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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Your right hand is the first to go One Sunday afternoon as you’re sitting on the sofa reading the papers, it detaches itself at the wrist and walks on the tips of its thumb and fingers across the rug in the centre of the room It strides up the arm of the leather chair he’s sitting in, pushes its fingers between those of his left hand and curls them down, interlocking your palm with his   He continues working on his laptop You try to call your hand back, mouthing and gesturing so you don’t disturb him It ignores you, clutches him tighter He doesn’t seem to notice   You try everything you can think of to lure it back: cooing, threatening, ignoring It remains interlaced with his hand He continues to type   How are you going to eat? Write? Dress? Can you manage with your left hand? You can’t remember the last time you tried   You imagine him feeding you, wonder if you can convince him to do so You despise yourself for considering it   The following morning, after you’ve negotiated dressing (you acted coy, he helped), eating breakfast (toast, one handed; buttering was a challenge), getting the bus (you tipped the change from your purse onto the driver’s tray; he wasn’t impressed) and getting into your office (a balancing act), you sit at your desk and wish you could call your mother   Sometimes you hear her voice in your head, saying the things you know she’d say to you, advising, guiding, reassuring This time there’s silence   You examine the stump of wrist where your hand used to be It’s sharp, pristine No sign of a struggle, no blood   You teach your third-year students The module is Women in Post-War Britain and today’s seminar is on the 1960s You discuss the pill, the Abortion Act, Soho, the sewing machinists’ strike in Dagenham   One of the young women has a ring finger missing Is that recent? You’ve never noticed before Another, like you, is devoid of a right hand She takes notes competently with her left You wonder what her story is   Afterwards, you attempt to continue with the article you’re

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

February 2015

In bed with the radio

Péter Závada

TR. Mark Baczoni

poetry

February 2015

IN BED WITH THE RADIO   You’d turned against me. There’s safety in knowing, I thought. Like lying in...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

fiction

March 2017

A Table is a Table

Peter Bichsel

TR. Lydia Davis

fiction

March 2017

I want to tell a story about an old man, a man who no longer says a word, has...

 

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