Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town in Europe which at the time happened to be in the southwest of England Very little is known about why he came there or what he did with himself but one thing relating to his daily round that can be set down with utmost confidence is that whenever the Russian man needed groceries he’d fold himself into his small maroon car and drive to a retail park in the suburbs to get them And probably the reason he went to that retail park and not another was because there was a very pleasant supermarket in that retail park which aside from Saturday mornings naturally never got too busy and as such there was always an available parking space up near the exit and entrance doors and this in all likelihood suited the Russian man very well because he would likely have had tremendous difficulty finding his own car if it was only shoved haphazardly in there somewhere among all the other cars parked one after the other with cracking midday sunlight spreading out all over them diluting their already indistinguishable roofs in the practically endless carpark The Russian man’s car was fairly distinguishable for the reason that it was ancient which meant it was a distinctly vintage colour and had the finish furthermore of an old immoveable garden gate which meant it could hold its own against the suburban sun’s brash emanation But in all likelihood the Russian man did not in any case know what his own car looked like so the only way he could find it was to be certain of where he left it and this perhaps explains why the Russian man liked to park his small maroon car up near the entrance and exit doors of the supermarket which despite its commodious proportions had the familiar feel and botherless charm of a corner-shop Right there on the perimeter of this booming yet visionless town in the southwest of England   Once inside the supermarket the Russian man would seize a basket from the pile that could always be counted on to

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

poetry

January 2014

Three New Poems

Antjie Krog

poetry

January 2014

Antjie Krog was born and grew up in the Free State province of South Africa. She became editor of...

Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

 

Get our newsletter

 

* indicates required