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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Though he had theretofore resisted the diminutive form of his name, in his new office, Randolph felt, for the first time, like a Randy   If Randolph were truthful, he could admit that he began acting like a Randy months before Isabela and especially the week before the holiday That Tuesday, after Isabela had wished him a tepid ‘Happy Thansgiving’ and he was sure she was gone for the weekend, Randolph had picked up the little silver picture frame on her desk and spit-washed her face and meagre breasts through the glass, swirling his index finger until she blurred into a mucoid uni-boob He returned the frame, packed his things into two blue copy-paper boxes and shuttled them to his new office, hoping his bonsai would survive the transition and the dark holiday Even with the lamps he purchased, the room was dim, but he determined to keep the fluorescents off His new office sat at the back of a musty corner near the janitorial closet, but it was, he reassured himself, his musty corner He drove home for the break pleased with his victory and the progress and restraint he showed in achieving it   Before Isabela, DIY was the subject of Randolph’s irritation, and before DIY, Crystal, before Crystal, Fatima, and before Fatima, Randolph’s mother, the Virgin Mary and a girl who sneered at him in second grade   *   Before Isabela, when Randolph was first hired at Wilma Randolph, an HBCU, the department chair, Carol, introduced him to Dr Ivan-Yorke, saying that he should meet with her at least twice during the semester so that she could provide a letter for his file Other than the fact that Randolph and DIY were two of the only three black professors in the department, he wasn’t sure why he was assigned to Ivan-Yorke She didn’t work in his specialisation and hadn’t written anything of note in decades Her eyes sat high on her head and deep in her face, which, because of its plumpness, reminded Randolph of gingerbread dough Randolph had seen her the day of his interview limping down the narrow hallway

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

Interview

July 2013

Interview with Paul Muldoon

Alice Whitwham

Interview

July 2013

A major figure in English-language poetry for decades, Paul Muldoon has enjoyed one of the most successful careers of...

 

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