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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We were a committee of three brothers, but one of us was bad Bad in the sense that one of us was selfish Selfish in the sense that the bad brother among us cared only for money, and confused the money he had amassed for his superiority The bad brother’s belief that he was superior was delusional in many ways, but perhaps most obviously because all the bad brother’s money had come from our father, and while me and my other good brother also had money from our father, me and the good brother could see that this father-money was a thing of luck, and not proof of anything except that we three brothers were all likely to drink fine local wine and eat expensive creamy cheese    The bad brother was, of course, most beloved by our mother Our mother spoke longingly of the bad brother’s excellent fashion choices and keen business sense (which the bad brother did not, in fact, possess) and also how all of the girls that the bad brother had considered for wife-hood were not good enough for the bad brother, because, in our mother’s eyes, the bad brother was the best man that had ever lived    At times, when our bad brother was not present, our mother talked only of the bad brother, which annoyed my good brother and I, but we suspected that our mother knew, deep down, that our bad brother was a bad brother, but our mother could not bring herself to say it out loud in the air for fear that God, or someone else with mighty judgment, might hear    My good brother suspected that our bad brother was trying to kill our mother Our bad brother had done very bad things before (like steal from our father and us, his other two brothers), so it did not seem out of the question that our bad selfish brother might also try and kill our mother And, our bad brother knew that he was the most beloved by our mother, and so had the most powerful key, in our mother’s old

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

Interview

March 2014

Interview with John Smith

Tom Harrad

Interview

March 2014

In 1976, whilst still a student at the Royal College of Art in London, John Smith made a short...

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September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

 

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