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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride I had been there many times at that point, since first visiting in 2005 when I was part of a group show, and it had become my place for retreat when LA started to feel monstrous, as it regularly did; I’d been part of several group shows over the years and then there was a major museum biennial thing in 2011; there were meetings with curators arranged for the months of December and January; and I was also supposed to see a few gallerists who wanted to represent me, had been inviting me for months, more fervently after news of this last show; I had friends I could stay with, and sublets of people out of town, the Berlin way, a city of transience, expatriates, refugees, and nomads, but I rented a flat for myself, in a different part of town than most of the people I knew; and in the cab from the airport, I started to fall asleep, head nudging the window, I hadn’t slept on the flight, it was nearing 4 pm Berlin time, the sky was steely; and I was able to make out the brown buildings with their box balconies, the typography of the street signs, the black coats being dragged around by little moons of grim faces, the Muslim women in their head scarves and long dresses that dusted the ground as they walked, and I felt at home   I hadn’t spoken to or seen Hanne in the month or so between the opening and when I left Cal had, as expected, texted many times, beginning on the night of the opening, wondering where I’d gone, if he could come over later, and something the next morning, ‘you were so radiant last night, lover,’ then the texts started to end in question marks, a flurry of them for a few days, but by the time I’d made it to the airport, they’d stopped altogether, and I’d already started to forget the features of his face   By the time I arrived at

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 14

Editorial

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

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February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

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February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

 

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