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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the cold estuary, the countless small elevations of the islands, white and pale green, they rub against my fingertip, press into the grooves and rings of the impinging skin Under the fingernail and pressed deep into the nail bed the black earth of this godforsaken strip of Middle Europe, far from any sea, any estuary, with a view to the horizon in the west and in the east to the bench by the yard gate, where Auntolga awaits the evening, I see her through the sparse branches of the young cherry tree in front of my house, she sits in the light of the late afternoon and scrapes the ground with her black laced shoes until her friends come and sit down beside her, sit there until dusk like old ravens   Auntolga scrapes with her feet and nods and nods with her raven’s head, we call out something in Serb to each other When she talks in Hungarian to her raven friends, I hardly understand a word, yet once a word flew from their beaks onto my table – Mississauga No doubt, the word had become Mississauga on its flight between Olga’s bench and the table in my room and had sounded quite different at the beginning of its trajectory, but now it was Mississauga, as on the freeway signs in the dazzling early summer light in Ontario, a quarter, a third, half of a lifetime ago? Almost still a child I found myself, together with my son of a few weeks, in a big American sedan The woman in whose house I was going to live had picked me up at the airport, she spoke a language I could not quite make out, later I understood that in her mouth a German dialect unfamiliar to me and English were engaged in an unceasing struggle, now paralysing, then again racing into each other, only occasionally, whether out of inattention or a generous mood, permitting a recognisable word in one or other language, such as

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Interview

January 2016

Interview with Fiston Mwanza Mujila

Roland Glasser

Interview

January 2016

Roof terrace of the Shangri-La hotel, Santa Monica, Los Angeles, USA; late afternoon, 8 October 2015. We ensconce ourselves in...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

 

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