Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve never heard of: with an audience of 700 million, it has few rivals for sheer reach A China Central Television institution since 1982, the show provides an annual bromide of light-hearted comedy, music, and choreographed patriotism on the eve of the country’s most important festival In a nation reeling from frenetic development and riven by social tensions, it’s a reminder of the cultural ties that bind (most of) China together This year, Chunwan rings in the Year of the Rabbit on the evening of 2 February But even in China, this throwback to a bygone era of modernist spectacle is not immune to larger shifts in the way we consume media The show is losing its younger viewers: according to a recent online poll on Sinacom, 50 percent of respondents who saw the show called it ‘bad,’ while only 13 percent said it was ‘good’ It seems that colourful ethnic minority maidens singing about social harmony just don’t cut it any more for the post-‘80s generation Alarmed over declining ratings, broadcasters have turned to the internet for the first time this year to infuse new life into the old Chunwan beast, planning to draw several musical performers from the online ‘grassroots’ CCTV and other Chinese media have long had a troubled relationship with the 380 million ‘netizens’ who comprise China’s online population Of course, this comes as no surprise to those familiar with the overall status of internet speech in China A small army of censors regularly scrub references to sensitive topics like Falun Gong, Tibet and Liu Xiaobo from bulletin boards Facebook, Twitter and Tumblr, among other social networking platforms, are blocked: in this visualisation of global Facebook connections, there’s a conspicuous hole where China should be Historically, censors have also intervened to halt the careers of apparently harmless internet celebrities, which China produces in spades With a massive online population isolated by the so-called Great

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

feature

January 2016

Suite

Pierre Senges

TR. Jacob Siefring

feature

January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

Get our newsletter

 

* indicates required