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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls ‘the boredom of storytelling’ As she explained to Michael Silverblatt on stage at an event last year, ‘When your thinking is still, watching TV or whatever, thinking the same thing you’ve always thought, you might as well be dead… Living happens when your thought moves’ To read Carson is to feel the parameters of poetry, translation and story-making move and unsettle Or, to borrow a phrase of Carson’s, to watch someone ‘undo the latches’ of ordinary understanding   Born in Canada in 1950, Carson has created one of the most exciting bodies of work in contemporary poetry Since the publication of her first book, Eros the Bittersweet, in 1986, Carson’s output has varied in form (translations, a novel in verse, lyric lectures, short talks, fragments, a fictional essay in twenty-nine tangos) and format (chapbooks, pamphlets, paperbacks, boxes) In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work These can include dancers, or sound art, or video, or sometimes all three   Carson’s work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it In the pieces she calls ‘Lyric Lectures’, Carson delivers texts informed by deep academic research but enlivened by poetic experiment Her ‘Short Talks’ are short stories without the story (‘On Gertrude Stein’ about 9:30: ‘How curious I had no idea! Today has ended’) In Autobiography of Red, her translation of a long lyric poem by Stesichorus, its two mythic figures Geryon and Herakles are cast as gay teenagers living in modern America Its sequel, Red Doc>, in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel Her newest publication Float is a book that has been freed from order and sequence: a clear box which must be knocked open to release 22 chapbooks   While Carson is best known for her studies of ancient Greek, a subject she has taught for many years – she has translated many of the major Greek texts, including

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Prize Entry

April 2015

Every Woman to the Rope

Joanna Quinn

Prize Entry

April 2015

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up...

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July 2014

Another month, another year, another crisis: eleven years in Beirut

Paul Cochrane

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July 2014

Rumours of impending conflict can wreak a particular type of havoc. This is not as physically manifest as the...

Interview

March 2014

Interview with John Smith

Tom Harrad

Interview

March 2014

In 1976, whilst still a student at the Royal College of Art in London, John Smith made a short...

 

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