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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

‘INQUESTS INTO THE DEATHS ARISING FROM THE FISHMONGERS’ HALL AND LONDON BRIDGE TERROR ATTACK CASE MANAGEMENT’1   with asides, insertions, questions and other patterns repeating   Begin with the facts: A convicted terrorist attacked and killed Saskia Jones and Jack Merritt at Fishmongers’ Hall on 29 November, 2019 The attacker [ ] was shot dead by police officers on London Bridge   No: again   A terrorist incarcerated in a high-security prison appeals his indeterminate sentence        He will now be released automatically, in a fixed number of years, without parole board assessment   December 2018 He is released He is living halfway and then alone under myriad restrictions He had counter-terrorism mentors        the government contract abruptly ended        Months pass No train stations, no trains        no internet access, no trips to London, no        level of security        stops what happens next The oversight of Multi Agency Public Protection Arrangements (Mappa) probation, police, counter-terrorism, Prevent, Special Branch, MI5        who read creative writing, who read Cambridge University programme        (there was none, post release) and with bare discussion, and        the risk downgraded from very high        to high        and no one exactly gives permission        no one exactly assesses the risks he takes the train to London for one day 29 November, 2019   Arrives at London Bridge to celebrate five years of Learning Together, a prison education programme2 Taking university students into prisons to learn alongside incarcerated people In minimum, medium and maximum facilities (call it high- security, Category A), learning Plato in Philosophy, the laws of probability, and creative writing   The Justice asked the prison governor: did you consider the risks of putting people who were potentially violent, manipulative and predatory directly alongside potentially young students in a learning environment        yes        and the course began   No physical harm came to them there The deep violence of the prison apparently held outside        the writing room The meeting of writing together        considered low risk        the violence of the prison where he was known as emir The concentration on him and his        masks        the violence of the prison,  the breaking        the drug        abuse, the harm        the many serving long and life there        the violence of the prison only seen in reflection        the emphasis on counter-narrative        on hope   He took part

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

September 2016

Colonel Lágrimas

Carlos Fonseca

TR. Megan McDowell

fiction

September 2016

The colonel must be looked at from up close. We have to approach him, get near enough to be...

Interview

February 2014

Interview with Patrick Keiller

David Anderson

Interview

February 2014

Patrick Keiller, an architect ‘diverted’ into making films, is principally known for his Robinson series, which began with  London (1994)...

poetry

Issue No. 2

Letter to Jim Jarmusch [Broken Flowers]

Jon Thompson

poetry

Issue No. 2

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others...

 

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