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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Bound with animal fat, milk, or blood, Roman concrete is hardened over time Less water would ordinarily mean a less workable, yet stronger setting substance – concrete production being a tireless balance between liquid and solid against stability – but sanguine additives introduced bubbles of air, like tiny vehicles for the movement of solid materials through the cement, enabling flow and so multiplying the minutes between the mixing of the concrete and the moment it set for good A splash of water could be sacrificed without reduced workability Once the concrete set, each entrained microdwelling of air became a pore, allowing the now solid structure to absorb new water and for this to freeze, thaw, and exit the artificial stone without fracturing its temporary home In correspondence to the civilisation itself, strength was won and growth quickened with blood The first Pantheon was erected following the determining sea-fought battle of that last war of the Republic – the fight that saw Cleopatra exit, like a descendant of so many kings, with an asp to her breast Its replacement, built under Hadrian – concrete beneath brick – still stands The resistance of this ancient concrete was forged at scorching temperatures, the ash of Vesuvian eruptions precooked just as the limestone in Portland cement is sintered to clinker today Two parts volcanic mortar to one part lime; blood for tenacity; horsehair to reduce shrinking; laid by hand in line with its aggregate It built the Pantheon, the Colosseum, it rebuilt much of Rome and thousands of miles of road These days a soupier substance is needed to flow through machinery Watered down by industrialisation, and for the sake of economy, it is required to move faster, to build more It arrives ready mixed, slow-setting, weaker and bloodless Its quickflow corpus is reinforced now by steel; cracks begin to appear much earlier on   As the Empire faded, so too did the common use of concrete, its systematic application being the stuff of large-scale bureaucracy The Middle Ages had concrete, but not as much, nor as strong, nor so persistent In building material circles, it

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

June 2015

Gandalf Goes West

Chris Power

fiction

June 2015

Hal stands in front of the screen. On the screen the words GANDALF GOES EAST.   GO EAST, types...

poetry

Issue No. 19

Two Poems

Sophie Robinson

poetry

Issue No. 19

sweet sweet agency   the candy here is hard & filled & there is nothing i love more than...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

 

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