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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Brian Ed waited outside the ration house Merlijn took his time coming to the door, and opened it slowly Brian Ed raised his hand and waved Merlijn smiled an embarrassed smile and held up four fingers   ‘No rations until four o’clock, Brian Ed’   ‘Yes,’ said Brian Ed He didn’t leave ‘How are you today?’   ‘Oh,’ said Merlijn, his hand on the doorknob ‘I’m well, Brian Ed Thank you for asking’   They stood in silence Brian Ed shrugged All courtesies escaped him His everyday pack squeezed his neck and tore at his shoulders Inside were the children’s book, the old orange balloon – now deflated – that had once read Welcome Refugee!, and the four heavy stones he carried without knowing why, each the size of a baby’s head   ‘Well,’ said Merlijn, patting Brian Ed on the hand ‘See you at four, then’ Brian Ed thrust a long foot forward ‘No,’ he said ‘How is the weather? No snow will come? No avalanche time?’   Merlijn smiled He stepped out of the house and closed the door behind him ‘Brian Ed,’ he said, ‘are you hungry? Can I offer you a peach?’ He cupped his hand as if the peach were already there and held it up to Brian Ed’s mouth ‘Summer is coming Sun The peaches are good No avalanche Let’s walk’   He wasn’t hungry, but it was his own fault if Merlijn thought he was He only ever came to Merlijn for his ration – of food, of clothing, of wood Never had he come for company, not to Merlijn, not to anyone, not once since the poison curtain of war had dropped and travel home had become impossible He’d never dreamed it would last three years Three years was as long as some lives He hadn’t prepared and he hadn’t adjusted He hadn’t learned the words Instead, he’d gone dull in the comfortable glow of the golden cone   Brian Ed followed Merlijn up the hill to the orchard, where peaches and cherries and pears hung huge from their trees, pulsing and oozing like the separate chambers of one metastasising heart This wild growth was one of

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

January 2014

Son of Man

Yi Mun-yol

TR. Brother Anthony of Taizé

fiction

January 2014

Rain falling onto thick layers of accumulated dust had left the windows of the criminal investigations office so mottled...

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

 

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