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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The last time I saw Vin and Jackie we were killing slugs The three of us had been smoking outside and then Vin had gone home early, leaving his wife and me alone in the porch light Across the paving stones I could make out a long, sleek line inching out of the glare   ‘Come and look at this,’ I said to her ‘They say you should put salt on them’   ‘Why? What happens?’   ‘I don’t know’ I’d never put salt on a slug before ‘It kills them,’ I said   She stood right next to me and our coats brushed together, making a whispering noise that we both pretended to ignore   ‘I could fetch some,’ I said ‘I could fetch some and see,’ and then disappeared inside   ‘This’ll do,’ I said, returning with a large vat of table salt, unsure, thinking really I should be using something else But I said it would do anyway, because it never does to look hesitant Uncertain of your next move I opened the spout on the packet and poured a stream the length of the slug It squirmed a little, lifting its head and tail into a kind of crescent moon and as we looked on it gradually dissolved before our eyes Dissolved into nothing but a patch of wet salt on the paving slabs, foaming at the edges   ‘That’s done it,’ she said, lighting another cigarette We did the same to a couple of others Then we went inside   There wasn’t anywhere to park when I arrived at theirs Cars end to end and up on the pavement Many of them bearing scars from running too close to the wall or where the thick, overhanging brush plants had scratched their paintwork I reversed as far as I could back down the road and then got stuck Vin leaned out of the window of their house and called at me to wait I turned off the engine and got out to meet him He had a can of beer in his hand and it slopped against my jacket as we hugged each other Then we both got back into the

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 2

Interview with William Boyd

Jacques Testard

Tristan Summerscale

Interview

Issue No. 2

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the...

Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

 

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