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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Chatsworth, established in 1888 in the northwest corner of the San Fernando Valley, took its name from the family seat of the Duke of Devonshire The developers who subdivided this part of Ex-Mission San Fernando, formerly called Rancho El Escorpión, preferred to associate themselves with England’s landed gentry rather than with the poisonous arachnids native to the place As in Hollywood, another formerly rural tract absorbed into the city of Los Angeles, efforts to elevate the tone of the area were never entirely successful Companies producing mainstream entertainment, including the one responsible for the television programme 24, have maintained offices in Chatsworth, but they have generally been overshadowed by the more enduring presence of the sex industry; besides many porn studios, the trade publication Adult Video News has its headquarters in the neighbourhood, and sex toys are manufactured there Most recently, Chatsworth distinguished itself as the place where the figure of Vern Blosum, a painter whose work achieved notoriety in the early 1960s, started to emerge from obscurity   In February 2006, Jon and Tina Cassar bought a painting that looked like Pop Art, as anyone would say: a realistic depiction of a parking meter captioned with the text ‘Twenty Five Minutes’ (the amount of time left on the meter) in the kind of plain block letters used by professional sign painters Jon Cassar, a producer of 24, which consists of hour-long episodes unfolding in an hour of real time, must have felt almost as though the painting, with its image of a finite period time about to expire, had been made expressly for him The Cassars’ notes describe the circumstances: ‘Purchased, Twenty Five Minutes, Vern Blosum 1962, at a price of $1000 In Chatsworth, CA At a corner storage lot Due to storage container being vacated Unknown reasons why Unknown owner Maybe due to no longer paying rental storage fees or could be it was left unclaimed’ After taking the painting home, the new owners found on the back of it a label reading, ‘L A Co Museum of Art, LOAN CAT 88, MR & MRS L ASHER’

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

March 2013

Interview with Billy Childish

José da Silva

Interview

March 2013

Buzzed in through the red metal door and down the stone steps into the bunker that is L-13. The...

fiction

September 2014

The Fringe of Reality

Antoine Volodine

TR. Jeffrey Zuckerman

fiction

September 2014

Many thanks to those who have allowed me to speak; now I’ll do so.   I’m actually not talking...

Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

 

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