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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

RightsCon is an annual human rights conference, run by Access Now Alaa attended the first ever RightsCon in October 2011 Every year Access Now honour his work In 2017, he was able to write a letter to the conference   To RightsCon,   This week I start my fourth year in prison I might be released in October, if my appeal is accepted But then I might not I might be released in March 2019, when I have served my full sentence But then I might not They have other pending cases against me If released, I might be able to attend this conference, but then I might not: my sentence comes with five years of parole to follow, and who knows if you’ll be able to find a conference venue in a country that gives visas to people like me by the time I am allowed to travel   I don’t mean to be too pessimistic; the best-case scenario is as probable as the worst The real problem is there’s very little you can do to influence which will come to pass   But that’s not really what worries me We live in hugely reactionary times My defeat was inevitable   What worries me is that by the time I manage to make it to this conference, or another like it, I will be a total embarrassment to organizers and attendees In my isolation I can only build a fragmented picture of what the world outside looks like And when it comes to tech that picture is solely based on which views and actions of governments and giant tech companies manage to filter through state-controlled media Not what people and communities are doing and saying   You wouldn’t enjoy watching a Luddite ramble on about a terrifying dystopia in which labour rights are trampled by startups that don’t even plan to make a profit (or pay taxes) but are somehow able to raise enough capital to flood markets, overwhelm regulators, influence policy, litigate perpetually and still have enough left to spend on PR that spins all this as the glorious disruptive effect of the gig economy A dystopia in which

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

May 2017

Interview with Hari Kunzru

Michael Barron

Interview

May 2017

In the summer of 2008, the English novelist Hari Kunzru left London for New York City after accepting a fellowship at...

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July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

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July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

 

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