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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

We were clearing the dishes after dinner when I found myself telling my 15 year old son the story of La Llorona I’d been re-reading Clarissa Pinkola Estés’s collection of folktales and myths, Women who Run with the Wolves (1992) It’s a work that reveals itself over time and one of a handful of books I return to whenever I find myself at one of life’s crossroads I’d just read ‘La Llorona’ and left it open, face down at the edge of our table while we ate I was reeling It was not the first time I’d encountered this tale, yet I did not remember it from earlier readings Perhaps I was not ready I scraped broccoli stems off a plate into the bin I started, ‘Once upon a time, there was a poor Brown woman in Guatemala and she fell in love with a wealthy hidalgo,’   ‘What’s a hidalgo? And where is this taking place?’ He handed me another dirty plate   ‘It’s a Spanish lord in colonial times And the story comes from a small Latin country in central America, not far from Haiti’   I am from Haiti   ‘So,’ I continued, ‘They were happy because the lord thought this poor woman was very beautiful and he took her into his hacienda – which is Spanish for villa – surrounded by bougainvillea and the sweet smell of almonds from the fragrant virgin’s bower that climbed the old stone walls They made two babies together and loved and cared for them One sunny morning she smiled at him and he didn’t smile back He told her without looking at her that he was leaving her and taking the children with him He had found a woman he could marry, European and wealthy Our lady looked around herself and saw that everything good had been taken away from her In despair, she took their two small boys to the river and she tied a rock to her ankle Hugging them tight, she jumped in where the water was deep They all drowned She came back though,’   ‘What?’ He stopped loading the dishwasher and looked at me

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

fiction

September 2015

The Afternoon

Wolfgang Hilbig

TR. Isabel Fargo Cole

fiction

September 2015

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival. With the word...

 

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