share


Jules & moi

80% of success is showing up.

—Woody Allen

 

A morning of tiles, park benches & sun, green, un-

aggressive in mid-year, with books & the runaway jury of girls

off to the Indian Ocean, Madagascar, to islands, Maurice, Reunion—

then the arabesques of black iron doors, 1 to 9 ABCD (you have to know), stun-

ning, this hour. That atelier is a red awning opening, oh nothing, beckon-

ing to an impasse where Jonathan, the ladybug, moves side-

ways toward Stanislas, just another name, proves

we are here, Our Lady of the Cars, the Fields—Notre Dame des Champs.

To stone columns, where Madeleine meets magenta, (church not girl, not

my runaway jury of girls) as clouds part to Madura,

we move closer to the sky’s crux

up & back to where we began, unfamiliar, le Cardinal—sun starts

slanting by tables. This just happened: dreadlocks, and who

is Gus anyway & why isn’t he here with us—it’s the last cut of the scissors.

 


ABOUT THE CONTRIBUTOR

is Paris Editor for Tin House magazine and is the author of Knock Knock (Carnegie Mellon University Press, 2010). Her poems, essays and interviews have appeared in or on PBS Newshour, The Guardian, The Rumpus, Post Road and other venues and numerous anthologies, including Food and Booze: A Tin House Literary Feast; and Satellite Convulsions: Poems from Tin House. She lives in Paris, where she curates Shakespeare & Company Bookshop’s weekly reading series, and teaches creative writing and poetry at the American University of Paris.



READ NEXT

feature

Issue No. 7

The White Review No. 7 Editorial

The Editors

feature

Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum...

fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

Interview

March 2015

Interview with Jonathan Meades

Jamie Sutcliffe

Interview

March 2015

The television broadcasts of Jonathan Meades are marked by a surreal humour, a polymathic breadth of knowledge, and a...

 

Get our newsletter

 

* indicates required