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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

ROBERT MCKAY: When did people first know what meat is?   RACHAEL ALLEN: I became vegetarian when I was 9, but not because I was concerned with an animal I became vegetarian because I was really aware of Mad Cow Disease And that shaped my ideas about eating animals or not eating animals way more than respecting them or loving them It was a fear of what they were going to do to my body if they were diseased   PATRICK STAFF: I think that it’s interesting to consider how things enter into our consciousness via crises My first question to myself and to everyone is, how do we define our terms It feels like we need to establish exactly what we mean by ‘meat’   MCKAY: One of the things that meat discussions tend to do is create a kind of slippage between knowledge and ideology, though So even the question, ‘When did you first know what meat is?’, prompts the response, ‘When did I see through cultural discourses about it to what it truly is?’ Which is essentially a point of trying to read meat as an ideology When did you know that meat was ‘meat’? When did you know that the thing that you eat was this kind of cultural force? This is part of the question, I guess But then there are other ways of thinking of meat, right?   REVITAL COHEN: For me it’s a really visual memory There are two images from around the same time, although I don’t really remember which came first One of them was seeing an open van next to the butchers with sheep carcasses And the second, I had just started reading by myself, I was reading the newspaper and there was a story of a little girl who was murdered and pieces of her body came ashore Something kind of mixed in my head about all these pieces of bodies, and I haven’t eaten meat since   MCKAY: And you saw a connection So the connection there is to do with the meatiness, the way the human body suddenly becomes seeable as meat?   COHEN: Maybe also a feeling of vulnerability Suddenly seeing this, this personhood in these pieces of meat in the van, and understanding that we could all be these pieces at some point   MCKAY: There’s a philosopher called Matthew Calarco who coined the term ‘indistinction’ for this

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

READ NEXT

Art

April 2012

Ryan Trecartin: The Real Internet is Inside You

Patrick Langley

Art

April 2012

 ‘What’s that buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzing?’ Marshall McLuhan   1: Your Original Is Having A Complete Human Change Meltdown Makeover   It’s...

fiction

Issue No. 17

Boom Boom

Clemens Meyer

TR. Katy Derbyshire

fiction

Issue No. 17

You’re flat on your back on the street. And you thought the nineties were over.   And they nearly...

feature

Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

 

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