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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight Earlier that year a canopy of Portland stone had been erected over the entrance to the underground, part of London’s preparations for the Olympics, and through a rectangular frame in the structure, at the edge of the park, a tangle of colour appeared A patch of wildflowers was growing there, next to the manicured shopping streets of Mayfair A sign said the meadow had been planted as part of some scheme This sounded like a paradox: I didn’t know that wildflowers could be planted, let alone meadows I was struck by a correspondence between this artificial meadow and the rioting that had taken place in the city that summer, which had been framed as an irruption of wildness   In his Politics Aristotle claims that humans surpass bees in their political nature, and philosophers have often used bees to describe the political nature of humans Meadows, where the social desires of bees are fulfilled – if you can call them desires – have been overlooked as a form for thinking about politics The wildflower meadow, increasingly endangered and artificially produced in the twenty-first century, describes a relationship between individual and environment that is both complex and immediate The appearance of wildness in the city becomes a question of aesthetics, which is to say, a question of how the relationship between an event and its frame produces certain effects, and of politics, when an act of observation decides which events are wild and which are cultivated by human policy   Wildflowers in the British Isles have historically been concentrated in areas of semi-natural grassland, often maintained for the production of hay for livestock, sometimes left uncultivated for other reasons and tramped through by grazing animals whose digestive systems redistribute seeds and produce the special diversity of the meadow In the seventeenth century, the English mystic Thomas Traherne described meadows ‘more Divine than if Covered with Emeralds’ He saw the meadows as a book in which a message had been written: just as God makes water available

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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Art

Issue No. 9

Dr Gaz

Jeff Keen

Art

Issue No. 9

Jeff Keen was among the most influential of a pioneering generation of experimental film-makers to emerge from the United...

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

Art

June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

feature

Issue No. 20

Editorial

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

 

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