Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

who bravely blasts their breath through the horn flares of gloomy streets, into dripping construction trailers, dropped by the dead, the dull anxiety of homeowners, clutching sausage and cookies under their arms   phalanges rattle over a piano smashed in the Winter Palace I am only dreaming this, only dreaming   hare krishnas shaved like newly-weds push through the cotton frost   * an oblate antifascist in the metro crush secretly broadcasts through his horn with blood   a coded sound – a French horn, in comes an orchestra of autists in magic carriages to the cackling of iron actors and the chatter of the auction   a sale on scorched backwater ontology in the slime of pudenda I am only dreaming this, only dreaming   * cloudy beer without foam, where god lives in the uncanny consciousness of poets hovering over a supper of bread alone and world news, grunting in wonder:   look it’s snowing, tucking away the ashes in ovens and vases with care   sitting turkish-style (or indian-style, as you lot say) online you broadcast something from the loudspeaker of opposition, like a lackey, with restless glances into worn lacunas,   * into the cartography of the place – right here, syria moves fast along the fingernail’s edge, turkey’s stuffing bombardments down its throat, and in its breast france’s flywheel spins, here a steel voice gnaws through the frame of leviathan, that drunk crocodile…   winter diary: I came to you to find freedom, to take you by the hand, to take in your last warmth you won’t say no to one last meeting, will you?   * Lenin flows by fast   in the statuary stillness of private meetings, private unions, Lenin’s speech hangs over this place like a butcher’s apron sanitized with bleach   pigs squealing, cutting through Nevsky Prospect dull eyes,    and a knot of new year’s snakes on a head without a face a black Škoda and half a body fallen half way out – at the breast on the Field of Mars   the butcher’s ballet and the icy swings of tear-stained acid trips, covering the eternal flame

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

Interview

October 2015

Interview with Marine Hugonnier

Izabella Scott

Interview

October 2015

Like the figures found in a spread of Tarot cards, an artist can assume a variety of viewpoints and characters...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

fiction

November 2015

Three Days in Prague

Naja Marie Aidt

TR. Denise Newman

fiction

November 2015

A sparkling frost-clear landscape exists between them under a soft and smudged sky. Irises exist, blue and yellow, and...

 

Get our newsletter

 

* indicates required