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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Relationships can be long and snaking, cutting like train tracks through the varied landscapes of a life, and they can be short, stuttering, brief and intense But their most compelling literary, emotional and mythologising potential lies at their beginnings, and at their ends There is a body of astrological, psychological, romantic, legal and fictional texts devoted to these opposite points of a relationship, testament to the scrutiny and energy poured into attempting to capture the superload of feelings wrapped up in them Tropes related to the making and breaking of relationships often, through the conceit of ‘soul mates’ or ‘love at first sight’, suggest an element of cosmic provision – what we might call fate – but rarely is the concept of fate itself explored Jorge Consiglio’s slim novel Fate is an intense, enigmatic consideration of fate in love, and of fate as a force in human life   Fate follows two couples in Buenos Aires: Karl and Marina, whose marriage is falling apart, and Amer and Clara, whose romance is beginning They barely intersect but their similarities, parallels and profound differences read, in Consiglio’s hands, like necessary reflections, even when their stories are profoundly separate Karl and Marina have a son, Simón: the jaw-clenching psychodrama of their marital collapse is mirrored by Simón in small, sniping, heartfelt rebellions (refusing to look up from computer games, refusing to eat) Amer and Clara meet at a support group for people trying to quit smoking and tumble headlong into heady passion and discombobulating arguments Even though one experience could be straightforwardly described as ‘bad’ (break-up) and one experience could be straightforwardly described as ‘good’ (new romance), neither relationship is exactly delineated by total happiness or unhappiness; instead, Consiglio succeeds in capturing the turbulent molecular specifics of emotions, moment to moment   This is only Consiglio’s second book to be translated and published into English (the first, the collection of short stories Southerly (Villa del Parque), has also been published by Charco Press) Consiglio is a prolific and prize-winning author in Argentina and in Spain, with five novels

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

Interview

September 2013

Interview with Max Neumann

TR. Andrea Scrima

Joachim Sartorius

Interview

September 2013

‘It’s as though you’d like to speak, but have no language.’ These are the words chosen by German painter...

 

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