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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down with the flu By the time I reach the school, my entire body is depleted as if I have spent the night in chills, reabsorbing the damp excreting from my own pores I am always excreting something My ex-boyfriend noticed it He would ask why I was always cold and sweating, why I was always at war with myself When he licked the excretions off my body, I would ask myself, Is this a life? He used to say dirty things to me like, Desubjectify me, bitch The way he fucked was senseless and crazy I don’t get fucked like that anymore As a teacher I am not getting fucked and the children can tell Some of the children are teenagers and menstruating and ejaculating They have no control over their excretions and, in that way, perhaps we’re all alike Sometimes they talk to me as if I’m a nun No, little children, I’m not a nun I never was There are people where I am standing, outside the school’s entrance I am waiting to open the door I encounter someone’s father He has a cord of wood strapped to his back   How are you, Maya’s teacher?   No, how are you?   Then a different father holds the door open for me   Go on in, he says   I have always hated people’s families and fathers The school is inside what used to be an American legion hall It’s an open space the size of a gymnasium with hundreds of chairs organised in circles and two offices and practice rooms and closets Some of the children are huddled in clumps on the floor like mounds of peanut shells The peanut shells are listening to the Notorious BIG I touch the handle of the teachers’ bathroom There is one adult bathroom for thirty adults The sweat on my skin dries and leaves a thin film The door is locked A phone is ringing somewhere I wait patiently I am filled with peace as I imagine my day’s reasonable

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

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May 2011

Why I Write (Rather than Riot)

Gavin James Bower

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May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

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Issue No. 10

What Can an Art Magazine Be?

Orit Gat

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Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

 

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