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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose, throwing sugar snap peas, prawns, rice noodles, ready-sliced peppers and pumpkin soup into her half-sized trolley Oh, and milk   L is setting out the exercise books and children’s drawings ready for parents’ information evening   Z swaps his Oyster cards in his wallet before leaving the house, switching to his other, pre-reg card for the journey from home to the party meeting It means he misses out on the daily cap but hey   Y has never registered her Oyster card – even though it makes claiming back her work receipts a PITA – because she doesn’t trust the government It’s a total waste of time, because the government can already track her via her smartphone, but she doesn’t realise that (The other reason it’s a waste of time is that she’s not as interesting as she thinks she is)   J, who trusts the government even less, doesn’t have an Oyster card He pays through the nose for his privacy, and he can’t use the buses Mostly he cycles In the new year the cash option is being taken away from the underground, so he won’t be able to use that either Ah well – it’s not like he has to be anywhere   Z leaves his main phone at home and takes the second handset, with the battery and SIM-card removed and taped to the housing He pulls up his hood   On her way to the tills M passes a young man still wearing his green lanyard over his sweater She nods at it, and he takes it off, stuffing it into his bag   L goes through her bank statement while she’s waiting, and thinks about cancelling her union subs – there is less pressure to belong these days, and she has never made use of them, can’t see any reason why she would She just has to get around to telling payroll, because she pays by automatic check-off   Z also pays by automatic check-off He has no problem with his employers knowing he is a member of the union Indeed, it would

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

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May 2017

Gloria

Aaron Peck

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May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked...

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November 2013

Special School

Iphgenia Baal

fiction

November 2013

 

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