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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

H is already awake and worrying She is dealing with a new problem I am in love with her so I help Tea or coffee? Tea Pigeons have nested on the flat’s small balcony She is outside, investigating in bare feet The studio flat is small enough that I see through the glass doors from bed Delicate shit marbles the railings, the tiled floor, the two plastic chairs and matching table In her hand is a dinner knife Urgently she scrapes off the shit Each surface sings a little as the blade is worked across: octaves of metal up in the clouds, tiles slightly lower, plastic right through my chest    Accustomed to her ritual, the pigeons stay put Loudly they caress each other Synchronised with the sun, their feelings swell at twilight and then once more at dusk Affection lives in their throats H will sometimes shush them Finger pressed pointlessly to her lips, as if they are children I don’t mind their fragile heads Bodies so large Through the mottled glass doors their claws appear deep-sea, something starfish H wipes the dinner knife with a rag She turns and mouths the word tea at me, her eyebrows raised    I return a thumbs up and finish picking the sleep from my eyes Last night’s dream settles as a memory A pigeon’s beak methodically piercing my skin, until bloodless holes run in neat lines across my forearms The moment of contact is nothing more than a pinch Light hits the bed first, before shifting into the kitchen The apartment belongs to H Plants thrive in every corner Walls painted a specific shade of white She has concerns about the old electrics A sound of crickets fills each outlet, loudest at the kettle I close my eyes against the sun The teabag brews too long H will not drink it    The pigeons must feel the damp from last night’s light rain Each flap of their wings releases small, perfect down feathers H is irritated as they drift inside She drops the knife into the sink and begins to sweep aggressively Her

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

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July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

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Issue No. 20

From a Cuban Notebook

J. S. Tennant

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Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

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October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

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October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

 

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