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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to One Who Saw It, but its pleasures were more austere than baroque – and deservedly made it a multiple award-winner The stories broadly divided into two types: those, like the title story, that played on antiquated scientific and historical narrative modes, and those that dug themselves deeper into a wholly subjective experience of the world In these stories, nameless first-person narrators used compulsive self-analysis as much to distance themselves from feeling as to bring themselves closer to any kind of understanding of their lives Greengrass continues both strands of her writing in this, her first novel; you feel that stories from her collection like ‘All the Other Jobs’ or ‘Dolphin’ could easily have evolved into a book such as this, or been sewn into the fabric of this one   SIGHT sets its tone with the decidedly ambivalent opening line: ‘The start of another summer, the weather uncertain but no longer sharply edged, and I am pregnant again’ What follows comes in three parts, each of which focuses on a significant event in the life of the unnamed narrator – a woman living in London with her partner, Johannes, and their young daughter, and, yes, awaiting the birth of their second child – but each of which also folds in the story of a particular intervention in the history of medicine   First, we get the death of the narrator’s mother, some years earlier, and the discovery, in 1895, of the X-ray, by German physicist Wilhelm Röntgen The second section sets off the intricate cross-generational relationship between the narrator, her mother and her maternal grandmother, a Hampstead psychoanalyst, against the equally complex dynamic between Freud and his youngest daughter, Anna, whom he analysed, and who lived on in his London house after his death, nurturing his legacy Lastly, we have the birth of the narrator’s first daughter, and 18th century surgeon John Hunter, who among other things investigated the development of babies in utero   This might seem rather a lot

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

 

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