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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

SELF-PORTRAIT AS THE OPENING OF A WINDOW ON A HOT MORNING   Three men carry a large snake home This morning, the pantry was empty again, the sun in the sky like a lemon slice They daydream of fried potatoes, mayonnaise like sun-cream The youngest of the men, a boy, asks the oldest of the men, his father, to describe the following items: walnut, peach, salt, goat’s cheese, apple The father says, ‘Tremendous loss! Tremendous chaos! Tremendous emptiness! Tremendous cracker! Tremendous yellow!’ and thinks of a woman who always slept on the sofa as he cleaned her windows Her legs like caramel from a tin, another life The other man, also a boy, the eldest boy, and also the son of the father, looks at people in the park, all in pairs or groups There is a wedding party He sees the bride’s head over the rows of anemones, violas and benches, her hair like a stick of liquorice He thinks of how he has a particular tree to sit under, how he has spent whole days under there If he sits alone all day and talks to no one, does he exist? Sometimes he scavenges change to buy a bottle of water, just to have spoken Later, as his parents cut the snake into rations, as he spins the snake’s skull around his finger, his mother asks if he wants something to drink, and he believes he has responded When he sees the steam rising from their mugs of broth, he accuses her of forgetting him, goes outside, walks to the river and unsticks a limpet     M’S LETTERS TO TUMBLR   1 I called my parents and said ‘I think I have a problem’ I eat until I get to the bottom of the cereal box which is my favourite part I mix the dust of cornflakes with milk to make a paste my

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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July 2013

Love Dog

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping...

fiction

August 2017

Lengths

Matthew Perkins

fiction

August 2017

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea. Antoine...

poetry

January 2012

Picasso (1964)

Campbell McGrath

poetry

January 2012

A canvas comprises a totality of surface just as Spain is composed of constituent parts, Catalunya, Madrid, hills and...

 

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