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Alice Hattrick
Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships, titled Ill Feelings, will be published by Fitzcarraldo Editions in 2021.


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Ill Feelings

Feature

Issue No. 19

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

A collection of workers’ shirts, mounted like shopping displays and gathered into the regimented, brightly coloured rows that might mark a labour demonstration, stands as the centrepiece of Jonathas de Andrade’s solo exhibition One to One (2019), at the Museum of Contemporary Art, Chicago (MCA) The shirts are men’s Paint daubs and sweat stains trail across them, and the work, Suar a camisa (Working up a sweat) (2014), captures much of the dense, reticent logic of de Andrade’s art   De Andrade acquired the shirts from male workers in the streets of Recife and the countryside of Brazil’s Nordeste, his home city and region, and a cohering local force in his art He would approach workers on their off hours, as they travelled to work or commuted home, clearly attracted by the shirts’ vividness, their lambent yellows or soiled oranges, as well as their ability to signify – they appear worn, sturdy, industrial, as if they’ve just emerged from under the hood of a car Striking up conversations with the men, he would begin a line of inquiry: could he buy their shirt, or propose a deal, or – the preferred option – exchange his own for theirs? It’s hard to imagine the exchange coming to fruition, and yet the process resulted in de Andrade receiving 120 shirts, hung on poles and assembled in the centre of MCA’s gallery, a crowd of hollow figures   The work unfolds in layers, and my first impression was of a kind of startling political presence, as if 120 working men stood at the centre of MCA Here, it seemed, was a sincere and wishful image of the working class, its labour expressed through the sweat-marks and enlivened into the collective form of a workers’ protest But as I circled the installation, a contradictory possibility soon shadowed my optimistic impression as presence gave way to a more definitive sense of absence Not a popular uprising but shirts without bodies, dead labour rather than labour, adding up not to working-class potency but its waning or disorganisation This feeling was made more potent by the recent election of Jair Bolsonaro,

Contributor

August 2014

Alice Hattrick

Contributor

August 2014

Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships,...

(holes)

Art

July 2014

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses and their extensions. In his...

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Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

fiction

January 2017

Oh You

Keller Easterling

fiction

January 2017

You won’t be able to do it. It is a call, and it is something you only know how...

Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

 

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