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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘Labour is external to the worker, ie it does not belong to his essential being; that in his work, therefore, he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and ruins his mind The worker therefore only feels himself outside his work, and in his work feels outside himself He is at home when he is not working, and when he is working he is not at home His labour is therefore not voluntary but coerced; it is forced labour It is therefore not the satisfaction of a need; it is merely a means to satisfy needs external to it Its alien character emerges clearly in the fact that as soon as no physical or other compulsion exists, labour is shunned like the plague External labour, labour in which man alienates himself, is a labour of self-sacrifice, of mortification’— Karl Marx, The Economic and Philosophic Manuscripts of 1844   Observing the Progress of Time (1950)   Maximilian Sacheverell Hollingsworth wondered if he could dictate the entire course of his life on a single day After some deliberation, a process lasting the length of a Wednesday morning, he concluded that it was possible Suddenly, with no prior warning, it seemed to him a matter of some urgency to plan all of the details of his adulthood whilst he was still a young man Brimming with optimism, he hoped that it was simply necessary to decide what he most wanted to do and in which order Immediately he set to work upon the drafting of a plan   At noon he sat inside a public house in Bloomsbury This was a place populated only by solitary male drinkers, isolated men wearing ruffled coats and smoking pipes emitting circles of smoke that hovered and drifted in an unfurling cloud above their heads Grey sunlight dissolved into the dingy huddles of shadows thrown from the battered furnishings In studied silence the barmaid washed empty glasses and placed them in long neat rows along the dark mahogany shelves Maximilian

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

 

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