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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

there is no meaning Hanging a picture on the wall I           give           a little too much force to my thumb skin breaks under pressure an orb of blood      red        red to dark red       to dry red       to skin       to iron       to rust      to heat        to sweat        to yesterdays as we move, we move Tuesday Going into the city with the rest of them sliding down the greased pole of means become ends Let me tell you I slipped and travelled against the sharp grain of escalator, one flight of metal before I hit flat floor and crack, to the back of my head I cried like a child oh I oh I said me        am in pain   I was at work by the afternoon At home by early evening feeling burning scratches on the backs of my legs and the bruised curve of my head My mind curved bruised   In bed, the sheets scraped and tugged me sore any way I tried to lie I     face down, looking for a cool place, stretched out an arm and all that was solid dematerialised I     a nothing slipped into water Water, as pressure I felt the water as pressure I’d always thought of pressure as a pushing down     oh      it was every drop of water for miles working into me There was nothing to my fingers, no weight, no force on the pads of my feet, no cold draught wafting past the hairs of my skin, no sound, no sight I couldn’t set my watch to nothing   I waited I couldn’t scream, unaware of mouth or lungs to do so not breathing, not dead, not alive No fear Not yet Eyes wide open into dark, and no sense Unsayable   The Friday, I dropped in on Uncle Padana It was early summer: shadows fold neatly round corners, light warms the backs of the hands until four and cools before six He answered the phone in a lady voice as I stood outside his consulting room door, then buzzed me in, He’s ready for you now He was sitting behind his desk, leaning back in his chair, looking boyish, expectant, tired A Ceropegia hung from the bookshelf and fondled

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

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March 2013

Heroines

Kate Zambreno

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March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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