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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

That day at Kassim’s, there was no music There was almost no sound at all, not even the echoes of battle; I only recall the lyrical float of Kassim’s voice Even his gloomy prognosis for Iraq’s future was entertaining, but I found it difficult to focus I shouldn’t even be here, ran the voice in my mind, I should be following security protocols The war wasn’t over: the day I arrived, my induction tour of the United Nations compound at the Canal Hotel was interrupted by bullets buzzing overhead; part of the natural environment, like the other insects, but with a worse bite   On my drive in from the airport – the second civilian flight to land at Saddam International Airport since Saddam himself had vanished with the first light of dawn – I had sat next to a braying UN staff member Before the war – the history of Iraq having been unilaterally divided into two periods, before the war and after – he had been part of the Oil-for-Food programme, one of the most corrupt endeavours in the history of the United Nations, and he was an idiot, holding forth about the way in which Iraq worked, regaling us with stories of his dealings with local politicians, trying to impress the rest of us with his deep knowledge of the country   All of this while we drove past a city in ruins, a society in riotous mood, an economy that had just had its heart ripped out: he clearly didn’t realise that Iraq didn’t work, not any more, and that the politicians he’d lunched with were dead or had fled This man’s deep knowledge of the country was the little knowledge that is commonly recognised to be a dangerous thing: the sort of knowledge that can get a brother killed   The US soldiers grimly guarding the Ministry of Energy – apparently the only Ministry not looted during the post-Saddam euphoria – watched him pass For a moment, I wondered how the US military had managed to secure the Ministry of Energy when every other had been looted by popular consent,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

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November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

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November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

 

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