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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I am ill as I write this, a situation I attribute to taking public transport now that winter has arrived Instead of cycling – a kind of mobile hermeticism – I share Berlin’s warm and scarcely ventilated tube carriages with other bodies Moving through the city’s underground network as one unruly organism, we travellers constantly trade infections To pinpoint the initial point of origin – who or what made us sick, when, and if it could have been avoided – is a fruitless task Where would we even start? Everyone could be blamed, and also no one   Across the Western world, the bitter medicine of austerity is making many of us sick Depression and anxiety are commonplace, and thinking about the future often triggers a pervasive sense of dread Sickness Report (2018), an exhibition by Czech artist Barbara Kleinhamplová currently on show at Berlin’s SAVVY Contemporary, begins with the idea of a diseased public sphere The exhibition comprises a cinematic, dual-screen film of the same title, set at sea; video footage detailing the labour involved in ship production; an array of objects along a table – anti-depressant pills, bones and jigsaw pieces – that read like evidence; and three pseudo-corporate diagrams projected onto the gallery walls   The titular film unfolds aboard a small ship, and cuts intermittently to a medicine factory, where workers watch a crowd of pills hurtling down an assembly line Sitting on a bench made from a ship construction mould, I watch the onscreen vessel drift on a featureless expanse of sea The narrator, a male anthropologist, tells us that the ship is defective, as is its crew They have succumbed to a mysterious malaise known as the ‘Big Sickness’ Unable to navigate, they are now at the mercy of the tide, but they have begun to infect the surrounding waters On a nearby wall, a pair of projected diagrams shows another seafaring vessel Its parts have been fastidiously labelled, but by an economist, rather than a shipbuilder ‘Privatisation’ and ‘corporate spirit’ are written where hull and stern should be, while other components are labelled ‘productivity’, ‘medication’ and ‘gig-economy’

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

Interview

Issue No. 17

Interview with George Saunders

Aidan Ryan

Interview

Issue No. 17

The American short story writer George Saunders has the kind of reputation that makes one hesitate before typing his...

 

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