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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

We were a committee of three brothers, but one of us was bad Bad in the sense that one of us was selfish Selfish in the sense that the bad brother among us cared only for money, and confused the money he had amassed for his superiority The bad brother’s belief that he was superior was delusional in many ways, but perhaps most obviously because all the bad brother’s money had come from our father, and while me and my other good brother also had money from our father, me and the good brother could see that this father-money was a thing of luck, and not proof of anything except that we three brothers were all likely to drink fine local wine and eat expensive creamy cheese    The bad brother was, of course, most beloved by our mother Our mother spoke longingly of the bad brother’s excellent fashion choices and keen business sense (which the bad brother did not, in fact, possess) and also how all of the girls that the bad brother had considered for wife-hood were not good enough for the bad brother, because, in our mother’s eyes, the bad brother was the best man that had ever lived    At times, when our bad brother was not present, our mother talked only of the bad brother, which annoyed my good brother and I, but we suspected that our mother knew, deep down, that our bad brother was a bad brother, but our mother could not bring herself to say it out loud in the air for fear that God, or someone else with mighty judgment, might hear    My good brother suspected that our bad brother was trying to kill our mother Our bad brother had done very bad things before (like steal from our father and us, his other two brothers), so it did not seem out of the question that our bad selfish brother might also try and kill our mother And, our bad brother knew that he was the most beloved by our mother, and so had the most powerful key, in our mother’s old

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

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February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

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February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

 

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