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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi She is a New York Foundation of the Arts grant recipient, a finalist for the New York Public Library’s Young Lions Fiction Award, and a Granta New Voice Lacey broke from the peloton last year with her debut novel, Nobody is Ever Missing (Granta) Her work struck me immediately for its synthesis of two qualities of prose which often exclude one another: distinctive voice and rich imagery   Nobody is Ever Missing follows Elyria from a stable but stagnant marriage to the wide-open possibilities of New Zealand As Elyria hitchhikes through the countryside, with only a scrap of a plan, she turns and returns memories of a lost stepsister and an absent husband The more Elyria travels, the more she struggles with the impossibility of running from yourself, calling this feeling her ‘wildebeest’ All this roiling introspection might have been too much in another writer’s hands But Catherine Lacey invigorates self-examination with prose that is alive and electric It’s the bright bristling reality of Elly’s world that makes Nobody is Ever Missing so significant   The novel teems with metaphor and metonymy—images do the work in progressing our understanding of Elyria’s mind and her trajectory The body becomes strange in these pages: hands become a metonym for love; we consider the possibility of living with two hearts; teeth are alternatively tiny, glowing and bared; the brain is animate and other, sometimes roving and acquisitive, sometimes lying calm and still in the dark Imagery, line-by-line, keeps at bay the claustrophobia that typically accompanies an exploration of feelings or an anatomization of body The reading experience is akin to waking up behind someone else’s eyes and feeling like if you tell anyone about it, you’ll find psychiatrists medicating your future You kind of want to keep this book a secret But you also want to tell everyone you meet to experience Elly’s voice   Catherine and I first met this year when paired together for a blind interview between debut novelists We recently talked about writing and life at the bar of Roebling Tea Room in Brooklyn We continued the conversation electronically the next

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Art

March 2015

Tropenkoller

Lothar Hempel

Art

March 2015

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar...

Interview

November 2012

Interview with Simon Critchley

John Douglas Millar

Interview

November 2012

Over the last twenty years Simon Critchley has produced a series of elegant works of political and cultural theory....

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

 

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