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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

  Earthenware model of a horse, unglazed   I, too, am a survivor My eroded coat dappled with lichen and stars My spirited tail has long  snapped off    One millennium and then another  has wheeled on by  since the potter squatting on his dusty stool thumbed my jowls   to the perfect roundness – a gesture  tender despite his production line – and nicked  my nostrils in this haughty flare ‘Stocky’  they called me    in the catalogue I admit,   though hollow, my belly’s a swollen gourd, buddha-full  Ears pricked, mane brush-stiff,  my grin is quizzical, sometimes   even a grimace behind the smudgy glass  My hooves were long  buffed by clay ranks of imperial grooms    Reserved for only the finest tombs my kind maps out the trade  between civilisations –  one squat stallion for fifty bales of silk    They rolled out the Silk Road before us  all the way to the walled city of Chang’an The Han emperor sent for us to fill  his echoing stables He called us his Tian ma,    ‘celestial horses’, expecting our hardy stock  when the time came  at last to carry him up the narrow passes  into heaven Some nights    I dream  of galloping across scrubby plains, the herd’s sweat  tart as highland apricots around me – far blue peaks retreating into memory              Porcelain tea caddy painted in underglaze blue   Far blue peaks retreating into memory as wizened cedars twist against a glaze    of sky A pagoda perched on a lonely outcrop where a scholar might withdraw to think –    or dream, perhaps, of cicadas thrumming  through misty branches, singing of past lives   as long-sleeved concubines, or frustrated literati  These painted scenes of oriental whimsy I reveal   might snatch the gaze of a well-heeled visiting gent but are studiously ignored by these lily-fingered    daughters of the prosperous Liverpool merchant – a man of great taste, my owner, he spotted me    half-buried on a stall of flighty fans and girdles   His girls will learn to pour this steaming, still-exotic    brew that measures everything from Empire’s  horizon to the charms of fashionable girlhood   while glancing coyly – spout poised – from the corner  of an eye I watch it all from

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 17

Ada Kaleh

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

 

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