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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down with the flu By the time I reach the school, my entire body is depleted as if I have spent the night in chills, reabsorbing the damp excreting from my own pores I am always excreting something My ex-boyfriend noticed it He would ask why I was always cold and sweating, why I was always at war with myself When he licked the excretions off my body, I would ask myself, Is this a life? He used to say dirty things to me like, Desubjectify me, bitch The way he fucked was senseless and crazy I don’t get fucked like that anymore As a teacher I am not getting fucked and the children can tell Some of the children are teenagers and menstruating and ejaculating They have no control over their excretions and, in that way, perhaps we’re all alike Sometimes they talk to me as if I’m a nun No, little children, I’m not a nun I never was There are people where I am standing, outside the school’s entrance I am waiting to open the door I encounter someone’s father He has a cord of wood strapped to his back   How are you, Maya’s teacher?   No, how are you?   Then a different father holds the door open for me   Go on in, he says   I have always hated people’s families and fathers The school is inside what used to be an American legion hall It’s an open space the size of a gymnasium with hundreds of chairs organised in circles and two offices and practice rooms and closets Some of the children are huddled in clumps on the floor like mounds of peanut shells The peanut shells are listening to the Notorious BIG I touch the handle of the teachers’ bathroom There is one adult bathroom for thirty adults The sweat on my skin dries and leaves a thin film The door is locked A phone is ringing somewhere I wait patiently I am filled with peace as I imagine my day’s reasonable

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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January 2011

Futures Past: Monumental Memorials of Modern Berlin

Leila Peacock

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January 2011

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the...

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November 2011

Nude in your hot tub...

Lars Iyer

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November 2011

I. Down from the Mountain   Once upon a time, writers were like gods, and lived in the mountains....

Art

May 2013

Techno-primitivism

Vanessa Hodgkinson

David Trotter

Art

May 2013

What follows could have been an essay or an interview. In the event, it resembles the one as little...

 

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