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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls ‘the boredom of storytelling’ As she explained to Michael Silverblatt on stage at an event last year, ‘When your thinking is still, watching TV or whatever, thinking the same thing you’ve always thought, you might as well be dead… Living happens when your thought moves’ To read Carson is to feel the parameters of poetry, translation and story-making move and unsettle Or, to borrow a phrase of Carson’s, to watch someone ‘undo the latches’ of ordinary understanding   Born in Canada in 1950, Carson has created one of the most exciting bodies of work in contemporary poetry Since the publication of her first book, Eros the Bittersweet, in 1986, Carson’s output has varied in form (translations, a novel in verse, lyric lectures, short talks, fragments, a fictional essay in twenty-nine tangos) and format (chapbooks, pamphlets, paperbacks, boxes) In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work These can include dancers, or sound art, or video, or sometimes all three   Carson’s work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it In the pieces she calls ‘Lyric Lectures’, Carson delivers texts informed by deep academic research but enlivened by poetic experiment Her ‘Short Talks’ are short stories without the story (‘On Gertrude Stein’ about 9:30: ‘How curious I had no idea! Today has ended’) In Autobiography of Red, her translation of a long lyric poem by Stesichorus, its two mythic figures Geryon and Herakles are cast as gay teenagers living in modern America Its sequel, Red Doc>, in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel Her newest publication Float is a book that has been freed from order and sequence: a clear box which must be knocked open to release 22 chapbooks   While Carson is best known for her studies of ancient Greek, a subject she has taught for many years – she has translated many of the major Greek texts, including

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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fiction

November 2013

Surviving Sundays

Eduardo Halfon

TR. Sophie Hughes

fiction

November 2013

It was raining in Harlem. I was standing on the corner of Amsterdam Avenue and 162nd Street, my coat...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

feature

Issue No. 9

The White Review No. 9 Editorial

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

 

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