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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

In her interview with the novelist Jenny Offill, Hannah Rosefield encounters Offill in the process of writing her new novel Meeting a novelist at such a point is rare: we’re used to reading a writer discussing a finished book rather than one that is still being written Offill describes how recent political events have caused her to change, edit and update her work-in-progress, explaining: ‘I’m trying to figure out how a bookish person would try to engage with this moment in time’   The White Review has always been a testing-ground for new work and ideas, and this issue in particular seems to catch a moment of change and sheer eventfulness, and captures writers and artists thinking through how we might respond to these times Earlier this year, a fourteen-day strike was staged by university staff and students against cuts to pensions Our roundtable on the university took place just after the end of the strike, and in a conversation that ranged over marketisation, workers’ rights and campus sexual harassment participants took the opportunity to reflect, discuss and debate, and to articulate thoughts-in-progress about the future of the modern university   The idea of a multi-vocal response is not alien to Kerstin Brätsch, whose belief in community, and that many hands make a painting, is discussed in an interview with this distinctive artist, followed by a selection of her ecstatic, vibrant works Following on from their electrifying performances in the UK at the start of the year, we’re delighted to feature an interview with poet Danez Smith, one of the most exciting new voices to emerge during a particularly fertile period in contemporary poetry   We’re pleased to publish a portfolio of poems by Lucy Mercer, the winner of our inaugural poetry prize, which was specifically created to recognise works-in-progress, and support poets working on their first collections The judges praised this burgeoning collection for its philosophical enquiry and range of formal experimentation in ‘poems that spoke to each other’ with sureness and authority Alongside this is fiction by Maria Hummer, which explores love in a virtual reality world, and the strange and disturbing ‘Reunion’

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

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Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

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Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

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June 2014

A Grenade for River Plate

Juan Pablo Meneses

TR. Jethro Soutar

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June 2014

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife. Five young hooligans huddle round him...

 

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