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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

LET’S START HERE One morning, September 2014               Gusten Grippe is walking down to the waterfront Kallsjön, Villastan: it’s been a long time since he’s come down here on his own A few years ago he moved away from the suburb where he grew up and vowed to never come back So what’s he doing here now, on this specific September morning at the beginning of a fall that’ll throw him back to what he’d once left behind? The right answer: nothing No reason, no mission He just sort of ended up here on a morning jog Yes, sometimes he still goes running here in Villastan, drives out from the nearby suburb where he currently lives, extravagantly, in a swanky bachelor pad with two floors (this here Gusten is a real estate agent, the realtor from hell as they say, his nickname, because he’s that good) Perhaps it’s an omen, a sign, something from the sixth sense Most likely just a coincidence, an ironic fluke   But at one point, when Gusten was a child, this was his world: Villastan, Kallsjön, the encircling shores, the properties surrounding the lake, and the little patch of forest and the wooden footbridge that runs along the perimeter of the muddy stream that wasn’t deep or cold or dangerous or even the least bit mystical, as they’d imagined when he was little – he and his buddy Nathan When they would stand here side-by-side, in matching caps Squinting their eyes and fantasising, telling each other stories about all sorts of exciting things that COULD happen, even here, but the stories were left unfinished, hanging in the air, loose threads Just open your eyes again and it was clear: mere fantasies, daydreams, without reverberation in reality – anyway, it was shallow, the water, browned by soil And the properties around the lake – it was Gusten’s own mamma Angela who was in the habit of making these kinds of proclamations, right here on the footbridge where she and her son would go on their morning walks, almost as if it were

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 19

Interview with Álvaro Enrigue

Thomas Bunstead

Interview

Issue No. 19

Álvaro Enrigue is a Mexican writer who lives and teaches in New York. A leading light in the Spanish-language...

Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

 

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