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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Chris Power’s first collection of short stories, Mothers, is peopled by the restless – forever walking, running, travelling, holidaying, city-hopping, doing anything not to stand still They are displaced, impulsive, sometimes desperate The narrator of one story summarises it as ‘the lightness of being far from home, the pleasure and terror of being free to do as I liked’ It carries the logic, though decidedly not the tone, of picaresque: travellers, like orphans, are liberated to situate themselves from scratch, living without ready-made definitions   This is certainly true of the three linked ‘Mother’ stories that structure the collection, which concern Eva: first remembering her childhood in Sweden; then travelling along the Costa Blanca; finally married with a daughter of her own She leads an unhappy life in the shadow of her parents’ death, and travel becomes a way of outrunning her problems, though even here she is following her own mother around Europe, carrying around her guidebook and allowing it to fall open at spine-cracked pages, as if consulting the mother’s spirit ‘It seemed to help if I kept moving,’ she confesses finally ‘Whenever I stopped moving everything became… too much’   Young Eva, in ‘Summer 1976’, reads food into everything: stacks of LPs are liquorice, the air stands thick as jam or greasy with a coming storm On a dare, the boy who lives next door throws an apple into one of the windows of their apartment block, where it bursts against the wall (But does she have to be Eva, and does it have to be an apple, so that the story drags around with it the creaking weight of the Biblical malum malum?) Later, after her mother’s death, her taste for life seems to dull She inherits her mother’s mute desperation; boys are now men, but they embody the same tension between threat and attraction Later still, tethered to a marriage and a daughter of her own, she loses all energy: stuck in one place, with no water running over her gills, she is reduced, depressed and couch bound   Listless and withholding, Eva is an unusual character to give the

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

Art

July 2013

Redressing the Balance: Women in the Art World

Louisa Elderton

Art

July 2013

London is among the capitals of the international art world. Every day and night is witness to innumerable new...

fiction

Issue No. 12

A Samurai Watches the Sun Rise in Acapulco

Álvaro Enrigue

TR. Rahul Bery

fiction

Issue No. 12

To Miquel   I possess my death. She is in my hands and within the spirals of my inner...

 

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