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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Letter from a New City to an Old Friend     [SEAside          Gra-                         -im Ronny Burhop 1987-2010                                                                      ffiti]   [adjust             Even the white noise here is different—        trACKing] there’s no boulevard, no blue and breathing ocean The streets—more quiet now, winding through rain, hidden parks and open markets— [chriiiiiiiing] are cobbled, and twist off into alleys less sinister than ours There’s history [REprise] in the street names, true—but the mystery, the footsteps’ muffled click, the concrete sea bRZeE rolling below my window is tame, bloodless… [BRiX ‘98] We fell off the world for years in LA [SoDen I can only remember the haze now,             eAcH       corP how our vista was never really clear                                       oWn of smog, or planes, or neon bellied clouds                                           a sOul?]   I split Left you standing with a pocket [My grambag                full of lock-                            of                  less keys, a few bucks, two lighters and I tRixY                         drove the forty miles back home Years later, rEds]                                        I’m hoping, perhaps we can just look back,                                         tuchhhh—                                                                                —MIDAZ recall it before the cards were flipped— our own Cassidy and Sundance era?    (EPIX x I turned my back on California,                             X) on those two-for-one, from out the Honda [Malverde]       hustlers, sunburned illegals, los santos… And I have thought about nothing else, since   I heard about your dazzling surrender [oUr buRnT-    Guess I should ask ‘from whose bourn’ and all that, but I can’t fucking see how it matters oUt      SCAPE]                                                           Anyways, it’s probably December right now in your coastal town, every crow                 * JauREZ— crowding the power lines, jostling Each one                                       Bosnia vacant, thinking only of its single                    del SUR* green walnut, the distance to the pavement                             ‘grAFT’                                                             -NoV16, 2009-    

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

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May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

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August 2017

What Makes A Gallery Programme?

Pac Pobric

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August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

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April 2015

Heavy

Chris Newlove Horton

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April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

 

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