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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out her house The pages are titled ‘ME’, ‘Boys’, and ‘School’ Reading them now, it’s clear I was lonely ‘As I have said before,’ I wrote, on the page titled ‘School’, which implies that I wrote more often than I remember, ‘there is no one I can talk to here’ My theory appears to be that no one can take me seriously ‘because I am so small’: ‘People only listen to me when they ask how big my feet are All they can do is measure them up to me’ I recall a time from ‘my old school’, when I was measured by the other pupils in my class to see if I was a metre tall ‘I felt like an object,’ I wrote, ‘being used to play jokes on’ On the page titled ‘Boys’, I seem to have anticipated being ‘left out’ in social situations, seemingly without putting myself into them in the first place, and make excuses for not doing things ‘I am on bed rest any way most of the time’, I wrote, which is also why I am ‘so behind with my work’   I had kept a diary for a short time when I was around nine or ten and already knew better In it, I wrote about my frustration with my mother, along the lines of, ‘Why can’t she be like everyone else?’ She had come out as bisexual My parents were separated She was ill in bed all the time I left the diary at my grandmother’s house She found it, and read it, and then my mother read it I’m sure my childish spite proved something to my grandmother I’m sure my mother was furious I had betrayed her From then on, if I ever wanted to write something down, I wrote on loose sheets of A4 paper, as if they were just notes, or a draft, and could be easily disposed of   The ‘ME’ page of my school diary details

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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April 2017

Everywhere and Nowhere

Vahni Capildeo

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April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

poetry

July 2014

Little Pistorius in a Sleevelet of Mirrors

Joyelle McSweeney

poetry

July 2014

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to...

Prize Entry

April 2016

clerical error

Victoria Manifold

Prize Entry

April 2016

Due to a clerical error on my part, the current Prime Minister is now living in the box room...

 

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