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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope with dignity, how it had dangerous, possibly cancerous elements He said if I pinched just above my waistband, where the unfamiliar portions of fat resided, that’s what rejection felt like He claimed the link between cancer and repeated failure was irrefutable He had a lot of unusual ideas ‘Feel that,’ he said, grasping at my hips and thighs, ‘that’s the texture of rejection right there’   My boyfriend was famous and I wasn’t When I walked down our tree-lined street in the city, I came back with styrofoam cups of coffee, croissants, souvenirs I considered mailing back to friends When he walked down the street he returned aggrieved and frustrated by how much people adored him He sent me out a lot ‘Get my coffee extra-hot,’ he told me, like I was an assistant type ‘I want it so hot it feels like hell,’ I instructed the barista   I loved my boyfriend Our back and forth reminded me of black-and-white films I hadn’t seen Physically, we were unmatched On forms, we were in different age brackets: he ticked one box, I ticked another But we weren’t the sort of people who filled out forms He could get worked up about stuff he read on the internet and I knew how to make him happy ‘Here,’ I said, handing him a snow globe containing a miniature Empire State Building, ‘this is for you’ ‘You’re very sweet,’ he told me I guess it was true – I could be sweet I was Irish I didn’t want to rely on it too heavily, do that whole bit, degrade myself When my mother finalised the divorce from my father all she said was, ‘Never give people what they want’ It was such good advice At the party, where I first met him, I explained that I wasn’t a famous person and I had zero intention of becoming one I wanted to make him laugh I liked him That didn’t happen to me every day ‘Really,’ I said,

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

Interview

Issue No. 1

Interview with Paula Rego

Ben Eastham

Helen Graham

Interview

Issue No. 1

Dame Paula Rego introduces me into her North London home with a crooked smile and a plate of biscuits....

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Issue No. 15

A Weekend With My Own Death

Gabriela Wiener

TR. Lucy Greaves

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Issue No. 15

We all have tombs from which we travel. To reach mine I have to get a lift with some...

 

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