Mailing List


Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

This is a transcription of a live fundraiser event for Black liberation organised and hosted by Silver Press on 9 June 2020 ‘Revolution is not a one-time event’ will return as a month-long programme in August, organised by Che Gossett, Lola Olufemi and Sarah Shin     Akwugo Emejulu It’s incredibly exciting to be here, and it’s an honour to be chairing this panel with this amazing group of scholars and activists My name is Akwugo Emejulu, and I’m a professor of sociology at the University of Warwick Before I introduce the panel, I just want to give you a little bit of background as to why we’re here and what we’re hoping to achieve for this event As many of you know, this is the day of George Floyd’s funeral in Houston, Texas In fact, I think it’s actually happening right now So I would like to dedicate this session to George Floyd, to Breonna Taylor, to Atatiana Jefferson, to Sarah Reed, to Sheku Bayoh, to Adama Traore, and all the other countless victims of police violence I think it’s important that we start with that, and say their names    And so before I hand over to this amazing panel, I just want to say a couple of things about my hopes for this discussion I hope that we can be brave, that we can be courageous, that we allow ourselves to think expansively about this idea of abolition, and what freedom looks like, and what care and caretaking and care work looks like I hope that we allow ourselves to have our imaginations run wild, and that we really engage in this speculative dialogue about what a future would look like without police and prisons This is a really amazing opportunity to do this And abolition feminism gives us the framework, the tools and the opportunity for us to desire more and better for ourselves But I think what’s also important to understand — and that’s why we have this great range of both thinkers and activists here — is that while I hope that we are

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

feature

Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

Prize Entry

April 2016

clerical error

Victoria Manifold

Prize Entry

April 2016

Due to a clerical error on my part, the current Prime Minister is now living in the box room...

Art

Issue No. 3

Borism

Lee Rourke

Oliver Griffin

Art

Issue No. 3

ES9 is the latest body of work by Oliver Griffin in his archival series The Evaluation of Space. Taken...

Prize Entry

April 2016

Mute Canticle

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure...

 

Get our newsletter

 

* indicates required