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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket ‘Is this Agustín Fernández Mallo?’ ‘Yes, who is this?’ ‘The Republican Party Department of Lotteries and Prize Draws, Washington DC, we are calling to inform you that you have won’ ‘Won? Won what?’ ‘Isn’t this Agustín Fernández Mallo, a Spaniard residing in the city of Chicago?’   I know I should have told the truth to that female, Puerto Rican-inflected voice, I know I should have told her that that was a different Agustín, that I was not currently vacationing in Spain, that I did not work as a teller at Bank of America branch no five in the city of Chicago, that I was not 34 years old, the fact is, I should have said many things I did not say because, following my reply in the affirmative, the Puerto Rican woman informed me that I had won a trip to accompany the vice-presidential candidate Sarah Palin on the campaign trail It’s not that I have anything against accompanying a potential US Vice President, but rather that I would all of a sudden be obliged to request my one month vacation allowance I was at that time bogged down in the writing of a blow-by-blow account of Great Britain in the seventies, focusing on sitcoms and the onset of punk, and I had set that month aside to watch the six seasons of George and Mildred back-to-back (available at El Corte Inglés, on sale right now)   Long story short: seven days later I found myself loading my suitcase into the black Citroën C5 waiting outside my front door     2   At 8 o’clock on a Friday morning I was dropped off at the entrance to the San Francisco Hilton, a hotel I already knew from the tv show The Streets of San Francisco (1972, Michael Douglas and Karl Malden), the weekly adventures that fueled my childhood gunslinger fantasies   The Hilton lobby was a sort of amphitheatre, which could be accessed via the upper stands, while below, a collection of fifteen box

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

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June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

 

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