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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

At the bottom of the garden, my mother and a woman dressed like Barbara Hepworth argue over a sculpture of my birth,   if the bronze plinth should be horizontal or vertical, the right shade of blue for the umbilical cord   Hepworth adds a curl of hair with a toothbrush, pats down the clay like a pony   My mother sticks her chisel in, disappointed in the arrangement of her legs, if she had her way   the sculpture would include a dancing fountain and hum like a refrigerator, full of roses, a sundial and a coat of arms,   her snacks, soft drinks and wine Instead the sculpture stands in the April shadows of overgrown gorse,   one arm in the air like the chimney of the defunct engine house where my father   worked in the summer of ’85, where copper wires crawled in beneath the sea – no messages   But what about the father? Hepworth asks Oh, he wasn’t involved, my mother says   Hepworth rolls her eyes, the whites of her eyeballs like a cliff face, the grey of her overalls   like a gun She begins to sing: Don’t turn your back on me, baby   Blues like the sulky one in a rainbow Blues like your favourite moon   With so many conflicting opinions, a therapist had warned the sculpture of my birth of this moment   and offered some advice: be lucid Talk to the older generations as if talking to the sea   Keep a list of all their errors, like those lists you’ll keep of all the things you eat while falling in love:   roast beef, feta cheese, champagne bon bons, shish taouk, french fries and wild grass   Keep a list of all the places where you’ll no longer have to be a sculpture or a birth: the backseat of a servees on Rue Sursock,   a minibus across the Asian Minor, the heart-shaped swimming pool of Le Club Militaire   Even Hepworth will not be able to capture the light as it falls over your face on a Red Sea bottomless boat —   the fishes kissing the glass, the moon flirting with the sky, only hinting at its evening plans   My mother interrupts: Aren’t the blues a bit obvious? The woman who once refused a pedicure   on her wedding day – who said if she wanted her toenails in a different colour she’d slam them in

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

fiction

January 2014

Hagoromo

Paul Griffiths

fiction

January 2014

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great...

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Issue No. 17

Ada Kaleh

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

 

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