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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

In King-Kong Theory (2006), her autobiography and feminist manifesto, Virginie Despentes describes a job she’d held almost two decades earlier In 1989, aged twenty, Despentes was employed by Minitel, France’s precursor to the World Wide Web She was a moderator on one of its servers, overseeing a message board where she was paid to disconnect anyone who used offensive language Offenders included racists, anti-semites, paedophiles and, finally, sex workers   ‘One had to be sure that the service wasn’t being used by women who wanted to freely choose to use their bodies to make money,’ Despentes writes jokingly, aware that her efforts did little to stop the rise of the text sex services known as the ‘Minitel rose’ Despentes was paid to censor, but she was also paid to watch She writes, in King-Kong Theory, that ‘all modern communication methods are first and foremost used for selling sex’, going on to describe how her experiences with Minitel later inspired her to go into sex work herself, using the service to find occasional clients over a period of two years   It’s the image of Despentes as a forum moderator that remains with me: an all-seeing figure, perhaps a little disgusted, and almost certainly amused, watching through a dark glass as society unfolds in all its exhilarating complexity in front of her   In her novels, Despentes takes on a similar role Her latest, the Vernon Subutex series follows a diverse cast of Parisians, some young, some older, but most of them Generation X They’re ageing messily, clinging to the ideals and affectations of their youth, and preserving a worn-in sense of mutiny which has only complicated their middle age The books are a satire on fading punk politics, but they also give us Despentes at her most compassionate, and hopeful   The first two Vernon books have been translated into English by Frank Wynne and were published in the UK last year – a third has yet to arrive – and a TV adaptation is in the works starring Romain Duris Vernon Subutex 1 begins with the death of Alex Bleach, a self-destructive rock star who has

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

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July 2011

Herat

Sam Duerden

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July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

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September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

 

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