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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The jolts of the tracks were stronger now and came at irregular intervals With my arms outstretched, I held myself up between the walls of the tiny cabin A metallic drone rose from the spattered steel-can, a whining and hissing and, now and again, something close to a laugh, something that had to have been crouching in the abyss, in the crushed stone of the railroad embankment, and it rang in my ears like a miserable Semey-Semey I wouldn’t be able to stay much longer, not unless I wanted to give some kind of explanation when I returned, something that would immediately become twice as long in the translator’s mouth and ten times as long in the consul’s ensuing comments   As far as I knew in the meantime it wasn’t illegal to have a Geiger counter On the contrary, European travel-guides recommended it as a means of reassuring travellers, though they emphasised that the measurable levels in most areas had been below acceptable limits for a long time now I’d never considered buying such a piece of equipment before, nor had I ever conceived the possibility of owning one And so the grey-green, already somewhat worn little box, and the way I’d got it right before the train left from one of the many hooded peddlers blocking the platform with their strange goods, was all the more precious and peculiar Almost everything held out to me as a ‘Souweniiiir!’ seemed to have come from the stockrooms of an empire and its army busy undergoing the process of total dissolution And yet I’d also seen mountains of meat, animal skins, raisins, bread, and nuts in half-covered children’s wagons, often in continuous movement, being pushed across the snow-covered platform right up to the steel treads of the railroad cars In the end, though, no

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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January 2012

The Common Sense Cosmos

Ned Beauman

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January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

 

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