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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

DEDICATION   Flamingo, urchin, bestiaric beast: Paroling city matters, you re-form From pigeon’s dirty feather to a quill   A parlour game: we reach the dovetailing Between those singing spasmic pities that We summon, and the dank urbanity   You wreak It comes to punish this reserve Love: whether zoo, circus, menagerie, All matters of a name more so than form,   Let us rush towards autowilderness, Strifed with wet, chaostic humours 1 Erotic prescience : I sense us : one   We’ve taken flyte, so let us rest in shelter, Into the original of the world, Nothing can stop our loved country from mattering   ONE   *   There is a woman turning a woman turning itself on   Sick hydra starting up    I dream of sea becoming seaworthy to sea   The sea drownsy    in its offensive capability   Drownsy Baby        thirsting in its sleep        Hush now   Totemic fetish or mnemonic logo    :    her offensive cheep    :    untid’ly starting up for the tide    :                cheap   *   You cannot scry in your own silver when its ripples split the vision   They cannot peer into a depth they’ve mined        and filled Selfsang in their own gags        Dull drams overfilled —spilling unward   Eat your eyesight, bastard            Ring yourself unfit   *   Q: Where has this water gone? Why disappear?   A: Add an arch to the middle of valour There’s your answer       In the mean time, build a city        Then build a countryside for balance   Now, not sea at all                They become   ardor’s coldened shoulder            Ardor eccentric Radiating inward   Throttling at different purposes and speeds   *   TWO   An altared state urned in a loss of verse Severed then served with coming of the morning My love has earned this insurrective swerve That seeks to crash the calming of his mourning   *   You rest inequality   If I was embedded in a painscape, it’d be different   Q: Where do you rest? A: Camped out in the bedazzled house of his runtish fantasy   His House Believes   As it is now, there is an asterisk to every kiss     Let me rest in that nest of those pink, electric branches   There, there is safety   *   THREE   To have a handle on something is to have the capacity to turn it on or off   *   What I    cuse him of I    cuse myself   *   When they are together, their shape is endless and content   The sea drinking the sea                    The sea is drinking the sea   *   The vulvic octopus dies with her young Meanwhile, I:    waste    with my    youth   The staggering dear does not accept my hand, fawning

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

October 2014

Roman Nights

Martin Glaz Serup

TR. Christopher Sand-Iversen

poetry

October 2014

4.    It’s New Year’s Eve, I’m standing newly divorced on a roof in a town, we toast the...

poetry

September 2016

Two Poems

Daisy Lafarge

poetry

September 2016

siphoning   habitual catalogue of the day, intro ft. blossom fallen from a gated property and crisping on the...

fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

 

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