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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you singed in the industrial-strength dryers at the Laundromat, and it takes you a moment to clear your head of the dream you were having Something about a fire   According to your alarm clock, you only slept a few hours, but you feel alert The dream slides away, and you inhale and exhale slowly And again And a third time, and this time you are not simply breathing, but you are aware of your breathing Not shallow and struggling, but steady, relaxed, deep breaths You had been so anxious about About The thought seems so clear when you don’t focus on it, but as soon as you try and grasp it directly, it dissipates In its place, a heavy, foglike calm has settled, your highs and lows clipped to slight hills and shallow depressions reinforced with a rebar of incuriosity   You put away the clean dishes from the drying rack and rinse the large pile of dirty ones; wipe down the kitchen countertops, the stove, the floor; start the coffee maker After mopping the floors, you take a nap When you wake up, you feel the same The coffee is ready   *   By the time you get to the office, Dan is already there You and Dan work together at a long table, which serves as both your desks, in a small, cramped office located three floors below street level of a very large building downtown, where you stamp and highlight and staple together various documents and then file away said documents in manila folders that are stored in the massive, adjoining two-story file room filled with rows and rows of gunmetal grey filing cabinets The nature of the files holds very little interest for you The actual work you do all day is almost completely devoid of context; whatever job satisfaction you receive – outside of a paycheck – comes from the efficient completion of an enormous volume of what amounts to a handful of repetitive tasks that are just taxing enough to

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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September 2013

A God In Spite of His Nose

Anna Della Subin

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September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

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October 2013

The Good Soldier

Jess Cotton

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October 2013

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial. The deaths of the Greek heroes,...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

 

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