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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Don’t you ever want the kind of family where you’re just allowed to be…   My brother trails off, his sad blue eyes etched with lines There are 13 years between us, and it’s been 5 since we last met We’re having brunch opposite the Henry Moore Institute The empty restaurant is decorated with imitation sweet peas, a garish canopy of purple and white plastic droops above our heads He’s insistent I eat and determined to pay   He took care of us, my sister and me He took care of everyone, even our other brother, the eldest, loudest, favourite We never called them our half-brothers, because why describe the family you saw the most as anything less than whole   He gave me my first Hooch First listen to Jagged Little Pill, hedgerows clawing at our headlights, driving fast down dark country lanes He taught me how to shape the visor on a baseball cap, how to banter I learned about my desire by observing his Furtive looking from the back seat or barstool Standing in the bathroom at a house party, trying not to watch as his girlfriend has a wee Her glossy brown hair smelt of coconuts, stone-wash denim bunched around her thighs Heartbroken when they ended   My brothers They had done everything and got away with it My mother: terrified   Approaching the barrier at Leeds station, an image of him materialises Twenty-three   years ago, a young man waiting for us on the other side That’s what physical places can do: time travel Today, I’ve arranged to meet him because he’s been absent The proper term is estranged No blowout or cross words, just a slow disappearance, like a newspaper clipping gently fading in the sun   From our brothers my sister and I learnt the art of keeping secrets We did not speak of our experiences, of difficulty or pain We disconnected Silence was easier Which is to say, our mother couldn’t cope with who we wanted to be   It would crush her   Our combined longing fills the

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

December 2017

Interview with Peter Stamm

Seren Adams

Interview

December 2017

Peter Stamm’s international reputation as a writer of acute psychological perception and meticulously precise prose has been growing steadily...

fiction

April 2013

Fairy Tale Ending

Stacy Patton

fiction

April 2013

Rodeo Cowboy You meet him at a rodeo dance on the Fourth of July. You are 17. He is 20;...

poetry

May 2015

Europe

Kirill Medvedev

TR. Keith Gessen

poetry

May 2015

I’m riding the bus with a group of athletes from some provincial town they’re going to a competition in...

 

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