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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags Each bag contains a letter and a lump of something – stone, shards of marble, bone I extract one of the samples, a faded brown envelope with a row of Spanish stamps Inside, a lozenge of pumice and an accompanying note ‘This item was removed dishonestly,’ it reads ‘With deep apologies’   ‘We have received so many,’ Osanna continues, ‘that we’ve decided to have an exhibition It will be called: “What I stole from Pompeii”’ In October 2015, Osanna, Pompeii’s archeological superintendent, announced that he’d been receiving a number of unexpected parcels They arrive addressed to the excavation site in Pompeii and the Archeological Museum of Naples, and hold an assortment of stolen fragments Many are accompanied by letters of apology attesting to the vaguely formed fears of an uneasy conscience ‘I would like to return this stone,’ one reads, referring to a teardrop of pumice ‘My boyfriend took it during our holiday to Pompeii in August, and I feel rather wrong about it’ Others are more specific, attributing illness and misfortune to the stolen pieces of rock ‘I wish to return this stone to its original place because my husband is taken long ill,’ a Japanese woman explains ‘Please put it back in the ground’ Correspondents often admit to returning the items in hope of appeasing the gods of misfortune – ‘I am convinced that these pebbles that I took from Italy bring me bad luck,’ begins a letter from Florida, ‘For this reason, I’m sending them back so I can be free’ – while others articulate fears of supernatural forces at play ‘Taken from Pompeii fifteen years ago’, a man from London confesses, returning a small red rock ‘I return it to you so the curse can be lifted’   To understand the curse of Pompeii we must look first to Mount Vesuvius, the double-humped volcano in

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

 

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