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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Elia was going to be posted to Iraq next month to work for Doctors Without Borders and this evening had turned partly into his Goodbye Party Currently he was talking about a murder by ‘defenestration’ – there was the murder and then there was the word His way of telling the story was staled with rehearsal, I suspected it was his latest silence filler and we were not witnessing the debut performance John recalling enough of his lone semester at Institut Francais cut in with, ‘oh of course la fenetre! It makes parfait sense’ while swirling his wine glass – a parody of himself It was hard to believe that I had once had a crush on him A while back he told me that he was ‘so jealous’ of me being ‘SO unencumbered by the history of art’, of my ‘authentic atavism’ in relation to my short videos The more time passed the more grating I found that comment His paintings made me think that he was just another person stuck in competition with Rembrandt, propelled by ego and a love of sepia Under his leadership the conversation moved on to the origin of the word ‘essay’ and the current state of the form Sibs walked in with June He had a moustache and a goatee but his wiry pube-beard was better suited to a close stubble or to being clean-shaven He said that he was ignoring us for the past couple of weeks because he had been on a ‘mental health break’ He was freshly out of rehab where he had been sent after spending three days high and drunk and excited The morass of apparent laziness and irresponsibility that rose to the surface suppressed any real concern that anyone but his long-suffering mother could muster for him Elia and John started playing chess on an ornamental set I was thinking of leaving Earlier in the evening this party and my life had seemed full of possibility Now, neither did I’d felt on the verge of something momentous, a vague invincibility but it was fast dissipating along

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

Art

June 2016

Art and its Functions: Recent Work by Luke Hart

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

 

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