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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa He was on an old bike, a rusted, duct- taped contraption I imagine must’ve squeaked and rattled from a loose chain or dust in the brakes… but I keep the music up when I drive, so I can’t re-place the sound, I can’t say there was a clatter-and-drag, whether it proceeded him, or enshrined him like some moving castle of music; Robinson Lonewolf, can you see him? the mad conductor, a gypsy percussive, orchestrating a synchronized cloud of ratcheting ticks No, I didn’t see his face Why d’you ask?   –What do I say of him being faceless? I can say I’m pretty sure it was him I know you know the trick with car mirrors   The second time? Years later I was in Red Rock country, north of Vegas, just off the 15 I passed a sign that read: Valley of Fire, and, Lake Mead and I swear I saw Robinson leaned against it just like that cowboy’s silhouette you hit in  Laughlin The neon one on the border of Nevada and California— He raised his arm too, dipped his hat brim like that as I passed him   –I saw stubble on his jaw, a chain at his throat and half a smile of white teeth No No bags with him   –He must’ve been headed north to— seemed he was hitching my side of the road   Significance of seeing Robinson? Stupid question Like, what color’s the air? Who cares I just see him when I see him   Yeah That was a bad one Two years locked up, San Bernardino County Detention   No He wasn’t I drove the car alone   Then it must’ve been Orange County, at a light Yeah it was late, just past the industrial part of town, you know, where that factory sends those plumes into the sky and that new hotel offsets ‘em like a Breughel painting? Hunting- ton Beach Boulevard, off the PCH?   –I don’t know I think he was on deck or in one of those drum circles that spring up ‘organically,’ you know? I saw a crowd piled up around him… Think of Robinson with one of those little monkeys that begs for dollars and change! How funny that’d be Yeah, I know why I’m here You sure you do?   No I haven’t seen him in Yucaipa for years Since

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

feature

May 2014

How Imagination Remembers

Maria Fusco

feature

May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

 

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