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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to the music of Satie’s Embryons desséchés in the middle of the opera, Pistorius Rex, & in the very womb of the theatre which cannot be located on earth NO-OUVERTURE: But an interlude, a Quaalude, under Europa, an etude, a vein where the scholar can ride a pen assassination, an arbour assignation in which a nymph snaps her neck and goes cyanic like a cygnet, her pupils unspooled, and a poet hangs his lyre amid the branches lyre-stage death of the author wearing a gold noise-cancelling machine for a crown and golden jump rope for a noose getting high, lying down like a jock on the highway with his hands in the curls of another jock because they saw it in a movie: how to love and bury their hands in each other: androphiles on the dividing line remember when the jocks all extinguished themselves in an Illiad of trust, magic, desire and idiocy? – Our opera’s got too much of these already! – so bring on the ballet already! TABLEAUX MORTES: Ahem The wealthy men of S——– would like to see their mistresses’ dinner-plate tutus and powdered thighs, teasing calves, ankles so easily cocked between thumb and finger Leave the slippers on, sister Tiny spoons for caviar and cocaine But the bone spoon is the best spoon Occiptal dishlet, better than Spode or a krater of the moon Place to sip Spores and spicules Dear eyebone! China white! Knockout punch! Fontanel! Ahem As patrons of the Opera, these men demand more ballets per Opera They are refugee princes, pencil manufacturers, salt-peter synthecisers, clockwork organisers, and beaver-pelt hats purveyors And also the purveyors of ringtones, Glocks, and daytrading software They sit in stalls and boxes with chains hanging down their chests because they are also mayors & brewers from New Glarus

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Art

October 2012

Mitra Tabrizian's Another Country

Matt Mahon

Mitra Tabrizian

Art

October 2012

Mitra Tabrizian’s Another Country (2010), a collection of nine large-scale photographs taken between 2009-2010, present to the viewer an...

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

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July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

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July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

 

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