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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in which Reverdy received us, usually on Sundays He lived at the top of Montmartre, rue Cortot, a stone’s throw from the rue des Saules Of the astonishing ‘climate’ that prevailed there, nothing could give a clearer picture than this remarkable description by Reverdy himself, at the opening of La Lucarne Ovale [1]:   At that time coal had become as precious and as rare as nuggets of gold, and I was writing in an attic where the snow, falling in through cracks in the ceiling, would turn blue Such force of expression has for me lost none of its beguiling charm It takes me back, instantly, to the heart of that verbal wizardry which, for us, was the preserve of Reverdy Only Aloysius Bertrand and Rimbaud had previously ventured so far down that path For my part, I loved and I love still – yes, love – this poetry that takes as its subject the vast swathes that halo everyday life, that haze of anxieties and intimations that flutter around our thoughts and actions From these he pruned as if at random, the rhythm he created appearing to be his sole tool, albeit one that never betrayed him; he was a marvel Reverdy was much more of a theorist than Apollinaire: he would even have been a master in our eyes had he been less impassioned in debate, more aware of the arguments with which we opposed him, though it is true that this passion made up a great part of his charm No one has reflected better, nor has known how to make others reflect, on the profound effects of poetry Nothing could hold greater importance later on than his ideas on poetic imagery Nor is there anybody who has shown such exemplary indifference to the ingratitude of fate   (Interviews with André Parinaud, ‘Le Point du Jour’, Gallimard, 1952)     LOUIS ARAGON A black sun has set in Solesmes When we were 20 (Soupault, Breton, Eluard and I), he embodied for us all that was pure in the world Our immediate elder, and the exemplary poet Life may well have ebbed between us, but it

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

feature

Issue No. 4

The White Review No. 4 Editorial

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but...

feature

April 2017

Everywhere and Nowhere

Vahni Capildeo

feature

April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

 

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