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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

How well do you know your nose? That organ is the gateway to our least understood sense, a network of more than 400 types of receptor cells (Our retinas, by contrast, have just three) Though most are concentrated in a bulb near our frontal lobe, olfactory receptors have cropped up in skin, livers, kidneys and sperm Smell is a powerful memory recall tool, and it can make us want to fuck, vomit or cry – but why and how all this works remains largely a biological mystery   This enigma drives Sean Raspet, an artist and self-trained food-and-fragrance scientist whose art is microscopic in scale Past shows at Société, Berlin have featured large plastic vats of stuff he’s cooked up in a lab: molecular compounds meant to tease our tongues or trigger our nostrils These concoctions are often clear and near-weightless, and can take the form of a liquid or a gas In his current exhibition ‘Receptor-Binding Variations’ at Bridget Donahue Gallery, New York, Raspet has devised ten ‘primary scent formulations’ that, like primary colours, trigger the range of our olfactory sense Brewed from ‘captive molecules’, or particles patented by the fragrance industry, they are housed in bone-white electric diffusers that spout their scent every 60 seconds Many of their manufactured molecules are designed to deceive the human nose: to us, they can smell more like natural goods than the organic chemicals they imitate, frustrating attempts to sniff out their origins In the gallery, all these compounds blend together to produce the faint aroma of rubber gym flooring, inoffensive but slightly unsettling   Each compound, and thus each work in the show, is labelled with the name of the receptor it’s meant to target (all works 2017) The first diffuser, 52D1, gives off a strong whiff of citronella, with notes of the artificial pineapple aroma of white gummy bears Number two, 3A1, 2AE1: a distinct odour of freshly mown grass At first pass, 2V2, 2V1 smelled like an herbaceous gin; when I returned several minutes later, I detected the sweetness of kiwi 2L5, lemon Pledge; 7G3, 8K3, 1J2, fresh asphalt; 52D1, a sweaty armpit

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

feature

February 2013

Famous Tombs: Love in the 90s

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING  ...

poetry

Issue No. 3

Glow Me Out

Rikudah Potash

TR. Michael Casper

poetry

Issue No. 3

In the fiery cosmos Out of which you made             Timna Glow me in...

 

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