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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

It was raining in Harlem I was standing on the corner of Amsterdam Avenue and 162nd Street, my coat wet, my old umbrella only just holding out against sudden blasts of wind It was not quite four in the afternoon and already it was getting dark I didn’t know Harlem I didn’t know which way to walk I didn’t know which way to go for Edgecombe Avenue, in Washington Heights I stood peering into the road ahead, as if to make something out through the rain and the wind and the swift December dusk  I huddled under the umbrella and managed with difficulty to light a sodden, rain-specked cigarette Marjorie’s, I’m guessing   She startled me there, all stoic She seemed not to mind the rain Or she seemed not to notice it was raining   Headed for Marjorie’s, I suppose, as she took a pair of fine black woollen gloves out of her bag But you’re not sure of the way, as she took a long black woollen scarf out of her bag I could tell a mile off   Her English was lightly accented Maybe Caribbean Maybe African The skin on her face was deep black and flawless and probably still silky to the touch The whites of her eyes gleamed in the half-light Only a smattering of grey in her hair – an afro, shaved short – gave her age away   That obvious? I asked, and she buttoned up her black raincoat and crossed her arms and said that because of the day of the week, because of the time of day, because of the station on Amsterdam with 162nd, because of the expression on my face, because she was always coming across someone there, on that corner From her bag she took out a black felt cloche hat, bell-shaped, 1920s style Do you come across someone lost in the depths of Harlem?, I asked Or do you come across someone specifically and desperately trying to find his way to Marjorie’s? And I smiled with a mixture of embarrassment and relief Something like that, she

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

March 2017

A Table is a Table

Peter Bichsel

TR. Lydia Davis

fiction

March 2017

I want to tell a story about an old man, a man who no longer says a word, has...

Interview

Issue No. 17

Interview with George Saunders

Aidan Ryan

Interview

Issue No. 17

The American short story writer George Saunders has the kind of reputation that makes one hesitate before typing his...

fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

 

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