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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network Its forty million members contribute to a collection of ‘over 336 million original works of art’[1] at the site’s last count, with two million visiting the site to upload an average of 80,000 works of art each day By contrast, the Smithsonian, the world’s largest museum and research complex, holds in its archives 156 million artifacts, works of art and specimens To invoke instances of the numerical sublime is as much a cliché of art writing about the internet as it is one of popular science programmes about the universe, but the comparison between the holdings of these online and IRL institutions allows us to consider how their different infrastructures of access and exchange are revolutionising the way images are read DeviantArt is, furthermore, the realm of the popular image Largely the preserve of illustrators, computer programmers and digital image-makers producing flash animations, character designs, digital renderings, and adjusted photographs, the site’s predominant style is ‘fantasy art’ —imaginary landscapes, fantastical creatures — while fan art, character design, illustration and manga are also much in evidence Its contents offer more direct access to the twenty-first-century global imagination than any contemporary museum or gallery, no matter how devoted to blurring the division between high and low art   The site is organised along lines familiar to any member of a social network After being asked whether you are primarily interested in ‘discovering’, ‘selling’ or ‘improving’ your art, and putting together a crude social profile, you are redirected to a homepage with a seemingly infinite scroll of thumbnail images These are the latest uploads by other members of the community, and clicking on one takes you to a screen where you can see more work by that particular ‘Deviant’ Clicking on ‘more work like this’ is the entrance to a labyrinth of endlessly ramifying pathways, selected either by following categories or by clicking on successive images, to lead you into the international pictorial unconscious   Illustrations of impossibly busty prepubescent girls, waiflike elves and extravagantly muscled cartoon characters are popular, and it’s hard not

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

Issue No. 8

Thank You For Your Email

Jack Underwood

poetry

Issue No. 8

Two years ago I was walking up a mountain path having been told of excellent views from the summit....

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September 2015

Immigrant Freedoms

Benjamin Markovits

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September 2015

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the...

poetry

May 2014

Two Poems from Grun-tu-molani

Vidyan Ravinthiran

poetry

May 2014

The Sky there was a uniform inactive grey, except when stared at through a chainlink fence; those who could...

 

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