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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others & lacking in the slightest trace of individual taste Were cavernous & costly & sterile, mausoleums to the fashion of the moment Lives were lived in them, but not so they’d disturb the silk cushions on the crushed velvet settees The air in them was still & muted & old, as if marked by a recent death Outside, away from the cul-de-sacs, the highways would buzz with traffic, particularly during the morning rush hour & the tired evening commute Whizzing along, motion is a green forest bordering the sharp bends in the road To fly, they’d take themselves to airports, with even more cavernous spaces and roofs that were wavy with no feeling in them, but were said to imitate the topography of the land When not running panicked, people would saunter in them, tourists of their own lives Indifference & consumption like musack, everywhere Once in the air, mall-life was brought to them, tranquillised at 25,000 feet with sunlight scintillating off polished airplane wings Night was chain hotels with fake everything Looking through a hotel window at a mass-produced, urban morning, you could see the way highways would wind in and out of gas stations and signage, like some long, slow-dying hope But thanks for giving us another Lolita, concupiscent in the buff, hot for her Humbert Humbert And for all the road-trip emotions, the different shadings of feeling as the car nosed through the countryside (or was it the past?), under tree-limbs dappled with sunlight or into stricken suburban streets Thanks for showing the poignancy of airport parking-lots The poignancy of missing people; arrivals; departures    

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

fiction

Issue No. 3

Rehearsal Room

KJ Orr

fiction

Issue No. 3

He was one of those people you see every day and start to believe you know when in fact...

 

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