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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

As Taggerston’s morning televised administrative work is winding down, the cast and crew of Lives of the Innocents accumulate at the studio and commence setting up for the afternoon shoot There’s only one television studio on the island, so they have to share A scene of film set banality ensues – crew setting up, large metallic objects and green screens on stilts moved to and fro, thick cables tripped over, groggy men cursing loudly into walkie-talkies and mobile phones, the bearded fox in the director’s seat making regal gestures next to the iPad-bearing female assistant, the scent of coffee and electricity, the whir of electric fans beneath the thin murmur of voices Lucia always arrives early to pick up the script, a sense of demonstrative duty The actors only have an hour to learn their lines before shooting starts Time to find out where Hornby is going today Krstal Mrdok brushes past her towards the coffeemaker   —Why Lucia, I have to say, that is the loveliest dress I ever saw you wear Did you get that around here? Or did you have someone make it for you?   It’s been around three years now since Krstal Mrdok was written into the show Actually she’s the first non-Sagosian, quasi-elite actress ever to appear on Lives of the Innocents since the show started some twenty-three years ago Her character arrived rather mysteriously, as Lives of the Innocents typically evades referring to real life events on the island, opting instead for a sort of idealized or fantasy version of Sagosian life It’s not even really Sagosia, more a fictionalized version of what used to be called Sagosia, named Port Matthews on the show – though the quasi-native audience can clearly recognize all the local referents, from the typical Sagosian accent to locales (on those occasions when they venture outside the studio to do outdoor shoots – something the producers generally frown upon since it requires extra expenditures, particularly given the unpredictability of the weather in the wet season)   One of those awkward moments – innumerable since Krstal first

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

feature

July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

 

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