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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn out to be a boring book This is not to say that the excerpt in question was so boring as to suggest the likely tedium of the whole Rather, the warning came from the author herself ‘I’m talking about my own life’, writes Kushner ‘Which not only can’t matter to you, it might bore you’   The Hard Crowd is indeed a personal collection – not only first-person in vantage but preoccupied with figures specific to the author’s youth: artists, writers, friends, activists, motorcyclists, hustlers ‘I admired a lot of these people I am describing to you’, Kushner writes in the excerpted passage They were workers of strip-club doors between prison stints, charismatic tattooists, dealers who preferred to eat their cocaine, nibbling sliced-off rocks ‘like powdery peanut brittle’ ‘I put them above myself’, she writes, ‘in a hierarchy that is re-established in the fact that I am the one who lived to tell’   I was the weak link, the mind always at some remove: watching myself and other people, absorbing the events of their lives and mine To be hard is to let things roll off you, to live in the present, to not dwell or worry And even though I stayed out late, was committed to the end, some part of me had left early To become a writer is to have left early no matter what time you got home   Kushner, a writer in her fifties, appears to have outlived the fast-living crowd of her youth Those who have typically delighted in her novels, populated by characters so ‘present’ as to have no future, might well anticipate boredom at the personal essays of so watchful a self-preserver The Flamethrowers (2013), perhaps Kushner’s best-known work, is packaged as a Great American ode to rebellion and risk: blurb quotations describe the novel as ‘adrenalin-fuelled’, ‘exhilarating’, ‘fearless’, ‘high-octane’, ‘thrilling’ In 1970s New York, the book’s narrator Reno dreams of becoming the fastest motorcyclist in the world, and falls

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

January 2017

Take Comfort

Heather Radke

feature

January 2017

I. One week after Buzz and Heather broke up, she dragged her mattress into her living room. She moved...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

feature

February 2015

A Closer Joan

Shawn Wen

feature

February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

 

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