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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I stood in the river up to my knees and the river was cold The water filled my boots and made its way up through the fabric of my trousers towards my groin Soon I couldn’t feel my feet, and soon after that I couldn’t feel my legs The river sang and kept sing­ing I wanted to clamber out, but I stood still Pain rose and tried to encircle me, but I stood in the winter tor­rent and watched the pain and after a while it fell back again, back down into the singing water   Water came down from the clouds and sank through the black peat and passed over the granite and then went down through its channel to the sea The water that ran over my legs and feet would never be seen here again but the river never changed I climbed into the river in the early morning and I stood there until the sun was highest in the sky I let the water take my body away from me so that I could see what was beyond my body I let the river numb me and I under­stood that I had always been numb The sky opened a crack, but only a crack There was still something beyond that I could not touch   Water, thorns, rain, black soil All of the pain is an incident, a detail soon forgotten From the east I came, from the dead fens, because of everything that grew there, because of what was lodged in the dark waters I walked the streets, I sat on the couches, I passed through the sliding doors, I talked but never listened, I sold but never gave away Everywhere there were voices and I added my voice to them and we spoke out together and said nothing at all I became entwined in wanting, and it took me away from the stillness that is everything I say it here daily now like a prayer, like an offering: it is everything, it is everything,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

November 2012

Religion and the Movies

Aidan Cottrell Boyce

fiction

November 2012

When the Roman Empire ruled the world, you could make it work for you. The women, the hospitality. You...

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

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April 2017

Symbols Made Me Hardcore

Joe Bucciero

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April 2017

‘A Sound System, like the property of any system, is the interaction of the sum of its parts.’ —...

 

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