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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s’, for a photo shoot entitled ‘They Made New York’ Among them were Philip Glass, Chuck Close, Susan Sarandon, Fran Lebowitz and DJ Kool Herc Almost everyone smiles, except for one man in the middle, who carries the face not of a celebrant but of a survivor This man is the writer, artist and filmmaker Gary Indiana   Born Gary Hoisington, Indiana was raised in Derry, New Hampshire At 16 he was accepted to the University of California, Berkeley, only to drop out shortly after He would crash around various communes until he found his place among a group of filmmakers developing what became known as ‘narrative porn’ – smut with a storyline, which would come to resemble modern reality TV In 1973, Indiana arrived in Los Angeles, where he was hired as a receptionist for an inner-city medical clinic and had access to ‘an endless supply of pharmaceutical amphetamines’ He took occupancy at the Bryson Apartment Hotel, a complex once considered ‘the finest apartment-house west of New York City’, and later made noir-famous by Raymond Chandler, who used it as a backdrop in his 1943 story ‘The Lady in the Lake’ By 1977 the Bryson was inhabited by junkies and dregs; Indiana, too, was falling apart A near death experience sent him packing to Manhattan, a place that to him had already had its moment: ‘I didn’t come to New York,’ he points out, ‘until 1978’   Defining Indiana by location, occupation or time is a tricky endeavour In the early eighties, he acted in experimental films, put on plays and wrote art criticism for The Village Voice, before publishing his debut story collection Scar Tissue and Other Stories in 1987 His first novel, Horse Crazy (1989), in which an older male writer falls for a younger former junkie-turned-waiter, is set against the backdrop of an AIDS-ravaged New York The writer character closely resembles Indiana, distilling his life into

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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Issue No. 16

Scroll, Skim, Stare

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

Interview

Issue No. 15

Interview with Zadie Smith

Jennifer Hodgson

Interview

Issue No. 15

Zadie Smith’s biography is one of contemporary writing’s fondest and most famous yarns of precocious and meteoric literary success....

Prize Entry

April 2015

The Incidental

Luke Melia

Prize Entry

April 2015

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear. He gripped the shopping bags, grabbed...

 

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