Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

THE KITE C 1755   One doctor of lightning, floating on his back down a river held his kite high, a sail in the sky of silk (B Franklin once let a kite tow him across a sizeable lake) Sail of wind and rain in diamond-shape at the end of which a child was, too, a kind of lightning sitting on the sill of a window or standing just inside a door will emit a luminous liquid, slightly viscous, which flashed an instant above the gathered crowd honing down into a long string that held a single hand well in place forcing the connected person to quickly learn the rigour that rules over such childish things once mixed with copper, oiled paper, and an impending storm     BENJAMIN FRANKLIN   used books, people, wires, and wax – it was really quite simple –   Franklin wandering lost between it all could nonetheless feel the tiniest sparkling parts alive inside the glass,   and of something given off deep within that somehow let Isaac Newton live Yet Franklin never quite met him and was left to make a meticulous record of the weather, the water, and the stars in the skies ajar from the deck of the ship heading home again, c 1725 It was he who first asserted that all electricity is a single thing and who solved the mystery of the Leyden jar   So, back to the books, the corks, and the wax, while the fresh water from a tea kettle came as a shock or maybe as a memory – a librarian in Latin opening the windows during thunderstorms so that all could read by the lightning     THE ELECTRIC FORTUNE-TELLER   made and marketed by Georg Heinrich Seiferheld, 1757-1818, was just one among a series of ghostly devices made of lights, buttons, boxes, and small Leyden jars all hidden in a miniature temple made of shook-foil shaken and in the hand, a book on which was written in sparks: “This darkness is permissible” So, off went

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

fiction

May 2017

Gloria

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked...

Interview

Issue No. 7

Interview with Keston Sutherland

Natalie Ferris

Interview

Issue No. 7

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston...

 

Get our newsletter

 

* indicates required