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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We were told to pay attention to things that were different, and it seemed to me that sex was no longer the same Now, we always wondered if someone was watching It wasn’t clear to us which sections were private, and how the technology worked It was also hard not to picture our real bodies somewhere in the frozen dark, motionless while we moved together here in the seeming warm   I brought it up in my sessions with the Reverend He told me he was surprised it had taken me so long to ask The others had worried about it in Cycle 1   ‘Which Cycle are we in?’ I asked It was difficult to keep track   ‘Cycle 3,’ said the Reverend ‘I understand your concern, but of course nobody watches you It was part of the privacy agreement we signed at the start Don’t you remember?’   I did That is, I hadn’t until the Reverend mentioned it The memory was there, but it felt very far away And maybe it was We hadn’t been told precisely how long the experiment would take We wouldn’t know until we were unfrozen at the end, our bodies still in their thirties and our minds at god-knows-what age   But the money was good Sam and I would be able to afford a nice wedding and a honeymoon to Hawaii, and only one of us would need to work while the other stayed home with the kids we hoped to have That is, if we were still fertile at the end It was one of the risks   Our life together before the VR world was still clear in my mind and I looked back on it often: Sam and me walking together to rehearsals, our first kiss in the snow, our apartment above Shipley Automotive, taking care of each other through winter fevers Our memories made in the VR world were less acute, but we were happy, we had each other, and we never got sick   Only couples were accepted for the experiment – ‘deeply committed couples’, in fact, and there was a test we had

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 14

Editorial

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

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June 2014

Writing What You Know

Simon Hammond

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June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

 

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