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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held together by orange polyurethane joints The tubes at the base of the sculpture are welded together into an elongated S-shape, such that the work curves diagonally across the gallery floor, forcing the viewer to walk around it The welded base also provides the stability necessary for the rest of the sculpture to remain flexible The polyurethane joints make the work to some degree elastic, determining and limiting its movements   Wall, then, is not a wall in the conventional sense of the term The work’s lattice or weave-like structure articulates empty space It is a wall which, like a net, is mostly made up of holes And while the sculpture divides the gallery, setting a porous boundary between the spectator and the world, there is little difference between what is found on one side of the wall and what is found on the other There are further elements of the sculpture that add to its ambiguous status The polyurethane joints, for instance, work to hold the structure together, but there is also a tactile, almost fetishistic quality to the orange rubber, which looks like a tangle of muscle sinew This inscribes the sculpture in a bodily register and lends the work an anthropomorphic quality Like all elastic structures, moreover, Wall quickly settles into a particular position, while also remaining in a state of potential motion The way in which the sculpture pulls itself downwards dramatises its susceptibility to the laws of gravity Entropy might be too strong a word for this movement, but there is an unexpected sense of precarity and instability to the work, a sense that it might teeter over under its own dead weight   In a recent conversation, Hart explained that for him one of the most important aspects of Wall is its functionality At first the word seemed a misnomer It is true that, like a wall, the sculpture gets in the way, filling much of the gallery space, but otherwise its resemblance to

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

Issue No. 17

Winter Diary

Galina Rymbu

TR. Joan Brooks

poetry

Issue No. 17

who bravely blasts their breath through the horn flares of gloomy streets, into dripping construction trailers, dropped by the...

Art

November 2015

None of this is Real

Anna Coatman

Art

November 2015

Rachel Maclean’s films are startlingly new and disturbingly familiar. Splicing fairy tales with reality television shows, tabloid stories, Disney...

Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

 

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