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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Towards the end of the 1960s, Luke Rhinehart was practicing psychoanalysis in New York, and was sick and tired of it He lived in a nice apartment, with windows facing his neighbours, through which everyone had nice views of each other He did yoga, read books on Zen Buddhism, and toyed with the idea of joining a hippie commune, but didn’t dare Failing that, he wore bell-bottoms and a beard, which made him look less like a depressed bourgeois than an out-of-work actor As a therapist, he was resolutely nondirective If an obese, virginal and compulsively sadistic patient told him whilst on the couch that he’d like to rape and murder a little girl, his professional ethics compelled him to repeat in a calm voice, ‘You’d like to rape and murder a little girl?’ An elusive question mark disappearing into ellipses Long silence The absence of judgement But, in reality, how he really wanted to reply was: ‘Go on, then! If what really turns you on is to rape and murder a little girl, stop boring me with your fantasy: do it!’ He held himself back, obviously, from saying such terrible things, but they obsessed him more and more Like everyone else, he forbade himself from living out his fantasies even though they were more or less harmless – not the sort of thing that got you sent to prison, like his sadistic patient would be if he ever let himself go What he would have liked, for example, was to sleep with Arlene, his colleague Jake Epstein’s wife with the sumptuous breasts, who lived on the same floor in his apartment building He had the feeling she wouldn’t be opposed to the idea, but as a faithful, married man, a responsible adult, he left the thought to bubble away in the backwater of his daydreams   So his life passed, calm and dull, until the day when, after a particularly boozy evening, Luke spotted a die, a boring old die for playing games, lying on the carpet and suddenly the idea came to him to roll it, and to do

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

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February 2011

The dole, and other bailouts

Chris Browne

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February 2011

One of my first actions as a Londoner was to sign on for as many benefits as I could...

 

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