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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to the music of Satie’s Embryons desséchés in the middle of the opera, Pistorius Rex, & in the very womb of the theatre which cannot be located on earth NO-OUVERTURE: But an interlude, a Quaalude, under Europa, an etude, a vein where the scholar can ride a pen assassination, an arbour assignation in which a nymph snaps her neck and goes cyanic like a cygnet, her pupils unspooled, and a poet hangs his lyre amid the branches lyre-stage death of the author wearing a gold noise-cancelling machine for a crown and golden jump rope for a noose getting high, lying down like a jock on the highway with his hands in the curls of another jock because they saw it in a movie: how to love and bury their hands in each other: androphiles on the dividing line remember when the jocks all extinguished themselves in an Illiad of trust, magic, desire and idiocy? – Our opera’s got too much of these already! – so bring on the ballet already! TABLEAUX MORTES: Ahem The wealthy men of S——– would like to see their mistresses’ dinner-plate tutus and powdered thighs, teasing calves, ankles so easily cocked between thumb and finger Leave the slippers on, sister Tiny spoons for caviar and cocaine But the bone spoon is the best spoon Occiptal dishlet, better than Spode or a krater of the moon Place to sip Spores and spicules Dear eyebone! China white! Knockout punch! Fontanel! Ahem As patrons of the Opera, these men demand more ballets per Opera They are refugee princes, pencil manufacturers, salt-peter synthecisers, clockwork organisers, and beaver-pelt hats purveyors And also the purveyors of ringtones, Glocks, and daytrading software They sit in stalls and boxes with chains hanging down their chests because they are also mayors & brewers from New Glarus

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

October 2015

Two Poems

Robert Herbert McClean

poetry

October 2015

Another Autumn Journal Chaos (AKA Do Not Put This to Music Because You’re How Fish Put Up a Fight)...

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

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June 2013

Jean Genet in Spain

Juan Goytisolo

TR. Peter Bush

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June 2013

‘1932. Spain at the time was over-run with vermin, its beggars. They went from village to village, in Andalusia...

 

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