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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

As I swam in the bathtub, they wondered what they had done to have a fish instead of a daughter My father sat back as I thrashed against the hook of his hands His mouth and eyes: three blank holes, staring at the creature he reeled from his wife’s thighs Mother pressed my thin-lipped grimace to her breast Nipples bloody, pink as worms, she thought I would bite if not suck She wondered if it was the poison she ingested while I was gestating She worked at a plant where beets burned into sugar Smoke drifted in manufactured clouds Air sweet as pure honey Father believed it was punishment for all the fish laid on my grandfather’s butchering block Frantic, golden eyes wide as the screwdriver came for their brains Maybe she’s not a penance, my mother said, but a gift from God So many of Jesus’s miracles were born out of swarms of bass And maybe it was the thought of God loving them so much, he crept between their entwined bodies to deliver a wonder Maybe it was that their trailer home, with its canyons of cracked vinyl, peeling paint needed a little magic Or maybe it was the look in my fugitive eyes when I stared back at my father— so human, so afraid of death— that made him decide to ignore the operas of sirens that sprang in shipwrecks from my lips He cupped me in his palm My scales slipped off Like a sequin cocktail dress, they collected on the floor and revealed skin Vulva ugly and purple, loose like the lips of a many-hooked fish, but human   See, my mother said, it’s a child after all

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

January 2013

Car Wash

Patrick Langley

fiction

January 2013

He is sitting on the back seat of a car, somewhere in France. It’s a bright blue day, absurdly...

Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

fiction

November 2015

Three Days in Prague

Naja Marie Aidt

TR. Denise Newman

fiction

November 2015

A sparkling frost-clear landscape exists between them under a soft and smudged sky. Irises exist, blue and yellow, and...

 

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