Mailing List


Leon Craig
Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary ReviewAnother Gaze and the London Magazine among others. Her queer gothic short story collection Parallel Hells is published by Sceptre Books and she is currently working on her first novel The Decadence.

Articles Available Online


Cosy Violence

Book Review

June 2023

Leon Craig

Book Review

June 2023

The 22 year old Australian narrator of K Patrick’s sensuous, subversive debut novel is a long way from home. A matron at an unnamed...

Fiction

September 2021

Lick the Dust

Leon Craig

Fiction

September 2021

When you misplace something in the library here, it stays lost for a very long time. The eighteenth-century catalogue...

Sir Gawain and the Green Knight is a tricky poem, in the literal sense that it’s full of tricks: a rug repeatedly pulled out from under you, a magician smirking and holding up a card that you cannot entirely be sure was yours Written sometime in the late fourteenth-century by an unknown author, the poem tells the story of a ‘crystemas gomen’ (a ‘Christmas game’, in midlands-dialect Middle English) between its titular characters The Green Knight allows Sir Gawain, King Arthur’s nephew, one blow with an axe; one year later, the Knight will return the blow Gawain’s blow strikes off the Knight’s head, but the green figure simply picks up his head and rides away, telling Gawain to seek him out in the mysterious Green Chapel – location unknown – next Christmas Most of the poem deals with Gawain’s journey to find the Green Knight, particularly in the long section Gawain spends at Hautdesert, a noble castle where he is hosted by the mysterious Lord and Lady Bertilak But the poem opens with the splendour of Camelot at the height of its power and youth, before Lancelot meets Queen Guenever, before the Holy Grail, before the dark will come and swallow King Arthur’s court The poem tells us:   such glaumande gle glorious to here dere dyn vpon day daunsyng on nyȝtes al watz hap vpon heȝe in hallez and chambrez with lordez and ladies as leuest him þoȝt   The hubbub of their humour was heavenly to hear: pleasant dialogue by day and dancing after dusk, so the house and its hall were lit with happiness and lords and ladies were luminous with joy1   In the poem, Camelot burns so bright that if you can bear to turn your gaze from the merry light, you can almost see the waiting shadow it casts But in David Lowery’s 2021 film adaptation, The Green Knight, we meet a very different court Gone is the colour and cheer, and King Arthur and Queen Guenever are weary and sickly The Round Table is made from austere, milky

Contributor

April 2016

Leon Craig

Contributor

April 2016

Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary Review, Another Gaze and the London Magazine among...

Art Review

April 2019

Oscar Wilde Temple, Studio Voltaire

Leon Craig

Art Review

April 2019

The light is dim, the air richly scented. Little purple tea lights flicker in the votive candle rack and...

[Getting] Down with Gal Pals

Feature

November 2018

Leon Craig

Feature

November 2018

There’s a moment in Laura Kaye’s underrated novel English Animals when the protagonist Mirka, sitting in the village bar with her married lover, notices...
Mute Canticle

Prize Entry

April 2016

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure to come round and hold...

READ NEXT

poetry

November 2011

One Night Without Incident

Eoghan Walls

poetry

November 2011

Freak July mists blurred all from Portsmouth to Reading in a late summer sky turned wholly unfit for bombing,...

feature

Issue No. 7

Comment is Fraught: A Polemic

Mr Guardianista

feature

Issue No. 7

When not listening to the phone messages of recently deceased children or smearing those killed in stadium disasters, journalists...

Interview

January 2015

Interview with Rodrigo Rey Rosa

Scott Esposito

Interview

January 2015

Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move...

 

Get our newsletter

 

* indicates required