Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

You’re flat on your back on the street And you thought the nineties were over   And they nearly are over, you wonder for a moment what year is it exactly, you know it, you do know it, all year long you’ve been getting up and going to sleep, getting up and going to sleep and running your business and there wasn’t much sleep… but you can’t put your finger on it, you feel your head on the asphalt, as if it had sprung a leak when it hit the ground, is it raining? You’re flat on your back between the cars and you can see the tyres and the wheels, the light refracts and bounces off from an alloy wheel right in front of you, streetlamps, headlamps, night, and you try to make out your face, 1999   No, nothing’s over The violent days were long, but long ago as well, almost not true any more, the years of calm, your head on the asphalt, the city’s quiet on a Sunday and the rain is red, the car is red, right next to you You came alone, even though everyone said, ‘Don’t go on your own!’ but you had to go alone, the nineties are almost over, all we want is to do business, you went to sleep for a bit and got up and it was almost evening by then You had time to drink a coffee and stand outside in the dark garden for a while, it’s getting dark early again now, you wanted to walk down to the lake but the phone rang No, it didn’t ring, you’d put it on silent and you saw it flashing through the window of the veranda The display flashed and flashed in the charger like a miniature lighthouse No, you hear it ringing, you never put it on silent, that must have been somewhere else, you’ve got a whole house full of telephones and none of them are on silent, the phone in your jacket pocket buzzes You turn onto your side and try to reach into your pocket It’s hard, although

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

poetry

June 2011

Beautiful Poetry

Camille Guthrie

poetry

June 2011

‘Being so caught up So mastered.’ Yeats     I was too shy to say anything but Your poems...

 

Get our newsletter

 

* indicates required