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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Chris Power’s first collection of short stories, Mothers, is peopled by the restless – forever walking, running, travelling, holidaying, city-hopping, doing anything not to stand still They are displaced, impulsive, sometimes desperate The narrator of one story summarises it as ‘the lightness of being far from home, the pleasure and terror of being free to do as I liked’ It carries the logic, though decidedly not the tone, of picaresque: travellers, like orphans, are liberated to situate themselves from scratch, living without ready-made definitions   This is certainly true of the three linked ‘Mother’ stories that structure the collection, which concern Eva: first remembering her childhood in Sweden; then travelling along the Costa Blanca; finally married with a daughter of her own She leads an unhappy life in the shadow of her parents’ death, and travel becomes a way of outrunning her problems, though even here she is following her own mother around Europe, carrying around her guidebook and allowing it to fall open at spine-cracked pages, as if consulting the mother’s spirit ‘It seemed to help if I kept moving,’ she confesses finally ‘Whenever I stopped moving everything became… too much’   Young Eva, in ‘Summer 1976’, reads food into everything: stacks of LPs are liquorice, the air stands thick as jam or greasy with a coming storm On a dare, the boy who lives next door throws an apple into one of the windows of their apartment block, where it bursts against the wall (But does she have to be Eva, and does it have to be an apple, so that the story drags around with it the creaking weight of the Biblical malum malum?) Later, after her mother’s death, her taste for life seems to dull She inherits her mother’s mute desperation; boys are now men, but they embody the same tension between threat and attraction Later still, tethered to a marriage and a daughter of her own, she loses all energy: stuck in one place, with no water running over her gills, she is reduced, depressed and couch bound   Listless and withholding, Eva is an unusual character to give the

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

fiction

January 2016

Dimples

Eka Kurniawan

TR. Annie Tucker

fiction

January 2016

Moments ago, the woman with the lovely dimples had been shivering, utterly ravaged by the evening, but now her...

Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

 

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