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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

You’re flat on your back on the street And you thought the nineties were over   And they nearly are over, you wonder for a moment what year is it exactly, you know it, you do know it, all year long you’ve been getting up and going to sleep, getting up and going to sleep and running your business and there wasn’t much sleep… but you can’t put your finger on it, you feel your head on the asphalt, as if it had sprung a leak when it hit the ground, is it raining? You’re flat on your back between the cars and you can see the tyres and the wheels, the light refracts and bounces off from an alloy wheel right in front of you, streetlamps, headlamps, night, and you try to make out your face, 1999   No, nothing’s over The violent days were long, but long ago as well, almost not true any more, the years of calm, your head on the asphalt, the city’s quiet on a Sunday and the rain is red, the car is red, right next to you You came alone, even though everyone said, ‘Don’t go on your own!’ but you had to go alone, the nineties are almost over, all we want is to do business, you went to sleep for a bit and got up and it was almost evening by then You had time to drink a coffee and stand outside in the dark garden for a while, it’s getting dark early again now, you wanted to walk down to the lake but the phone rang No, it didn’t ring, you’d put it on silent and you saw it flashing through the window of the veranda The display flashed and flashed in the charger like a miniature lighthouse No, you hear it ringing, you never put it on silent, that must have been somewhere else, you’ve got a whole house full of telephones and none of them are on silent, the phone in your jacket pocket buzzes You turn onto your side and try to reach into your pocket It’s hard, although

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

feature

Issue No. 2

Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

Annabel Howard

feature

Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

 

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