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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group of rabbis gathered in the shul to discuss the story of Abraham and Isaac One rabbi, who owned only a single shirt with a blackened collar, began a commentary: As Abraham led Isaac up to Mt Moriah for the sacrifice, the rabbi contended, the two of them suddenly heard a sound Neither could identify the sound or its source, if it were high or low, soft or shrill, coming from beneath the ground, or up in the sky Isaac asked his father, What is this sound? And Abraham replied, That is the sound of God’s justice unfolding across the earth Lo, the Lord himself infuses it with His blessing as he sits beneath a pomegranate tree Isaac disagreed, but kept silent Later, the rabbi continued, he spoke of his own interpretation of the sound, founded on an alternative view of God’s judgment as the proliferation of chaos, as an animal howl, as a disturbance beneath the street, and as the grinding of the spheres, rattling past on unequal tracks And in fact, as Rabbi Mendel of Kotzk suggested, the rabbi continued, it is not the Lord, but the mortal King Saul, Israel’s first king, who sits beneath the pomegranate tree, weeping into his hands for the kingdom he ruled so briefly and jealously, and with so much confusion In Isaac’s old age, the rabbi concluded, King David came to him to sing the psalms, which he had just composed Isaac had gone blind, but when David sang, he saw suddenly an image of his own son Jacob wrestling an angel in a parking lot Isaac had had, in his lifetime, dozens of wives, and had fathered hundreds of children, but he dreamed of only one woman, and behind his eyes he swam again between her thighs like a fluorescent eel weaving between the pink coral, breathing in again the smell of seaweed, the emanation of life

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 2

Three Poets and the World

Caleb Klaces

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Issue No. 2

In 1925, aged 20, the Hungarian poet Attila József was expelled from the University of Szeged for a radical...

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

 

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