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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great bay, into which he and the other fishermen of the village would take their boats out every morning to let fall their nets The bay was so sheltered, so calm, that the fishermen could call to one another over the water, their voices clear in the damp air, especially on a spring morning such as this was, with white mist hanging over the sea and a faint crescent moon still visible on the wide blue-grey sky They had not long been out this morning Not long at all Now was no time to be heading home, but he saw them, all the rest, his friends, turn their prows back towards the village He shouted to them, but received no answer   Soon he was alone   On a whim he decided to aim for the other side of the bay from the village, a place where pinewoods came down to the sand   He landed, pulled his boat up onto the crunching beach and then, when that was done, became aware of music, something between the shimmering chime of small bells and the luminous breath of panpipes There were also flowers floating down, he could not tell from where, flowers of colours he had never seen before And there was a growing fragrance, an infinite sweetness   Then he saw it, iridescent and caught in the branches of one of the trees ahead, undulating in the breeze and turning from gold to ultramarine to purple to deep green As he walked slowly towards it the scent grew, and after he had reached up and taken it out of the tree he placed it against his face, its exquisite softness, how it seemed to be cool and warm at the same time, how colours slowly moved through it, how it smelt of lavender and oranges and anis and walnut leaves and the neck of his beloved   Stop, said the spirit-being That cloak is mine That feather cloak is mine   I found it, said the fisherman   You cannot wear

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

October 2012

Saint Anthony the Hermit Tortured by Devils

Stephen Devereux

poetry

October 2012

  Sassetta has him feeling no pain, comfortable even, Yet stiffly dignified at an odd angle like the statue...

Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

 

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