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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I I used to worry about how much more intelligent and successful I would be if I hadn’t spent so much time talking to other people, waking up in their homes, never sleeping enough, enraptured by temporary intimacies, by the women I would introduce myself to and the challenges we’d make to each other What a brighter mind I’d have if I’d stayed in, if I’d read and written much more – and I wished I had behaved differently, until I realised that this was useless, suicidal, that the man I would have become would feel no sympathy whatsoever for the man I am, and I have only narrowly avoided being murdered by him, this superior bastard, this loathsome know-it-all, who would have got away with it completely, and no one would have mourned me When I think about this I don’t feel so bad about my choices   My name is Paul I work in a bookshop and write two pages for a style magazine called Haircut The pages were both my idea I pitched them to the editor – Stev’n, ‘rhymes with seven,’ he insists – when he was going on dates with my sister and briefly listened to what I had to say In one page I write about books In the other I write about haircuts The juxtaposition of these two pages might perfectly express the contradictions of my soul I get paid twice the amount to write the haircut page as the books page, and it takes me perhaps less than a tenth of the time I go out in Hackney and Peckham, approach strangers, and ask if I can take a picture of them to feature in Paul’s Haircut Review Alongside their picture in the magazine and online I award their hairstyle between one and five pairs of scissors – a system I developed personally and which as far as I know is unique Hair criticism is not a hard science – it is more akin to the interpretation of dreams Using imaginative empathy like that of an analyst or old-fashioned literary realist, I write a

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

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February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

poetry

June 2015

Hotel

Mónica de la Torre

poetry

June 2015

Hotel   The housekeeper has children living in town with her but her husband and relatives are in Somalia....

Interview

Issue No. 2

Interview with William Boyd

Jacques Testard

Tristan Summerscale

Interview

Issue No. 2

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the...

 

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