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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

 I am bound more to my sentences the more you batter at me to follow you – William Carlos Williams, ‘January’   A new train set changed the living room into her playground Just a little engine and two cars, red and green, going around the metal track, but the little girl imagined more, because the trains followed the curves, stayed on the track, and kept circling and going, going Her father sat beside her on the floor, like her, beaming      A very long line of freight trains took a long time to pass She knew it would come to an end, and was patient at the railroad crossing The cars of many colours – yellow, red, green – lumbered by, boxes on wheels, while the train’s lonesome whistle kept calling, Here I come, here I am, here I go      Freight trains, at all times of day and night, wailed through hundreds of small towns, just a gas station, a luncheonette, maybe a beauty parlour, towns undone by human failure and natural disaster, flood, drought, towns with no product but the wind blowing      Her toy train rounded an old track               Estranged mountains bulged under the sky, the big sky, the endless sky Anyway, no one could see an end to it, which reassured her, since so much seemed to be coming to an end It felt that way      But it seemed impossible – the universe dropping off, ending, there would be an end, and then there would be nothing, a no more, a vacuum of no more Her imagination couldn’t let her go there               A jumble of metal and tires, grease stains, goop, the shop looked a big mess The guts of cars, tools, scattered all over the floor, but he knew where everything was He’d say to his wife, ‘I know where it all is, just don’t touch anything’ His place was like the back of his hand, and he was just as attached to it      Folks brought in their cars and trucks for fixing Dented, broken down, crashed The fixer-uppers The ‘keep ‘em going until I get some money’ cars Junkers The shit that happened to their rides, to them,

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

August 2013

Poem from fortune: animal spiral

Sarah Lariviere

poetry

August 2013

xi. inside friend friend is not the landscape: to turn into the water wears and deposits rock, time friend,...

Interview

November 2014

Interview with Juan Goytisolo

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

 

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