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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

On a pale marble fountain in Dubrovnik, I posed I pretended I too was a stone figure, water gushing from my smooth, full breasts A focal point in a crowded square of coffee drinkers and nuns, radiating from within I couldn’t wait for my vision of a woman to emerge In my grandmother’s wooded garden, I wore my red plaid dress backwards, playing at having a bust, three buttons undone My collarbones would be something beautiful, I knew Like me, my friends rehearsed womanhood One friend would lead me to her mother’s closet and pull out the silks and laces for us to wear Another drew a brassiere, stockings and garters on her Barbie doll Barbie and Ken slept naked I pressed them together and held them still I imagined this cool, dry embrace was the path to ecstasy The hair jarred me out of this fantasy I was dreaming in the dusk of a blanket fort, my arm behind my head Springing from my underarm was crooked, pale brown wire I felt too old for my t-shirt – painted birds in puffed, bright colours If I ignored the strands, would they disappear? My first menstruation came on Easter Sunday And the next at Christmas Then again at Easter, Christmas and in some years at high summer I felt connected to something great, God or otherwise, yet wanted nothing to do with the blood I wanted only to be an effigy Now, I tried to will it away I thought the dry time between bleeding meant I was succeeding ** My father and I hiked up the hill behind our house, past where the fires burned, past the horse stalls, past the fire roads and to the strip mall where I took karate lessons I felt strong, free, free again Free as one can only feel in suburban Los Angeles when one realises it is possible to live without a car I loved my breasts, small, nonetheless there, my strong legs The way the fabric clung to me, the yellow dust and sweat on my skin My

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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Interview

July 2014

Interview with Geoff Dyer

Tom Overton

Interview

July 2014

‘I’ve always believed that an artist is someone who turns everything that happens to him to his advantage’, Geoff...

Prize Entry

April 2017

A JOURNEY THROUGH ☆ FAMOUS ☆ BY ♫ 'KANYE WEST' ♫

Liam Cagney

Prize Entry

April 2017

A twilit bedroom. Silence. Ceiling view of the base of a hyper-extended bed—the length of a catwalk. Slow pan...

poetry

September 2011

The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and...

 

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