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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Worthwhile philosophy is like building matchstick galleons When Lewis says that all possible worlds are just as real as this one, or Chalmers says that a thermostat is conscious, or Parfit says that there is no persistent self, or Plantinga says that belief in God is no more unreasonable than belief in other minds, these are assertions of fantastic intellectual audacity – but only because they have been raised up out of close reasoning and incremental advancements   In general, continental philosophers prefer to operate outside these constraints, and are therefore also denied these satisfactions They have sex before marriage, so they don’t get a wedding night The closest thing to audacity that continental philosophy can ever manage now is when, for instance, Žižek says something tasteless about Josef Fritzl, and even then no one is genuinely offended, because they already know and love Žižek   But one exception has recently emerged   ‘What is it that happened 456 billion years ago? Did the accretion of the earth happen, yes or no?’ That shouldn’t be an electrifying question, but it is, at least in the context in which it is posed: a short book by a brilliant new philosopher who is also a practising Frenchman Let’s assume that we respond to it with what Quentin Meillassoux would call an ancestral statement: ‘Yes, the accretion of the earth did happen I wasn’t there myself, but it definitely happened’ As Meillassoux writes in After Finitude, ‘What distinguishes the philosopher from the non-philosopher in this matter is that only the former is capable of being astonished by the straightforwardly literal meaning of the ancestral statement’ If you’re not quite sure how anyone, even a philosopher, could be astonished by ‘The accretion of the earth did happen’, then you obviously haven’t spent much time reading continental philosophy (My warmest congratulations on your good fortune) In continental philosophy, that statement about accretion would be regarded as naïve, obtuse, old-fashioned, meaningless, and/or fascistic For example, here is one writer’s response ‘Let’s pretend it’s the late 19th century and phrenology is accepted as a science And someone like Meillassoux comes along and

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

January 2012

Matisse: Tahiti (1930)

Campbell McGrath

poetry

January 2012

If I were young again I would forego Tahiti and move to America to begin a new life in...

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April 2017

Everywhere and Nowhere

Vahni Capildeo

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April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

fiction

February 2014

Coral

R. B. Pillay

fiction

February 2014

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you...

 

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