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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I lost my faith the year my Grandma passed away She was here and then she was not, and my belief slipped away with similar ease It was a year in which loss was rife: an aunt had passed several months before, and almost a month to the day later, another died suddenly, leaving behind a husband and toddler I watched something break in both father and son The boy stopped speaking and could only communicate his grief in actions He was always opening and closing cupboards and doors, as if he was looking for his mother, or maybe he understood, and was searching for a space large enough to house his ache   The day my Grandma died, something in me broke I spent a long time not knowing how to say this, not knowing what language there was to say this, not knowing that it was okay to say this I spent a long time not knowing The only thing I know now is that I will spend eternity not knowing There are no answers, but there are ways to cope   Instead of language, an image: at the funeral of my aunt, standing slightly to the side as the casket was lowered into the ground Watching my uncle take some crumbling earth in a closed fist, and hearing it scatter on the casket like light rain Other family members were invited to do the same Each fistful of soil felt like a soft hand against a door, knocking, knocking, knocking – knowing there could be no answer   On the first day, my mother paced the house She swept the corners of our living room, gathering all she could I could see that with this simple act she was reaching into the corners of her own mind, gathering all she could there too, hoping not to forget We had a small service in the same room a few days later, during which the pastor assured us that death was not the end He was right Time had taken on a different, hazy quality in which we seemed locked in stasis, moving in

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 15

Interview with Zadie Smith

Jennifer Hodgson

Interview

Issue No. 15

Zadie Smith’s biography is one of contemporary writing’s fondest and most famous yarns of precocious and meteoric literary success....

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Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

 

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