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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the cold estuary, the countless small elevations of the islands, white and pale green, they rub against my fingertip, press into the grooves and rings of the impinging skin Under the fingernail and pressed deep into the nail bed the black earth of this godforsaken strip of Middle Europe, far from any sea, any estuary, with a view to the horizon in the west and in the east to the bench by the yard gate, where Auntolga awaits the evening, I see her through the sparse branches of the young cherry tree in front of my house, she sits in the light of the late afternoon and scrapes the ground with her black laced shoes until her friends come and sit down beside her, sit there until dusk like old ravens   Auntolga scrapes with her feet and nods and nods with her raven’s head, we call out something in Serb to each other When she talks in Hungarian to her raven friends, I hardly understand a word, yet once a word flew from their beaks onto my table – Mississauga No doubt, the word had become Mississauga on its flight between Olga’s bench and the table in my room and had sounded quite different at the beginning of its trajectory, but now it was Mississauga, as on the freeway signs in the dazzling early summer light in Ontario, a quarter, a third, half of a lifetime ago? Almost still a child I found myself, together with my son of a few weeks, in a big American sedan The woman in whose house I was going to live had picked me up at the airport, she spoke a language I could not quite make out, later I understood that in her mouth a German dialect unfamiliar to me and English were engaged in an unceasing struggle, now paralysing, then again racing into each other, only occasionally, whether out of inattention or a generous mood, permitting a recognisable word in one or other language, such as

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Art

May 2013

On the Margins

Sean Smith

Art

May 2013

 

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