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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their mutual desire to have sex with Terence Stamp Viewed from this angle, it is realistic enough that it might be reclassified as a documentary – theirs is, after all, an understandable insanity, shared by many moviegoers in the sixties and beyond Only 923 words end up being spoken over Teorema’s 90-minute running time, and because Terence Stamp does not, as it turns out, actually speak Italian, the 25 or so allotted to his character are dubbed That Pasolini cast him anyway is testament to both his wattage as an actor, and to Pasolini’s innate understanding of lust as a thing that is removed from language, totally unbound by reason, and as sudden and inexplicable as a miracle What Stamp possesses is an air of glamour, in the most traditional and most supernatural sense – ‘a sort of spell,’ the writer Autumn Whitefield-Madrado wrote in 2015, citing the old Scottish word glamer as its root, ‘that would affect the eyesight of those afflicted, so that objects appear different than they actually are’    The family in Teorema are both rich and unfulfilled, their lives luxurious but stultifying and empty, until one day they receive a mysterious telegram informing them that someone called ‘The Visitor’ will arrive shortly When he does, because he looks the way he does – those bright teal eyes and that absurd, almost feminine cupid’s bow, the whole face somehow simultaneously innocent and evil – it is as if some obvious force of nature, like a hurricane or a Biblical flood, has burst into their bourgeois home and swept away their inhibitions Who are they to deny beauty in all of its terrible strength, its divine power? Who could possibly resist what has been carefully designed, either by nature or by God, to be entirely irresistible? The first to fall prey to his eerie magnetism is the maid, who is so moved and so unsettled that she cries just looking at him and then rushes

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

 

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