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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes Her eclectic work as an artist – which extends to video, photography, digital animation, and writing – twins the physical and material changes driven by industrialisation with the increasing immersion of China’s youth in digital networks and virtual environments   Her early work explored these preoccupations – the video ‘COSPlayers’ (2004), released when she was 25 years old, follows adolescents as they dress up as animé characters and skirt the edgelands of Guangzhou, the sprawling port city of Fei’s birth; in ‘Whose Utopia?’ (2006, presented at the Tate Modern in 2014/15), workers at a manufacturing plant act out their fantasy lives amid the machines She came to wider international prominence for her construction of a virtual Gotham toontown called RMB City (2006–2011) on Second Life, the online world in which it is possible to buy property, get married, and set up businesses through a digital alias   Fei operated in Second Life through the avatar China Tracey In ‘iMirror’ (2007), Tracey meets Hug Yue, a hunky blonde in white-tie, and together they rove the virtual landscape on a safari romance, musing on the spliced world they encounter RMB City is an island conurbation comprised of a heap of souvenirs and stock images – as if burped out of a factory production line – which Fei describes as a ‘condensed incarnation of contemporary Chinese cities’ complete with chimneystacks, statues of Mao, shipping containers and shopping malls Fei has documented the city in a wide range of mediums, from videos and virtual guides to a theatrical production on Second Life (‘RMB City Opera’, 2009)   Fei has exhibited widely, including at the Venice Biennale (2003, 2007, 2015), Deutsche Guggenheim (2006), and Serpentine Gallery, London (2008) Her work has been shown at, among others, Tate Modern, London; the Guggenheim Museum, the International Center of Photography and MoMA, New York; and at the Centre Pompidou and Palais de Tokyo, Paris Her first museum solo show in the US opened at MoMA PS1 this April (and runs to 31 August)   We meet amidst the palatial

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

feature

Issue No. 20

Editorial

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

 

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