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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Five is a number dense with theological significance Five are the books of the Torah, five the wounds of Jesus, five the pillars of Islam and the elements of the universe according to Aristotle The Pythagoreans called the star with five corners, the Pentagram, ‘health’, and used it as a secret sign by which to identify themselves On the fifth day God created the creatures of the sky and of the oceanic abysses and ‘He saw that it was good’ Multiply five by one hundred, the secular number par excellence, and you get 500 February 1513, February 2013: five centuries that close upon themselves   In the last days of February 1513 – halfway through the 500 years of the Little Ice Age – an old, feverish man was meeting his end in a Vatican palace It is recounted that as he lay on his deathbed a fierce wind blew through the streets of Rome He was Julius II, the ‘Pope dressed in armour’, the warrior Pontifex who had spent his life fighting to ‘push back the barbarians’ – that is, the French superpower – and to create an independent Italian kingdom Having succeeded the weak Pius III, who ruled for only three weeks before being poisoned by his own attendants, Julius II was well aware of the perils of his position   He would go down in history as one of the most intrepid figures of the Italian Renaissance, a visionary politician and patron of the arts as well as a supremely corrupted Pope, quick to anger and plagued with syphilis He showed little interest in theology, but he understood his job better than most of his predecessors or successors: he knew that the Vatican seat was an imperial throne, and dared to act accordingly Having started his career as a Franciscan, the order most devoted to poverty, he had no ideological difficulty in seeing through the religious pretensions of the Church to its essential nature as an instrument of power: the steel blade that cuts through

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Interview

March 2017

Interview with Rodrigo Hasbún

Enea Zaramella

Rodrigo Hasbún

TR. Sophie Hughes

Interview

March 2017

Rodrigo Hasbún (born Cochabamba, Bolivia, 1981) has published two novels and a collection of short stories; he was selected...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

 

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