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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Worthwhile philosophy is like building matchstick galleons When Lewis says that all possible worlds are just as real as this one, or Chalmers says that a thermostat is conscious, or Parfit says that there is no persistent self, or Plantinga says that belief in God is no more unreasonable than belief in other minds, these are assertions of fantastic intellectual audacity – but only because they have been raised up out of close reasoning and incremental advancements   In general, continental philosophers prefer to operate outside these constraints, and are therefore also denied these satisfactions They have sex before marriage, so they don’t get a wedding night The closest thing to audacity that continental philosophy can ever manage now is when, for instance, Žižek says something tasteless about Josef Fritzl, and even then no one is genuinely offended, because they already know and love Žižek   But one exception has recently emerged   ‘What is it that happened 456 billion years ago? Did the accretion of the earth happen, yes or no?’ That shouldn’t be an electrifying question, but it is, at least in the context in which it is posed: a short book by a brilliant new philosopher who is also a practising Frenchman Let’s assume that we respond to it with what Quentin Meillassoux would call an ancestral statement: ‘Yes, the accretion of the earth did happen I wasn’t there myself, but it definitely happened’ As Meillassoux writes in After Finitude, ‘What distinguishes the philosopher from the non-philosopher in this matter is that only the former is capable of being astonished by the straightforwardly literal meaning of the ancestral statement’ If you’re not quite sure how anyone, even a philosopher, could be astonished by ‘The accretion of the earth did happen’, then you obviously haven’t spent much time reading continental philosophy (My warmest congratulations on your good fortune) In continental philosophy, that statement about accretion would be regarded as naïve, obtuse, old-fashioned, meaningless, and/or fascistic For example, here is one writer’s response ‘Let’s pretend it’s the late 19th century and phrenology is accepted as a science And someone like Meillassoux comes along and

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

Art

April 2012

Ryan Trecartin: The Real Internet is Inside You

Patrick Langley

Art

April 2012

 ‘What’s that buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzing?’ Marshall McLuhan   1: Your Original Is Having A Complete Human Change Meltdown Makeover   It’s...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

 

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