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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

AT NIGHT, THE WIFE MAKES HER POINT   No I don’t have Cindy Crawford’s legs I haven’t spent my life walking down runways in fashion shows, dazzled under the glaring lights of photographers My legs broaden as they reach the hip and in spite of my multiple efforts to don aerobic gear, work out and sweat, I  can’t control their tendency to widen like pillars ready to support a roof   No I don’t have Cindy Crawford’s waist nor her perfectly smooth and slightly concave tummy with the flawless navel at the center I might have had it once Once I  was even proud of that part of my anatomy That was before my son´s birth, before he decided to be born in haste and come into the world feet first, before the C-section and the scar   No I don’t have Cindy Crawford’s arms tanned, sculpted, each muscle shaped by the right exercise, the precisely balanced weights My slim arms have no more muscles than what are needed to type these characters, carry my children, brush my hair, gesticulate when I envision the future, or embrace my friends   No I don’t have Cindy Crawford’s breasts ample, round, C or B cup Mine are not so appealing in low cut dresses in spite of my mother’s assurance -a mother’s words- that breasts like mine, with no cleavage, had the classical beauty of Milo’s Venus     Ah! And the face How would I dare say I have a face like Cindy Crawford’s! The beauty mark just at the corner of the mouth Such impeccable features: the big eyes, the arched eyebrows, the delicate nose Out of habit, I’ve come to like my face: the elephant’s eyes, the nose with its flaring nostrils, the full lips, sensuous nevertheless All is spared with the help of the mane In this department, I can even beat Cindy Crawford I wonder if this affords you any consolation   Last, but not least, -and this is the weightiest piece of evidence- I don’t have Cindy Crawford’s behind: small, round, each half exquisitely outlined Mine is stubbornly ample, big, amphora or clay vase, take your pick, there is no way to hide it, all I can do is not to be shy about it use it to my advantage to sit comfortably and read, or be a writer   But tell me, how often have you had Cindy Crawford at your feet? How often has she given you

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

fiction

Issue No. 14

Beetle

Joanna Kavenna

fiction

Issue No. 14

SKITAFLIT, DAY 49   704 Dawn Breaks above the grey-dusted grey-fronted houses 903 Well the office is looking just...

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

 

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