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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Seeing the pen hover millimetres above my notebook in anticipation, Dona Vilma holds up her hand ‘Ask me anything you like’, she says to me with a smile ‘But you can chop some potatoes while we speak’ I switch on my tape recorder instead   On a tiny scrap of land on the eastern outskirts of São Paulo, off an unpaved path leading to the favela beyond, stands a small squat building made of poured concrete and chipboard A banner outside reads ‘Cozinha Solidária Almoço Grátis’ Solidarity Kitchen Free Lunch It is a modest affair, but for many residents of Jardim Iguatemi the facility had become a second home    Six days a week Vilma and Rose arrive at 8am and get to work cooking for never less than 100 people When I first visit in 2021 to interview them, at the peak of the Brazilian summer, the ground dried to a cake of dust, the menu is beef and potato stew served with filling manioca and rice Vilma, a retired school cook, is in charge Dona is a prefix of respect Her silvery hair is tidied away by a white scarf cheered up with a teddy bear motif; her leopard print blouse is protected by a red apron She navigates bumper packets of beans and sacks of flour piled high, hauling heavy cooking pots of steaming food on and off the small gas stove Later a colleague arrives with black plastic sacks splitting under the weight of sturdy carrots and leathery spinach, bulbous spring onions and big bunches of deep purple beetroot, all grown and donated by a nearby community garden    I still think about the kitchen a lot, as Brazil nears the end of Jair Bolsonaro’s gruelling four-year presidential term: it represents the cruelty of this country, one that welcomed a far-right leader with a mix of social fury and misjudged financial self-interest; but the kitchen says something too of Brazil’s perseverance and generosity   I first came to Brazil in 2012 Three years previous The Economist had used its cover to hail the country as an economic miracle: the headline ‘Brazil

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

July 2012

Poem for the Sightless Man (After Kate Clanchy)

Abigail Nelson

poetry

July 2012

This is just to say,   that the inked glasses that you wear look like the sound of shop...

Prize Entry

April 2017

The Lovers

Devyn Defoe

Prize Entry

April 2017

Everyone who asks questions, asks in some way about love. The question is one half, the answer the other....

feature

July 2013

Occupy Gezi: From the Fringes to the Centre, and Back Again

Alexander Christie-Miller

feature

July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus...

 

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