Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Jamie sat alone at the edge of the dance floor and wondered how long it would be until Nigel arrived The band had been upping the tempo as the night wore on, keeping pace with the room’s rising alcohol level, and even the dance-shy souls were shaking their limbs by the speakers Jamie closed his eyes and the room pulled into focus To the left, his uncle was regurgitating insights from the morning’s sports pages; Tom, one of his distant relations, was attempting to seduce a girl with jokes about statutory rape; and somewhere near the bar his sister was giggling uncontrollably A throat was cleared in front of him, and he opened his eyes   There, wearing the same old double-breasted suit as always, was Nigel Jamie looked up at his shapeless face, with its doughy peaks and sallow creases His skin was so speckled and drawn it looked photocopied   ‘Hullo James,’ said Nigel A half-chewed canapé churned in his parted lips ‘Good spread’ He flicked a tartlet into his mouth and glanced at the low tables ‘Nice venue’   ‘It’s alright,’ Jamie said He glanced at his watch Nigel had said he would arrive before midnight   ‘The band are pretty good’ Nigel’s knee began to jostle in time with the snare ‘That’s real music, that Course you’re in to all that mindless drug music Umph umph umph Mind if I sit down? I’ll just take that chair Or is it a stool? I never can tell with this modern shit’ Nigel slumped down with a sigh ‘Been chasing the girls much? I’d say you’re not prohibitively ugly’   ‘So where are we going?’ Jamie asked   ‘Who said I was taking you anywhere?’   ‘I just…,’ Jamie began, looking puzzled ‘You want to talk? No weirdness?’   ‘An honest-to-goodness chat Is that too much to ask?’   Earlier that year, without ceremony, Jamie had passed into his twentieth year, but when he frowned he looked double that age His forehead bunched at the bridge of his nose, and there was weariness in the downturned mouth ‘I’ve been meaning to ask you something,’ he said ‘About the presents’ He saw the shrouded heaps

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

Interview

March 2017

Interview with Bae Suah

Deborah Smith

Bae Suah

Interview

March 2017

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month...

 

Get our newsletter

 

* indicates required