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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Listen to the silence, let it ring on (Joy Division, Transmission) I It is not yet dawn The city is a distant murmur Laid out on the desk before him are the tools of his nightly excursions, boxed in metal, wired together, patiently waiting He places the headphones over his ears, flicks the switch at the side of the machine Outside, through the window, he can see no people, no passing cars It is raining Clouds turn queasily in the sky A bird begins singing, somewhere out of sight   The first rush of sound welcomes him back; that familiar fuzz of static that sluices through his ears, engulfs his brain, and plunges him into the flux He reaches for the dial and brushes its ridged edge with his fingertips, letting his ears adjust to the nuances of the night Hiss Crackle Warmth Wondering briefly what he is about to discover, if anything, he closes his eyes Sometimes the nights are barren, sometimes not   Rain falls more heavily, patters against the window with a sound like soft applause A quick bite of his lip, a scratch of his neck Everything is ready He turns on the tape machine, presses Record The heads spin in their plastic window     2   Lightning whitens the road for an epileptic second Pavements, cars, gutters and shops: everything’s bleached by the light ‘That’s what, the hundredth time this hour?   Jimmy smiles   The café is the only place open along this long, dark, featureless road, and it’s packed People are loitering among the tables in clothes so wet that liquid shadows are gathering around their feet None of them wants to be marooned in this low-lit, white-tiled little place on a Friday night But here they are, imprisoned by falling water   ‘Is your phone still fucked?’ I ask   Everything stopped working once the storm began Mobiles, the internet, the wall-mounted TV: all of them paralysed The only means of communication with the outside world – albeit one-way

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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April 2014

Chiral

Paul Currion

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April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

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April 2017

Symbols Made Me Hardcore

Joe Bucciero

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April 2017

‘A Sound System, like the property of any system, is the interaction of the sum of its parts.’ —...

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May 2016

See Inside for Holiday Special

Joanna Quinn

fiction

May 2016

We are not tourists. We are journalists. We fly out from Heathrow, Bristol, Glasgow and Newcastle to foreign airports...

 

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