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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My job during the war was to administer beatings This didn’t make me better than anyone else, particularly not the people I beat To ensure that I never forgot this, I was periodically beaten myself I, Laura Grimsey, a White, beaten quite roughly but within official boundaries by a Brown A team of Browns was retained expressly for this purpose: to beat the beaters   I celebrated my two-year work anniversary the week the war circus arrived This was by chance also the ten-year anniversary of the war effort itself The economy was soaring To celebrate in a traditional manner, the Bureau had received a shipment of commemorative tin helmets and tin flasks, and at the entrance to the war circus’s big top tent, spectators were handed tiny tin keyrings fashioned in the shape of a nuclear warhead with every circus programme Whites and Browns flocked to the war circus together, flush with anniversary bonuses and promotions In tribute to the unsinkable camaraderie of our army, the Whites and Browns bought each other pails of popcorn from the clown shuffling between the stands with a plastic tube of fluffy kernels braced like a sandbag across her shoulders   #   The War Machine Speaks with a Liquorice Tongue   Immigration, boy Can’t fault the Browns, far better off as they were loping through deserts and savannahs Hunting that big game under their own God-given sun Unafraid of what sails down from the sky But here we are Here we are We can only get on with it Come together, all of us patriots White Brown No matter We know our bombs the way we know our lovers The Annabelle The Betsy The Claudette In the armament factories we bellow out love songs Hands percuss metal shells We forget whose voice is White Whose Brown We’re lucky to have steady jobs What’s more, bonuses Britain Britain First Britain first  

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

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December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

Interview

September 2013

Interview with Max Neumann

TR. Andrea Scrima

Joachim Sartorius

Interview

September 2013

‘It’s as though you’d like to speak, but have no language.’ These are the words chosen by German painter...

Art

Issue No. 9

Dr Gaz

Jeff Keen

Art

Issue No. 9

Jeff Keen was among the most influential of a pioneering generation of experimental film-makers to emerge from the United...

 

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