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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed relationship In Wilful Disregard (2013), Andersson showed – in excruciating detail – the drawn-out decline of a love affair where one person is ambivalent and the other is wholly in love; here, we get an equally unflinching look at Ester’s involvement with a married man It is very much a standalone book, although there are echoes of Wilful Disregard throughout; I was overjoyed to be reunited with the funny, intelligent Ester and curious to see whether she had learnt anything from her previous relationship (with Hugo Rask, an artist who spent the entirety of Wilful Disregard blowing hot and cold), only to recognise quickly that she had not It would be tempting and satisfying in a book to steer the characters away from their past mistakes, to make them do things differently this time – but in real life people don’t necessarily learn, not when it comes to matters of the heart   Ester is an intimidatingly clever person, someone who has dedicated her life to understanding and recording the world around her intensely through writing and theorising And yet, when it comes to men, she has a particular blind spot Her intelligence, in a way, is her undoing; it gives her the capacity to self-deceive endlessly, to analyse even the smallest situations and find them, somehow, hopeful Olof fails to send her a text message on the first New Year’s Eve that they’re a couple, an act which Ester interprets a sign of him being emotionally overwhelmed by his feelings for her, unable to condense them in a mere text With her friends – styled as the anonymous ‘girlfriend chorus’ in Wilful Disregard, but here fleshed out more as individuals each with their own approach to The Problem of Olof (and to love more generally) – Ester is able to analyse and re-analyse in a way that’s both absurd and also painfully familiar to anyone who’s ever been there   As the observers of this unromantic romance, we

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

Issue No. 3

On an NY Balcony

Adrian Dannatt

poetry

Issue No. 3

Too much of my life so far has depended upon dressing-gowns, Some sort of ‘string-theory’ tied by myself wax-thumbed...

Interview

December 2017

Interview with Peter Stamm

Seren Adams

Interview

December 2017

Peter Stamm’s international reputation as a writer of acute psychological perception and meticulously precise prose has been growing steadily...

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

 

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