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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of formica trousers and leant itself back in smiling delight when you sat into it, wanting for nothing but the pallid creases in the backs of your knees, and a bead of sweat to follow the seam, implying that the only viable way to this is through your teeth   And before we left and walked out between the narrow grin of two tall buildings we began crying with happiness at the X-ray of your teeth, bleached out and nailed to a light-box on the wall ­– how they’d never been asked for their impression on matters until he took the alginate mould, just decaying stoically in your mouth’s dark, but how on the wall they wailed   And now when I turn back to look at you on the street, I see how the brightness of the X-ray has impressed upon my eye and it is present as the tulips flirting on a canvas mount above the dentist’s head, as an extra tooth behind the upper row that is nudged with a tongue’s nervousness, as someone else’s contented child quietly enjoying the just macaroni and butter at the end of the kitchen table as you get on with the chores   But here the dream’s smile began to get a little wan and my own teeth began feeling ratty and the surgery was becoming something we had only remote knowledge of – like the toxic passage of carcinogens chancing their way past your teeth through your knees, and this could be a language the dentist’s chair speaks       Sky Pavilion       We trust the power lines to run forever overhead to cover our intimacies and itineraries: taxes and car stereos   schools that double as evacuation halls a man who will dutifully come to fix the wires when we don’t see him there is always one like him to call   Just before the envelope is torn in a village some miles down a boy is testing his voice on the comfy confine of his childhood bedroom letting himself fester for the first time   He

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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Issue No. 10

Editorial

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we...

Prize Entry

April 2017

Abu One-Eye

Rav Grewal-Kök

Prize Entry

April 2017

He left two photographs.   In the first, his eldest brother balances him on a knee. It must be...

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

 

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