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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk them by now — Danez Smith, ‘dream where every black person is standing by the ocean’   The atoms of those people who were thrown overboard are out there in the ocean even today — Christina Sharpe, In The Wake: On Blackness and Being   of / water / rains & / dead — M NourbeSe Philip, Zong! #5   The beaches of Benin are empty From Cotonou to Ouidah I have never seen beaches so empty before From the windows of our minivan, the coastline is a wide expanse of sand beginning just beyond the road, on and on, and then water Palm trees here and there, but emptiness, mostly Nobody, no livestock, just sand As for us, we are eight women and we have just arrived Three of us – myself included – flew in from London, with the five others coming in from the States All of us have flown in from winter It is January, and on our first full day together, our bare skin re-colouring in the light, we ask the driver to take us to a restaurant for lunch We are seeking the kind of seafood of which we are all so starved, and when our dishes arrive they don’t disappoint Each platter careens with fried plantain, grilled fish, yam, rice, and prawns so large they’re not prawns any more but gambas, instead Gambas or langoustines or crayfish or crawfish, depending on which of us is speaking, or who cares to know the difference Whatever any of it is called, we resolve that we would like to return to eat it again, here, at this terraced balcony from which we watch the sea The restaurant sits on a beach that is vacant as far as our sight can reach There is a mutedness to the expanse of the sand, and though it looks no different now than it would at any other time, the staff tell us that yesterday a boy drowned nearby   The beaches of Benin

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

Issue No. 18

Two New Poems

Dorothea Lasky

poetry

Issue No. 18

Do You Want To Dip The Rat   Do you want to dip the rat Completely in oil  ...

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May 2017

The Pilgrims

Rachel Aydt

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May 2017

ST. JOAN The great actress Renée Jeanne Falconetti stands trial for heresy, a woeful story told with her eyes...

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

 

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