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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Isaac Goodchrist, Esq reviewed the 48-hour letter   therefore, in the strictly professional opinion of this author, the nation’s military bodies are adequately licensed, according to the language of law and the precedent of 2001’s AUMF (Authorisation for Use of Military Force), to employ all appropriate means — including deadly persuasion — against those foreign entities (or, if necessary, non-entities) as enumerated supra, including by proxy all persons, organisations, or nations abetting those entities/non-entities, age being no object, gender being no object, race being no object, citizenship being no object, faculty of mind being no object   In sum, should lethal force be applied, the powers that be should sleep swimmingly, in terms of, at least, the language of law and the facts of precedent, soporifically perfumed by the atomised skull matter of those foreign foes (of any potential age, colour, shape, or content)   Goodchrist signed the letter   His signature had the aspect of a string of bulbous grapes on the vine The page was fat stock, flecked with colour, with a smell a little bleachy and audible flap Against the dark grained wood of Goodchrist’s kitchen table, its handsome ivory popped Goodchrist recapped his pen, which he’d stolen from a Blockbusters, circa 1992, and he watched the ink sink, stain, barely bleed, and set; then, with plain horror, he looked forward and came to slow terms with the breakfast before him He thought, So food has come to this   Breakfast, Goodchrist was discovering, was stale cereal, served to him — by him — in the bile-green, becrusted dog bowl He found he had already conceded a lump to his mouth He chewed, wondered How he had arrived at supping from this lowly vessel was mystery, as were most of his other domestic movements for the past two feverish days, during which time he’d composed the letter As was lately usual, the composition period had been spent in fugue The stress of his job was wrenching the fingertips of his senses off their ledge with increasing spur In the pit below, mind was cloaca, but for the legalese flushing through   Goodchrist was a war lawyer It was his

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

poetry

August 2013

To the Woman

Adam Seelig

poetry

August 2013

poetry

May 2016

Two Poems

Sam Buchan-Watts

poetry

May 2016

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of...

poetry

February 2016

Maurice Echegaray

Lina Wolff

TR. Frank Perry

poetry

February 2016

It was when we were living near the southbound exit. Maurice Echegaray had his company office on our staircase...

 

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