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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

IV     Every space is too tight for me I move around, I jump, I fling myself and yet I’m still inside that one space which is too tight for me, unbearably small, although at times it is only exactly just a bit too tight, and it is exactly then, when it is exactly just a bit too tight, that it is the most unbearable; I jump and I’m still inside something, whose dimensions could be called redundantly inabundant, because it is not simply a question of dimensions but rather that in the moment when I jump, and I am inside that space, I am immediately caught, the space has caught me, the space into which I leapt unguarded, and it is not that I’m not cautious enough, I am cautious enough, maybe even unduly so, but that it’s all the same where I jump, it’s certain that I’ll end up in a space that is too tight for me, at times only exactly just a bit too tight, but amazingly very often just that, unendurable, I feel that space coiling around me like a cage no matter where I move, I immediately reach the end, in fact hardly do I move at all before the end of that space reaches me, I say, it is so much like being in a cage, as if all I could ever do is jump in a cage, and I can’t do anything else, I have to jump, however if I jump I immediately end up in that space which, as I say, is often maddeningly tight, I feel more or less not as if I were jumping into a square wire cage, or even worse into a brick-shaped one, but at such times I feel that I have got myself into a space that has been measured exactly for me, that’s what I think, that it is exactly as big as I am, and that is the most maddening thing of all, because I

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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September 2013

Outside the Uniform

Kaya Genç

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September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

poetry

September 2016

Two Poems

Daisy Lafarge

poetry

September 2016

siphoning   habitual catalogue of the day, intro ft. blossom fallen from a gated property and crisping on the...

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September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

 

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