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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

I did not want to walk The day was dull But imperative or impulsion pushed me out, onto the road Whether to turn left, or to turn right, I did not know Left, to the north, had once been a favoured path, but I could hear the weather beating hard on the corner there, and turned then to the right I took the sheltered way In the cold air the shapes of the island, hillshapes, streamsshapes, rockshapes appeared bared to me, undiluted My thoughts that day were clear and hard as those shapes Marred only by a waking dream that had not left me at dawn There were but two bounds to my being One hard, sheeny, as if carved of same landscape The other, the dreamscape At the hilt of the road sheep were being moved along, a collie at their heels The owner was following On seeing him a nervy grin repeated across my face I stood away to the side until the sheep passed and then stepped into the road to join him The boy stopped   Hello How a things? How a things? These your sheep? Half of them They’re some good-looking sheep Ah, they’re alright, surviving, like And you? How are you?   Alright Surviving, like   The conversation rhythmed unperturbed as if written already We had only to mime the words This was the way of provincial greeting, I remembered I bent to the dog, reached close and saw then its manky eye Wary, I jumped back He mumbled to it, a tongue not mine, snapped his fingers and the dog came to him It stretched its neck up close along the length of the boy’s outside leg meeting his index finger there, finger that fell meeting and stroking the short fur on the upperjaw, the muzzle   You’ll be down t’ pub after?     ***     We were sat on low stools at a low table   What’ll you have?    To invite an outsider to drink with him meant only one thing   To then invite another to join in, meant something quite else The latter, blue eyes, sallow skin, (a trait

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

feature

Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

feature

Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

 

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