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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope with dignity, how it had dangerous, possibly cancerous elements He said if I pinched just above my waistband, where the unfamiliar portions of fat resided, that’s what rejection felt like He claimed the link between cancer and repeated failure was irrefutable He had a lot of unusual ideas ‘Feel that,’ he said, grasping at my hips and thighs, ‘that’s the texture of rejection right there’   My boyfriend was famous and I wasn’t When I walked down our tree-lined street in the city, I came back with styrofoam cups of coffee, croissants, souvenirs I considered mailing back to friends When he walked down the street he returned aggrieved and frustrated by how much people adored him He sent me out a lot ‘Get my coffee extra-hot,’ he told me, like I was an assistant type ‘I want it so hot it feels like hell,’ I instructed the barista   I loved my boyfriend Our back and forth reminded me of black-and-white films I hadn’t seen Physically, we were unmatched On forms, we were in different age brackets: he ticked one box, I ticked another But we weren’t the sort of people who filled out forms He could get worked up about stuff he read on the internet and I knew how to make him happy ‘Here,’ I said, handing him a snow globe containing a miniature Empire State Building, ‘this is for you’ ‘You’re very sweet,’ he told me I guess it was true – I could be sweet I was Irish I didn’t want to rely on it too heavily, do that whole bit, degrade myself When my mother finalised the divorce from my father all she said was, ‘Never give people what they want’ It was such good advice At the party, where I first met him, I explained that I wasn’t a famous person and I had zero intention of becoming one I wanted to make him laugh I liked him That didn’t happen to me every day ‘Really,’ I said,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

Issue No. 1

'Untitled (book covers)'

Viktor Timofeev

Art

Issue No. 1

A slideshow presenting a series of collages by the London-based Latvian artist Viktor Timofeev, one gouache by whom was...

fiction

November 2015

Three Days in Prague

Naja Marie Aidt

TR. Denise Newman

fiction

November 2015

A sparkling frost-clear landscape exists between them under a soft and smudged sky. Irises exist, blue and yellow, and...

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November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

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November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

 

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