Mailing List


Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

feature

September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit a long-held personal dilemma   I’ve described myself as ‘a writer’ from the age of nineteen, writing, at first, a series of features in and around the disparate areas of contemporary art – while at the same time arguing with very little subtlety in favour of my grand vision for the world, and how it should work While my writing today may well have outgrown its incipient characteristics of undergraduate anger and a quite spectacularly misplaced sense of superiority, I’ve not lost those early impulses to write Indeed, I’d say my desire to write – the compulsion to put pen to paper, as it were – has remained largely unaltered in what’s now a decade-long career Similarly, my motivations – explicitly political as they doubtless were from the start, against capitalist social relations and diametrically opposed to the current order of things – have stayed with me I’ve not so much as purchased a copy of Socialist Worker, however – despite the obvious opportunities to do so, especially while attending a redbrick university in the North More to the point, though, I’ve never joined any kind of physical march, riot or protest – against anything This I’ve always found difficult to explain, and is therefore my principal reason for this essay: to justify why I write rather than riot; to demonstrate briefly where this is mirrored by others; and to argue how this paradox must be upheld * When George Orwell wrote his seminal essay ‘Why I Write’, from which I take both title and inspiration – at least, in part – he made plain the motivations for a very particular type of artist: the writer Orwell, only a handful of years after his own participation in the Spanish Civil War, then provided four motives for writing: sheer egoism; aesthetic enthusiasm; historical impulse; and political purpose I myself would eschew, though not entirely dismiss, points two and three As a writer, it’s egoism and political purpose that defines both

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

feature

July 2013

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

feature

February 2013

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

Art

June 2013

NEOLOGISM: How words do things with words

Maryam Monalisa Gharavi

Art

June 2013

A version of this paper was delivered at the Global Art Forum at Art Dubai in March 2013. The...

feature

October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

feature

October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

feature

November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

feature

November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

 

Get our newsletter

 

* indicates required