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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Josie Mitchell
Josie Mitchell is an editor at Granta magazine, and writes elsewhere on books.

Articles Available Online
Prabda Yoon’s ‘Moving Parts’

Book Review

November 2018

Josie Mitchell

Book Review

November 2018

It’s tempting to imagine Prabda Yoon’s short story collection Moving Parts originating as a series of iPhone notes: a scroll-down of speech fragments, draft...
Abi Andrews’s ‘The Word for Woman is Wilderness’

Book Review

March 2018

Josie Mitchell

Book Review

March 2018

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin,...

READ NEXT
Occupy Gezi: From the Fringes to the Centre, and Back Again

feature

July 2013

Alexander Christie-Miller

feature

July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus routes, a destination and a...

poetry

November 2013

Shine On You Crazy Diamond

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each...

Interview

June 2014

Diane Williams: Two Stories and an Interview

Harriet Pittard

Interview

June 2014

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and...

feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

 

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