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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

By the looks of it, not much has changed for The White Review This new edition, like its predecessors, features the customary blend of interviews, fiction, essays, poetry and artwork, and gives pride of place to talented young writers such as Jack Cox, whose story ‘The Fishermen’ opens the issue Subscribers will also notice that we have stuck to our tradition of stretching the calendrical boundaries of the quarterly publishing cycle So what is new? A sea change for The White Review was the obtainment of charitable status late this summer As a registered charity, we aim to promote ‘the arts and literature for the benefit of the public by the publication of an arts and literary journal and the organisation of artistic and literary events specialising in artistically or educationally meritorious works of new or emerging artists and writers’ What this means, in effect, is that we are eligible for gift-aid on all donations We would also like to expand our charitable board of Trustees — currently a triumvirate, including both editors – in the hope that The White Review can continue to flourish In the meantime, as we figure out how to reclaim gift-aid (these things do not come easily to us), we have stepped tentatively into the realm of advertising as a way of part-funding our production costs We are pleased to have secured the support of a small number of similarly-minded cultural organisations such as the Wellcome Trust in this endeavour   The last – and most exciting – development, is the launch of a short story prize, imaginatively named The White Review Short Story Prize Funded by a generous £2,500 grant from the Jerwood Charitable foundation, all of which will be awarded to the winner, the prize is open to submissions until 1 March 2013 This competition, to be judged by writer Deborah Levy, editor Alex Bowler and literary agent Karolina Sutton, will reward the best story submitted to The White Review by an unpublished writer residing in Great Britain or Ireland (details here) Meanwhile, there is an issue to read As ever, we hope it inspires, provokes,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

feature

December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

feature

December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

 

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