Mailing List


Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind If we imagine the first English iconoclasts in action as they undertook to rid churches of images and holy objects in the sixteenth century, images of grim-faced fanatics wielding hammers and flaming torches are likely to spring to mind But if iconoclasm is loud and violent in its fury, it is haunted by its quiet aftermath, in which the meanings that it releases prove troublingly difficult to control One response might be to leave nothing behind at all In 1547, as iconoclasm in England assumed new ferocity under Edward VI, a royal injunction urged the clergy to remove and destroy all ‘monuments of feigned miracles, pilgrimages, idolatry and superstition; so that there remain no memory of the same’   This enforced forgetting, however, was a dangerous strategy If superstition were utterly purged and its memory obliterated, there was the risk that it might be repeated The overcoming of error needed to be remembered if its repetition were to be guarded against In many churches broken statues or desecrated images were accordingly left in situ, as salutary reminders of a reviled past This too had its risks, however Even in their broken form, such idols might continue to inspire reverence rather than revulsion After all, if the fragmentation of relics in the Middle Ages in no way reduced their sanctity – a splinter from the True Cross was as holy as the whole – then the sacred remained sacred even in its ruined state Iconoclasm, which seemed to aim at absolute and irrevocable change, turned out to be torn between forms of remembrance and forgetting that it could not fully control   Art Under Attack is the first exhibition devoted to the history of British Iconoclasm, and it is in many ways the realisation of an iconoclast’s nightmares If the iconoclast wants the object to vanish and be forgotten, the exhibition reveals the stubborn tendency of defaced objects to linger and accrue new meanings The first two rooms, devoted to the Reformation of the sixteenth and seventeenth century,

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

READ NEXT

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

 

Get our newsletter

 

* indicates required