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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

I   This spring, in cities and towns all over the United States, schools, churches and other organisations will hold daddy-daughter dances The daddies will dress up in suits and ties and the little girls will dress up in their finest Sunday dresses The mommies, presumably, will style their little girls’ hair, and patent leather shoes and pearls will be applied, and all of these scenes, playing out in kitchens, moving on to hotel ballrooms and school auditoriums and church cafeterias, will be adorable   They will also, even as they fly under the radar as being such, be profoundly heteronormative   We can put this heteronormativity through a prism that reflects two views One way of looking at it is according to the traditional definition of heteronormativity: a cultural bias in favour of opposite-gendered sexual and marital relationships, ‘a world view’, as the dictionary suggests, ‘that promotes heterosexuality as the normal or preferred sexual orientation’ Under this definition, these dances necessarily exclude families of two mommies They force families of two daddies to make a Styronian decision about which parent should attend   A more expansive understanding, however, accounts for the work of Michael Warner, the social theorist who coined the term According to his understanding, heteronormativity undergirds all sorts of social and economic structures with the pervasive and exclusionary belief that people fall into distinct yet complementary gender roles, an assumption which carries several implications for the nuclear family and for society at large These range from the tax structures that reward the married two-parent family to the idea that mothers, not fathers, should lead Girl Scout troops And under this definition, one can easily see the ways in which the daddy-daughter dances, and all those adorable scenes playing out in kitchens and church basements and school auditoriums, also exclude families led by single parents One could, of course, in the absence of an actual daddy, ask a male adult friend to fill in A single mother might ask her own father to accompany her child But excepting such arrangements, which often depend on forced and even staged interpretations, the scene of the daddy-daughter dance,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

January 2016

By the River

Esther Kinsky

TR. Martin Chalmers

fiction

January 2016

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the...

feature

Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

 

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