Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

14 It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in two The seeds where they spill out look wrong and terrible, as though I am cutting the meat of my own hand, and so it’s not a surprise when I hear a knock at the door The bag sits ready at the bottom of the stairs, cottons and flannels collapsing in on themselves after a week of my hands folding them, unfolding them, refolding them It’s the driver, a woman with hair and eyes so pale it’s as if she came from somewhere further north than I could imagine, some new and colourless frontier She cocks her head not unsympathetically and tells me: It’s time     13 You have choices, I’d told myself again and again in the last days At the supermarket, debating rye flour or strong wholemeal, fresh pollock versus frozen white reconstituted slabs Every choice was a joy, I told myself, a delight At the till, the woman’s sick-looking hands flaked over my choices I hoped she was joyful At night I watched the organised joy on TV rather than participating out in the streets, and I did often consider stepping out to the parade, but I knew it wasn’t for me I wasn’t pastel sugar-coloured and there was nobody for me to lift up with my arms, or be lifted by, because to be lifted is always better, more suitable     12 A teenage girl, Jennifer, latches onto me immediately I feel very tender at the sight of her outlined eyes, the bracelets she tears at rhythmically that are supposed to be talismans for things such as love and belonging At the first service station she sinks low in her seat, refusing to get off I bring her a sandwich of plastic cheese and she chews it meditatively   My mother will be on her way, she says She’s caught me up before She hits the seat in front of her with her palms, nervous energy coming off her like heat Can you hurry up? she calls out to the

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

Art

August 2013

The External World

David OReilly

Art

August 2013

  The External World from David OReilly.   BASIC ANIMATION AESTHETICS   For the purposes of talking about animation,...

fiction

Issue No. 6

Stolen Luck

Helen DeWitt

fiction

Issue No. 6

Keith was not the songwriter. Darren and Stewart wrote the songs. Keith hit things, some of which were drums....

 

Get our newsletter

 

* indicates required