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Leon Craig
Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary ReviewAnother Gaze and the London Magazine among others. Her queer gothic short story collection Parallel Hells is published by Sceptre Books and she is currently working on her first novel The Decadence.

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Cosy Violence

Book Review

June 2023

Leon Craig

Book Review

June 2023

The 22 year old Australian narrator of K Patrick’s sensuous, subversive debut novel is a long way from home. A matron at an unnamed...

Fiction

September 2021

Lick the Dust

Leon Craig

Fiction

September 2021

When you misplace something in the library here, it stays lost for a very long time. The eighteenth-century catalogue...

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a French flag on my cheek with a blue-white-and-red roller It was the World Cup quarter-final and France were playing Brazil When that game ended (1-0 from a Thierry Henry goal in the fifty-seventh minute), my friends and I ran outside to Boulevard Saint Germain to hear the cacophony of car horns and watch a group of young men spreading a French flag so large it stretched across the boulevard, enveloping the cars on the road, turning Saint Germain into a river of the three-coloured fabric As we walked towards the Seine, the Saint Michel fountain was full of people singing and shouting ‘qui ne saute pas n’est pas Français!’ (‘You’re not French if you don’t jump’)   That summer, I learned the words to the Marseillaise Although at that point I’d lived in France for three and a half years, I’d never picked up anything beyond ‘Allons enfants de la Patrie / La jour de gloire est arrivé!’ Perhaps because that idea, patrie, which impossibly combines homeland, nation, birthplace, feels untranslatable Or maybe it was the feeling that the anthem creates an image of France that feels white and monolingual and Catholic — an idea of France that includes few of its people I knew that football players were often criticised for not singing along to the Marseillaise before matches, because they felt the song did not represent them I understood them I was still looking for a France that I could celebrate   *   The celebrations of that summer, with people pouring into the Paris streets, marked a distinct shift from the intense demonstrations in the city that year The previous autumn, dissent arose following the death of two teenagers, Zyed Benna and Bouna Traoré, who were electrocuted when police chased them to a power substation The demonstrations in response sparked violence across Paris and the rest of the country Months later, in the spring, students were demonstrating over a new labour bill that introduced ways for employers to fire workers under

Contributor

April 2016

Leon Craig

Contributor

April 2016

Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary Review, Another Gaze and the London Magazine among...

Art Review

April 2019

Oscar Wilde Temple, Studio Voltaire

Leon Craig

Art Review

April 2019

The light is dim, the air richly scented. Little purple tea lights flicker in the votive candle rack and...

[Getting] Down with Gal Pals

Feature

November 2018

Leon Craig

Feature

November 2018

There’s a moment in Laura Kaye’s underrated novel English Animals when the protagonist Mirka, sitting in the village bar with her married lover, notices...
Mute Canticle

Prize Entry

April 2016

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure to come round and hold...

READ NEXT

poetry

October 2012

Bacon’s Friends

Stephen Devereux

poetry

October 2012

Always got caught out by their shadows: Stuck to their soles like monkeys on trapezes, Cellophane fortune tellers curling...

feature

Issue No. 20

Editorial

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

feature

August 2017

What Makes A Gallery Programme?

Pac Pobric

feature

August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

 

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