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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Bound with animal fat, milk, or blood, Roman concrete is hardened over time Less water would ordinarily mean a less workable, yet stronger setting substance – concrete production being a tireless balance between liquid and solid against stability – but sanguine additives introduced bubbles of air, like tiny vehicles for the movement of solid materials through the cement, enabling flow and so multiplying the minutes between the mixing of the concrete and the moment it set for good A splash of water could be sacrificed without reduced workability Once the concrete set, each entrained microdwelling of air became a pore, allowing the now solid structure to absorb new water and for this to freeze, thaw, and exit the artificial stone without fracturing its temporary home In correspondence to the civilisation itself, strength was won and growth quickened with blood The first Pantheon was erected following the determining sea-fought battle of that last war of the Republic – the fight that saw Cleopatra exit, like a descendant of so many kings, with an asp to her breast Its replacement, built under Hadrian – concrete beneath brick – still stands The resistance of this ancient concrete was forged at scorching temperatures, the ash of Vesuvian eruptions precooked just as the limestone in Portland cement is sintered to clinker today Two parts volcanic mortar to one part lime; blood for tenacity; horsehair to reduce shrinking; laid by hand in line with its aggregate It built the Pantheon, the Colosseum, it rebuilt much of Rome and thousands of miles of road These days a soupier substance is needed to flow through machinery Watered down by industrialisation, and for the sake of economy, it is required to move faster, to build more It arrives ready mixed, slow-setting, weaker and bloodless Its quickflow corpus is reinforced now by steel; cracks begin to appear much earlier on   As the Empire faded, so too did the common use of concrete, its systematic application being the stuff of large-scale bureaucracy The Middle Ages had concrete, but not as much, nor as strong, nor so persistent In building material circles, it

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

feature

April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

Art

Issue No. 6

Interview with Edmund de Waal

Emmeline Francis

Art

Issue No. 6

As we speak, Edmund de Waal, ceramicist and writer, moves his palms continually over the surface of the trestle...

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

 

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