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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

POET AS CYBORG PORNSTAR   It starts with the turn Their slender edges, the slow reveal from margin to bombshell, the hormonal show of the real: whatever it is, you know it’s fucking hot I promise, I would do anything to get you off I am peeling my skin 4 u Let’s talk about it: how we fabricate intimacy, the wet scapes of the world scolded back to rigid, flashy                                                         direction Don’t                                                         you think every hero must grow to love their algorithm? Chemical action without consequences, good feeling, bad feeling—young, dumb, and full of poems! With her long French tips and how their bodies work Outsource ur erotics to the moneymakers This month, we are proud to be partnering with Donna Haraway in building a new kind of human-shaped sex robot who wants to write poems Would a friend catch the dog-ear, unreadable script, whir of systems, artificially leathered voice—       POEM AS ZERESHK POLLO   The white owner of the Persian restaurant says they keep wages low to avoid gentrifying the area with higher prices I think of the recipe from the place I used to wait: zereshk (barberries, or you can use dried cranberries if you can’t find barberries), saffron (use yellow food colouring as an alternative) Keep them guessing You are a classical text in the emperor’s encoded vision—sour red berries reclining on a carpet of chicken thighs, jewels set in broth like simmering gold If European culture generally has digested the Orient, what am I but a ferment of exotic things? A dish, a soul, a curated image—every time I chop and fry an onion I have to wonder what it means for my place in the market So what do you think? I mean, of all these grains, letters, this hot tahdig, this oil fallen into syntactic place, this formal glaze beneath which bubbles the threat that in some mouths even this could tell an unintended joke? Every way I look I can feel the cool twist, the crisp euphemism of middle-class taste, and I wonder how much this too will sell for How much would you pay? How good will it look on your plate?     GHAZAL                                                               My eyes were very stop look smell

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Interview

Issue No. 7

Interview with Keston Sutherland

Natalie Ferris

Interview

Issue No. 7

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

 

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