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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

1 Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for this: pulling the rug from under two organisations (the Poetry Book Society (PBS), the Poetry Trust) who for many years have helped make poetry books available to more readers than they’d otherwise get to, and from under the publishers Arc, Enitharmon and Flambard, whose work (translations, new writers and neglected older ones, local writing) is completely in accord with ACE stated priorities ‘Disgusting,’ was a word used by the Poet Laureate, Carol Ann Duffy, in regard to the PBS cut, which along with the others was announced in late March 2011, and she’s right   2 This is a mess come out of a mess, and the first mess is ACE itself Go to the ACE website and you’ll find not just the mission statement stuff (‘Arts Council England works to get great art to everyone by championing, developing and investing in artistic experiences that enrich people’s lives’) and the topical stuff (‘a transformational Olympics opportunity’) and some literature priorities (‘We will prioritise those seeking to implement more sustainable business models’) and a press release on the recent funding decisions (‘The Arts Council has endeavoured to support and protect poetry, new writers and literature in translation’), but enough downloadable material to seriously slow your laptop, including a 47-page ‘Review of research and literature to inform the Arts Council’s ten-year strategic framework’ whose five pages of references include a report on ‘UK Music Industry Greenhouse Gas Emissions for 2007’   3 You could get lost in there Once upon a time the Arts Council literature department was widely viewed as an exclusive gentlemen’s club; now everyone can get in but the extreme bureaucracy is baffling Take the lift to the second floor, the doorman will say, go through the double doors on your left, take the second right, the first left and knock on the door marked ‘Excellence’   4 Part of the fog is business-speak, which so horribly determines the ways in which all facets of public life are debated (the

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

poetry

June 2011

Beautiful Poetry

Camille Guthrie

poetry

June 2011

‘Being so caught up So mastered.’ Yeats     I was too shy to say anything but Your poems...

 

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