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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

In simple terms, the process of combustion creates energy that is converted into motion The ignition by the spark plug of the admixture of fuel and compressed air forces the piston down This energy is used to rotate the propeller shaft that runs the length of the vehicle to the differential which shifts the power ninety degrees, turning the rear axle which in turn turns the wheels Back in the engine, the crankshaft, via the connecting rod, brings the piston up again for another intake of air and fuel, allowing the process to be repeated It is repeated hundreds of times per minute This is the four-stroke combustion cycle, the invention of Nikolaus Otto Otto was a German inventor He grew up on a farm in the Rhineland-Pfalz region and served an apprenticeship in commerce He abandoned his career in business in order to pursue his interest in gas engine design It is a common misconception that Otto received the Grand Prix at the International Exposition of 1867 in Paris for his four stroke engine It is true that Otto and his partner Eugen Langen were indeed awarded the Grand Prix by Napoleon III at the 1867 International Exposition, and that the Exposition was in Paris, but it was for the earlier atmospheric gas engine that ignited fuel without compressed air Among the many who visited the Exposition was Jules Verne, who drew some of the inspiration for 20,000 Leagues Under the Sea from the demonstrations of electricity on display there Perhaps if Otto had invented his four stroke engine in time for the International Exposition of 1867 in Paris it might have captured Verne’s imagination instead, though it is possible that cross-country driving may not have held the same mystique for readers of nineteenth-century science fiction as underwater travel Nevertheless, Otto’s machine was impressive for its time and Verne would have been at least mildly interested, if not as taken with it as Napoleon III Though more efficient than the Otto and Langen engine, itself an improvement on Étienne Lenoir’s 1858 design, the early versions of the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

October 2012

Bacon’s Friends

Stephen Devereux

poetry

October 2012

Always got caught out by their shadows: Stuck to their soles like monkeys on trapezes, Cellophane fortune tellers curling...

fiction

March 2015

House Proud

Amelia Gray

fiction

March 2015

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors. Watching those baseboards...

Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

 

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