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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

She saw her father at Smith’s By accident She was paying the heat bill After paying the heat bill, she deposited some of the money he had given her for rent As she walked out of Aisle 6 near the cereal, she saw him His eyes were looking up, searching for something But she saw him She decided that when he turned his gaze towards Captain Crunch he couldn’t possibly see her Walking past him quietly, she snuck out of his view Her father was wearing a black sweater and black jogging pants He looked scrawny and not like her father Whenever she saw her father, her heart ached Especially from a distance, from a place where he couldn’t reciprocate her gaze   Her father had suffered extensively during his sixty years of existence Since arriving in the States in his thirties, he had worked for the poultry factory for nearly thirty years, and when he retired he was penniless, not from gambling, but from poor money management After all, her father never had a high school education He dropped out of school when he was 15 to join the Army, fighting against the communists and Viet Cong When the war ended, no one wanted to hire him, especially those from the North, moving South after the evasion He was a white sheet of paper that no one wanted So her father worked for a truck company that transported fruits and vegetables from the highlands of Vietnam into the cities He transported goods from Ha Giang, Lao Cai, Quang Ninh, and even from Dalat He transported Japanese plums, Asian pears, etc Domestic market was his expertise   For three weeks now, she hadn’t spoken to him Despite sharing the same bedroom and same bed, she hadn’t technically spoken to him She had purposefully been avoiding him She hid under the bedsheets in the late morning, concealing her face beneath a mask of fabric Sometimes the fabric clung to her nose and for moments she felt suffocated as if a cat had been sitting on her face and inhaling

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

December 2016

The Giving Up Game

Rowan Hisayo Buchanan

fiction

December 2016

The peculiar thing was that Astrid appeared exactly as she did on screen. She was neither taller nor shorter....

Interview

January 2016

Interview with Fiston Mwanza Mujila

Roland Glasser

Interview

January 2016

Roof terrace of the Shangri-La hotel, Santa Monica, Los Angeles, USA; late afternoon, 8 October 2015. We ensconce ourselves in...

Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

 

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