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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Biography | Cattolicissimo trio composed of mother father beloved son God, why doesn’t the English language have an equivalent for –issimo?   Incidental beginnings: the mother (1951) broke off from her Milanese family in the early Seventies, got married rashly and in absence of her parents, by religious rite, for the sake of controversy, asking a cousin to be her best man She has been living in Rome with her husband ‘in exile’, as if in a colony, as if in Africa Nicola’s father (1948) was raised by a single mother, and lived with her in the council estate where they shot Una Giornata Particolare with Marcello Mastroianni and Sofia Loren   Nico’s first eight years of life: he lives with his father, mother and paternal grandmother   The father had attended seminary Then studied architecture Fatti di Valle Giulia (the Italian equivalent of May 1968 in France): the father does not partake, because of his cousin – who he is not really in touch with – who is a Carabiniere On the matter, Nicola quotes from a Pasolini poem, which is also often quoted by his father (remember to ask which one)   The father leaves university Joins the Navy for his compulsory military service   He goes back to uni with a newfound interest in ships and submarines, which will affect his creative production via the dissemination of portholes everywhere in his projects, even on the dividing walls between two rooms, which is unpalatable to the Berengo family, as well as slanted perspectives and sequences of rooms with no connecting corridors   He is a solitary youth; he spends his life putting The Way of a Pilgrim into practice, repeating to himself over and over (when he is angered by the endless queue at the post office; when his mother’s dinner is yet again tasteless; when he inadvertently tears up the wrong drawing) Lord Jesus Christ have mercy on me   Despite his marriage he keeps his boyish good looks He becomes morbidly enamoured with his son He doesn’t want him to become sophisticated During a catechism lesson when Nico is eight years old, his father taps into his own reference material,

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

April 2013

Fairy Tale Ending

Stacy Patton

fiction

April 2013

Rodeo Cowboy You meet him at a rodeo dance on the Fourth of July. You are 17. He is 20;...

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

feature

January 2016

Suite

Pierre Senges

TR. Jacob Siefring

feature

January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

 

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