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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry The author of four books of poetry and five books of non-fiction, she extends the possibilities of both forms, refusing to settle for, or into, either Unsettling definitions and reworking categories is not only the modus operandi of her writing, but also its subject matter Bluets (2009) is a whole book of what might be called poetry, about the colour blue, which is also, of course, about other things: desire, heartbreak, loss She has written two books about the murder of her aunt, Jane: A Murder (2005), which thinks through the trauma of the event, and The Red Parts (2007), a more documentary account of criminal and social justice, that accounts for new evidence that emerged while writing the first   The Art of Cruelty (2011) is a study of the avant-garde that rethinks the boundaries between art and life that much of twentieth century art worked so hard to perform By examining her own simultaneous attraction and repulsion to works of art that engage with cruelty, she makes a cogent case for both looking at, and turning away, from violence It is this kind of response – a critical model that locates value not in argument, or in partisan positions, but in receptivity, sensitivity and tenderness, that Nelson gives us a new kind – the right kind – of language through which to think both the messiness of life and the possibilities of art   Her most recent book, The Argonauts, is a love story, which is also a story about motherhood, about queerness and representation It’s a story that exists in transitional space, in the possibilities of love, the inevitable failures of intimacy, the limits of identity, the paradoxes of queer futurity and in paradigms that are constantly undergoing revision as their context shifts It explores not only what kinds of love we have to give, but what family-making (a word she hates) might mean and what good-enough mothering might entail Most of all, it considers what kind of transgressions are worthy of thinking about, what kinds of freedom we need

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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poetry

September 2016

Two Poems

Daisy Lafarge

poetry

September 2016

siphoning   habitual catalogue of the day, intro ft. blossom fallen from a gated property and crisping on the...

fiction

June 2015

Gandalf Goes West

Chris Power

fiction

June 2015

Hal stands in front of the screen. On the screen the words GANDALF GOES EAST.   GO EAST, types...

Prize Entry

April 2017

The Lovers

Devyn Defoe

Prize Entry

April 2017

Everyone who asks questions, asks in some way about love. The question is one half, the answer the other....

 

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