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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

He said, ‘Tell me about yourself’ He said, ‘Tell me about you’ He said, ‘Tell me everything I’m interested’ He said, ‘I want to know’ He said, ‘I want to know where you’re from’ He said, ‘What you do’ He said, ‘Do you like what you do?’ He said, ‘Who does’ He said, ‘I’m lucky to be doing something I love’ He said, ‘But you are who you are’ He said, ‘Not what you do’ He said, ‘What do you do at the weekend?’ He said, ‘In your free time?’ He said, ‘Do you like music?’ ‘Films?’ ‘Art?’ ‘Books?’ He said, ‘Sport?’ ‘Gym?’ ‘Cycling?’ ‘Walks?’ He said, ‘Can you drive?’ He said, ‘What are your ambitions?’ He said, ‘What are your goals?’ He said, ‘Hopes’ He said, ‘Dreams’ He said, ‘This is cheesy, I know, but what would your wish be if we saw a shooting star? He said, ‘What star sign are you?’ He said, ‘No, I don’t believe’ He said, ‘It’s nonsense, of course, but isn’t that the fun?’ He said, ‘I’m a Libra It means I’m easygoing and urbane It means I’m an idealist’ He said, ‘Of course I don’t believe’ He said, ‘I don’t believe how good this is’ He said, ‘Have you tried it?’ He said, ‘Try it Honestly Take a sip’ He said, ‘I told you’ He said, ‘Didn’t I tell you it was good?’ He said, ‘One more before we leave’ He said, ‘I’m going to get you drunk’ He said, ‘I’m not drunk’ He said, ‘Look, I’m fine’ He said, ‘I’m fine doing whatever you want’ He said, ‘I’d rather not’ He said, ‘How about this place I know?’ He said, ‘Only if you’re sure’ He said, ‘I’m sure this is the way’ He said, ‘This is definitely the way’ He said, ‘Of course I know how to get there I go there all the time’ He said, ‘It’s down here’ He said, ‘Trust me, it’s great’ He said ‘Let me show you’ He said, ‘I’m very impressed’ He said, ‘You’re a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

 

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