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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

London is among the capitals of the international art world Every day and night is witness to innumerable new exhibitions, openings, events, performances and screenings Having established itself as a world centre for the exhibition and sale of contemporary art, the past decade has seen an exponential increase in its number of galleries, with commercial and non-profit spaces springing up across the city Yet the majority of these venues continue to privilege the work of male artists, begging the question of how gender equality has figured in this boom When we are moving at such a fast pace, why are women artists being left behind?   The East London Fawcett (ELF) – a branch of the Fawcett Society, the UK’s leading campaign for gender equality – recently gathered a body of statistical data in the form of the Great East London Art Audit This information was collated over the course of a year by volunteers, researchers and statisticians with the aim of providing an objective overview of the status of women artists The results were clear: of the 134 commercial galleries in London that were audited, which collectively represent 3163 artists, 31 per cent of the represented artists were women Further to this, only 5 per cent of the galleries represented an equal number of male and female artists, with 78 per cent of the programmes representing more men than women ELF also audited the 133 solo shows featured in 29 of the city’s non-profit institutions and galleries, finding that, identically, 31 per cent of these exhibitions were by female artists, while only 1 of 29 galleries presented an equal number of male and female solo shows in that time frame[1]   The continued imbalance of gender representation within the arts is an issue all too often ignored The lack of tangible urgency compares unfavourably with the 1970s, when a number of art movements in North America and Europe critiqued patriarchal power structures and explored the social and political impact of identity, gender and sexual difference During this period, statistical information gathered by activists in Los Angeles revealed that over a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2017

1,040 MPH

Alexander Slotnick

Prize Entry

April 2017

Isaac Goodchrist, Esq. reviewed the 48-hour letter.   …therefore, in the strictly professional opinion of this author, the nation’s...

fiction

April 2013

The Story I'm Thinking Of

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We...

poetry

September 2012

Crossing Over

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide...

 

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