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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Since I have worked at the mueum I have published, and I have written 486 pems I have seen people drawing freehand maps of accuracy been talked to like they are pieces of dogshit I have seen shutters shuttered like windows in the face of so many wokers that all blinds have drawn into a darkness like an eclipse I have witnessed rosetta stone backpacks, launchboxes of the great wave I have seen prayer rug mousemats I have been a witness of Commerce I have been bystander to a five pound coffee M is Muster, the passing od You can get a sudden attack of nausea by staying too long in an art gallery as well It must be some kind of illness – museumitis – unknown to medical science Or could it be the air of death surrounding all things man-made, whether beautiful or ugly? (Gustav Heyrink) I have lists of people who were colleagues The rise of the Temporary work in our century, and I have one avowed to those who are trapped in the hotbed of sexual discrimination and harassment because if they complain, to those inculcated with the ones making the advances, they can lose their work immediately, and without reason Sweeps of the young like pograms, I remember them and make an effort to stay in touch To have Grigor in shadow of men, a lunaticuntil moonlit then, a dwarf of melody, a celestial harmony, some tiny child model perfection below, a debut in the untertow For not much How young fashion students? Seen too robed; roof of the Nile, ark of the covenant, baby hercule as asp, a thesp, a guided tour of softcore smeared all over faces to make the time pass, for it is boring work In the endless dead hours of a dead work the sevens go to the tens, the fives to sevens, and you find yourself chasing them physically to express to them against yourself a desire to not only be bored but to be with them, when you are aloud to be so And

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

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Issue No. 6

The White Review No. 6 Editorial

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors,...

Art

July 2015

Michaël Borremans

Ben Eastham

Art

July 2015

Michaël Borremans is among the most important painters at work in the world today. His practice combines a lifetime’s...

 

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