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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Oeroeg was my friend When I think back on my childhood and adolescence, an image of Oeroeg invariably rises before my eyes, as though my memory were one of those magic pictures we used to buy, three for ten cents: yellowish, shiny little cards coated with dried glue, which you had to scratch with a pencil to reveal the image underneath That is how Oeroeg comes back to me when I delve into the past The setting may vary, depending on how long ago the period I am recalling is, but Oeroeg never fails to appear, be it in the overgrown garden at Kebon Djati or on the reddish-brown muddy paths along the sawahs in the Preanger highlands, in the hot carriages of the little train we took to primary school each day in Soekaboemi, or later, at the boarding-house when we were both at school in Batavia Oeroeg and me, playing and tracking in the wilderness; Oeroeg and me, hunched over our homework, our stamp collections and forbidden books; Oeroeg and me, ever together, during each and every stage of our development from child to young man I think it is fair to say that Oeroeg is imprinted in my being like a brand, a seal – now more than ever, since every form of communication has been banished to the past I do not know why I feel the need to take stock of my relationship with Oeroeg and of all the things he meant to me, and still means It may be something to do with what I felt was his inescapable, unfathomable otherness, that secret of spirit and blood which posed no problems in childhood and youth, but which now seems all the more confounding   *   Oeroeg was the eldest son of my father’s mandoer, and like me was born at Kebon Djati, the estate managed by my father We were only a few weeks apart in age My mother was very fond of Oeroeg’s mother As a young woman fresh from Holland and deprived of contact with other members of

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

August 2016

The Place of the Bridge

Jennifer Kabat

feature

August 2016

I.   Look up. A woman tumbles from the sky, her dress billowing around her like a parachute as...

fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

 

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