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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story collection Whatever Happened to Interracial Love? (posthumously published in 2017) In the footage, filmed in 1984 at Howard University, Collins is magnetic She emits warmth as well as deep seriousness And although she would be dead four years later – losing her life to cancer at the age of 46 – one of the questions she poses to her black students continues to reverberate ‘How do we,’ she dares, ‘divest ourselves of the need to make ourselves extraordinary?’ Collins was speaking as much about black lives as she was about black fiction In Heads of the Colored People, an intricate, playful debut short story collection from Nafissa Thompson-Spires, we are able to observe some answers A whole palette of them   Take Riley, for example, a character we meet in the titular opening story ‘Heads of the Colored People: Four Fancy Sketches, Two Chalk Outlines, and No Apology’  He appears sporting blue contact lenses and gel-slicked, bleached-blonde hair The narrator, deft and ironic like a much cooler friend, is quick to add that Riley is also… black Not only this, but  (just in case we were thinking it), this is neither a story about ‘any kind of self-hatred thing’, nor about ‘the shame of being alive’ Contrary to any hasty assumptions about his sense of blackness, gender or sexual orientation, we are made aware that Riley simply has a love for comic book characters – and is merely on his way to a convention dressed as one   Setting the tone for the entirety of the collection, Thompson-Spires crafts a narrative voice which always walks one step ahead, sometimes turning to us with a wink, before getting back to what really needs to be said Which is that the characters in this book are allowed to be idiosyncratic They are freed by the metafictional narration from burdens of representation, reader projections, or the need to be taken as symbols You won’t find any Serenas or Beyoncés in the collection

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 5

Choose Your Own Formalism

David Auerbach

feature

Issue No. 5

1. ALL SQUARES RESIDE IN THE HUMAN BREAST In 2007 game designer and Second Life CEO Rod Humble wrote...

Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

 

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