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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

The world is seeing an increase in the use of social media as a tool for mobilisation and protest The so-called ‘Twitter revolution,’ a term used to describe the role of sites like Twitter in effecting change, has come to the forefront of discussion as popular uprisings sweep the Middle East Former US national security advisor Mark Pfeifle even went so far as to call for the social networking site to be nominated for the Nobel Peace Prize   After the recent blackout of all digital communications in Egypt, Twitter saw a surge of thousands of users relying on proxy servers to post live news updates to the world When Tunisian dictator Ben Ali fled government after 23 years in power, Twitter was there to give users a direct insight into events  Such sites, which disseminate information quickly, can be an essential tool in activism – they give the world an up-to-date and uncensored view of opinions and events, particularly those the mainstream media chooses to ignore But can there really be such a thing as a ‘Twitter revolution’?   Malcolm Gladwell in The New Yorker cites the civil rights unrest in America in the Sixties as evidence of the success of a movement without social media With sites like Twitter, he says, we are told that ‘the traditional relationship between political authority and popular will has been upended’, making it easier for people to voice their concerns The majority of people tweeting about movements are not, however, at the focal point of discussions Does this make a difference? In Egypt, for example, only 25% of the population have access to the internet  Does this not make Twitter merely a means through which western commentators can, in an abstract and non-attached way, feel tied to a movement? And does this tie to a cause define ‘activism’, or is it another case of the bourgeoisie thriving on novelty?   For Gladwell, activism is defined by ‘strong ties’ to others involved in a cause, rather than any weak ideological commitment This kind of attachment to a cause through personal relationships is less likely to occur through the impersonal

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

READ NEXT

fiction

January 2012

Collapse - A Memoir

Jesse Loncraine

fiction

January 2012

Author’s Note   I began writing about the war five years after it was over; a war the world...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

Art

Issue No. 6

Interview with Edmund de Waal

Emmeline Francis

Art

Issue No. 6

As we speak, Edmund de Waal, ceramicist and writer, moves his palms continually over the surface of the trestle...

 

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