Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls ‘the boredom of storytelling’ As she explained to Michael Silverblatt on stage at an event last year, ‘When your thinking is still, watching TV or whatever, thinking the same thing you’ve always thought, you might as well be dead… Living happens when your thought moves’ To read Carson is to feel the parameters of poetry, translation and story-making move and unsettle Or, to borrow a phrase of Carson’s, to watch someone ‘undo the latches’ of ordinary understanding   Born in Canada in 1950, Carson has created one of the most exciting bodies of work in contemporary poetry Since the publication of her first book, Eros the Bittersweet, in 1986, Carson’s output has varied in form (translations, a novel in verse, lyric lectures, short talks, fragments, a fictional essay in twenty-nine tangos) and format (chapbooks, pamphlets, paperbacks, boxes) In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work These can include dancers, or sound art, or video, or sometimes all three   Carson’s work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it In the pieces she calls ‘Lyric Lectures’, Carson delivers texts informed by deep academic research but enlivened by poetic experiment Her ‘Short Talks’ are short stories without the story (‘On Gertrude Stein’ about 9:30: ‘How curious I had no idea! Today has ended’) In Autobiography of Red, her translation of a long lyric poem by Stesichorus, its two mythic figures Geryon and Herakles are cast as gay teenagers living in modern America Its sequel, Red Doc>, in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel Her newest publication Float is a book that has been freed from order and sequence: a clear box which must be knocked open to release 22 chapbooks   While Carson is best known for her studies of ancient Greek, a subject she has taught for many years – she has translated many of the major Greek texts, including

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

feature

July 2014

The Fast, the Furious and the Power of Frivolity

Orlando Whitfield

feature

July 2014

The six chapters that comprise the Fast & Furious franchise thus far (a seventh is due for release in...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

feature

January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

 

Get our newsletter

 

* indicates required