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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Fire has started in Flat 4 of Paradise Block The young girl in Alice Ash’s story ‘Eggs’ watches with her mother, younger brother, and neighbour Min from outside the building ‘The smoke,’ she tells us, ‘pours out from our downstairs window like a black tongue’ It stains the rooms of Flat 4, and dresses absorb the smell until they are hung outside to ‘shriek around like ghosts on the washing line’ The narrator’s mother had been crying long before the fire started, but in its aftermath she becomes increasingly distressed: she screams ‘head back, mouth open’; a few days later, she muffles her cries ‘with a toy bird stuffed in her mouth’ Left to take care of her brother like a mother might, the narrator’s health begins to deteriorate She is seized by illness, ‘a white spool of pain’ unknotting inside her spine   In Ash’s mesmerising debut collection Paradise Block (2021), everything is susceptible to decay Housing displays symptoms of deterioration through institutional neglect, tenants suffer symptoms of infection and illness, class shame corrodes moments of pleasure There is rot beneath the surface; its exposure is gradual, and darkly compelling ‘I realise that this is something from inside,’ the narrator of ‘Eggs’ tells us, ‘something coming to the surface’ The thirteen stories in the book are intricately interconnected The majority of the characters live, like the narrator of ‘Eggs’, in the dilapidated building of the title, located in a town named Clutter; others live in the wealthier area of Plum Regis in ‘fancy’ semi-detached houses Ash’s fictional landscape closely resembles a number of UK coastal towns, such as Poole, where rich and poor neighbourhoods exist in close proximity, and yet are home to vastly different lifestyles and opportunities In Paradise Block, that landscape is made subtly surreal: a sea god lingers by the beach; residents’ shadows reside in the Lilybank River Many of the recurring locations in Paradise Block are also familiar locales of the deprived coastal town: The Brass Cross pub, the Clutter and Plum Regis department stores, the corner shop   Paradise Block itself is ‘built very cheaply, with windows

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

Issue No. 1

Interview with Paula Rego

Ben Eastham

Helen Graham

Interview

Issue No. 1

Dame Paula Rego introduces me into her North London home with a crooked smile and a plate of biscuits....

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

fiction

January 2014

To Kill a Dog

Samanta Schweblin

TR. Brendan Lanctot

fiction

January 2014

The Mole says: name, and I answer. I waited for him at the indicated location and he picked me...

 

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