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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I stood in the river up to my knees and the river was cold The water filled my boots and made its way up through the fabric of my trousers towards my groin Soon I couldn’t feel my feet, and soon after that I couldn’t feel my legs The river sang and kept sing­ing I wanted to clamber out, but I stood still Pain rose and tried to encircle me, but I stood in the winter tor­rent and watched the pain and after a while it fell back again, back down into the singing water   Water came down from the clouds and sank through the black peat and passed over the granite and then went down through its channel to the sea The water that ran over my legs and feet would never be seen here again but the river never changed I climbed into the river in the early morning and I stood there until the sun was highest in the sky I let the water take my body away from me so that I could see what was beyond my body I let the river numb me and I under­stood that I had always been numb The sky opened a crack, but only a crack There was still something beyond that I could not touch   Water, thorns, rain, black soil All of the pain is an incident, a detail soon forgotten From the east I came, from the dead fens, because of everything that grew there, because of what was lodged in the dark waters I walked the streets, I sat on the couches, I passed through the sliding doors, I talked but never listened, I sold but never gave away Everywhere there were voices and I added my voice to them and we spoke out together and said nothing at all I became entwined in wanting, and it took me away from the stillness that is everything I say it here daily now like a prayer, like an offering: it is everything, it is everything,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

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November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

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July 2015

Agata's Machine

Camilla Grudova

fiction

July 2015

Agata and I were both eleven years old when she first introduced me to her machine. We were in...

poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

 

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