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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Sitting at a British Library desk in July 2006, a reader carefully consulted the fraying pages of A Relation of Some Yeares Travaile by Thomas Herbert Bound by a spine of deep green leather, lavishly illustrated and with the faint musk of old paper, the seventeenth-century text sat wedged between two grey cushions Delicately flipping a page,the reader halted The text had jumped incoherently from one word to the next They leant forward to peer at the page numbers One of the precious leaves had – neatly, almost imperceptibly – been sliced away   A browse through the rest of the book revealed yet more absences: illustrations, title pages, text Nearly an entire section on ‘the language of the Persians’ had disappeared This was no coincidence, no historic damage Somebody had been meticulously stealing from this book, one page at a time   In January of that year, British Library staff had been alerted to a similar disturbance: a missing map of the New World from another rare text Such an operation, involving a sharp blade and vigilant avoidance of CCTV cameras and staff, could only have been carried out by an expert with comprehensive knowledge of the text and of the library itself Five readers had recently consulted the work and each, in a letter, was asked for information – all to no avail That is, until a few months later, when it was noted that one of these five had also recently read the damaged Herbert An investigation into this individual and their peculiar love of books was just beginning: it would take months to follow his paper trail; it would take a forensic team of librarians to analyse the thousands of books he had accumulated; it would become a tale of secrecy, duplicity and obsession The common denominator: Farhad Hakimzadeh   Born in Iran in 1948, Hakimzadeh was a man of scholarly and philanthropic reputation He was educated in Germany as a child, then studied at MIT and Harvard Business School After returning to Iran, Hakimzadeh worked on a communications project for the government and joined his family’s manufacturing business But he

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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Prize Entry

April 2017

Terre Haute

Lauren Van Schaik

Prize Entry

April 2017

We’ve been quarantined in the school gym for three weeks when we realise just how much we’ve forgotten. Not...

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

 

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