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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total war where humanity no longer exists, or rather only in traces, and where the actors — actresses, rather, since these are almost always feminine creatures who appear and utter cries of rage — seem to belong to a dominant species other than homo sapiens It’s also extraordinary in its form: a series of instructions and slogans that describe, with the only narrative techniques being their alignment and their brutality, the chaos and suffering, the distant hopes, the apocalyptic whirlwind, the suicidal unrest of an entire planet No explanatory prose smoothes over the collision between writers and this terrifying war; no external voice slips into the text to guide the visitor and tell him the story No narrator, no characters, and yet a story transpires, filled with grandiose events and barely-felt emotions: an epic It’s a magnificent fiction wholly distanced from the ordinary traditions of the novel and, if poetry didn’t have such a poor reputation nowadays, it might even be said to evoke a sort of long poem   But this book becomes even stranger once we realise that Maria Sudayeva wrote it in two languages, French and Russian, accumulating neologisms and inextricably entwining the two idioms, with a conscious intent to refuse her images any tidy cultural anchor, and undoubtedly to affirm her disgust toward all manners of nationalism, even linguistic Because this woman, who took her life before she could be recognized for who she was — one of the most original artists of the new, post-Soviet generation, if not the most original — was also a partisan She was wary of a rebirth — she was certain of it — of Great Russian nationalism which would arise from the new Russia’s commercial and Mafia roots, and in opposition she maintained the principles of internationalism and radical cosmopolitan behaviour I met her once, in a place where the Russian world was shown in an unflattering light, and it was clear that her ability to speak Russian discomfited her She struggled to differentiate

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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fiction

September 2016

Colonel Lágrimas

Carlos Fonseca

TR. Megan McDowell

fiction

September 2016

The colonel must be looked at from up close. We have to approach him, get near enough to be...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

 

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