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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The Dispossessed is Szilárd Borbély’s first novel, although he has been active – and widely acclaimed – as a poet, literary historian and essayist for more than twenty years Its first print run sold out almost immediately To state that the book has touched a raw nerve in today’s Hungary is something of an understatement; nonetheless, Borbély’s portrayal of growing up in the country’s rural northeast during the beginning of the Kádár era (1956-1988) haunts the reader for its unsparing truthfulness and attention to small details The novel’s narrator is a child – possibly Jewish, although he himself is uncertain about it – who registers and remembers colours, scents and sounds from the unchanging brutal microcosm that is impoverished village life A historical note: The Arrow Cross was a fascist political organisation, allied with Nazi Germany, that held power in Hungary from 15 October 1944 to 28 March 1945 Under Ferenc Szálasi’s rule, the Arrow Cross oversaw the murder of approximately 200,000 Budapest Jews, as well as continuing the deportations of rural Jews to Auschwitz which had begun under the previous government of Admiral Miklós Horthy Béla Kun was a Communist revolutionary and leader of the short-lived Hungarian Soviet Republic of 1919 Overthrown by Admiral Horthy, Kun fled to the Soviet Union, where he was killed in Stalin’s purges —OM   —   When Mózsi came back from the forced labour camp, he no longer looked like a Jew He was just like anyone else He came back like the other refugees who were looking for their homes, their belongings, the families left behind here Like everyone else who could not stop living He lugged the burden that was life He was bald, and he wore a threadbare soldier’s uniform His luxuriant hair of old, his curled ear locks, were nowhere to be seen No longer did he wear his black caftan Nor his hat Nor his white shirt Never again the mourning-shirt fringed at the corners, which the men had always worn In the village, nobody talked about what had happened to these clothes Mózsi too did not ask

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

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October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

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October 2011

This is not the place: Perec, the Situationists and Belleville

Karl Whitney

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October 2011

I stood near the columbarium at Père Lachaise cemetery. I was there to see the locker-like vault containing the...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

 

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