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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Keith was not the songwriter Darren and Stewart wrote the songs Keith hit things, some of which were drums He came in one day with a song and nobody wanted to play it The song was the least of their problems They had signed with a label, so their music was used in adverts and that, it brought in some dosh, they were shameless rock sluts because the fans downloaded the songs for free Slutdom was not the issue The issue was that the contract would not let them do independent gigs Keith had had an argument with them because the Arctic Monkeys, look at the fucking Arctic Monkeys, why the fuck can’t we do what the fucking Arctic Monkeys, this being the capacity for inarticulate rage which had made him a drummer in the first   And Darren and Stewart, being songwriters, had talked and talked and talked and talked to the point that there were signatures on the contract   Then the inconceivable had happened which is that Thom Yorke sent an email inviting them to do a gig Keith said they should just do it, fuck the fucking contract but Darren and stewart   So then Keith was very quiet Never a good sign Given Keith’s known propensity to hit things other than drums So Darren said they would record the song       Keith tried to explain his concept and Darren and Stewart kept arsing about and then Sean the keyboardist sussed that it was an arsing about session and then Keith put down his sticks Darren, Stewart and Sean sussed that the beat was gone Keith, says Darren What the fuck Keith disengaged from the scaffolding of things that could be hit that made noise   He stood up he walked across the floor while Darren, Stewart and Sean varied the theme of   What the fuck He took the mic from Darren In addition to not being a songwriter Keith was not a singer he dragged the lyrics of the song over reluctant vocal chords and spat them into the mic fucking great man said Darren who did not want another guitar percussioned to subatomic particles against wall,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

fiction

March 2016

Red

Madeleine Watts

fiction

March 2016

It was the first week of 1976 and she had just turned 17.   The day school let out...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

 

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