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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Hoda Barakat’s The Kingdom of this Earth turns to the history of Lebanese Maronite Christians, from the Mandate period to shortly before the outbreak of the Lebanese Civil War in the mid-1970s This scene, occurring very early in the novel, precedes a tragedy that will mark the family at the centre of the story, whose history of village pre-eminence puts them at the centre of local rivalries around class, land ownership, water rights, and gender politics The ancestral past remains part of the present, as the children of Muzawwaq struggle to make their future in a society of close ties and deep rifts   — M B         A shower of wet snow The snowflakes were beginning to stick, forming white patches that spread and thickened across the terrain The horizon line between the greyness of the skies and the white ground was blurred now   The bitter edge of the blustery cold softened as the fog dropped over the land, thick as a felt saddle blanket The mountain paths and ravines were no longer distinguishable, making it impossible to guess how much distance remained ahead Features of the landscape known popularly as the Frenchmen’s Chamber, Deaf-mute’s Crevice, St Severin’s Elbow, the Cross of the Sacred Heart, had all vanished After Patriarch’s Point the entire expanse of these heights was submerged in the sour gummy milk Overhead, winds whirling and pounding as though powerful water currents were ravining the skies changed course suddenly, a fierce onrush whipping across the ground to prevent him moving forward   He got off his horse He pulled the saddlebags of lentils off the horse’s back and tossed them to the ground but he kept the sacks of wheat and hay where they were He opened the blade of his penknife and slashed open a sack of hay, bringing it up to the horse’s head But his beloved horse didn’t plunge her snout into the sack She would not eat Mubaraka, eat! For the love of the Virgin, eat – it will give your legs more strength We don’t have a choice, Mubaraka We have to go on   The horse stared

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 5

The White Review No. 5 Editorial

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

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April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

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April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

poetry

February 2014

Promenade & Dinner: Two Poems

Joe Dunthorne

poetry

February 2014

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed...

 

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