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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up the beach to dawdle hungrily round your ankles He said not to trust its sidelong ways, because when he was out in his fishing boat during a storm, the sea became a hound that could shake the whole world in its teeth Out there, he had heard the entire ocean howl like the bereaved He had seen waves bigger than a church standing atop a church and believed there is nothing you can do in the face of such demands   Father believed the sea to be a jealous god, hungry for sacrifice, but I think it is something blanker and simpler than that I would say that to meet the sea is to look into the face of God and find it faceless But nobody talks to me anymore, so I keep such thoughts to myself   From here at my place by the fire in our small house, I can hear the waves on the beach, and the rhythm of the sea is soothing to me It comforts me like the rub of butter, like the click of my sister Margie’s knitting needles, as she huddles in her black dress making endless tiny clothes for the new baby, unspooling her threads unto infinity   *   It used to be that when the wind roared and the sea boiled like a bubbling pot, snapping at sailing boats, threatening to swallow them whole, we would go to pull the lifeboat out The women of our village would run to the shore and heave on ropes to drag the boat down the beach, hearing the rubble rubble of the wooden hull as we hauled it over pebbles, the men onboard holding up their oars and jeering down at us And the rumbling roll and then the sweet perfect crash as it swung down the shingle and into the ocean blue green grey purple gold and sometimes black and sometimes silver   Usually, when the men went out – my father and brother among them – we would head

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

READ NEXT

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

 

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