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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

At the bottom of the garden, my mother and a woman dressed like Barbara Hepworth argue over a sculpture of my birth,   if the bronze plinth should be horizontal or vertical, the right shade of blue for the umbilical cord   Hepworth adds a curl of hair with a toothbrush, pats down the clay like a pony   My mother sticks her chisel in, disappointed in the arrangement of her legs, if she had her way   the sculpture would include a dancing fountain and hum like a refrigerator, full of roses, a sundial and a coat of arms,   her snacks, soft drinks and wine Instead the sculpture stands in the April shadows of overgrown gorse,   one arm in the air like the chimney of the defunct engine house where my father   worked in the summer of ’85, where copper wires crawled in beneath the sea – no messages   But what about the father? Hepworth asks Oh, he wasn’t involved, my mother says   Hepworth rolls her eyes, the whites of her eyeballs like a cliff face, the grey of her overalls   like a gun She begins to sing: Don’t turn your back on me, baby   Blues like the sulky one in a rainbow Blues like your favourite moon   With so many conflicting opinions, a therapist had warned the sculpture of my birth of this moment   and offered some advice: be lucid Talk to the older generations as if talking to the sea   Keep a list of all their errors, like those lists you’ll keep of all the things you eat while falling in love:   roast beef, feta cheese, champagne bon bons, shish taouk, french fries and wild grass   Keep a list of all the places where you’ll no longer have to be a sculpture or a birth: the backseat of a servees on Rue Sursock,   a minibus across the Asian Minor, the heart-shaped swimming pool of Le Club Militaire   Even Hepworth will not be able to capture the light as it falls over your face on a Red Sea bottomless boat —   the fishes kissing the glass, the moon flirting with the sky, only hinting at its evening plans   My mother interrupts: Aren’t the blues a bit obvious? The woman who once refused a pedicure   on her wedding day – who said if she wanted her toenails in a different colour she’d slam them in

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

 

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