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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Seeing the pen hover millimetres above my notebook in anticipation, Dona Vilma holds up her hand ‘Ask me anything you like’, she says to me with a smile ‘But you can chop some potatoes while we speak’ I switch on my tape recorder instead   On a tiny scrap of land on the eastern outskirts of São Paulo, off an unpaved path leading to the favela beyond, stands a small squat building made of poured concrete and chipboard A banner outside reads ‘Cozinha Solidária Almoço Grátis’ Solidarity Kitchen Free Lunch It is a modest affair, but for many residents of Jardim Iguatemi the facility had become a second home    Six days a week Vilma and Rose arrive at 8am and get to work cooking for never less than 100 people When I first visit in 2021 to interview them, at the peak of the Brazilian summer, the ground dried to a cake of dust, the menu is beef and potato stew served with filling manioca and rice Vilma, a retired school cook, is in charge Dona is a prefix of respect Her silvery hair is tidied away by a white scarf cheered up with a teddy bear motif; her leopard print blouse is protected by a red apron She navigates bumper packets of beans and sacks of flour piled high, hauling heavy cooking pots of steaming food on and off the small gas stove Later a colleague arrives with black plastic sacks splitting under the weight of sturdy carrots and leathery spinach, bulbous spring onions and big bunches of deep purple beetroot, all grown and donated by a nearby community garden    I still think about the kitchen a lot, as Brazil nears the end of Jair Bolsonaro’s gruelling four-year presidential term: it represents the cruelty of this country, one that welcomed a far-right leader with a mix of social fury and misjudged financial self-interest; but the kitchen says something too of Brazil’s perseverance and generosity   I first came to Brazil in 2012 Three years previous The Economist had used its cover to hail the country as an economic miracle: the headline ‘Brazil

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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Issue No. 13

Under a Bright Red Star

Federico Campagna

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Issue No. 13

Five is a number dense with theological significance. Five are the books of the Torah, five the wounds of...

Interview

Issue No. 1

Interview with Tim Walker

Karl Smith

Interview

Issue No. 1

‘I’m not so motivated by fashion and brands,’ explains Tim Walker – one of the world’s leading fashion photographers....

fiction

July 2013

univers, univers

Régis Jauffret

TR. Jeffrey Zuckerman

fiction

July 2013

I. You remember your childhood. Your tow-headed, reddish-tinged mother, who yelled after you all day like a Paraguayan peasant...

 

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