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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Here are a few of the Joans I know The girl who arrives at Port Authority Bus Terminal in New York feeling uneasy about her dress The woman who rubs an ice cube against her lower back in a hotel room with a broken air-conditioning unit The journalist who turns down acid offered to her by an interviewee When I think of Joan Didion, I think of a packing list for a reporting trip that included bourbon and two skirts And then the story of her husband reading her own book to her, cover to cover, as a birthday gift   Of course, I don’t know Joan Didion at all She renders these images from her life so vividly, but then with sleight of hand she manages to obscure herself What is Joan Didion like at a party? Does she move her hands as she speaks? Is she reserved? Funny? How did she act as a wife, as a mom?   There’s a tendency to adopt a lofty tone when addressing Didion’s career Presenting her with the National Humanities Medal in 2012, Barack Obama called her ‘one of the most celebrated writers of her generation … one of our sharpest, most respected observers of American politics and culture’ Then, to lighten the mood, the President added, ‘I’m surprised she hasn’t already gotten this award’ His joke was greeted with muffled laughter   Most of Didion’s writing is not autobiographical She’s written five novels and nine screenplays; her political journalism has covered American involvement in El Salvador, Cuban exiles in Miami, the Bush and Clinton administrations The spectre of her great celebrity, however, derives from her personal writing But since there is no tell-all autobiography in her oeuvre, no David Copperfield-esque narrative to detail specific motivations for specific events, her readers are left to parse out a timeline for themselves They have a few particular books from which to cull   Didion’s most recent books, Year of Magical Thinking and Blue Nights, recount her grief and loss following the deaths of her husband and daughter They are arguably her most revealing works But the classic fan-favourites are Slouching

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

January 2013

Car Wash

Patrick Langley

fiction

January 2013

He is sitting on the back seat of a car, somewhere in France. It’s a bright blue day, absurdly...

fiction

June 2017

Turksib

Lutz Seiler

TR. Alexander Booth

fiction

June 2017

The jolts of the tracks were stronger now and came at irregular intervals. With my arms outstretched, I held...

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March 2013

Heroines

Kate Zambreno

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March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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