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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The day Mama threw a cooking stick at Kagonya was a November day so hot that the ripened bananas hanging on sisal rope from the kitchen roof were beginning to turn black Mama had been sitting on a low stool staring at the sufuria as the pumpkin leaves boiled off their green, humming along to Cha Kutumaini Sina on the radio Baby, two years old, sucked on Mama’s sagging left breast I was bent over our blue bucket, washing utensils because the duty rota on the wall said it was my turn   Our maid Kagonya had arrived with Mama in the clove of the season, when the heat shimmered on the tarmac road We heard a knock on the front door that we scurried to open because it was about Christmas time and we knew Mama would be carrying a box full of Zesta jam and Tropicana chapati flour and maybe even orange Treetop juice   Kagonya had fit in so neatly, at first Like a slip stitch, she hemmed herself into our lives and patched up our torn She got to work, teaching us to save mango seeds, peeling the skin of nduma tubers so thinly and smoothening out our loose She worked like clockwork, waking at four in the morning, moving noiselessly through every chore But then something changed Her interactions with Mama became eggshell brittle, leading to a moment when everything cracked   *   Because he slept on the sofa in the sitting room, my brother Kuka was the first to overhear our parents’ plans of moving house Baaba, a secondary school teacher, had received a transfer letter from the Teachers Service Commission His new posting was in Kakamega and we were to move into a big blue house in Amalemba with a toilet inside and a bathtub even   ‘I heard Baaba describe it I swear, Bible red!’ Kuka licked the tip of his index finger then raised it to the sky ‘Haki our new house is not small and weepy, like this one It has a veranda, three bedrooms and a small garden’   I nodded excitedly Everything Kuka overheard always came

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

poetry

September 2016

Two Poems

Daisy Lafarge

poetry

September 2016

siphoning   habitual catalogue of the day, intro ft. blossom fallen from a gated property and crisping on the...

Interview

February 2015

Interview with Eddie Peake

Lily Le Brun

Interview

February 2015

Like many people, I had seen Eddie Peake’s penis long before I met the artist himself. For several years...

 

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