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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

First published in 1855, Leg over Leg recounts the life, from birth to middle age, of ‘the Fāriyāq,’ alter ego of Ahmad Fāris al-Shidyāq, a pivotal figure in the intellectual and literary history of the modern Arab world Volume Three, from which this excerpt is taken, finds the protagonist in Malta and introduces the Fāriyāqiyyah, the Fāriyāq’s wife, and gives prominence to a series of discussions between the two of gender relations, a format that allows for numerous digressions in such diverse topics as the manners and customs of different nations, the physical and moral significance of the buttocks, the unreliability of virginity tests, and the human capacity for self-delusion, as well as continuing the work’s celebration of the genius and beauty of the classical Arabic language Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyāq produced in Leg over Leg a work that is unique and unclassifiable It was initially widely condemned for its attacks on authority, its religious skepticism, and its ‘obscenity’, and later editions were often abridged This is the first complete English translation of this groundbreaking work, rendered in four volumes The Qāmūs to which the text makes reference is a renowned fifteenth-century dictionary —HD * A Banquet and Various Kinds of Hot Sauce The Fāriyāq and his wife now set about exploring the streets of the city, dressed in the costume of the people of Egypt He was wearing wide drawers, whose bottoms wrapped themselves around him in front and in back as he walked She had enveloped herself in a white woollen hooded cloak so as to cover her sleeves, which otherwise would have swept the ground The passersby and shopkeepers were amazed by them and didn’t know whether his wife was a woman or not, some asking, ‘Is it a man or a woman?’, some following along behind them, some touching their clothes and staring into their faces and saying, ‘We never saw the like of this day – something that’s neither a man nor a woman!’ One of the more intelligent English faqīhs, whose

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

Issue No. 19

Interview with Álvaro Enrigue

Thomas Bunstead

Interview

Issue No. 19

Álvaro Enrigue is a Mexican writer who lives and teaches in New York. A leading light in the Spanish-language...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

feature

June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

feature

June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

 

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