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Gabriela Cabezón Cámara and Ariana Harwicz are two leading figures in Argentinian and Latin American contemporary literature I came across their work after their books were translated into English by the Edinburgh-based Charco Press: as for most authors writing in a different language than English, for both writers the translations of their work into English have been crucial in reaching a wider audience, accessing literary prizes – each has had one nomination for the International Booker Prize – and securing new translation deals in even more languages      Born nine years apart – Cabezón Cámara in 1968 and Harwicz in 1977 – the pair met in 2014, and have since shared a continuous literary dialogue, of which this conversation forms a part Cabezón Cámara, the author of SLUM VIRGIN (2018), translated by Frances Riddle, and two novellas and two graphic novels in Spanish, is shortlisted for the 2020 International Booker Prize with THE ADVENTURES OF CHINA IRON (2019), translated by Fiona Mackintosh and Iona Macintyre, a book that rescued a barely-mentioned female character from the Argentinian 1872 epic poem MARTIN FIERRO and turned it into a fantastic feminist queer epic adventure Harwicz was nominated for the same prize in 2018 with her debut novel DIE, MY LOVE (2017) translated by Carolina Orloff and Sarah Moses, which tells the story of a woman on the verge of madness living in rural France with her husband and unwanted baby Harwicz is also the author of FEEBLEMINDED (2019) translated by Carolina Orloff and Annie McDermott, which follows a woman in her late twenties living with her toxic and alcoholic mother These two are part of what Harwicz calls an ‘involuntary trilogy’: her first three books explore motherhood, how it affects the characters psychically, and how it sways their desires    Both Cabezón Cámara’s and Harwicz’s mastery lies in their distinctive prose Harwicz’s is characterised by short, intense sentences and characters that