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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Dear Mr Chairman,   Sir,   Yesterday, after I switched on the spotlight so that you could see the Queen properly, you covered your nose so I wanted to explain why there’s a smell   Please, allow me to introduce my good self to you I’m Benazir Mirza (also known as Aspro), and for ten years now, I’ve been working as guard and caretaker in the basement of our prestigious Lahore Museum But more than that, I’m a devoted sevadari to Her Majesty, Queen Victoria   Sir, I want to tell you everything – how after Partition the Queen was dragged from Charing Cross Road, where she’d sat under the shade of a marble pavilion since 1904, and dumped here in the basement However, I don’t want to lie and pretend that I haven’t been watching you for many years I see you every morning when I’m taking my tea break at 1130 am at Khalid’s kiosk and you drive through the gates of the Museum You sit at the back, on the left, with your window rolled up I even know your number plate   ‘There goes my boss’s boss in his big car,’ I tell Khalid, and raise my cup to your black Mercedes Khalid doesn’t bother to look but tells me the same thing every day, ‘What difference does it make to you? Nothing Are you ever going to ride in that car and go to Chaman for a badam pista ice cream? Never’   He also comments on how you keep coming and going ‘Your boss’s boss doesn’t do anything except show off’ I told him an important person like you had many meetings to attend at fancy places like the PC Hotel   ‘PC my foot; why are you defending him?’ he said ‘He isn’t your husband’   Now I’ll speak openly Sir, I’ve often wondered, what if I was married to you, then what? I imagine turning the handle on the door of your polished car and the cool blast from its air-conditioned interior welcoming me, but then my mind goes blank and I get stuck thinking about what next   But I’m getting sidetracked; I don’t want you to have

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

November 2011

Cooper's Hawk

Elyse Fenton

poetry

November 2011

My breath’s the wind’s breathless down-stroke hasty claw like the gnarred finger of juniper just now clambering for a...

poetry

October 2013

Steam

Jon Stone

poetry

October 2013

Steam in the changing rooms, stripping off after the race, breathes like an engine. The air is filled up...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

 

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