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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride I had been there many times at that point, since first visiting in 2005 when I was part of a group show, and it had become my place for retreat when LA started to feel monstrous, as it regularly did; I’d been part of several group shows over the years and then there was a major museum biennial thing in 2011; there were meetings with curators arranged for the months of December and January; and I was also supposed to see a few gallerists who wanted to represent me, had been inviting me for months, more fervently after news of this last show; I had friends I could stay with, and sublets of people out of town, the Berlin way, a city of transience, expatriates, refugees, and nomads, but I rented a flat for myself, in a different part of town than most of the people I knew; and in the cab from the airport, I started to fall asleep, head nudging the window, I hadn’t slept on the flight, it was nearing 4 pm Berlin time, the sky was steely; and I was able to make out the brown buildings with their box balconies, the typography of the street signs, the black coats being dragged around by little moons of grim faces, the Muslim women in their head scarves and long dresses that dusted the ground as they walked, and I felt at home   I hadn’t spoken to or seen Hanne in the month or so between the opening and when I left Cal had, as expected, texted many times, beginning on the night of the opening, wondering where I’d gone, if he could come over later, and something the next morning, ‘you were so radiant last night, lover,’ then the texts started to end in question marks, a flurry of them for a few days, but by the time I’d made it to the airport, they’d stopped altogether, and I’d already started to forget the features of his face   By the time I arrived at

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

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April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

 

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