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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic or anything like that (and I know I’m not supposed to say autistic, I know, I realised that as it was coming out, but I couldn’t stop it and I can’t unsay it so let’s just ignore it, can we?) – I want to begin by saying – and I don’t want to get bogged down with trying to find a way in (which is harder than you might imagine), we’ve got a lot to get through, so, but I want to begin by saying simply I want to begin by saying I want to begin   New paragraph Fresh start On   What I wanted to begin by saying was this: that I have always liked it best when you touch me by accident When you fall into me or brush past me or roll onto me in your sleep, to name but a few examples Motiveless contact Which is not of course to say I’ve never liked it when you’ve touched me on purpose That has its place But there’s a realm of experience – a realm of ecstasy – to which intentional contact allows, for me, no access I have always found a certain kind of intentionlessness – an intentionless act which nevertheless produces the desired outcome – extremely pleasurable Which is an admittedly unromantic way of putting it I’ve always liked it best when I’ve known there’s been no ulterior motive for physical conjunction Two unbidden bodies bound together in space: coming together, making contact, coming apart, unstained   Does this make sense? Would a concrete example help? Here’s a concrete example: imagine the scene: you’re going to put your hand to my cheek affectionately and, walking towards me, you trip over the cat – a cat who is at my feet, our cat – you stumble, your arm flies forwards and your hand, groping for support, it lands cupped on my cheek That your hand touches my

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

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October 2011

The White Review No.3 Editorial

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

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February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

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February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

 

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