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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

ALL THE MEN I NEVER MARRIED No4     Last year at primary school, our last Sports Day and one of the girls in our class finally snapped   and hit you with her rounders bat I can still hear the thunk from across the field   I wasn’t sorry, even when you ran past crying We hated the way you followed us around,   called us your girlfriends, the top of your head barely reaching our shoulders, and the smell,   not just unwashed skin, the same clothes day after day, the same trainers with holes in, but something else,   some animal smell I imagined was catching You often tried to hold our hands or stroke our hair,   or rest your small white fingers on our legs I wasn’t sorry for you when we ran away   because you tried to lift our skirts above our waists, or when the boys held their noses   because you’d peed yourself again Back in the heat of that sports day, a whistle is blown   and children cheer and that rounders bat sails away through the afternoon, turning over and over,   thrown by that girl, the first in our class to wear a bra, who said you’d tried to touch her strap,   that she’d hit you again if she had to Brown sacks crumpled on the grass,   spoons from the egg and spoon race in a glittering heap and children moving crab-like across the field,   you already disappeared inside, and that girl, still angry and defiant   The next day, your mother, waiting in reception She never came to parents evenings or concerts,   yet there she was, hunched in a chair, pale-faced and waiting for the head teacher to appear   I like to imagine I felt sorry for you then, Knowing you had nobody to speak for you about the bat,   your unwashed clothes, your hands, the way they could not stop touching things       ALL THE MEN I NEVER MARRIED No9   two hours with you sitting at opposite ends of your single bed   your feet level                        with my chest my feet level                with your waist   almost like           being a teenager again almost like                   a giving in   when you put your hand on

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

March 2017

The Urban Cyclist

Daniel Galera

TR. Alison Entrekin

fiction

March 2017

No terrain is impossible for the Urban Cyclist. His powerful legs drive the pedals down in alternation, right, left,...

Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

fiction

September 2011

In the Aisles

Clemens Meyer

fiction

September 2011

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry...

 

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