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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo parlour while a woman with blue hair pierced my belly button with a big red ruby that pooled inside like a roving eye They were crying when I emerged I was hardly able to breathe for fear of the pain On the way home on the bus, Amy sang Karma Chameleon and Simone looked out of the window at time passing as though watching life being silently obliterated I remember my belly looked so white and soft lying down with the jewellery like a well of fresh blood collecting I thought it quite beautiful though it often snagged on my jeans My girlfriend had once rooted the ruby out with her tongue; the next morning had stung When we found a baby kicking in there I had to take the jewellery out as my teenage belly stretched Having that metal inside my body had been as good as a wound My girlfriend and I had wounds to nurse, they comforted, they reassured; while they healed there was a warm place inside devoted to new cells and plasma After the birth, my belly was  a waste of space, a forlorn temple with no jewel or way in I couldn’t accept the tender map of pain left imprinted on my belly when my baby was born I would trace the stubborn, soft pulse of a network of trails in my deep skin with my fingers, willing and willing them to recede Nobody touched my belly then, not for a decade My belly was women’s business My belly was the place a baby once lived If I was carrion my belly would be the first flesh to peck and rip– my most vulnerable part– silvery white in sunlight, nobody’s prize The little nick of a piercing scar reminds

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

poetry

January 2014

Tuesday Will Be War

Jáchym Topol

TR. Alex Zucker

poetry

January 2014

Jáchym Topol (b. 1962), like most Czech authors of his generation, wrote poetry for years before turning to prose....

 

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