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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

We were told to pay attention to things that were different, and it seemed to me that sex was no longer the same Now, we always wondered if someone was watching It wasn’t clear to us which sections were private, and how the technology worked It was also hard not to picture our real bodies somewhere in the frozen dark, motionless while we moved together here in the seeming warm   I brought it up in my sessions with the Reverend He told me he was surprised it had taken me so long to ask The others had worried about it in Cycle 1   ‘Which Cycle are we in?’ I asked It was difficult to keep track   ‘Cycle 3,’ said the Reverend ‘I understand your concern, but of course nobody watches you It was part of the privacy agreement we signed at the start Don’t you remember?’   I did That is, I hadn’t until the Reverend mentioned it The memory was there, but it felt very far away And maybe it was We hadn’t been told precisely how long the experiment would take We wouldn’t know until we were unfrozen at the end, our bodies still in their thirties and our minds at god-knows-what age   But the money was good Sam and I would be able to afford a nice wedding and a honeymoon to Hawaii, and only one of us would need to work while the other stayed home with the kids we hoped to have That is, if we were still fertile at the end It was one of the risks   Our life together before the VR world was still clear in my mind and I looked back on it often: Sam and me walking together to rehearsals, our first kiss in the snow, our apartment above Shipley Automotive, taking care of each other through winter fevers Our memories made in the VR world were less acute, but we were happy, we had each other, and we never got sick   Only couples were accepted for the experiment – ‘deeply committed couples’, in fact, and there was a test we had

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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September 2013

A God In Spite of His Nose

Anna Della Subin

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September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

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August 2017

What Makes A Gallery Programme?

Pac Pobric

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August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

poetry

July 2012

Fig-tree

John Clegg

poetry

July 2012

He trepans with the blunt screwdriver on his penknife: unripe figs require the touch of air on flesh to...

 

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