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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the stage It is not particularly big, perhaps three-by-three metres, but it glows like the sun in the bright heat of the floodlights In front of it the black, bare surface of the stage stretches out towards the audience, leaving a space for possibility, imagination and expectation   There are around sixty people gathered in this theatre in the north of Oxford Most of them are young actors but there are also directors, university students, artists, an IT specialist and an anthropologist among the group While some are from Oxford and London, others have made their way here from Spain, Germany and even Australia, to learn first-hand the methods Ariane Mnouchkine, director of the Parisian theatre collective, the Théâtre du Soleil   Here, in the auditorium, begins our first lesson: you must learn to respect the stage, Ariane tells us, you must respect the yellow curtain  She is standing by the first row of seats in front of the stage, the group gathered around her A tall figure dressed in white linen and a grey vest, her curled silver hair flaming around a watchful face Her expression is mild and her voice calm, but her whole bearing commands attention   Here are the rules of imagination Nothing is allowed on the stage that is not part of a performance, it must remain a pure place The stage can only be entered from behind the yellow curtain, which will be opened for you by specially trained curtain openers When you want to enter the stage again, you have to walk offstage and enter through the yellow curtain These are the boundaries and rituals of performance, crucial to the formation of an imaginative space   ***   The Théâtre du Soleil was founded in 1964 and has been run by Ariane, its co-founder, for the last half-century Ariane, born on 3 March 1939 to a French-Russian film producer and a British actress, has devoted most of her life to the theatre collective After studying at the Sorbonne and Oxford she trained with

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

fiction

April 2013

How to be an Astronaut

J. D. A. Winslow

fiction

April 2013

I am standing in front of a room full of people reading out a story. The room is dark....

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

 

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