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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

1 APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him   Plain white Fruit of the Loom   He scrawls across its front with a fine-tipped Sharpie   The desk is from a former jam factory, although he doesn’t know this – in fact, it pre-dates his birth, which he’s also unaware of He dragged it here from an apartment on the ground floor in the block opposite, which had been broken into and vandalised once the old man who lived there had been ambulanced off to hospital, to cough out the last of his wretched days   They had dragged it – the desk, not the old man – across the parched grass that dissects the housing blocks, across the spaces where it is always great to be six, always boring to be sixteen, into what he laughingly calls home   Home sweet home, homie   He could be in Malmö, Belleville, or Detroit   But he isn’t   He could be a barista, a real-estate agent, or a code programmer   He is none of these   He wears tracksuit pants, tucked into Reebok socks, a pair of Adidas pool-sliders, and a string vest coloured in the red, green and gold of the followers of His Most Imperial Majesty Jah Rastafari!   King of Kings!   Lion of Judah!   He likes the story – no! – he loves the story about Hailie Selassie   The story, so he was told – in a bar near the sports stadia, on the outskirts of Moscow, near the river, that’s where you always hear these sort of stories; either there, or in a graffiti-tagged pedestrian underpass; or very early one morning in a half-empty Metro carriage; even, perhaps, after midnight, shouted over the BPMs of the Ceephax Acid Crew at the Solyanka Club; hell, just about anywhere – but the story he heard in that bar, before the derby between Spartak and CSKA at the Luzhniki Stadium, a football match that he wasn’t going to attend, was this:   That after the King of Kings was cremated, along with a greyhound, and a chicken – the ashes of all three were then mixed together and thrown onto the winds   He thought that

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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October 2014

Noise & Cardboard: Object Collection's Operaticism

Ellery Royston

Object Collection

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October 2014

The set is made of painted cardboard. Four performers grab clothes from a large pile and feedback emanates from...

fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

 

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