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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Forgive me Sister for I have sinned it’s been seconds since my last confession I sit in the dark accounting compassion Shamefully small change, in these damn tills Recently, I admit, things have dwindled – a tall glass of vermouth, a tin of oysters, a priest that rinses me of wrongness even though I haven’t even the grace to believe It’s not enough, I agree Please understand I am looking for a church where there is no God, there is often holiness within us, needy for its own blessèd house, undo the damage Softly now with your sermon, I am weary Sanctitude, solitude, it’s all language – let them speak so we might overhear them hidden in the vegetation, hostile and hopeful with ancient weapons Let me pay my respects to the gentle-hearted companions If I so desire it Let me pay in faltering litany – ‘O, what did you expect from your life?’ etc Let me set the table with good silver Let me inquire into the navy shoes traipsing through Let me throw open the doors The garden is blooming with news! We must diminish our sap, our sappiness, our sickness, it is ivy, it is stuck to our souls Older, now, I know how pleasure’s finances are a matter of balance How malice can accrue Careless daughter you are you could say I did not pay attention to what I allowed my life, but the truth is, I would allow it, gladly, even now Purposefully, I carried blue tidings (not my own), and when they were taken from me, it was cruel To be so alone with one’s cold papers The shady conservatory The eaves Hard to record this, but why not be faithful in one ledger at least? There are holes in my accounts, and I warned you of this Holes in what I held myself to account for Holes in my red capabilities We women of red We red women Red behind the ears Be still with your redness Please go on Relieving how, years later, I can place an apricot on a scale, and weigh a small blue object against it I can see it is only a tidy fruit of difficulty – manageable! I can divide it, I can lay it on a plate for my sisters, and ask them to eat it on my behalf, and they would do it Just like that Isn’t that the miraculous duty of love? Why must we continue this troubling

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

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July 2012

Theatre's Arab Turn

Tanjil Rashid

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July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

 

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