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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We are crowded into the medium-sized piazza before the sanctuary of Montevergine There is no town or village; it sits alone near the top of an isolated mountain A narrow road leads up to the sanctuary walls, which rise seamlessly from the sheer limestone incline The buildings are simple: just a few square blocks tucked behind a rectangular bell tower and a tall, narrow church They are uniformly pale, and at this time of year, in bitter winter, sit like dirty butter pats under a dusting of snow The snow also covers the barren scrub of one of Italy’s wildest regions, Basilicata, which unfurls with dreary panache in the valley one thousand metres below I am early and the cold drains the blood from my hands, rushes it into my cheeks and to the end of my nose I’m even early enough to catch a candle seller so old that she seems to be made of stone She is tiny and she sits against the wall She is rotund only because she is wrapped in so many layers of blanket What appears to be a blue pillow is tied to her head She clutches her brightly-painted candles as though she doesn’t really want to sell them, as though she’d rather donate them all to the Madonna that everyone is here to worship When she realises that my real purpose is not to buy them, but to talk to her, she refuses to utter another word and looks angrily at the ground   The old woman is selling candles because today is Candlemas This is the official end of Christmas and the day on which candles are blessed in Christian churches all over the world Candlemas is the oldest Marian ritual and one of the earliest to appear in the written sources[1]   ***   Despite its imposing history, this celebration does not appear to be an entirely serious event All over the piazza small groups are arriving Most of them come from Naples, which lies sixty kilometres to the east of Montevergine A lot of people carry unrecognisable instruments; many of

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

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March 2015

Plastic Words

Tom Overton

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March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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