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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Establish remorse from outset Express bewilderment at sequence of events so unlikely, so absurd and catastrophic Assure all present of blemish-free record, respect for civic infrastructure, fondness for quiet life and simple pleasures (milkless Earl Grey, sensation of shower on collarbone scar, smell of wet denim, etc) Adopt strong posture, upright but unhaughty, chin raised to illustrate mettle Remain composed Nod solemnly when alleged acts detailed Promise to provide context in form of days preceding—disorientating effect, toll inflicted on sense of self/place in grand scheme/professional trajectory Blame said effect for alleged recklessness, surrendering to moment, abandonment of principles (loyalty, punctuality, even keel, modesty, graft, appropriate attire, camaraderie) Downplay partiality for music, arts Highlight childhood aptitude in mathematics, science Maintain eye contact to correct extent, avoid long monologues   Declare intention to act as own legal counsel Suggest deep knowledge of judicial protocol less important than conveying modern life’s near-infinite complexity, pressures of which intolerable Use as evidence images chanced upon recently of Earth from space, utterly dark but for luminous streaks—flight paths, arcing and meshing across planetary surface, brightest over teeming cities such as ours, sparsest over distant wildernesses beckoning like empty rooms at party hosted by enemy How to contend? How remain steady before visions so stunning, quotidian routine rendered (meaning-wise) scant? How defecate, shower, shave face, commute, toil, defer to superiors, remain polite at sandwich outlet when handsome, better-dressed, wealthier man barges past holding forth into hands-free set, causing spillage of expensive scalding-hot beverage onto newly-purchased, freshly-ironed shirt?   Resist digression   Expect prosecution to roll out photograph Contemplate image, wince, tilt head Express respect for Bill Pointer and work—recall The Singing Dunes tattered copy on Uncle Steve coffee table, youthful hours lost in pages, disbelief such places/people real, magnificence of world revealed Voice regret current incarceration prevents visit to Pointer retrospective at V&A State desire to encounter Pointer, shake hand, thank sincerely With rueful smile relate compulsive maternal scrapbooking of every traceable picture appearance across international print media—three scrapbooks required, fourth purchased as precaution Remark on poignant comparison with Robbie’s Achievements Book, maintained by mother throughout boyhood, pages stuffed with house-point cards,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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January 2012

The Common Sense Cosmos

Ned Beauman

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January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as...

Art

October 2012

Mitra Tabrizian's Another Country

Matt Mahon

Mitra Tabrizian

Art

October 2012

Mitra Tabrizian’s Another Country (2010), a collection of nine large-scale photographs taken between 2009-2010, present to the viewer an...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

 

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