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Leon Craig
Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary ReviewAnother Gaze and the London Magazine among others. Her queer gothic short story collection Parallel Hells is published by Sceptre Books and she is currently working on her first novel The Decadence.

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Cosy Violence

Book Review

June 2023

Leon Craig

Book Review

June 2023

The 22 year old Australian narrator of K Patrick’s sensuous, subversive debut novel is a long way from home. A matron at an unnamed...

Fiction

September 2021

Lick the Dust

Leon Craig

Fiction

September 2021

When you misplace something in the library here, it stays lost for a very long time. The eighteenth-century catalogue...

Consider the exclamation mark Medieval in origin, this blink of ink has a gift for controversy A single point can signal a moment of joy or incredulity Use two or more, though, and risk being dismissed as shrill or shouty, especially if you are a woman   Feminist thinker and independent scholar Sara Ahmed has written 11 books, but her latest, Complaint! (2021), is the only one to employ an exclamation in its title Yet to immerse oneself in her body of work – which includes several public lectures, seminars and workshops – is to feel an intensification of everyday experience Her works are all attuned to affect, wilful subjects, and the phenomenology of trying to make yourself heard while living in a marked body: as an ‘unhappy queer’,’ a ‘melancholic migrant’, a woman and/or person of colour As Ahmed wrote in What’s the Use? On the Uses of Use (2019), ‘Sometimes, I feel like I am an exclamation point, as if in being I am shrieking’   In that book, a roving work of phenomenology, she examines ‘use as technique’ by closely examining a constellation of things, including an empty tube of toothpaste, a postbox, an arm and Jeremy Bentham’s desiccated body She shows how utilitarianism was historically used to shape the subjectivities of those deemed least desirable and most disposable – the poor, the incarcerated, the orphaned and the unhoused   What’s the Use? is the final book in a trilogy that began with The Promise of Happiness (2010), which looks at the regulatory uses of happiness, followed by Willful Subjects (2014), which valorises ‘wilfulness’ – a disposition towards disobedience, or to be ‘what gets in the way of what is on the way’ – as a way for feminists and minority groups to assert agency In its own way, each of her books tracks, with forensic care and attention, the peristalsis of power: what feeds it, what impedes it, what lubricates its sinuous passage through the halls of institutions and everyday life Bodies, for Ahmed, are a locus of feminist investigation Having an ‘out of skin’ experience – being at odds with the

Contributor

April 2016

Leon Craig

Contributor

April 2016

Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary Review, Another Gaze and the London Magazine among...

Art Review

April 2019

Oscar Wilde Temple, Studio Voltaire

Leon Craig

Art Review

April 2019

The light is dim, the air richly scented. Little purple tea lights flicker in the votive candle rack and...

[Getting] Down with Gal Pals

Feature

November 2018

Leon Craig

Feature

November 2018

There’s a moment in Laura Kaye’s underrated novel English Animals when the protagonist Mirka, sitting in the village bar with her married lover, notices...
Mute Canticle

Prize Entry

April 2016

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure to come round and hold...

READ NEXT

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

Art

October 2013

At the Tate Britain: Art Under Attack

Joe Moshenska

Art

October 2013

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind. If we imagine...

 

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