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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

THE WHITE REVIEW is an arts and literature magazine, published three times a year, with monthly online editions It publishes fiction, essays, interviews with writers and artists, poetry, and series of artworks   ‘THE WHITE REVIEW is a gift for writers, and for literature’ — Claire-Louise Bennett ‘An insider’s manual for aspiring writers’ — Nicole Flattery ‘THE WHITE REVIEW has boldly carved out a space for itself in the contemporary literary landscape, such that the landscape has begun to shape itself around it’ — Vanessa Onwuemezi ‘What it brings to the table is the political authenticity and fervour of a little magazine – intense long-form pieces, voices from the margins, critical conversations’ — Meena Kandasamy ‘THE WHITE REVIEW has long been one of my favourite publications, encouraging work which, pushes boundaries and pulses with life’ — Caleb Azumah Nelson ‘Nothing less than a cultural revolution’ — Deborah Levy ‘The White Review gives a platform to emerging artists alongside established ones, publishing work that isn’t afraid to take risks or challenge’ — Sophie Mackintosh ‘Packed with varied, unexpected material in all kinds of forms, The White Review  brings a message from the future: it rises to meet readers’ and writers’ continuing needs to experience art and literature in a sensuous, delectable form; and it gives me the feeling that I have my finger on the pulse’ — Marina Warner ‘One of the best magazines in Europe’ — Hans Ulrich Obrist   THE WHITE REVIEW was launched by Ben Eastham and Jacques Testard in February 2011, to provide ‘a space for a new generation to express itself unconstrained by form, subject or genre’ It takes its name from LA REVUE BLANCHE, a Parisian magazine which ran from 1889 to 1903    The White

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

feature

September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

 

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