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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Walter Benjamin said of Kafka that his work dealt in ‘the purity and beauty of a failure’ That ‘once he was certain of eventual failure, everything worked out for him en route as in a dream’ Wresting the Czech novelist from the critics who had variously lumped him into one of two camps – the psychoanalytic or the mystical – Benjamin was keen to assert the far more prosaic origins of Kafka’s absurdity: the ultimate fallibility and smallness of man that ultimately renders all fleeting and often fortuitous achievements, funny   What Kafka dealt with from an almost metaphysical perspective, became the subject of latter-day comics dealing in the far more kitchen-sink enactments of this same scenario – the petty anxieties of the Petit Bourgeois This was the social strata rendered humourless by the bald ambition and anxiety that attends climbing the social ladder, becoming an easy target of ridicule along the way Kafka is the Paul Klee to Tony Hancock’s John Bratby, but the state embodied by both, the sense of wry detachment, and sense of alienation from the systems of governance and bureaucracy that ultimately decide one’s fate, also continued the experience of childhood I have often marvelled at the ways in which our society maintains the idea that adulthood should constitute the discarding of such scepticism, to me, insisting on a form of delusional and uncritical conformity The childish amongst us, of which a large concentration seem to exist in the fields of artistic expression and academia, are those who have not yet ceded to the forces of economic one-up-manship, who no different to how we were when we were five, see much of the world as constituting a mystery of jargon and dumb stress   I have long been interested in the psychic impacts of social mobility The orphan state it creates in the winners, and the anguish left for everyone else This state of detachment from bureaucratic forces, the imperviousness to success and failure that I describe here, ought to be the experience of childhood And yet I wonder whether it was a prelapsarian state cut short for

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

poetry

September 2012

Crossing Over

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide...

poetry

February 2016

Maurice Echegaray

Lina Wolff

TR. Frank Perry

poetry

February 2016

It was when we were living near the southbound exit. Maurice Echegaray had his company office on our staircase...

 

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