share


Coup & Bell Curve

COUP

 

Mallarmé’s gambling

astonished everyone

even the poets

 

An acre of paper

sold down a river

whose blackbirds

would only

fly backwards

 

To abolish

a missing passage

 

The ‘never’

of printlessness

shipwrecked within

the greater blues

of untrackable changes

 

A fight thrown

across a border

unmaintained

as the spyware of the future

in which we used to live

 

 

 

 

BELL CURVE

 

A church, a school, a train

almost converge

Uncharming insect

unhanded bird

What we can’t see

won’t always kill us

with its unchained

sequence of events:

Kings Row, Folsom Prison

Charlie and the MTA

I hang my head

and try not to think

about what is

and isn’t food

Everything thrown

back into the stream

A train insists

as if the world

were in its way

The inland sea

is mostly corn

A fever dissolving

in the interrupted

air that bends

your clouds into the trees

with the unframed

excess of a dare

It’s in the middle

It’s just enough

 

 

‘Coup’ will appear in Elizabeth Willis’s forthcoming collection, Alive, out April 2015 from NYRB Poets.


ABOUT THE CONTRIBUTOR

is the author of Address (2011), which received the PEN New England/L. L. Winship Prize, and four previous books of poetry. Her second book, The Human Abstract (1995), was selected for the National Poetry Series. Her next book, Alive, is out 14 April, 2015 from NYRB Poets. A recent Guggenheim fellow in poetry, she teaches at Wesleyan University.

READ NEXT

Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

Interview

October 2015

Interview with Marine Hugonnier

Izabella Scott

Interview

October 2015

Like the figures found in a spread of Tarot cards, an artist can assume a variety of viewpoints and characters...

 

Get our newsletter

 

* indicates required