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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

There were seven of us sat around the table Seven grown adults, sat around the table It was late We had eaten, and we had drunk, and now were drinking more The table, the heavy oak table, was if you will a beach from which the tide of a long and boozy dinner had receded, leaving its surface strewn with a tideline detritus of cork, crumb and ash Among which, on the table, having first cleared a space, with his hand, the side of his hand, Matt, a bottle An empty wine bottle, laid on its side Upon which, Matt’s hand rested, like a spider, fingers braced and knuckles up, as if to make a bridge in snooker   He wafted the bottle casually this way and that, the way a hoodlum sweeps a machine gun from side to side to cover his cowering targets, its malevolent arsehole neck-hole eyeing us each in turn   Come on, he said How about it?   God, people said I mean, come on, please   Grinning, he went to do it, coiling his wrist right round on itself to gain maximum torque, but Cath gave something like a snort of disgust and said, You’ve got to say what it is first You can’t just spin it   Okay, said Matt What was your most unusual sexual experience? And bang! he set it off, the bottle, sent it twirling on its axis in a spookily smooth, almost wobbly motion, as if it were moving above rather than on the surface of the table   I watched it spin, all my attention drained to my peripheral vision, to gauge the others’ reactions, their levels of dismay, acceptance, keenness As I did so I tipped my chair onto its two back legs, to signify insouciance, or ambivalence I wondered, in my tilting, about Matt’s choice of tense What was, he had said What was our most unusual sexual experience Were we that old that our most unusual sexual experience was, necessarily, behind us? Possibly, even, all of our sexual experiences?   Certainly we were too old for this game Spin the bottle is for students, a celebration of the fact

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

April 2013

The Taxidermist

Olivia Heal

fiction

April 2013

I did not want to walk. The day was dull. But imperative or impulsion pushed me out, onto the...

feature

April 2017

The White Review Short Story Prize 2017 Shortlist (UK & Ireland)

feature

April 2017

  click on the title to read the story   A Journey Through Famous by Kanye West by Liam...

fiction

January 2014

Leg over Leg

Ahmad Fāris al-Shidyāq

TR. Humphrey Davies

fiction

January 2014

First published in 1855, Leg over Leg recounts the life, from birth to middle age, of ‘the Fāriyāq,’ alter ego of...

 

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