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Alice Hattrick
Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships, titled Ill Feelings, will be published by Fitzcarraldo Editions in 2021.


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Ill Feelings

Feature

Issue No. 19

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern and theatre director Omar Elerian, although they contain other voices Louise has edited the conversation by tearing it into fragments and recomposing it as a collage, the method she employs in much of her artistic practice She also contributes the below text:   Observations on communication and language have long bitten at my heels, demanding that I find some form or other to convey their urgency I have tried to obey them in different ways: through art, performance, literature When, a few years ago, it occurred to me that theatre might bring together the strands that I had been working along, a series of generous coincidences led me to the theatre director Omar Elerian   Omar split his childhood between Italy and Palestine, where his father was born The rich presence of his Palestinian grandmother, with whom he shared no common language, stood large in his childhood Because they had no words for one another, they turned to eye contact, to food, to touch, gesture, and the potency of sharing the same spaceThe mystery and magic of the other’s life was allowed to collect between them without compression into words and ideas   This is something that I feel deeply through my deafness, which pushes me up against visceral experience, and this is one of the reasons that the collaboration with Omar has become so meaningful for me The play we have developed together is about how words so often mask physical, sensual reality In The Ugly Birds, each of the three characters struggles in their different ways with life in a world that is saturated with language For each of them, a point arrives where their physical reality can no longer be reconciled with that world It incorporates choreographed physical gesture and projected written conversations as well as spoken dialogue   In my native sign language, there is the potential for distilled physical expression The closest thing that I have to compare this to is painting or dance – mediums that allow for boundless sensation While

Contributor

August 2014

Alice Hattrick

Contributor

August 2014

Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships,...

(holes)

Art

July 2014

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses and their extensions. In his...

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poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

poetry

June 2013

Major Organs

Melissa Lee-Houghton

poetry

June 2013

When they take my brain out of its casing it will be fluorescent and the mortuary assistant will have...

feature

Issue No. 10

What Can an Art Magazine Be?

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

 

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