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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

The cat’s paws brush through the letterbox, looking for some jellied meat or an opening in the family Cat pushes a letter through the door The letter marked JH Ottessa, dead brother of mine My brother’s bedsheets still warm-sweaty My brother’s paw prints dented into the doormat Rain water falls heavy from the gutter makes me look up, makes me remember what day it is what time it is I call my little girl’s name Annette A        eh Annette A        eh voice through the wall, and the echo of her name, Annette, from the other side Her face screwed up fingers in ears not to have to hear, Annette, all the damn half-hour of the morning of all the days to be playing up the day of the funeral day late for church day   But a child can grieve, let the child be grieving, let the child        be   Eight years old were you brother? And I a bit older I see you running down the street, a sun-blazed strip lined with flowers begging for water, petals blown-out hearts It was a day with corn, heavily spiced and salted Smoke and charcoal Nice Heat beating a path into our bones, our brows wet You had a rug tied round your neck with garden twine, lying out in the sun charge up charge up, before flying off, past the street light, past the telephone wire, past the aeroplane Almost choked yourself to death I stretched out a hand to you, hooked onto a gate latch – the lynch mob’s latest victim, to save you from a strangling You hit my hand away And again Something in your eyes said this isn’t a game But I pulled you up pulled up out of the fire, that time, my hand melting into yours   The church is cold Warmed with bodies, they sitting on they heels        huh        sitting in the dirt        huh        rocking on they legs, mouth open moans we perform the wailing of the milk, divide up the ashes, and return to our        leaking gutters   You were fifteen you were fine, then acting strange

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

Art

June 2015

Photo London

Art

June 2015

From May 21-24, London’s Somerset House hosted the inaugural edition of London’s new international photography fair, Photo London.  ...

feature

Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

 

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