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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Resistance needs to be recorded Resistance needs symbols: ideas that can travel faster than speech, last longer than memory Nowhere is this more understood, more fought over, than in Palestine   From the inception of the Zionist project, battle has raged over language, over landscape, over image The ‘land without a people’, the ‘merciless terrorist’, the ‘humane soldier’, the occupying army searching for a ‘partner in peace’  For over one hundred years Palestine and her neighbours suffered countless defeats, losing land and lives again and again, facing up to a vastly superior military power again and again – yet somehow remaining the aggressor in the mainstream Western media   And for Palestine, public opinion in the West is one of the keys to freedom   Times are changing The internet has widened the battlefield – citizen journalists, bloggers, photographers make up a limitless army of volunteers The Boycott Divestment Sanctions movement empowers everyone with effective moral choices   The Palestine Festival of Literature, PalFest, is an annual series of readings, talks and workshops featuring writers and artists from Palestine and around the world For the last four years it’s taken place in cities across the West Bank and historical Palestine This year will be our first in Gaza   PalFest is by its very nature transient – it moves every day, crossing borders and military checkpoints to get to the audiences that aren’t allowed to come to us But its aims are long term So we’ve always made sure everything is recorded, and that videos are cut and uploaded live throughout the festival To present to the world a vision of Palestinian life that is not directly related to the Israeli occupation To show how keen the audiences are, how good the art is, how smart and resilient the students are   We were lucky to have my good friend, the documentarian Murat Gökmen, with us last year Over the festival week he went through a nasty interrogation, a full body search and a healthy dose of tear gas but he’s produced a film that captures the feeling of being on the road with PalFest and puts forward useful observations about what we’re all

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

March 2013

The Humming Lady

James Byrne

poetry

March 2013

The humming lady arrives in a smiling orange smock and orders from the waiter a plate of overripe oranges,...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

 

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