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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting Geoffrey walked with the confidence of a banker, mixed with the aloofness of a cat Although they had been introduced at a party previously, that afternoon was their first one-on-one encounter, what Geoffrey called their original pas de deux The exhibition they would soon agree to co-curate would never happen   Bernard had moved to New York for graduate studies only a month earlier The afternoon they met, the temperature was above ninety Bernard told Geoffrey via email that he wanted to buy a Portuguese egg custard, the ones sold in Chinatown bakeries, which he had taken to eating since arriving in the city He could have purchased those custards in the Chinatown back home, but at the time he rarely did There was a place he liked on the corner of Forsyth and Grand, and he suggested they meet at the Grand Street entrance to the D train, right next to the handball courts Geoffrey replied, ‘We can walk from there’ Through the crowds and the looming late summer haze, Bernard recognised the curator as he emerged from the subway, with his self-possessed way of walking Bernard raised his hand in something resembling a wave, but the word ‘wave’ is incorrect; whatever it was that he did with his hands, this something, this quasi-wave, said, in his unsure way, hello Soon Geoffrey was hugging him ‘I’m looking forward to our discussion,’ Geoffrey said ‘We have so much to talk about’   After Bernard purchased his custard, he offered the curator a bite, which Geoffrey declined They started to walk Heading south on Elizabeth Street, they passed an elementary school The pastry of the custard was dry and flaky Bernard wiped the sweat from his forehead The skyscrapers of downtown and the tenements of Manhattan’s Chinatown obscured the horizon Geoffrey was mostly silent, and Bernard wondered when he would bring up the subject of their meeting   They hardly spoke or bothered wondering how half an hour later, after meandering through Lower Manhattan, they had ended up at

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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November 2014

The Last Redoubt

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can...

fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

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May 2013

Haneke's Lessons

Ricky D'Ambrose

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May 2013

‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that’s...

 

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