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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Fire has started in Flat 4 of Paradise Block The young girl in Alice Ash’s story ‘Eggs’ watches with her mother, younger brother, and neighbour Min from outside the building ‘The smoke,’ she tells us, ‘pours out from our downstairs window like a black tongue’ It stains the rooms of Flat 4, and dresses absorb the smell until they are hung outside to ‘shriek around like ghosts on the washing line’ The narrator’s mother had been crying long before the fire started, but in its aftermath she becomes increasingly distressed: she screams ‘head back, mouth open’; a few days later, she muffles her cries ‘with a toy bird stuffed in her mouth’ Left to take care of her brother like a mother might, the narrator’s health begins to deteriorate She is seized by illness, ‘a white spool of pain’ unknotting inside her spine   In Ash’s mesmerising debut collection Paradise Block (2021), everything is susceptible to decay Housing displays symptoms of deterioration through institutional neglect, tenants suffer symptoms of infection and illness, class shame corrodes moments of pleasure There is rot beneath the surface; its exposure is gradual, and darkly compelling ‘I realise that this is something from inside,’ the narrator of ‘Eggs’ tells us, ‘something coming to the surface’ The thirteen stories in the book are intricately interconnected The majority of the characters live, like the narrator of ‘Eggs’, in the dilapidated building of the title, located in a town named Clutter; others live in the wealthier area of Plum Regis in ‘fancy’ semi-detached houses Ash’s fictional landscape closely resembles a number of UK coastal towns, such as Poole, where rich and poor neighbourhoods exist in close proximity, and yet are home to vastly different lifestyles and opportunities In Paradise Block, that landscape is made subtly surreal: a sea god lingers by the beach; residents’ shadows reside in the Lilybank River Many of the recurring locations in Paradise Block are also familiar locales of the deprived coastal town: The Brass Cross pub, the Clutter and Plum Regis department stores, the corner shop   Paradise Block itself is ‘built very cheaply, with windows

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

Issue No. 1

Beyond the Horizon

Patrick Langley

fiction

Issue No. 1

Listen to the silence, let it ring on. (Joy Division, Transmission) I It is not yet dawn. The city...

Interview

Issue No. 1

Interview with Paula Rego

Ben Eastham

Helen Graham

Interview

Issue No. 1

Dame Paula Rego introduces me into her North London home with a crooked smile and a plate of biscuits....

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

 

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