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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

That winter, all the plums froze All the peaches froze and all the cherries froze, and everything froze so there were no fruits in the spring   The villagers, the farmers, tried to revive the fruits; they put them in the warm and shallow part of the lake, but these fruits disintegrated and their skins floated away Others tried to leave the fruits in the sun, but these fruits dried up and rotted One woman took some fruits and slept with them in her bed, but she rolled over in the night and squished them Another woman who had a chicken farm put the fruits under the feathers of her hens, but the hens pecked the fruits in the night, and the fruits were ruined in this way No one could save the fruits, and the whole village was very distressed that this would be a summer without fruit   A pious man went into the temple one night to ask the Gods why they had killed the village’s crops, so that no fruits could grow, so that they were fated to be unhappy in this way, and the Gods said, ‘When you planted the fruits, you planted them without care, just throwing the seeds in the soil Last year you planted the seeds well, but this year you just threw them into the soil while you were thinking about other things, and we saw that you didn’t care, so we didn’t extend our care either, and did not shield them from the winter’s frost’   The pious man saw that this was true; everyone had been distracted by the festival; a prince and a princess from a neighbouring country had visited them in the planting season; everyone had been careless and in a hurry to see the royal procession; the planting had been slapdash   ‘Is there anything we can do now to save the fruits, or to prevent this from happening again?’   The Gods said, ‘If you look carefully, you will see that there is one

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

September 2012

Interview with Michael Hansmeyer

Lawrence Lek

Interview

September 2012

Every project made with a computer expresses a relationship between aesthetics and technology. The historical progress of technology works...

Interview

November 2013

Interview with Javier Marías

Oli Hazzard

Interview

November 2013

Javier Marías is one of Spain’s most acclaimed contemporary novelists. He began writing fiction at an early age –...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

 

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