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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects ranged from the trivial (courtesies, chores, choice of entertainment) to the significant (knowledge, character, politics, futures), though, as in any relationship, over time these categories of trivial and significant had become impossible to distinguish from one another, so that as a consequence we lived in a double state of nearly unbearable meaningfulness and meaninglessness – or, rather, forever suspended on the precipice of either: pre-meaningful or pre-meaningless What was unbearable, of course, was the extremity of each condition, but also the not-knowing in advance which condition would be applied (by us, naturally, but as if by some ‘outside agent’) to any given situation At times, it proved difficult to disentangle the act of, say, washing a plate to a lower-than-expected standard from the vast network of feeling and history in which all prior actions were somehow implicated On other occasions, feelings or memories which we had previously considered our ‘deepest’ or most important became somehow neutralised, or evacuated of significance, a phenomenon which we (or at least I) experienced with a weird elation I barely understood: sometimes, in the middle of what seemed to be a critical or even terminal conflict, a sudden tear or opening would materialise in the argument and through it would flood an understanding of its total inconsequence; thus we could find ourselves laughing, sometimes to the point of near-hysteria, at my total resistance to the idea of having children, or her ongoing trauma resulting from a sexual assault during adolescence, or any of the dozen or so other enduring obstacles to our happiness we thought of as ‘major issues’ Regardless of the ‘condition’ we found ourselves in, however, the apology was always a dangerous and unstable element to introduce In the former condition (of excessive meaning), its basic insufficiency or unreliability as a speech act guaranteed the irresolution, and often the escalation, of most conflicts ‘Sorry,’ I would say, not meaning it, having crunched a prawn cracker ‘too loudly’, and inevitably my non-belief in the

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

poetry

December 2011

Return After Earthquake

Jeffrey Angles

poetry

December 2011

although left for months my house is still standing here on terra firma branches broken by snow fallen into...

 

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