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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Marine Le Pen gets into town tonight That’s what I heard Did you hear, Marine Le Pen’s in D the 29th My reaction on hearing this was the reaction of a coma victim, but in the hours that ensued the fact had risen, put it that way, to my head (having already possessed a thigh, the both, an arm, the nape of the neck, little stiffer, the whole neck, the teeth and the jaw, nose by the nostrils because that’s another air you’re breathing now, temples, forehead, my ears, Marine Le Pen is on the ceiling, there she is, making herself at home having fixed up a little room with a bed for one, slipper chair, nightstand on which a Life of Georges Pompidou is resting, she’s switched out the overhead as it was slightly dated with its tulip bulb, she’s put up pink neon in the shape of a toucan and is enjoying a Twix bar while making an inspection of her lacquered toenails)    I don’t know her personally Let’s say that I don’t know her yet, because in a little while, in seven hours, I fully plan on heading up the avenue to see her; she’s supposed to be doing what it is she does on General De Gaulle Square, and so will we be doing our thing, in consequence, on General De Gaulle Square Whatever our intentions may be as we head up the avenue, we’ll all be there, we’ll be at least passing through General De Gaulle Square, whether preoccupied, nonchalant (hey, MLP in D) or focused and concentrated (that MLP is in D), and what I’m wondering is where she’ll touch down In front of the regional paper’s local branch? Because what we could do then would be throw open that glazed door, and the blow would be dealt to her back; or we could watch her out the window, pressing our foreheads against it, squishing our hands to make visors out of them and breathing out a grey cloud, the office being unheated (the temperature being three degrees Celsius) But she’s going to

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

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September 2015

Immigrant Freedoms

Benjamin Markovits

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September 2015

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the...

 

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