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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

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December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

‘Make Margaret Atwood fiction again!’ Despite encountering them repeatedly over the past few years, I still cannot entirely believe the sheer number of op-eds declaring that ‘we’ — a slippage which often seems really to mean ‘women in Saudi Arabia’ — are ‘living in The Handmaid’s Tale’ ‘How far are we from Gilead?’ ‘Could The Handmaid’s Tale happen today?’ asks the typical journalist, before providing the ‘chilling’ answer upfront, usually in the very headline: ‘For some women, it’s already reality’ It’s like a tic, or an exercise in wish-fulfilment   The Handmaid’s Tale is certainly the world’s best-known sterility apocalypse It is also one of the most successful novels of the last century, and now, together with its sequel The Testaments, of this century When in October The Testaments was jointly awarded the 2019 Booker Prize with Bernadine Evaristo’s Girl, Woman, Other, a gracious Atwood told Evaristo that ‘It would have been quite embarrassing for me… if I had been alone here, so I’m very pleased that you’re here too’ In fact, in light of the appropriative relation of Atwood’s novels to North American black women and their history, she has every reason to be embarrassed    At this stage, The Handmaid’s Tale franchise is fully a fandom Celebrities throw Handmaid parties; people hold their themed weddings in front of a set made to resemble the Gileadean ‘Wall’ that gender-traitors get hanged on; liberal-feminist websites delightedly issue po-faced injunctions to the world at large not to do any of this, and especially not — think of the handmaids you’re offending — to dress up as a ‘Sexy Handmaid’ at Halloween   A personal encounter with Atwood’s breeder-dystopia is also currently the mainstream trope of political coming-to-consciousness testimonies in the era of Trump and #MeToo For some reason, it is taken as given not only that the text is ‘feminist’, but that it is archetypally so Despite its author’s (and the cast of the Hulu Handmaid’s Tale’s) repeated disavowals of feminist intent, the text’s synonymity with

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 5

Choose Your Own Formalism

David Auerbach

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Issue No. 5

1. ALL SQUARES RESIDE IN THE HUMAN BREAST In 2007 game designer and Second Life CEO Rod Humble wrote...

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Issue No. 5

The White Review No. 5 Editorial

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

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November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

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November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

 

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