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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused’ It feels like a long time since any political group or institution confessed to such a common human condition But far from being a mission statement, this was an honest and heartfelt plea from an organisation of working men and women with families to support for an intelligent debate surrounding the Occupy protests that have spread like a viral video of police ‘overreaction’ across the globe   That might be the first point of confusion to clear up They weren’t overreacting Heavy-handed, authoritarian, ‘tough-on-crime’ policing is how these servicemen were taught to act, and they have been ‘reacting’ just fine on the streets of Oakland and US cities like it ever since Until recently they probably thought they knew why Oakland has long had an unemployment rate well above the national average, endemic multi-generational poverty, and an illustrious history of black labour organisation Like many poor places in the US it also has a wealthy neighbour, San Francisco — which like most affluent areas prefers that struggling populations remain out of sight, and out of mind There are many ways to achieve these political erasures, but an effective method has always been aggressive policing, increasingly privatised warehouse prisons, and a ‘tough on crime’ culture And as long as you’re on the right side of all this, and the ever-tightening ‘legal’ definitions this degree of control requires, it really works Over time US police departments have developed the skills, toys and temperament their political paymasters required of them In a nation state, which comprises just five per cent of the world’s population yet a fearsome 25 per cent of the world’s incarcerated, these are valuable skills The highly politicised nature of American incarceration, spurred on by the morally bankrupt ‘legal’ machinations of the domestic war-on-some-drugs, means the US now has a large portion of its potential workforce locked up inside Those allowed out are branded ‘felons’ and denied employment opportunities and voting rights A disproportionate number of which are black or brown skinned — caught in the revolving

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

December 2011

Travel

Paul Kavanagh

fiction

December 2011

Taxi The taxi stopped and Henry climbed into the taxi. The taxi driver went around the block three times...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

 

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