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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

I want to tell a story about an old man, a man who no longer says a word, has a tired face, too tired to smile and too tired to be angry He lives in a small town, at the end of the street or near the crossroads It is almost not worthwhile describing him, hardly anything distinguishes him from other men He wears a grey hat, grey pants, a grey jacket and in winter a long, grey overcoat, and he has a thin neck with dry, wrinkled skin, his white shirt collars are far too wide for him   His room is on the top floor of the house, maybe he was once married and had children, maybe he used to live in another town Certainly he was once a child, but that was at a time when children were dressed like grownups One can see them this way in the grandmother’s photo album In his room there are two chairs, one table, a rug, a bed, and a cupboard On a small table stands an alarm clock, next to it lie old newspapers and the photo album, on the wall hang a mirror and a picture   The old man would take a walk in the morning and a walk in the afternoon, exchange a few words with his neighbour, and in the evening sit at his table   This never changed, it was the same even on Sundays And when the man sat at the table, he would hear the clock ticking, always the clock ticking   Then there came a special day, a sunny day, not too hot, not too cold, with birds chirping, friendly people, children playing – and the special thing was that suddenly the man liked all this   He smiled   ‘Now everything will change,’ he thought   He undid the top button of his shirt, took his hat in his hand, quickened his pace, even had a spring in his step as he walked, and was happy  He entered his street, nodded to the children, arrived in front of his house,

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

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Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Art

July 2015

Michaël Borremans

Ben Eastham

Art

July 2015

Michaël Borremans is among the most important painters at work in the world today. His practice combines a lifetime’s...

 

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