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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea Antoine held his in both hands and smiled at me wolfishly He had a bald, muscular head, and a flushed red face He took a long sip of tea, set down the cup, and leant across the table towards me   ‘The first rule is, don’t bring girls here We will be able to hear you We will be able to hear everything’   The plywood second floor had been erected by the three architecture students themselves, hammered into stilts and bolted to the girders criss-crossing the roof of the warehouse Antoine rapped his knuckles on the kitchen table which, he told me, was made of the same plywood as our rooms upstairs   ‘We can hear everything,’ he said again, flashing me a knowing grimace   He held my gaze and continued to knock on the table The rhythm became more and more suggestive, as he wrapped out a deliberate doing-it beat, alternating between his knuckles and the back of his fist Then he stopped the banging and laughed loudly, throwing his head back ‘Arrête,’ said Valentine sharply, topping up my cup with more tea Leaning towards me conspiratorially, Pascal pointed a drum-stick at Antoine and whispered loudly in English, ‘I often break his rules’   The morning after my first night at the warehouse in Montreuil, I was reading at the kitchen table when I heard Pascal start laying into his drum kit in his room beside the kitchen His girlfriend emerged, rubbing her eyes She told me that Pascal practiced every morning before lectures She sat down next to me in her pyjama t-shirt, waiting for the kettle to boil We sat at the table as the drum kit sent spasms of energy through the legs of the second floor, straight up into Antoine’s room above us       2   The architecture students played in a brass band together, The Super Lapins, led by Antoine, who played the trumpet Valentine played the trombone It was Pascal, the drummer, who came to knock on the door of my plywood box-room, after his morning practice session

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

September 2016

Two Poems

Sun Yung Shin

poetry

September 2016

  Autoclonography   for performance   In 1998, scientists in South Korea claimed to have successfully cloned a human...

Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

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March 2013

Heroines

Kate Zambreno

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March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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