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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Lawrence Lek
Lawrence Lek is a speculative sculptor, installation artist and writer. Born in Frankfurt and now based in London, he imbues primal archetypes with modern technology to create immersive environments for private sanctuary and public assembly.

Articles Available Online
Pyramid Schemes: Reading the Shard

Art

Issue No. 7

Lawrence Lek

Art

Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes: Reading the Shard’. ‘Architecture is...
Twelve Installations

Art

May 2011

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment. Progress in technology leads to...

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Winter Diary

poetry

Issue No. 17

Galina Rymbu

TR. Joan Brooks

poetry

Issue No. 17

who bravely blasts their breath through the horn flares of gloomy streets, into dripping construction trailers, dropped by the dead, the dull anxiety of...

feature

January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

poetry

November 2015

Two Poems

Ko Un

TR. Brother Anthony of Taizé

TR. Lee Sang-Wha

poetry

November 2015

Kim Geung-Ryeol   During the Japanese colonial period he attended Japan’s Military Academy, became squadron leader in the Japanese...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

 

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