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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a free, plural and powerful press   There is no doubt that the travesties against journalism perpetrated by a previous regime at the News of the World warrant severe retribution But that retribution should be exacted by British courts against the individuals proven through due process to have broken the laws that govern journalistic practice We insist that so-called justice should not be served by the governing elite of News International against a largely blameless newsroom Neither can we accept, as rumours grow that the Sun will become a seven-day newspaper, that the sacrificial offering up of a name should assuage the public’s discontent These wounds are too deep to cauterise Too many questions remain Rebekah Brooks remains Any editor who fails to query her reporters on the sources of their stories, as she claims, is guilty of a gross dereliction of duty Rebekah Brooks is not incompetent We must ask why the Murdochs consider her continued involvement with News International to be of greater value than the retention of a 168-year old brand with the largest readership in the UK and a staff of 200 It is hard to believe that Rupert Murdoch, a man not previously associated with the prioritisation of sentimental attachment over good business sense, would allow so destructively divisive a figure to continue simply because he enjoys her company to dinner Among those who are known to enjoy her company at dinner is this country’s prime minister, who appointed her successor as the editor of the News of the World to be his director of communications That man, Andy Coulson, is again being questioned by the police Following his press conference this morning, we know now that David Cameron is among those few people in this country who believe that the duties of an editor do not include checking the sources on his lead stories On Wednesday he wrung his hands at Prime Minister’s Questions and has

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

 

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