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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa He was on an old bike, a rusted, duct- taped contraption I imagine must’ve squeaked and rattled from a loose chain or dust in the brakes… but I keep the music up when I drive, so I can’t re-place the sound, I can’t say there was a clatter-and-drag, whether it proceeded him, or enshrined him like some moving castle of music; Robinson Lonewolf, can you see him? the mad conductor, a gypsy percussive, orchestrating a synchronized cloud of ratcheting ticks No, I didn’t see his face Why d’you ask?   –What do I say of him being faceless? I can say I’m pretty sure it was him I know you know the trick with car mirrors   The second time? Years later I was in Red Rock country, north of Vegas, just off the 15 I passed a sign that read: Valley of Fire, and, Lake Mead and I swear I saw Robinson leaned against it just like that cowboy’s silhouette you hit in  Laughlin The neon one on the border of Nevada and California— He raised his arm too, dipped his hat brim like that as I passed him   –I saw stubble on his jaw, a chain at his throat and half a smile of white teeth No No bags with him   –He must’ve been headed north to— seemed he was hitching my side of the road   Significance of seeing Robinson? Stupid question Like, what color’s the air? Who cares I just see him when I see him   Yeah That was a bad one Two years locked up, San Bernardino County Detention   No He wasn’t I drove the car alone   Then it must’ve been Orange County, at a light Yeah it was late, just past the industrial part of town, you know, where that factory sends those plumes into the sky and that new hotel offsets ‘em like a Breughel painting? Hunting- ton Beach Boulevard, off the PCH?   –I don’t know I think he was on deck or in one of those drum circles that spring up ‘organically,’ you know? I saw a crowd piled up around him… Think of Robinson with one of those little monkeys that begs for dollars and change! How funny that’d be Yeah, I know why I’m here You sure you do?   No I haven’t seen him in Yucaipa for years Since

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

feature

July 2014

Another month, another year, another crisis: eleven years in Beirut

Paul Cochrane

feature

July 2014

Rumours of impending conflict can wreak a particular type of havoc. This is not as physically manifest as the...

feature

November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

feature

November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

 

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