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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I am standing in front of a room full of people reading out a story The room is dark I am wearing a head torch so I can read the story My hands are shaking The story is about me getting drunk and having sex with a person A lot of people in the room know about me getting drunk and having sex with a person I did not know the name of the person I had sex with   After I have read the story I wander round the room and don’t know what to say I have already said over a thousand words in a row Sometimes when I approach a group of people one of them will say something positive and either clasp my arm briefly or touch the upper section of my arm I am approaching as many groups of people as possible so I get the highest number of positive things said to me I am feeling happy This is partly because I have been told a lot of positive things but also because I have drunk around five bottles of beer The number of people in the room is decreasing The amount of beer in the room has already decreased to zero This is worrying as the two main things I want are alcohol and people   There is a person I want a lot standing and talking about some objects I arranged on and near a wall I think that I should go and talk to the person If I crashed into the person while we were both in cars I would definitely talk to the person about the arrangement of solid waves in the shell of their vehicle, perhaps implying that they should permit the serendipitous beauty of the incident to assuage their feelings I go to talk to the person The person did not see me say over a thousand words in a row so I feel like they are less likely to object to me talking to them The person does not know that I arranged the objects on the wall but expresses

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

March 2013

Interview with Billy Childish

José da Silva

Interview

March 2013

Buzzed in through the red metal door and down the stone steps into the bunker that is L-13. The...

fiction

November 2015

Wolves

Jeon Sungtae

TR. Sora Kim-Russell

fiction

November 2015

The Chief   The sound of the bell for the closing of the temple gate reaches my ears. I...

Interview

January 2016

Interview with Fiston Mwanza Mujila

Roland Glasser

Interview

January 2016

Roof terrace of the Shangri-La hotel, Santa Monica, Los Angeles, USA; late afternoon, 8 October 2015. We ensconce ourselves in...

 

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