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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

GADAPA (THRESHOLD)   Pedavva cried her last words, ‘Gadapa duram, khaadee deggera’   Gadapa is the site of our experience – always nearing almost touching like a wish It is where you will find our land, which we neither own, nor belong in   Women slapped against walls nailed with frames of ancestors and blessing gods, sit at the gadapa talking with the neighbouring women Hanumavva with more than tobacco-packet in her bosom waits at the gate for more than a bus to the next village Nagaraju traded his body for some touch at the bank where the stillborn are let in the river that Mogulappa cried   The women who raised me accuse me of appropriating and violating their carework of loving I love like it’s the only skill needed to survive in this country   I can’t love like your men Body full of violence, fascist to the teeth, logically invalid by bones A blind bull tricked, shot and sold in the crowded Monday bazaar   Pedavva cried like the waves of the flood that transgressed our thresholds with all its laborious force on 26th July, 2005 She entered life like the waves to collapse a home built to bury her body   Like gutter flood she broke in through the roof, occupied from the cracks, claimed from the toilet drain just to belong   Now squatting across the line, skilfully sifting the city sludge in sieves, we strained no gold Only a wasteful amount of soil, soggy cooked rice and plastic   Just like our dreams of breaking the world and the Mithi River streaming with flamingos     BORN AND RAISED IN BAMBAI 17 for Nishant   At the mouth of the world I ache for nothing but the feeling of being swallowed In the slow, changing colours of the twilight I saw God from the local train passing over the bridge They were tailoring curtains No third eye or big hands Just crow wings & burnt skin spread across the sky I prayed to them for their seeping light in my veins and my pericardium They sang to the drumbeats Come find me at jaatara where pioneers meet their death where you last confided in Begum’s eyes where all your brothers descend where the hearts turn as soft as entrails under the knife Through

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

fiction

July 2014

Zone

Mathias Enard

TR. Charlotte Mandell

fiction

July 2014

I remember the day Andrija the invincible collapsed for the first time, the warrior of warriors whom we’d never...

 

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