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Johanna Hedva
JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE OF THE BRAIN, will be published in September 2020. Their essay, ‘Sick Woman Theory,’ published in MASK in 2016, has been translated into six languages, and their writing has appeared in TRIPLE CANOPY, FRIEZE, BLACK WARRIOR REVIEW, and ASIAN AMERICAN LITERARY REVIEW. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon. Their album, THE SUN AND THE MOON, was released in March 2019, and they’re currently touring BLACK MOON LILITH IN PISCES IN THE 4TH HOUSE, a doom metal guitar and voice performance influenced by Korean shamanist ritual. Their novel, YOUR LOVE IS NO GOOD is out in May 2023 from And Other Stories.  

Articles Available Online


‘They’re Really Close To My Body’: A Hagiography of Nine Inch Nails and their resident mystic Robin Finck

Essay

Issue No. 27

Johanna Hedva

Essay

Issue No. 27

‘We possess nothing in this world other than the power to say “I”. This is what we must yield up to God.’ — Simone...

Book Review

October 2019

She, Etcetera

Johanna Hedva

Book Review

October 2019

Every brainy queer of my generation, especially those born under the sign of Saturn, went through a phase where...

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left to right) The unusual title, a mixture of Japanese and English, neatly represents the novel’s content and form The novel is narrated by a Japanese young woman who, like the author, grew up in the United States in a bilingual environment ‘Shishosetsu’ refers to a genre of autobiographical novel that characterises much modern Japanese literature Since English words and phrases are woven into the text, the novel was written horizontally, from left to right, unlike other Japanese novels, which are written vertically on the page and read from right to left —J W C   *   The telephone rang at 9:45 this morning   As white morning sunlight poked through the cracks in the blind, I inserted the cord into the telephone jack, digesting the usual sick realisation that another day had begun No sooner was the telephone plugged in than the ringing gave me a start   Sudden fear shot through me It might be the French Department Office   Is this Minae Mizumura?   Yes it is   What on earth are you doing?   What on earth was I doing? If they asked me, what could I say? I could not explain it even to myself I was afraid that somehow the way I was living—holed up in this apartment that remained dim even in the daytime, fearful of the dawning of each new day, for all the world like a snail coiled tightly in its shell—might become shamefully and unmistakably exposed to the light of day   As hopes of an international call from Tono gradually faded, I fell into the habit of unplugging my telephone every night; apart from the practical desire to avoid being awakened by my sister, the main reason was this very fear   It is of course a neurotic fear Every department has one or two delinquent graduate students on its rolls, and there is no reason why the department should care if I put off my orals indefinitely on the pretext that my advisor is in and out of the hospital It’s not only the department—in the whole huge United States, apart from

Contributor

March 2018

Johanna Hedva

Contributor

March 2018

JOHANNA HEDVA is the author of the novel, ON HELL. Their collection of poems and essays, MINERVA THE MISCARRIAGE...

Jonah

Fiction

Issue No. 21

Johanna Hedva

Fiction

Issue No. 21

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride. I had been there many times at that point, since...

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fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

feature

December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

feature

December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

 

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