Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

What interests me most is that Schaumann, the state executioner, bred mice In his spare time Sirens, ozone, exhaust are words I could use to entice you into thinking yourself interested in the scene at Sing Sing where Schaumann, of whom you’ll hear quite a bit more, was dispatching this or that killer on a day let’s say in spring Did you know that he lived in an undecorated house? As a rule, he was inclined toward plainness An absence of adornment in his clothing, decorations, speech, wife, car, habits, comestibles He could have lived thus even if employed as a dog catcher or chiropodist Ostentation was invisible to him Or he preferred not to see it Tasteful or un, he found anything done for no reason than to excite the senses to be in poor form He had never thought otherwise Perhaps a transcription error in the old zygotic alphabet A likelihood that would not have been unfamiliar to him, breeding his mice Here a one with a longer tail, there a one who wouldn’t take food Schaumann eschewed even condiments Nor would he wear charms or trinkets He had lost his wedding ring on his honeymoon While swimming Sucked away by the salt he would not have added to his beef stew Leading his wife to joke that Schaumann was now married to the sea A joke, for those with an ear for such things Schaumann had no guile His children found it easy to deceive him His children found him simple Given his profession, however, I am tempted to see something defensive in his meticulous triviality Ostentation would draw attention If attention were paid to Schaumann, the attender might learn what Schaumann did for a living So he was ashamed of it?   Sources differ   His children found him simple I think they were mistaken And, anyway, they will not read this story I won’t encourage them to do so, and I’ll ask that you not bring it to their attention And did

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

Interview

February 2015

Interview with Nicholas Mosley

Alex Kovacs

Interview

February 2015

Nicholas Mosley’s reputation as a writer has often been obscured by the extraordinary nature of his family background. Born...

Interview

January 2016

Interview with Tor Ulven

Cecilie Schram Hoel

Alf van der Hagen

TR. Benjamin Mier-Cruz

Interview

January 2016

Tor Ulven gave this interview, his last, a year and a half before he died, leaving behind a language...

Art

Issue No. 2

Sri Lankan Contemporary Art

Josephine Breese

Art

Issue No. 2

Sri Lanka has developed a thriving, vital contemporary art scene over the past twenty years. New artists are emerging...

 

Get our newsletter

 

* indicates required