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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the Russians came in 1945 She carried in tow, in order of age, some of my uncles and aunts: Jens, eight years old, clever and restless, though behind in school; Inga, a tough kid, it seemed, who didn’t need much worrying over; Suse, a baby girl, her darling and the comfort of her bed; and Andreas, who was still being potty-trained Inga is my mother The train was so full they had to be hoisted in through a window Mutti stood on her feet the whole 20-hour journey, her legs swelling under her like grilling sausages By the time the train reached Berlin, she couldn’t walk and had to be hauled from the station in a handcart My grandfather, Kaha, stayed behind to do his job: he was a naval engineer, working at the shipyard He guessed that bad times were coming and sent his family as far from the advancing front as he could It was not the last time his family would be separated, nor the last long journey they would make   Kaha died ten years ago, and Jens, a retired lawyer living in Rome, did the duty of the oldest child and sorted through the family papers, which he sent me They ‘should have been different,’ he told me last summer, unhappily but with a certain satisfaction He meant in part my grandfather’s expressions of love: they struck him as cold, perhaps, or self-centred And he may have traced to the paterfamilias some of the cracks that spread out and inwards in any large family over time – along geographical lines, as much any other He had settled in Rome, married to a French woman; my mother had ventured still further afield Her trips ‘home’ – to that trim post-war cottage built on a stretch of wooded shoreline running into Denmark, where our family eventually settled after Gotenhafen have always been fraught with the anxieties and pleasures of the prodigal returned ‘Homecoming’ is a word with a fracture written

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

October 2012

Interview with Sjón

Mary Hannity

Interview

October 2012

In Iceland, they eat puffin. The best-tasting puffin is soaked overnight in milk. ‘Then give the milk to the...

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Issue No. 10

Seventeen Contradictions and the End of Capitalism

David Harvey

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Issue No. 10

Prospects for a Happy but Contested Future: The Promise of Revolutionary Humanism   From time immemorial there have been...

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November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

 

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