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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

Introduction by the translator In the early hours of 2 January 1892, sensing the approach of insanity, the renowned French writer Guy de Maupassant attempted suicide There then followed for the sick man long months of confinement in Passy at the private clinic of the respected Dr Blanche, the conclusion of which was his death on 6 July 1893, overcome by his illness, a syphilitic disease of the nervous system   Numerous were the columnists following the course of the writer’s demise who sought to identify signs of madness in his works Even before he had died the newspaper Le Figaro declared: ‘Maupassant has fallen victim to the intensity of his own sensations He described and analysed the madness long before the dreadful sickness overcame him’ Enthusiastically the salons fed the controversy Some maintained that the frequent evocation of alienation in Maupassant’s writings resulted in the development of his ‘general paralysis’, whilst others continued to believe that the weakened author, suffering from writers block, nevertheless managed to preserve some inspiration from the scoria of his illness In the ‘Letter of a Madman’ which was first published in Le Gil Blas in 1885, Maupassant, or ‘Maufrigneuse’ as he mysteriously signs himself (curiously recalling Hölderlin’s use of the name ‘Scardanelli’ during his own ‘madness’), left behind a text largely ignored until after his death, which is now regarded as one of the founding elements for the myth surrounding the famous short story ‘Le Horla’ The scene of the blurred reflection in the mirror is repeated in the story written two years later Maupassant’s perceived ‘being’, which lived outside of his self, became an evil alter-ego as illness encroached upon his faculties and resulted in acute paranoid delusions and a virtual delirium of the senses   His ‘letter’ can be seen as another fascinating fragment wrested from a journey of no return which unknowingly predestines studies into the suppressed nature of the unconscious by Freud in the following century Furthermore one cannot help but

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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Interview

November 2013

Interview with Javier Marías

Oli Hazzard

Interview

November 2013

Javier Marías is one of Spain’s most acclaimed contemporary novelists. He began writing fiction at an early age –...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

 

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