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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry The author of four books of poetry and five books of non-fiction, she extends the possibilities of both forms, refusing to settle for, or into, either Unsettling definitions and reworking categories is not only the modus operandi of her writing, but also its subject matter Bluets (2009) is a whole book of what might be called poetry, about the colour blue, which is also, of course, about other things: desire, heartbreak, loss She has written two books about the murder of her aunt, Jane: A Murder (2005), which thinks through the trauma of the event, and The Red Parts (2007), a more documentary account of criminal and social justice, that accounts for new evidence that emerged while writing the first   The Art of Cruelty (2011) is a study of the avant-garde that rethinks the boundaries between art and life that much of twentieth century art worked so hard to perform By examining her own simultaneous attraction and repulsion to works of art that engage with cruelty, she makes a cogent case for both looking at, and turning away, from violence It is this kind of response – a critical model that locates value not in argument, or in partisan positions, but in receptivity, sensitivity and tenderness, that Nelson gives us a new kind – the right kind – of language through which to think both the messiness of life and the possibilities of art   Her most recent book, The Argonauts, is a love story, which is also a story about motherhood, about queerness and representation It’s a story that exists in transitional space, in the possibilities of love, the inevitable failures of intimacy, the limits of identity, the paradoxes of queer futurity and in paradigms that are constantly undergoing revision as their context shifts It explores not only what kinds of love we have to give, but what family-making (a word she hates) might mean and what good-enough mothering might entail Most of all, it considers what kind of transgressions are worthy of thinking about, what kinds of freedom we need

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

Issue No. 6

Stolen Luck

Helen DeWitt

fiction

Issue No. 6

Keith was not the songwriter. Darren and Stewart wrote the songs. Keith hit things, some of which were drums....

Interview

February 2011

Interview with David Vann

Marissa Cox

Interview

February 2011

I am a little apprehensive about meeting David Vann for the first time. His father committed suicide when David...

feature

Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

 

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