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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry market, filling shelves, fetching pallets from high on the storage shelves with the forklift, now and then helping one of the last customers of the evening and getting to know all kinds of food, I’d been working on building sites for a couple of years   I hadn’t given up of my own accord but I wouldn’t have kept it up all that long, even if the boss hadn’t fired me I was a builder’s mate, lugging sacks of cement and plasterboard, gutting flats – that meant I knocked the plaster off the walls, tore out fireplaces and chimneys with a big sledgehammer we used to call ‘Rover’, until I was covered in soot and dirt and spent hours getting the soot and dust out of my nose at home The firm didn’t even pay well and the boss was a bastard The guy came from Bavaria; I’ve met people from Bavaria who were actually OK though   I can’t remember exactly when all the fuss with the boss started, but I do know we were demolishing an old roof that day We found a big pigeon’s graveyard, two pigeons still alive and perfectly still in among all the bones, piles of feathers and pigeon shit and decomposing and mummified corpses, and we could only tell by their eyes and their heads, moving slightly every now and then, that they were waiting We fetched the Portuguese guys and they killed them with a blow of a spade Then we tipped lime over the pigeon graveyard and shovelled it all into buckets and tipped them down the rubbish chute fastened to the scaffolding outside   And after that we didn’t feel much like hard work any more; the pigeons had got to us We took the tiles off another section of the roof, not exactly motivated, removed the roof battens with wrecking bars, and then we took a lunch break   We usually had our lunch break at eleven thirty, and when the bells of the church just round

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

feature

July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

 

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