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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We all have tombs from which we travel To reach mine I have to get a lift with some strangers to a place in the Catalan Coastal Range I’ll be spending the weekend taking part in a workshop called ‘Live your Death’ The main challenge of this adventure will be to relate my death in the first person, without really dying, I hope In the brochure they talk about us facing things very similar to NDEs (near death experiences), watching the film of our lives, glimpsing the light at the end of the tunnel, having out-of-body experiences and seeing languid and distant little men calling us affectionately from the threshold where it all ends It’s also possible, I think, that I’ll be put on a plane and taken to an island where weird things happen In the meantime I’m getting to know some of my fellow passengers   ‘Did we meet at “Recycling Ourselves”?’ asks the man   No, it was at “My Place in the Universe”,’ she replies   ‘Oh yeah and have you found it?’   ‘Not yet’   ‘After all these workshops you still haven’t found it?’   ‘I’m working on it’   ‘What you need is a clear objective,’ says the man, who despite all the money he’s spent on self-help workshops seems not to have grasped certain basic principles For example, that you don’t greet a woman by asking her if she’s figured out what to do with her shitty life yet I can think of various things to say to them both to solve their problems and earn myself some cash: that he try closing his mouth every now and again and that she tell guys who reckon they know more about her than she does where to go   ‘Well, girls, are you ready?’ This is the man’s second time at the death workshop and he claims to know what he’s talking about   ‘You have to take your clothes off, yeah? Get naked, yes siree’   The woman and I look at each other The man turns around and just speaks to me this time:   ‘You must have good lungs because you’re from over there, down south, people have good lungs there

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

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July 2012

Theatre's Arab Turn

Tanjil Rashid

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July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

 

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