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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Vanessa Hodgkinson

Vanessa Hodgkinson is an artist and currently a participant at the Jan Van Eyck Academie in Maastricht. www.vanessahodgkinson.com



Articles Available Online
For the Motherboard

Art

October 2014

Vanessa Hodgkinson

James Bridle

Art

October 2014

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard: The Rubáiyát of Omar Khayyám, typeset by...
Techno-primitivism

Art

May 2013

Vanessa Hodgkinson

David Trotter

Art

May 2013

What follows could have been an essay or an interview. In the event, it resembles the one as little as it resembles the other....

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Interview with Michael Hardt

Interview

Issue No. 2

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of political treatises — Empire, Multitude,...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

feature

Issue No. 4

The White Review No. 4 Editorial

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but...

feature

February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

 

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