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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn out to be a boring book This is not to say that the excerpt in question was so boring as to suggest the likely tedium of the whole Rather, the warning came from the author herself ‘I’m talking about my own life’, writes Kushner ‘Which not only can’t matter to you, it might bore you’   The Hard Crowd is indeed a personal collection – not only first-person in vantage but preoccupied with figures specific to the author’s youth: artists, writers, friends, activists, motorcyclists, hustlers ‘I admired a lot of these people I am describing to you’, Kushner writes in the excerpted passage They were workers of strip-club doors between prison stints, charismatic tattooists, dealers who preferred to eat their cocaine, nibbling sliced-off rocks ‘like powdery peanut brittle’ ‘I put them above myself’, she writes, ‘in a hierarchy that is re-established in the fact that I am the one who lived to tell’   I was the weak link, the mind always at some remove: watching myself and other people, absorbing the events of their lives and mine To be hard is to let things roll off you, to live in the present, to not dwell or worry And even though I stayed out late, was committed to the end, some part of me had left early To become a writer is to have left early no matter what time you got home   Kushner, a writer in her fifties, appears to have outlived the fast-living crowd of her youth Those who have typically delighted in her novels, populated by characters so ‘present’ as to have no future, might well anticipate boredom at the personal essays of so watchful a self-preserver The Flamethrowers (2013), perhaps Kushner’s best-known work, is packaged as a Great American ode to rebellion and risk: blurb quotations describe the novel as ‘adrenalin-fuelled’, ‘exhilarating’, ‘fearless’, ‘high-octane’, ‘thrilling’ In 1970s New York, the book’s narrator Reno dreams of becoming the fastest motorcyclist in the world, and falls

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

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Issue No. 1

In Somaliland

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Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

 

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