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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

A sparkling frost-clear landscape exists between them under a soft and smudged sky Irises exist, blue and yellow, and those that wither in a hurry Tufted grass and quaking grass exist and the night-blue sloe berry that pulls sour coldness into the face and frosts over the teeth Muddy water and clear springs exist; language that captivates and shoves aside exist, words that beg for mercy, make demands, that regret and apologise, shove aside and once again captivate   A light that uncovers everything exists Darkness exists   And they have been through it all, from one end to the other, over and over again While years replace years and lay new tracks in their handwriting, in their bodies’ falling lines   *   Now she’s lying in bed She’s sleeping The hotel room is grimy and worn, and outside: the city, traffic, a surge of movement and sound At last they’ve met, God would’ve sworn it was impossible after all this time Their advances, so cautious, at an incredible distance She’s sleeping, still warm from his hands; she’s lying on her stomach, the bony stretch of her spine protruding hard from her skin in the twilight He can’t remember when he last slept and he’s smoking with iron lungs and a coated tongue This is killing me, he thinks   *   ‘Love is so huge that you can only dream about it,’ she said before falling asleep   Perhaps she was already asleep   But once in awhile it happens It succeeded an hour ago, when Prague disappeared in the sound of the tremendous passion that gushed from their throats, a choral masterpiece, so tender and brutal A sacred place and a spellbinding music Now reverberating between them   He lights another lousy Czech cigarette, trying to get the feeling out of his chest: that this might last forever   She, lying on the sheets, he, leaning against the wall, naked for each other, all the way to the bones   It’s taken a long time, and he had sworn it was impossible That he would let someone in where he himself doesn’t know what’s there; that someone like her would open up to him,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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Issue No. 16

Scroll, Skim, Stare

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

Interview

Issue No. 4

Interview with Ahdaf Soueif

Jacques Testard

Interview

Issue No. 4

In 1999, Ahdaf Soueif’s second novel, The Map of Love, was shortlisted for the Booker Prize, eventually losing out...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

 

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