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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The email telling us to return to the office came last week, but I know when I step off the train that I can’t say goodbye to all that leisure time Two years spent lying in bed all morning with the laptop next to me, messages popping up to be ignored while I dozed, lunches of tender marinated meats and spiced pulses, films on the sofa in the afternoon, hours reading on the toilet, trips to the pub for solo pints, taking the laptop and jogging the mouse every 10 minutes to keep my status active You can’t go back from that, so I step off the train and sit down on the platform, right in the middle of the morning rush hour   With the crowd surging around me, I look up at the clock above the platform The orange numbers show 8:52, once the ideal time to be walking under the clock to get to the office for 9:00, back when I commuted down from zone 3 every day   I’d get anxious if I was late There would be headaches and unexplained rashes   Memories of covering myself in hydrocortisone in the toilets, chugging back beta blockers at my desk, all voided by two glorious years   The next train pulls in and disembarks I get knocked over and stood on a couple of times but mostly manage to stay upright Everyone ignores me except for one guy who calls me a cunt   I watch as he makes his way through the crowds towards the exit He doesn’t want to be going back to the office, but the self-coercion throbbing behind his eyes propels him forwards   None of them want to go back, no matter what they’ve told themselves They want to be getting up late, streaming a new series all day, learning Swedish from an app, taking naps, lying in the bath for three hours or drinking a coffee in some cafe that has a 48 rating on Google   The clock says 9:05 I’m late now, but I’m not going back I don’t have any special urge to get up and go anywhere else, so I

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Issue No. 9

The White Review No. 9 Editorial

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

poetry

November 2011

One Night Without Incident

Eoghan Walls

poetry

November 2011

Freak July mists blurred all from Portsmouth to Reading in a late summer sky turned wholly unfit for bombing,...

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October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

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October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

 

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