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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Your right hand is the first to go One Sunday afternoon as you’re sitting on the sofa reading the papers, it detaches itself at the wrist and walks on the tips of its thumb and fingers across the rug in the centre of the room It strides up the arm of the leather chair he’s sitting in, pushes its fingers between those of his left hand and curls them down, interlocking your palm with his   He continues working on his laptop You try to call your hand back, mouthing and gesturing so you don’t disturb him It ignores you, clutches him tighter He doesn’t seem to notice   You try everything you can think of to lure it back: cooing, threatening, ignoring It remains interlaced with his hand He continues to type   How are you going to eat? Write? Dress? Can you manage with your left hand? You can’t remember the last time you tried   You imagine him feeding you, wonder if you can convince him to do so You despise yourself for considering it   The following morning, after you’ve negotiated dressing (you acted coy, he helped), eating breakfast (toast, one handed; buttering was a challenge), getting the bus (you tipped the change from your purse onto the driver’s tray; he wasn’t impressed) and getting into your office (a balancing act), you sit at your desk and wish you could call your mother   Sometimes you hear her voice in your head, saying the things you know she’d say to you, advising, guiding, reassuring This time there’s silence   You examine the stump of wrist where your hand used to be It’s sharp, pristine No sign of a struggle, no blood   You teach your third-year students The module is Women in Post-War Britain and today’s seminar is on the 1960s You discuss the pill, the Abortion Act, Soho, the sewing machinists’ strike in Dagenham   One of the young women has a ring finger missing Is that recent? You’ve never noticed before Another, like you, is devoid of a right hand She takes notes competently with her left You wonder what her story is   Afterwards, you attempt to continue with the article you’re

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

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October 2012

Crown of Thorns Starfish

Caspar Henderson

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October 2012

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

 

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