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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

THREE DAYS   so it’s like, we shouldn’t press our cheeks together like we think / we know because say i saw pen on my sock this morning i looked and finally let some noise pass through lodge / into my ledgers, take heart there & i thought that there was something in the words it slipped down but then all of this   my padded fingers slip on to the handles swing above us we are shifted i mean shifting through the undergrowth & i am   i have fallen over i slipped #~#~# yeah but it’s fucking cheap they’re all so frightened of him and i want some lemon drizzle & the pub & you   HERE east oxford smells like cress now burnt rubber snakes its way up st clements smokes out the morning from my eyes & now the day is rotten limes in the way i speak to you, love   (####take heart, i never hit the right keys))   so the notebook bloomed when my cola leaked & i must wait for it to dry you try to make sense of it, the brown from the red, i mean but i can’t see that you’re right all my thoughts come in full sentences i am trying to pretend they do not three weeks in muck &   three days away from you they have nothing to do with what i mean? but the radio, what men say, #hahaha somebody lives there & kicks the ticker when they should edit, circle me deeper they only know grammar, & even when you are waiting we slip on my surfaces, talk for days about how i should learn to eat again with half a broken jaw & you will be here when i sleep, three days from now   & the days past   & i am always a gutted thing with hands too cold still to work the phone                             POETA EX MACHINA for Veronica Forrest-Thomson   my voice makes the machine work the tape clicks inside but it’s just ether now   if a

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 9

The White Review No. 9 Editorial

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

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December 2016

Wildness of the Day

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier...

 

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