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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others & lacking in the slightest trace of individual taste Were cavernous & costly & sterile, mausoleums to the fashion of the moment Lives were lived in them, but not so they’d disturb the silk cushions on the crushed velvet settees The air in them was still & muted & old, as if marked by a recent death Outside, away from the cul-de-sacs, the highways would buzz with traffic, particularly during the morning rush hour & the tired evening commute Whizzing along, motion is a green forest bordering the sharp bends in the road To fly, they’d take themselves to airports, with even more cavernous spaces and roofs that were wavy with no feeling in them, but were said to imitate the topography of the land When not running panicked, people would saunter in them, tourists of their own lives Indifference & consumption like musack, everywhere Once in the air, mall-life was brought to them, tranquillised at 25,000 feet with sunlight scintillating off polished airplane wings Night was chain hotels with fake everything Looking through a hotel window at a mass-produced, urban morning, you could see the way highways would wind in and out of gas stations and signage, like some long, slow-dying hope But thanks for giving us another Lolita, concupiscent in the buff, hot for her Humbert Humbert And for all the road-trip emotions, the different shadings of feeling as the car nosed through the countryside (or was it the past?), under tree-limbs dappled with sunlight or into stricken suburban streets Thanks for showing the poignancy of airport parking-lots The poignancy of missing people; arrivals; departures    

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

poetry

July 2012

Fig-tree

John Clegg

poetry

July 2012

He trepans with the blunt screwdriver on his penknife: unripe figs require the touch of air on flesh to...

poetry

Issue No. 3

Camera & Even After He is Gone, the Cat is Here and I Cast My Suspicions on Him

Toshiko Hirata

TR. Jeffrey Angles

poetry

Issue No. 3

Camera You take my sweet sleeping face You take my innocent smile You take my large breasts Even though...

 

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