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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

– I’m down maybe five feet I take a moment to thank the leaf-filled rectangle of sky, and with the muslin settled over my mouth and nose I yank on the tarpaulin and the black mound falls Then I pull the tarp out from under the covering layer, scrunch it down my side, and delicious hunks and crumbles of dug earth say: welcome   I allow a last minute of earthly thought and congratulate myself on this ingenious arrangement The spot in the forest, far from anywhere The tarp and the spade The digging – a long hole, deep enough to work, deep enough to be right – and the piling of the soil on the tarp with a good strip hanging over the edge of the hole for easy tugging The hurried discard of clothes, my body a chilly worm Turns out it starts to get warm quite soon as you go down; a reminder you’re entering a living being   Here’s the idea, which you’ll agree is simple and elegant: stay here, breathing with care, and make a long, long count to five in the glorious black See what happens At some point my wish will come true and I’ll bud; a tendril will burst from me and wrap me into the world From my flat edges, roundness   After a while it will be time to push up and out into the mossy night Ejected from under the skin of the world, I’ll be real again, greener, humming with mitochondria A twig in the nest, a bee in the hive, a member of the family, a body in a body-shaped space –   No three toadstools/porn-fae yet that day, but from spin to spin I’d got a decent number of gnarled oaks coming up on paylines Even one five of a kind Only Qs, but those five Qs brought me even I’d had a celebratory drink at that point I’d had a celebratory jelly snake from the top desk drawer I noted rhythmic splashes coming from outside, so I bent and twisted to raise the blind for a little dose   From the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

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Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

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October 2015

Licence to Play

Thirza Wakefield

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October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

 

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