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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

in a sheltered garden    in the business lounge the new state scientists invented for very hard things, men break into the heated pool they dip their toes into a dare and dream all night of drowning they look up the skirt of an escalator and see the skinless red muscles of the groin slide under their desk before sundown   men’s papers are square offices with revolving doors inside their folders labelled PIOUTA POA POOMA they boil the ocean into streams of sweating campus hire boys, bird-dogging the postman into a running bullet   in a sheltered garden they are spinning-off non-core competences: effective altruism, saying excuse me, holding doors open, greeting strangers, taking pills with water their plates are always full   somewhere they are bricking up  the small forgotten edges of the universe   let’s run the numbers off the loop let’s think of low-hanging fruit how apples provide colour, their shadow the threat of a back hand    raised to hit     testaments   sin crouches at cain’s door in the shape of a sickle the door handle is a fish pull it and deborah enters, swatting a wasp as a woman brings a king cream in a silver dish she hammers a tent-pin through his head   at the land of nod east of eden a child crawls into a cave of olives his brother is the shrunken bottle people used to take to war your daughter-in-law who loves you, who is more to you than seven sons  hangs a gold plate around her neck    two men hide under a flaxen roof and become windows to the prostitute’s conversion she hangs  crimson thread from their foreheads   boys dress in lamb skins and trick  their fathers into blessings over lentil stew an ostrich egg hangs over a green canopy, our inheritance  enter here cradle it in your hands     away in 1997   3 par 4 and the course stretches out into green across rumbled wooden bridges and manicured trees grasses tease the edge of weeds, wag the dog cracks chestnuts as swampy emerges from a network of underground tunnels he staples a public notice with a flying golf ball: pop bands branding ecstasy as a four-day week!  yellow flags wane half-mast in the breeze   along the bridle way london loops streets of halfidentical houses, a garden metal-pronged with a broken trampoline and power -washed patio there are lodges and round bushes, a princess counts stems of potted basil

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

Interview

May 2013

Interview with Darian Leader

Kishani Widyaratna

Interview

May 2013

A practicing Lacanian psychoanalyst, Darian Leader is one of a dying breed. It is no overstatement to say that...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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