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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

In memory of Sandra Bland and Philando Castile   #1   Remember back in the heft of 2001? 7,227 items were delivered   to an old C&A in Oxford St – Landy sets up   a conveyor belt industrial shredders drills, saws clawhammers the violence of it and in them he puts his jeans his socks old shirts a stuffed toy bear family photos his car artworks his passport   he becomes       unidentitied              un-thinged   by white-gloved handlers   who place his belongings              gently into the shredder   or throw them into the trash compactor, joking              as if they’re on a production line   and they are, in fact, on a production line,              and then he is mediated by blades   and then, when he is              six tonnes of rubbish   it’s as if he has never              lived   all he can feel is his body his blue overalls   shock of cold air              on his neck   his eyes open his mother’s disappointment his father’s sheepskin jacket                           gone how could he he did afterwards,              his scalp is a buzz-cut tingle   his feet are holograms              he has never felt such who is the self where is he he is there and he is not there he is disappearing              the way men are always disappearing   in novels, and in pregnancies and here, in the gallery a man looks into his own life from outside dissolving – He makes a book              lists all the things                           300 pages a life he exhibits                           words

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

Art

Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

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Issue No. 6

The White Review No. 6 Editorial

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors,...

 

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