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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘Sometimes I go to the tavern and get drunk          What of it?’                                 Nesimi 1 Bars tend us in our brighter afternoons toward the gentler tenses: conditionality, subjunctivity, would reign within their glasses’ stains, so that it might be possible to claim, if there could be a bar where Lorne Greene drank, post-Battlestar, a whole Bonanza shot – if these could somehow have been filmed within these Borders, in this North East – then it would be here where the piano is forever paused, the Cylons placed on charge, beneath this rippling cream ceiling motif not so unlike the way his hair was combed   2 In fact no keyboard need be present, just the suspension of its mammoth tooth-tonk will suffice, any further note defeats both memory and prediction of our tune In fact succession can find no hook here, like the gecko’s rubber foot, baffled by some non-surface, some lack of wall, the brim of things must suffice for now   3 The soft stabilities of brass and glass in late Saturday sunlight, unsure if it’s still summer, gloss on green leather, wrought-iron table legs tucked under sight, polite as beetles, suds amounting to a glaucoma lens of foam, and the muted flame, haemetite immersed in the alien finger- length depth of the pint’s remains Lorne must rejoin us, his stunted doubles, here, and pay off all his gunless hands with ale: all princes among men are here disinherited of their kinricks; in fact are here defined by abdication of any claim upon the future   4 Lorne! Lorne of the sausage they do not serve here at six o’clock alongside the pork pies and many fatty nibbles; Lorne of the flattened sausages of Scotland as though the issue of a union between minced meat

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

February 2013

Social Contract

Les Kay

poetry

February 2013

Formally, I and the undersigned— What? Use, like Mama said, your imagination if you still have one where scripts...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

 

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