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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others & lacking in the slightest trace of individual taste Were cavernous & costly & sterile, mausoleums to the fashion of the moment Lives were lived in them, but not so they’d disturb the silk cushions on the crushed velvet settees The air in them was still & muted & old, as if marked by a recent death Outside, away from the cul-de-sacs, the highways would buzz with traffic, particularly during the morning rush hour & the tired evening commute Whizzing along, motion is a green forest bordering the sharp bends in the road To fly, they’d take themselves to airports, with even more cavernous spaces and roofs that were wavy with no feeling in them, but were said to imitate the topography of the land When not running panicked, people would saunter in them, tourists of their own lives Indifference & consumption like musack, everywhere Once in the air, mall-life was brought to them, tranquillised at 25,000 feet with sunlight scintillating off polished airplane wings Night was chain hotels with fake everything Looking through a hotel window at a mass-produced, urban morning, you could see the way highways would wind in and out of gas stations and signage, like some long, slow-dying hope But thanks for giving us another Lolita, concupiscent in the buff, hot for her Humbert Humbert And for all the road-trip emotions, the different shadings of feeling as the car nosed through the countryside (or was it the past?), under tree-limbs dappled with sunlight or into stricken suburban streets Thanks for showing the poignancy of airport parking-lots The poignancy of missing people; arrivals; departures    

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

January 2012

Matisse: Tahiti (1930)

Campbell McGrath

poetry

January 2012

If I were young again I would forego Tahiti and move to America to begin a new life in...

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Issue No. 20

Editorial

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

Art

May 2013

On the Margins

Sean Smith

Art

May 2013

 

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