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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Dad used to believe that the souls of the dead rise up into the air and become one with the universe, but doesn’t anymore because he has seen too many minds in pieces, too many spirits crushed, and when I ask him how that happens he says ‘Life’ I imagine it sometimes: all of them looking down from what must be stillness, darkness, quiet, and then through the clouds and the blue sky to the earth and the sea, deep enough to watch the fish turn and flash like so many coins and up here the houses among the ti trees, the shops on the road, people passing the time of day – chinwagging, daydreaming, gadding about – old men in leather shoes baiting lines on the pier and pulling up squid so white they glow in the late light of evening And the skinny thing with the long legs: that is me, running through the water   Lawrie goes about the beach barefoot, shambling; I watch him through the brightness off the waves Cool winds blow from the ocean with mutton birds coming in and yellowness flickers on the cliffs and spindly pines, bent about like ink drawings I have seen I think again of those high up souls, of gods and angels and creatures of the sky I wonder if they see us now, me and Lawrie, his footsteps on the sand making shapes like some kind of writing: telling all those things he cannot say in words; me, dancing around, thinking of them while they look at me, wondering if they see us always, carrying on like we do, or if we already made too much noise and fuss and they have turned away   Dad comes back from the trawler with a bag full of prawns, along the beach past those beaten rocks with their small shelves and hollows, the naked dangling tree roots and Lawrie, who puts his hands in his pockets and yawns and spits and follows in his lounging, raggedy way I go with them to where the barbeques are, watching those prawns crawling about, I

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

 

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