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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

From the start he was thrown in at the deep-end when the head keeper just handed him a pail of steaks and hustled him through the gates of the enclosure The thinking was that, since he was Jewish and not Christian, the lions would not have a taste for him Roth was dubious, but complied   The way to be was fearless but non-confrontational ‘Show them who is boss’ was the mantra Keepers before him had felt the temptation to become pally with the lions, to try and become friends with them They had paid the price So: ‘Show them who is boss’ They had filed into the lecture theatre to have a seminar right at the beginning of their terms at the zoo At the front a bushy-faced keeper had given them a brief talk on precisely this subject The talk was entitled ‘Show them who is Boss’ They had shown clips from Grizzly Man, mainly the sequences from just before Treadwell’s death The elderly keeper had stood guffawing at the back He was an ex-Kossack He was a traditionalist when it came to death The lions sat in the cages Roth had been told that the more intelligent the lion the more impossible he could be The more mangy, the more bedraggled and lazy-eyed and ghetto-looking the lion, the less you should worry Those lions weren’t intelligent enough to be mean Roth put his shoulders back every day and strode, like Clinton, into the enclosure The point was about body language They had to know that he wasn’t a man to mess with He looked out into the audience sometimes to see the anxious crowds, anxious for him Inside his head, he snorted at them Inside his head, he tossed his head What he had come to realize was that the lions were less interested in him than each other This realization came as a relief If he ever got knocked about it was usually an accident The day-to-day challenge was not to tame them; the day-to-day challenge was to get them at

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

October 2013

Enjoy His Symptoms?

Michael Sayeau

feature

October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

Interview

June 2014

Diane Williams: Two Stories and an Interview

Harriet Pittard

Interview

June 2014

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

 

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