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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

‘1932 Spain at the time was over-run with vermin, its beggars They went from village to village, in Andalusia because it’s hot, in Catalonia because it’s rich, but the whole country was ripe for us So I was a flea, and well aware that I was one In Barcelona we preferred calle Mediodía and calle Carmen Sometimes six of us would sleep on a mattress without sheets and we’d beg in the markets from dawn A gang of us would leave the barrio chino and spread out along the Parallelo, carrying baskets, because housewives were more likely to give us a leek or turnip than a few cents At midday we’d go back and make soup with what we’d collected I am going to describe the customs of that vermin’ Jean Genet,  The Thief’s Journal   *   *   *   After his descent into abjection, Genet decides to embrace his condition and transform it into a supreme virtue He rejects the hierarchy of values of a self-righteous society and turns it on its head: transmutes what is base into something noble and what is noble into something base The process of inner subversion he initiated in Barcelona’s barrio chino will be long and haphazard, and finds expression over the next ten years in his first poetic, narrative works written in Paris’s La Santé prison The young, poverty-stricken lad, brought up in an orphanage, without identity papers, throws himself into theft, prostitution and begging and strives to emulate a criminal’s inveterate hardness with the self-surrender of a man initiating himself in the arcane secrets of a mystic belief and its stony path to spiritual perfection   Fleas, he writes in The Thief’s Journal, were the most visible sign of his worthlessness, as representative of his pariah status as the jewels that adorn aristocrats and the bourgeoisie are of their condition as beautiful people Lovingly cherished rags and sores attract pity and transmute shame into glory in his inner being A pride necessary to withstand the scorn of others, solid and resistant like a rock dividing the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

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Issue No. 7

Comment is Fraught: A Polemic

Mr Guardianista

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Issue No. 7

When not listening to the phone messages of recently deceased children or smearing those killed in stadium disasters, journalists...

poetry

May 2014

Rain on the Roof (to James Schuyler)

David Andrew

poetry

May 2014

Degrees of distance Who all died at different dates, known to each other: not just in the human race...

 

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