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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I There is no substitute for that moment when a book places into our mind thoughts we recognise as our own For those who carry a pencil, this is the thing we underline The identification is instant and intimate If the sentence is long enough, the sensation can even overtake us while we are still in the process of reading the thought that summoned it These notions spring from a mind similar to ours, except this mind has read books that we have not, has known experiences we lack, has relentlessly stripped away its banalities until this apt remark remains We admire those who create these thoughts, even as we secretly believe that we might have been the ones to write them first had we lived differently These discoveries come over us with the force of a reclaimed memory: life momentarily regains a sense of potential We feel awe, gratitude, and magnification Just the other day I encountered such a line in the poet Mary Ruefle’s essay ‘Madness, Rack, and Honey’: she calls on Mary Oppen to describe this very experience, and Oppen herself calls on Heidegger to help her do so ‘When Heidegger speaks of boredom,’ quotes Ruefle from Oppen, ‘he allies it very closely with that moment of awe in which one’s mind begins to reach beyond And that is a poetic moment, a moment in which a poem might well have been written’ In which one’s mind begins to reach beyond – that is precisely it Our senses are momentarily augmented Things heretofore imperceptible emerge into existence An essential few phrases become the focus of our thoughts, and if we can, we scribble them down immediately Irrepeatable once they have been lost, they carry within them a full poem   How fitting that Heidegger links this moment to boredom: it is precisely in those unconstructed white expanses that our thoughts are freed from the channels that normally guide them through a day In this sense reading may be thought of as a variety of boredom On many days I reach this quasi-bored state after having taken the morning train into

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 14

In Search of the Dice Man

Emmanuel Carrère

TR. Will Heyward

feature

Issue No. 14

Towards the end of the 1960s, Luke Rhinehart was practicing psychoanalysis in New York, and was sick and tired...

Art

Issue No. 2

Sri Lankan Contemporary Art

Josephine Breese

Art

Issue No. 2

Sri Lanka has developed a thriving, vital contemporary art scene over the past twenty years. New artists are emerging...

fiction

January 2017

Peace

Patrick Cottrell

fiction

January 2017

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down...

 

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