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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I met Ryan on Tinder He only had one photograph of himself on his profile, edited with a grainy filter I thought he looked alright I didn’t have much in the way of standards My own picture wasn’t even really me; it was another lanky brunette that I’d found online, her face turned away from the camera My bio was Tinderloin, after my favourite cut We met in The Crown and Sceptre I ordered two wild boar sausages with mash and caramelised onion gravy Ryan was older than me by eleven years He worked for a cab service, picking up the phone His hands were nice and thick, a good ratio of muscle to fat, and he’d crack his knuckles when there was a lull in conversation, or smooth out a napkin with his palms When I told him about Papa’s shop he joked that he was a vegetarian I raised my eyebrows and smiled; I’d already overheard him order the roast chicken at the bar   I went back to his after He lived in his grandparents’ garage There was an electric heater groaning in the corner, and the corrugated iron door gave the place an industrial look I felt at home in there; it reminded me of the shop in a way A few carcasses wouldn’t have looked so out of place, hung up next to his book shelf   When I slept with Ryan that first time I bled through the sheets I was sixteen and I’d done my waiting   A virgin then, are you? he’d said   I’d just looked at him There wasn’t much point in lying The blood had dried fast between my thighs and matted up my pubic hair, so the skin there pulled tight when I shuffled off the bed The whole garage smelt of copper, like after opening a fresh pig     I spent the next evening in the back of the shop with Papa, sawing a few lambs down into primals We had Radio 4 on in the background Papa likes The Archers so much he has the theme tune as his ring tone If I speak during it

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

Issue No. 6

Interview with Edmund de Waal

Emmeline Francis

Art

Issue No. 6

As we speak, Edmund de Waal, ceramicist and writer, moves his palms continually over the surface of the trestle...

Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

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April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

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April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

 

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