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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

It’s not easy getting cucked Contrary to the consensus online, which sees a cuck in every message board, there are few worthy pretenders to the horns This is because real cuckoldry is a lifestyle and not a label; as a kink, it involves dedication, relish, and the same hierarchy of passion that might elsewhere distinguish a connoisseur from a minor foodie True cucks – cucks who are cucks because they get cucked on purpose – practice their own abasement with care They learn the customary etiquette of betrayal, the techniques for turning an intruder into an invitee A man who watches his wife have sex with others must be an adept of masculinity’s lowlier registers – pathetic enough for a rival to best him, but not too pathetic as to dip into the danger zone of the incel, who could never marry in the first place As you can imagine, much finesse is involved   Darryl, the tragicomic cuckold of Jackie Ess’ eponymous 2021 novel, is a white man in his forties living in Eugene, Oregon He enjoys well-done hamburgers, prodigious doses of GHB, and watching other men sleep with his wife, Mindy ‘It’s like seeing a guy hit a hundred home runs at once,’ he says, and the baseball analogy is apt Under so much of American culture (its sports, its politics, its economy), there exists the startlingly crystalline structure of male competition Only in cuckoldry, however, do you win when you lose Observing his wife have sex with Bill, a masculine ideal with pro-union politics, Darryl feels an ‘ecstasy of shame,’ an ‘ocean roar feeling’ These proclivities suggest a certain generosity of spirit, or at least libido – Darryl’s pleasure exists only in hot tessellation with the pleasure of others Still, the book begins with its protagonist a little bit morose: ‘How come I can’t be like Bill,’ the cuckold complains ‘How come I can’t be like Mindy’ Desire has turned into greed for his wife’s personhood This is how we know we’re back to the same old conventions of heterosexual marriage   Darryl goes to a nearby river to overdose

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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feature

December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

feature

December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

 

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