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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

1 APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him   Plain white Fruit of the Loom   He scrawls across its front with a fine-tipped Sharpie   The desk is from a former jam factory, although he doesn’t know this – in fact, it pre-dates his birth, which he’s also unaware of He dragged it here from an apartment on the ground floor in the block opposite, which had been broken into and vandalised once the old man who lived there had been ambulanced off to hospital, to cough out the last of his wretched days   They had dragged it – the desk, not the old man – across the parched grass that dissects the housing blocks, across the spaces where it is always great to be six, always boring to be sixteen, into what he laughingly calls home   Home sweet home, homie   He could be in Malmö, Belleville, or Detroit   But he isn’t   He could be a barista, a real-estate agent, or a code programmer   He is none of these   He wears tracksuit pants, tucked into Reebok socks, a pair of Adidas pool-sliders, and a string vest coloured in the red, green and gold of the followers of His Most Imperial Majesty Jah Rastafari!   King of Kings!   Lion of Judah!   He likes the story – no! – he loves the story about Hailie Selassie   The story, so he was told – in a bar near the sports stadia, on the outskirts of Moscow, near the river, that’s where you always hear these sort of stories; either there, or in a graffiti-tagged pedestrian underpass; or very early one morning in a half-empty Metro carriage; even, perhaps, after midnight, shouted over the BPMs of the Ceephax Acid Crew at the Solyanka Club; hell, just about anywhere – but the story he heard in that bar, before the derby between Spartak and CSKA at the Luzhniki Stadium, a football match that he wasn’t going to attend, was this:   That after the King of Kings was cremated, along with a greyhound, and a chicken – the ashes of all three were then mixed together and thrown onto the winds   He thought that

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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March 2013

Heroines

Kate Zambreno

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March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

poetry

May 2014

Rain on the Roof (to James Schuyler)

David Andrew

poetry

May 2014

Degrees of distance Who all died at different dates, known to each other: not just in the human race...

Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

 

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