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Leon Craig
Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary ReviewAnother Gaze and the London Magazine among others. Her queer gothic short story collection Parallel Hells is published by Sceptre Books and she is currently working on her first novel The Decadence.

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Cosy Violence

Book Review

June 2023

Leon Craig

Book Review

June 2023

The 22 year old Australian narrator of K Patrick’s sensuous, subversive debut novel is a long way from home. A matron at an unnamed...

Fiction

September 2021

Lick the Dust

Leon Craig

Fiction

September 2021

When you misplace something in the library here, it stays lost for a very long time. The eighteenth-century catalogue...

There’s a clarity to Audre Lorde’s writing that becomes most apparent when you are presented with a collection of her work Plainly written and devoid of the distractions of punctuation, her poetry is a series of questions and answers, of memories and musings Lorde’s prose, meanwhile, is easy to understand without feeling easy – there’s a sense that despite the lack of smoke and mirrors, we still need to work to understand exactly what she is saying Lorde’s work is not a series of straightforward proposals for a feminist utopia, or simple ideas about queer people assimilating into the mainstream Instead, her essays swing between lyrical musings about race, class, gender and sexuality, and bold statements of fact, backed up by evidence from her own academic research, and that of her peers   Lorde’s writing is unapologetic about being forthright; essays begin with phrases such as ‘There are many kinds of power, used and unused, acknowledged or otherwise’, and ‘Black feminism is not white feminism in blackface’ However, mid-essay, a  sentence like ‘I am thankful that one of my children is male, since that helps keep me honest’ will appear, challenging even the most feminist of her readers This is not socialism or feminism for the classroom, but an acknowledgement that speaking the truth, even if it jars, must be at the heart of our politics In her introduction to Your Silence Will Not Protect You, the academic Sara Ahmed reminds us of Lorde’s famous statement that ‘revolution is a process, not a one-time event’; truly understanding Audre Lorde’s writing is also a process, and the more of it we are given, the easier it becomes   Perhaps this is an obvious observation to make, but it’s an important one It hasn’t always been easy to access Lorde’s ideas: a full collection of Lorde’s poetry and prose has not been available in Britain until now Her writing has largely been absorbed not as a full body of work, but through a series of social justice memes and one-line quotes found in the keynotes of feminist conferences This fact is quoted on the jacket

Contributor

April 2016

Leon Craig

Contributor

April 2016

Leon Craig is a writer and editor based in Berlin. She has written for the TLS, the Literary Review, Another Gaze and the London Magazine among...

Art Review

April 2019

Oscar Wilde Temple, Studio Voltaire

Leon Craig

Art Review

April 2019

The light is dim, the air richly scented. Little purple tea lights flicker in the votive candle rack and...

[Getting] Down with Gal Pals

Feature

November 2018

Leon Craig

Feature

November 2018

There’s a moment in Laura Kaye’s underrated novel English Animals when the protagonist Mirka, sitting in the village bar with her married lover, notices...
Mute Canticle

Prize Entry

April 2016

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure to come round and hold...

READ NEXT

fiction

January 2016

Good People

Nir Baram

TR. Jeffrey Green

fiction

January 2016

Good People opens in Berlin in 1938. Thomas Heiselberg has grand plans to make the company he works for the...

feature

October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

feature

October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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