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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags Each bag contains a letter and a lump of something – stone, shards of marble, bone I extract one of the samples, a faded brown envelope with a row of Spanish stamps Inside, a lozenge of pumice and an accompanying note ‘This item was removed dishonestly,’ it reads ‘With deep apologies’   ‘We have received so many,’ Osanna continues, ‘that we’ve decided to have an exhibition It will be called: “What I stole from Pompeii”’ In October 2015, Osanna, Pompeii’s archeological superintendent, announced that he’d been receiving a number of unexpected parcels They arrive addressed to the excavation site in Pompeii and the Archeological Museum of Naples, and hold an assortment of stolen fragments Many are accompanied by letters of apology attesting to the vaguely formed fears of an uneasy conscience ‘I would like to return this stone,’ one reads, referring to a teardrop of pumice ‘My boyfriend took it during our holiday to Pompeii in August, and I feel rather wrong about it’ Others are more specific, attributing illness and misfortune to the stolen pieces of rock ‘I wish to return this stone to its original place because my husband is taken long ill,’ a Japanese woman explains ‘Please put it back in the ground’ Correspondents often admit to returning the items in hope of appeasing the gods of misfortune – ‘I am convinced that these pebbles that I took from Italy bring me bad luck,’ begins a letter from Florida, ‘For this reason, I’m sending them back so I can be free’ – while others articulate fears of supernatural forces at play ‘Taken from Pompeii fifteen years ago’, a man from London confesses, returning a small red rock ‘I return it to you so the curse can be lifted’   To understand the curse of Pompeii we must look first to Mount Vesuvius, the double-humped volcano in

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

Interview

May 2015

Interview with Catherine Lacey

Will Chancellor

Interview

May 2015

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi. She is a New...

fiction

July 2012

Whatever Happened To Harold Absalon?

Simon Okotie

fiction

July 2012

1. The hotel lobby was both cleansed and fragrant, as was the receptionist speaking softly on the phone behind...

 

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