seems comparatively easy compared

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

Art

February 2012

Awst & Walther: A Lexicon of Questions

Francesca Gavin

Art

February 2012

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a...

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

 

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