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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard: The Rubáiyát of Omar Khayyám, typeset by James Bridle    LXIX   But obsolete Pieces of the Game He plays Upon this Transparency-grid of Nights and Days; Hither and thither tweets, and posts, and slays, And one by one back in the Hard Drive lays   **   But helpless Pieces of the Game He plays  Upon this Chequer-board of Nights and Days;    Hither and thither moves, and checks, and slays,  And one by one back in the Closet lays   Rubáiyát Layout 1 Rubáiyát Layout 2     A Note on the Text by Vanessa Hodgkinson   The Rubáiyát that I own is one given to me over a decade ago when I lived in Kuwait A modest copy bound in plasticised leather, it is cheap but speaks of the sumptuousness of its genealogy Of ‘travelling size’, it is like a bloated cheap postcard Every verse is surrounded by a repeated border of flowers that have long since been abstracted beyond recognition of anything natural The paper is sleek; a biro slides over it without leaving much more than an oily smudge   This Rubáiyát is special to me because it is a dual translation of the original Persian verse into French and English While I couldn’t appreciate the Persian, I was being given a double window of opportunity in both French and English, my maternal and paternal tongues It acted as a playful reminder of my inability to master Arabic, let alone Persian, despite moving to Kuwait to do so   I often compare my pidgin Arabic to my pidgin HTML These languages intrigue me but I am locked out of their possibility Despite my best intentions I am never going to master them I recognise forms, sequences, ways in which they coagulate to have meaning They both contain a fundamental logic that I admire and wish I could possess What kind of person might I be if I did read and write in Arabic and was proficient in computer programming! We can only shudder at the thought But the reality is that despite these languages being constantly

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 14

In Search of the Dice Man

Emmanuel Carrère

TR. Will Heyward

feature

Issue No. 14

Towards the end of the 1960s, Luke Rhinehart was practicing psychoanalysis in New York, and was sick and tired...

fiction

September 2011

In the Aisles

Clemens Meyer

fiction

September 2011

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

 

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