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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

FRIEDRICH NIETZSCHE PONDERS LOVE   Honey protocols, hear how they mock, snow white and super blue: On the footpaths, we are told, radiators grapple with hydrants and at the marble quarry puss licks her belly until the shag is fluffed Get well cards addressed to third parties The cable car’s driving crank whirrs Here dwells Friedrich Nietzsche On ukulele, recording his propaedeutics in song Huzza, a subcutaneous Alpine ditty Dissimilarity as a religious doctrine The root chord: E minor Robert Walser says Friedrich Nietzsche was not Huh? What? What was I not? You were not loved Hence your resentment The vengeful perfidy of one unloved Meanwhile, new arrivals tuck in to hearty snacks Sausage Berries Poire Williams and Gentian Friedrich Nietzsche and the mild master of remorse converse on stacking chairs Are they onions? Are those contacts – or blows with the fan? Is it a hand-forged bark spud, swathed in camellia oil? We don’t know They speak quietly The mountains’ endless murmur Friedrich Nietzsche ponders love Robert Walser smiles in silence     THE ARBITER’S SICK   Honey protocols, hear how they mock I’m still asleep, they’re fighting already My assistants are whacking each other with hangers and brushes Oh boy, the arbiter’s sick today I see how they batter their limbs, whose workforce is mine, in order, thus squandered, to own themselves at long last Or so the assistants think How wrong they are! Whizz bang, the ankle joint, the nose bone Cat’s tongue, mop and deerfoot OMG Who’ll sew this for me? Who’ll stitch it up? Who’ll fetch and bring back, who’ll support, who’ll transcribe? What do mops and moping have to do with each other? Check it for me! Enough of the fisticuffs! When do we go to print? Assistants, get to work! The theme is: The arbiter’s sick today Let’s go! Mixed dactyls, skipping rhythms, inner universe of middle rhyme Bear me forth and write it all down Realise me in places where I cannot set foot And, while conciliation soon prevails, it’s still lying there, the cuddly toy of my tattooed assistant, who always was my favourite Ah! I’ll never sack a single one     TRANSLATION   Honey protocols, hear how they mock, you translated yourself – didn’t you? – into everything You translated your chemisettes, your crumbs, right on into The Great Glory, where they vanished instead

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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Prize Entry

April 2017

A JOURNEY THROUGH ☆ FAMOUS ☆ BY ♫ 'KANYE WEST' ♫

Liam Cagney

Prize Entry

April 2017

A twilit bedroom. Silence. Ceiling view of the base of a hyper-extended bed—the length of a catwalk. Slow pan...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

feature

February 2015

Greece and the Poetics of Crisis

Joshua Barley

feature

February 2015

On the Aegean island of Skyros, in the Carnival period immediately preceding Lent, a more ancient ritual takes place....

 

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