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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I disowned my real pain & engaged with its subordinates:   despicable neediness, heroic guilt and undeterrable envy Each day I woke trussed up with this hernia of failure, bleat bleat There was inevitable blood; I slept on a pyre of bottles Stalked by motherhood, unable to summon my latent powers Leaves blew into the hallway and did their ageing there, the eager wind fussed with them like the beaded fringe of a shawl at war with itself Powerful identification with the leaves In the garden, splendour made its entrance while I wasn’t looking I was quaking all this time, my whole body a throat stoppered by tears I tried to will dreams of romantic redemption, but my brain swatted them away, like flies gunning for something you really want to eat     No one should be frightened of pleats (Coco Chanel)   My life has been merely a prolonged childhood Bored, with a squalid boredness that idleness and riches bring about (I would make a very bad dead person) Money is not attractive, it’s convenient The only thing I really like spending is my strength Every time I’ve done something reasonable, it’s brought me bad luck: that sweet smile of gratitude, tinged with a longing to kill me I am ready to start all over again The first people to whom I opened my heart were the dead I hate people touching me, rather as cats do I merely observe that I have grown up, lived, and am growing old alone I loathe people putting order into my disorder Let them skip the pages Sometimes I lose myself in the maze of my legendary fame What an abomination, a ghastly disease! That handsome parasite that is the imagination, lapped up in secret, in the so-called attic I imposed black; it’s still going strong today I don’t have to explain my creations; they have explained themselves I knew how to express my times I used to tolerate colour Changing one’s mind appalls me Do you see what a foul temper I have? I cannot take orders from anyone, except in love, madly, with a man who loathes me Everything is lovely and empty I only care for trivial things, else nothing at all If I built aeroplanes, I would begin by making one that was

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

 

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