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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group of rabbis gathered in the shul to discuss the story of Abraham and Isaac One rabbi, who owned only a single shirt with a blackened collar, began a commentary: As Abraham led Isaac up to Mt Moriah for the sacrifice, the rabbi contended, the two of them suddenly heard a sound Neither could identify the sound or its source, if it were high or low, soft or shrill, coming from beneath the ground, or up in the sky Isaac asked his father, What is this sound? And Abraham replied, That is the sound of God’s justice unfolding across the earth Lo, the Lord himself infuses it with His blessing as he sits beneath a pomegranate tree Isaac disagreed, but kept silent Later, the rabbi continued, he spoke of his own interpretation of the sound, founded on an alternative view of God’s judgment as the proliferation of chaos, as an animal howl, as a disturbance beneath the street, and as the grinding of the spheres, rattling past on unequal tracks And in fact, as Rabbi Mendel of Kotzk suggested, the rabbi continued, it is not the Lord, but the mortal King Saul, Israel’s first king, who sits beneath the pomegranate tree, weeping into his hands for the kingdom he ruled so briefly and jealously, and with so much confusion In Isaac’s old age, the rabbi concluded, King David came to him to sing the psalms, which he had just composed Isaac had gone blind, but when David sang, he saw suddenly an image of his own son Jacob wrestling an angel in a parking lot Isaac had had, in his lifetime, dozens of wives, and had fathered hundreds of children, but he dreamed of only one woman, and behind his eyes he swam again between her thighs like a fluorescent eel weaving between the pink coral, breathing in again the smell of seaweed, the emanation of life

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

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January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

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January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

 

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