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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978) In Cigarettes, Harry Mathews’s novel published in the same year, a character finds himself quite literally crucified, replete with a crown of thorns – a consequence, and perversion, of love In Catholic theology, the idea of a love so pure as to evoke the ultimate sacrifice is approximated through the relic: a scrap of a shroud, a fragment of bone, a nail once pierced through flesh Imbued with the charge of history and the promise of salvation, these items both fuel and sustain the particular desire for proximity to holiness among believers   Pilgrims to Danh Vo’s mid-career survey at the Guggenheim Museum may find such desires pricked, teased, and thwarted by works that package the relic for the contemporary art market The Danish-Vietnamese artist, known for conceptual installations comprising rare and curiously sourced ready-mades, has been a fixture in blue-chip galleries and private collections At the Guggenheim, these objects are sparsely arranged on the museum’s winding ramp, where they are called upon to invoke grand themes: the legacy of American imperialism, and the artist’s lapsed Catholicism, among them Vo was born in Bà Ria, Vietnam toward the end of the Vietnam War, and moved with his family to a refugee camp in Singapore, settling eventually in Denmark Interspersing family photographs with artefacts from colonial Vietnam, the exhibition oscillates between intimate glimpses of the artist’s life and the sweep of history   Vo’s connection to a network of high-profile lenders has abetted a practice of skilled connoisseurship that allows the artist to impress audiences by the sheer incredulity of his acquisition Hung along the Guggenheim’s ramp is a chandelier from the former ballroom of the Hotel Majestic in Paris, where the Paris Peace Accord ending the Vietnam War was signed in 1973 In 2012, Vo acquired a group of objects from the estate of Robert S McNamara – the American secretary of defence between 1961 and 1968 – when the Vietnam War began to escalate Lot 20 Two Kennedy Administration

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

fiction

January 2015

Shishosetsu...

Minae Mizumura

TR. Juliet Winters Carpenter

fiction

January 2015

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left...

 

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