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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself and it became necessary to start again from scratch Art had already been invented, and the only thing to be done was to go on producing works, and the myth of the avant-garde came about to restore the possibility of making the journey from the origin again   If the actual process had taken two or three thousand years, what the avant-garde proposed could only function as a simulacrum or a pantomime version, hence the ludic, or at any rate the not-too-serious quality, the carnivalesque instability which avant-garde movements have possessed But history abhors stable situations, and the avant-garde was the response of a social practice – art – the purpose of which was to recreate an evolutionary dynamic   In effect, once the ‘professional’ novel – if we limit ourselves to the art of the novel – had come into existence, in a state of perfection that cannot exceed its premises (the novel of Balzac, Dickens, Tolstoy, Manzoni), it runs the risk of becoming congealed One could say that if the only risk is that novelists might keep on writing like Balzac, then it is a risk we are willing to take, and with pleasure But in reality it’s optimistic to talk of a mere ‘risk’ because this process of congealment has actually taken place Thousands of novelists have continued to write Balzacian novels during the twentieth century: an unending stream of commercial fiction, fleeting, frivolous novels written for the purposes of either entertainment or ideology To take even a single step further, as Proust did, requires a colossal effort and the sacrifice of an entire life The law of diminishing returns comes into play: the innovator covers almost all the ground in his initial attempt, leaving his successors a space that gets smaller every day and in which it’s more and more difficult to move forward   Once a professional novelist is established, he has two equally melancholy alternatives: to keep writing the ‘old’ novels in updated settings; or to heroically attempt to take

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

fiction

January 2014

Vertical Motion

Can Xue

TR. Karen Gernant and Chen Zeping

fiction

January 2014

We are little critters who live in the black earth beneath the desert. The people on Mother Earth can’t...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

 

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