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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin, nineteen-year-old protagonist of Abi Andrews’s debut novel ‘Orcas travel in matriarchal pods,’ she elaborates, by way of explanation ‘The root of the word dolphin, delphus, means womb’   In the journals that became Walden, Henry David Thoreau wrote, ‘I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach’ Thoreau was by no means the first to celebrate the transcendental purity of the ‘wilderness’ or the spiritual benefits of an outdoorsy survivalism, but his 1854 work helped to print these values onto the American self-image In 1992, a heavily annotated copy of Walden was found alongside the remains of Chris McCandless, who walked out of his privileged California upbringing and hitched to Alaska And Into the Wild, the 2007 film based on his journals, has built for McCandless a cult following and a divisive legacy Was he a messianic figure akin to Thoreau, inspiring a generation of travellers to reject technology in favour of a lived purity in nature? Or was he a fool with a merely sentimental understanding of the wilderness he idealised?   Andrews’s novel participates in this survivalist legacy, though uneasily Erin has left her parents’ house to escape the ‘grid-owned and regimented spaces’ of the British Midlands She’s watched Into the Wild and read Walden, as well as On the Road and The Call of the Wild She wants in on the tradition As a young feminist, however, she’s wary of the ambivalent heritage of these ‘straight white men’, and though intoxicated with the wilderness narrative, she can’t help but imagine ‘how it would have been different if the guy had been a girl’ She cites a cohort of female, proto-feminist adventurers in passing – Calamity Jane, Freya Stark, Nellie Bly – but these women simply do not compel Erin as does, say, the Unabomber, whose eco-terrorist manifesto she knows in detail   The journey, on cargo ships

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

February 2011

Middle East protests give lie to Western orthodoxies

Emanuelle Degli Esposti

feature

February 2011

For thousands of individuals across the Arab world, 2011 has already become the year in which the political and...

Art

July 2015

Michaël Borremans

Ben Eastham

Art

July 2015

Michaël Borremans is among the most important painters at work in the world today. His practice combines a lifetime’s...

feature

April 2017

The White Review Short Story Prize 2017 Shortlist (UK & Ireland)

feature

April 2017

  click on the title to read the story   A Journey Through Famous by Kanye West by Liam...

 

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