Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Consider the exclamation mark Medieval in origin, this blink of ink has a gift for controversy A single point can signal a moment of joy or incredulity Use two or more, though, and risk being dismissed as shrill or shouty, especially if you are a woman   Feminist thinker and independent scholar Sara Ahmed has written 11 books, but her latest, Complaint! (2021), is the only one to employ an exclamation in its title Yet to immerse oneself in her body of work – which includes several public lectures, seminars and workshops – is to feel an intensification of everyday experience Her works are all attuned to affect, wilful subjects, and the phenomenology of trying to make yourself heard while living in a marked body: as an ‘unhappy queer’,’ a ‘melancholic migrant’, a woman and/or person of colour As Ahmed wrote in What’s the Use? On the Uses of Use (2019), ‘Sometimes, I feel like I am an exclamation point, as if in being I am shrieking’   In that book, a roving work of phenomenology, she examines ‘use as technique’ by closely examining a constellation of things, including an empty tube of toothpaste, a postbox, an arm and Jeremy Bentham’s desiccated body She shows how utilitarianism was historically used to shape the subjectivities of those deemed least desirable and most disposable – the poor, the incarcerated, the orphaned and the unhoused   What’s the Use? is the final book in a trilogy that began with The Promise of Happiness (2010), which looks at the regulatory uses of happiness, followed by Willful Subjects (2014), which valorises ‘wilfulness’ – a disposition towards disobedience, or to be ‘what gets in the way of what is on the way’ – as a way for feminists and minority groups to assert agency In its own way, each of her books tracks, with forensic care and attention, the peristalsis of power: what feeds it, what impedes it, what lubricates its sinuous passage through the halls of institutions and everyday life Bodies, for Ahmed, are a locus of feminist investigation Having an ‘out of skin’ experience – being at odds with the

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

feature

Issue No. 16

Scroll, Skim, Stare

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

 

Get our newsletter

 

* indicates required