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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Malcolm Starke died today who rang us most nights so late that it could only be him He’d been there forever sinking audible coins into the payphone at the flats where he was watchman and they tried to fire him once for being sockless Greeting me with Alasdair’s name or him with mine he would catch us on the line and in a voice of infuriating softness tell us about Turkey the times he went to Turkey and the National Gallery which is on Trafalgar Square We’d lurch and charge around in absolute quiet sometimes laying the receiver on a chair, drawing long daggers into our hearts cocking our necks on invisible rope slashing our throats with giant swords bellowing fuck off with our huge silent teeth For birthdays he knew us apart and on scraps of scissored foolscap drew us into trains and carriages drew us in turbans and pyjamas drew us Turkish, presumably No likeness at all, covered in tipex, I kept them all I have every one They were always two days early never the same he’d never met either of us But you knew him at university You kept inviting him round after he was arrested for talking to girls and embarrassing people And though you sometimes seemed the least patient of us three, though you’d thank us when we’d told him you weren’t at home, you raised us in a house where Malcolm Starke might ring at any moment, where he was never far away and he was ours He felt that nuclear waste could be disposed of by firing it into the sun He felt that a sinister committee had taken remote control of his valuable brain That sometimes they didn’t ‘play fair’ with him He

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Art

February 2015

Filthy Lucre

Rye Dag Holmboe

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February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

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June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

 

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