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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘We possess nothing in this world other than the power to say “I” This is what we must yield up to God’ — Simone Weil   ‘God break down the door You won’t find the answers here Not the ones you came looking for’ — Nine Inch Nails   Photosensitivity warning: Many of the hyperlinks in this essay go to live videos, which feature a strobe light     I was 10 years old when The Downward Spiral by Nine Inch Nails was released in 1994, and I listened to it more than any other record for the next six years, when everything I knew about myself was disintegrating and becoming unknowable It lives in my blood memory, the soundtrack to the most formative part of my life When I think of that time, my memories resonate with those songs, I can’t imagine myself without them, who I would have been Since then, twenty-five years, I regularly go through periods where the only thing I listen to for weeks, months at a time is Nine Inch Nails, and this locates me, returns me to myself When you love a band for more than half your life, something happens as their songs come to live in you, they echo through how you remember the past, and fortify how you are legible to yourself in the present   NIN was the first band that got me in trouble with grown-ups – for this, they have a special place in my heart that no other band will ever touch For Christmas vacation in 1996, when I was 12, I brought the Broken EP with me when I went to stay with my Catholic grandparents Broken was packaged in a cardboard ‘digipak’, so my grandmother, rather than struggle with a plastic jewel case, could open it like a book The lyrics were printed on the inside, though I was singing them aloud all the time too I think Grandma had the biggest problem with my favourite lyric – ‘Gotta listen to your big-time, hard-line, bad-luck, fist fuck’ – but there was enough offensive sentiment on that

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

Issue No. 17

Boom Boom

Clemens Meyer

TR. Katy Derbyshire

fiction

Issue No. 17

You’re flat on your back on the street. And you thought the nineties were over.   And they nearly...

fiction

November 2013

Surviving Sundays

Eduardo Halfon

TR. Sophie Hughes

fiction

November 2013

It was raining in Harlem. I was standing on the corner of Amsterdam Avenue and 162nd Street, my coat...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

 

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