Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

‘Labour is external to the worker, ie it does not belong to his essential being; that in his work, therefore, he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and ruins his mind The worker therefore only feels himself outside his work, and in his work feels outside himself He is at home when he is not working, and when he is working he is not at home His labour is therefore not voluntary but coerced; it is forced labour It is therefore not the satisfaction of a need; it is merely a means to satisfy needs external to it Its alien character emerges clearly in the fact that as soon as no physical or other compulsion exists, labour is shunned like the plague External labour, labour in which man alienates himself, is a labour of self-sacrifice, of mortification’— Karl Marx, The Economic and Philosophic Manuscripts of 1844   Observing the Progress of Time (1950)   Maximilian Sacheverell Hollingsworth wondered if he could dictate the entire course of his life on a single day After some deliberation, a process lasting the length of a Wednesday morning, he concluded that it was possible Suddenly, with no prior warning, it seemed to him a matter of some urgency to plan all of the details of his adulthood whilst he was still a young man Brimming with optimism, he hoped that it was simply necessary to decide what he most wanted to do and in which order Immediately he set to work upon the drafting of a plan   At noon he sat inside a public house in Bloomsbury This was a place populated only by solitary male drinkers, isolated men wearing ruffled coats and smoking pipes emitting circles of smoke that hovered and drifted in an unfurling cloud above their heads Grey sunlight dissolved into the dingy huddles of shadows thrown from the battered furnishings In studied silence the barmaid washed empty glasses and placed them in long neat rows along the dark mahogany shelves Maximilian

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

fiction

Issue No. 12

A Samurai Watches the Sun Rise in Acapulco

Álvaro Enrigue

TR. Rahul Bery

fiction

Issue No. 12

To Miquel   I possess my death. She is in my hands and within the spirals of my inner...

 

Get our newsletter

 

* indicates required