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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

To kiss you should not involve such fear of imprecision I shouldn’t mind about the gallery attendant He is not staring That’s not what his torch and lanyard is for   I have seen at least four people holding hands already and I’m only just out of the revolving doors They weren’t unpeeling to the root To kiss you should not feel like anything other than embellishment They, people, loads of people, have staged kiss-ins at Sainsbury’s and in Southbank cafés precisely in solidarity with my freedom to kiss you They kissed en masse on Valentine’s Day with a hashtag and everything When that historian shot himself in Notre Dame two years ago, when Larousse dictionary mooted changing the definition of marriage, he was not thinking of me tarrying in this gallery gift shop, flicking postcards and studiously not-looking at you Larousse dictionary’s colophon is a woman blowing at a dandelion clock Have I used colophon correctly? Where are you   Dandelion comes from the French dent-de-lion, lion’s teeth   I am not biding my time   A lion would not baulk at kissing you, toothily   The French for dandelion is pissenlit This translates, broadly, as wet the bed I will wait   I could kiss you lightly, the side of your face, as if putting out a fire The gallery attendant is not looking at us I have spotted another couple kissing, a boy and a girl, like it was nothing, like they didn’t have to think about lions   When you puff at a dandelion clock, puff at its puff, it looks like you’re blowing a kiss   To kiss you would be plotlessness, and nothing like falling   The gallery attendant is not sizing up our haircuts In fact he’s looking the other way   The move was mine to make,   all gallery-hushed and happy as I reached for you   and   RIGHT   LET’S                                                                                

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Interview

May 2014

Interview with Eimear McBride

David Collard

Interview

May 2014

Eimear McBride’s first book, the radically experimental A Girl is a Half-formed Thing, was written when she was 27 and...

 

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