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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

A pale three-quarter moon lit up the state highway at two in the morning The road connected the province of Taranto to Bari, and at that time of night it was usually deserted As it ran north, the road oscillated, aligning with and diverging from an imaginary axis, leaving behind it olive groves and vineyards and short rows of industrial sheds that resembled aeroplane hangars At kilometre marker 38, a service station appeared It was the last one for a while, and aside from the self-service pumps, vending machines serving coffee and cold food had recently been installed To promote the new attractions, the owner had installed a sky dancer on the roof of the auto repair shop One of those puppets that stand 15 feet tall, pumped up by powerful motorised fans   The inflatable barker fluttered in the empty air and would continue to do so until the morning light More than anything else, it made one think of a restless ghost   After passing that strange apparition the countryside ran on, flat and unvarying for miles It was almost like moving through the desert Then, in the distance, a sizzling tiara marked the city Beyond the guardrail, in contrast, lay untilled fields, fruit trees, and a few country houses nicely concealed by hedges Through those expanses moved nocturnal animals   Tawny owls traced long slanting lines through the air Gliding, they waited to flap their wings until they were just inches from the ground so that insects, terrified by the sudden tempest of shrubs and dead leaves, would rush out into the open, sealing their own fates A cricket, perched on a jasmine leaf, extended its antennae unevenly And, all around, impalpably, like a vast tide suspended in the air, a fleet of moths moved in the polarised light of the celestial vault   Unchanged over millions of years, the tiny, fuzzy-winged creatures were one with the formula that ensured their stability in flight Tied to the moon’s invisible thread, they were scouring the territory in their thousands, swaying from side to side to dodge the attacks of birds of prey Then, as had

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

July 2014

Interview with Geoff Dyer

Tom Overton

Interview

July 2014

‘I’ve always believed that an artist is someone who turns everything that happens to him to his advantage’, Geoff...

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

 

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