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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Due to our destructive behaviour, writer EO Wilson foresaw humanity soon entering the Eremocene – the ‘Age of Loneliness’ This fresh hell would be plagued by an environment void of the many forms of life we see and take for granted today, and, for us humans, result in existential and material isolation Perhaps it already feels this way Maybe we’ve discreetly slipped into the Eremocene without much fanfare It does seem sadly fitting that Wilson passed away at the end of 2021, a year overshadowed by isolation, and that we seem to be burning our way closer to a fully realised Age of Loneliness Also fitting is the appearance of Missouri Williams’s debut novel The Doloriad; a nihilistic fictional diorama into which she places her characters and watches them suffer      The Doloriad opens with a palpable sense of dread and a shimmering blackness in the language (The first chapter is appropriately titled ‘Prolegomena to Future Agonies’) Dolores, who is mute and has no legs, is stuffed in a wheelbarrow and pushed into the forest by her uncle, who is also her father She is soon abandoned as a marriage offering to a potential group of distant humans on the horizon If this feels too grim from the get-go, it’s not, because Williams is an intelligent stylist, deftly unfolding energetic prose reliant on her powerfully strange imagery: ‘Their uncle shuffled along with his unwieldy burden and the cracked lenses of his glasses repelled the sun; the light bounced away from him, splintering into new delusions, and those bright disks, fixed to the head and the long, dry stick of his body, gave him the appearance of a watchtower on the move’ It’s gorgeous stuff, weird and dark, more Thomas Bernhard and Deafheaven than Chuck Palahniuk and Korn   The bulk of the novel concerns a massive inbred family overseen by the Matriarch soon after a cataclysmic event that has left the world barren, except for a few birds, insects, a poisoned river and the ‘unbearable whiteness of the new chemical sky’ There’s Jan, Agathe, Marta, Mary, Adam, Jakub, legless Dolores

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

 

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