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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I met John at the dance summer school He was standing at the lower set of doors towards the bottom of the hall, half-in, half-out, as if he was hoping to be missed Cherri was sitting on the empty stage The other girls had left half an hour ago When she saw her father, Cherri picked up her yellow rucksack and walked towards us, her chunky pink trainers squeaking on the old lino The building had once been a theatre and now served as a community centre As she walked across the hall, I turned to him Mr Smithley, I said, unable to finish my sentence I wanted to say that he should have been there earlier It did something to a child, always waiting for their parents But he smiled, as though he had been expecting me, not the other way around I fingered my pendant, readjusted my neckline I could not tell what he wanted exactly: men were often baffled by my fantastical appearance in a banal environment   He peered at the name badge pinned on my dress Vashti, he said Call me John He held out his hand and, after a second, I had to withdraw mine because it started burning So, he said, looking around me but not focusing on anything What will my daughter learn in the next few months? Barbara’s Premier Touring Dance School Makes Winners in the Essex Region, he read aloud from the promo poster tacked on the wall Cherri waited, rubbing her itchy-looking ankles together She looked nothing like John, with her red skin and fuzzy blonde hair He frowned at her, like she was a fossil in a museum or something else that had once been interesting The girls learn to dance and sing, I replied And even if they don’t go on to a career, they leave with our ethos to guide them through life What’s the ethos? he asked, baring small white teeth Confidence, composure and commitment, I said His confrontational manner implied great self-assurance or deep insecurity I could not yet tell them apart   Have you had a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 19

Ill Feelings

Alice Hattrick

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Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven,...

fiction

January 2016

The Bees

Wioletta Greg

TR. Eliza Marciniak

fiction

January 2016

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife....

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

 

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