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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘Make Margaret Atwood fiction again!’ Despite encountering them repeatedly over the past few years, I still cannot entirely believe the sheer number of op-eds declaring that ‘we’ — a slippage which often seems really to mean ‘women in Saudi Arabia’ — are ‘living in The Handmaid’s Tale’ ‘How far are we from Gilead?’ ‘Could The Handmaid’s Tale happen today?’ asks the typical journalist, before providing the ‘chilling’ answer upfront, usually in the very headline: ‘For some women, it’s already reality’ It’s like a tic, or an exercise in wish-fulfilment   The Handmaid’s Tale is certainly the world’s best-known sterility apocalypse It is also one of the most successful novels of the last century, and now, together with its sequel The Testaments, of this century When in October The Testaments was jointly awarded the 2019 Booker Prize with Bernadine Evaristo’s Girl, Woman, Other, a gracious Atwood told Evaristo that ‘It would have been quite embarrassing for me… if I had been alone here, so I’m very pleased that you’re here too’ In fact, in light of the appropriative relation of Atwood’s novels to North American black women and their history, she has every reason to be embarrassed    At this stage, The Handmaid’s Tale franchise is fully a fandom Celebrities throw Handmaid parties; people hold their themed weddings in front of a set made to resemble the Gileadean ‘Wall’ that gender-traitors get hanged on; liberal-feminist websites delightedly issue po-faced injunctions to the world at large not to do any of this, and especially not — think of the handmaids you’re offending — to dress up as a ‘Sexy Handmaid’ at Halloween   A personal encounter with Atwood’s breeder-dystopia is also currently the mainstream trope of political coming-to-consciousness testimonies in the era of Trump and #MeToo For some reason, it is taken as given not only that the text is ‘feminist’, but that it is archetypally so Despite its author’s (and the cast of the Hulu Handmaid’s Tale’s) repeated disavowals of feminist intent, the text’s synonymity with

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

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April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

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April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

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October 2011

This is not the place: Perec, the Situationists and Belleville

Karl Whitney

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October 2011

I stood near the columbarium at Père Lachaise cemetery. I was there to see the locker-like vault containing the...

 

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