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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Rumours of impending conflict can wreak a particular type of havoc This is not as physically manifest as the brutality of war, but less tangible, less spectacular There are no destroyed buildings or dead bodies; rather, the spectre of war casts its shadow over economic statistics and mental health reports   People often think journalists are endowed with a special prescience ‘When do you think the war will happen?’ I am regularly asked in Beirut Last September the question hung upon whether the US would bomb Syria, whilst lately the concern has been to do with the prospect of civil war as the Syrian conflict impacts Lebanon In the years following the 2006 war between Hizbullah and Israel, I would be asked: ‘Do you think Israel will invade this summer?’ And a long-term staple asked frequently throughout the years: ‘What do you think of the situation?’ When I moved to Beirut in 2002, such instability was less apparent The Israelis had recently left with their tails between their legs after eighteen years of occupation in Southern Lebanon Damascus was in control and keeping the squabbling Lebanese factions from each other’s throats Beirut was in the midst of a construction frenzy; tearing down bullet-riddled and shelled out buildings to rebuild after the sixteen-year civil war Those Lebanese who had moved abroad during the war years were increasingly returning, and there was a degree of stability The Syrian occupation itself was not particularly discernible, especially in Beirut It was within national politics that Syrian control was manifest and in certain corrupt practices – for example, the skimming of profits generated by state institutions like Casino du Liban The stifling of free speech was another aspect of this control, as no criticism of Damascus was allowed in the media In 2002, when I was cutting my teeth as a journalist at Lebanon’s only English language newspaper, The Daily Star, an editor warned me what was taboo: ‘No Syria, no human rights, no homosexuality’   If you kept your head down, the problems of daily life were less to do with politics and more to do with

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

poetry

Issue No. 3

The Far Shore

Michael Hampton

poetry

Issue No. 3

Windblown: gone with the summer wind. Windblown: gone with the autumn wind. Windblown: gone with the winter wind. Windblown:...

 

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