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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Sheila Heti’s last novel, How Should a Person Be?, opens with the question of its title ‘For years and years I asked it of everyone I met,’ the narrator says The problem with this question, as she discovers, is that it’s infinitely open-ended; no two people give the same answer, or behave in the same way The unnamed narrator of Motherhood, who shares various biographical details with the narrator of How Should a Person Be?, and with Heti herself, is also preoccupied with a question This question is a problem for the opposite reason: it has only two possible answers, and they’re mutually exclusive Should she have a child? And while a woman can keep wondering how she should be for the whole of her life, whether to reproduce is a decision that can’t wait forever The narrator of Motherhood is in her mid-thirties The time for deciding is now   She lives in Toronto with her partner, Miles He has a child from a previous relationship and no desire for another, but he’ll have a baby with the narrator if it’s what she really wants But how can she tell? On the one hand, she has never dreamed of being a mother On the other, she does sometimes dream that she has a child, and sometimes when she wakes from these dreams she feels happy But she’s a writer, committed to a life of art and freedom; how can she allow a child to interrupt that life? (Miles warns her darkly that one can be a great parent or a great artist, but not both) And yet, might her writing not suffer if she turns away from what increasingly seems to her ‘the central experience of life’? Everywhere she turns, her female friends are having babies But when she visits them, she feels alienated and bored But what could be worse than to fail to recognise the desire for a baby until it’s too late, and to spend the rest of one’s life in regret? Watching her agonise, Miles suggests that she write a book about motherhood Motherhood is that

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

February 2012

A Gift from Bill Gates

Wu Ang

TR. Nicky Harman

fiction

February 2012

My name is Mr Thousands and I’ve worked in all sorts of jobs. Most recently, I’ve been spending my...

feature

November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

feature

November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

poetry

June 2013

Major Organs

Melissa Lee-Houghton

poetry

June 2013

When they take my brain out of its casing it will be fluorescent and the mortuary assistant will have...

 

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