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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We were clearing the dishes after dinner when I found myself telling my 15 year old son the story of La Llorona I’d been re-reading Clarissa Pinkola Estés’s collection of folktales and myths, Women who Run with the Wolves (1992) It’s a work that reveals itself over time and one of a handful of books I return to whenever I find myself at one of life’s crossroads I’d just read ‘La Llorona’ and left it open, face down at the edge of our table while we ate I was reeling It was not the first time I’d encountered this tale, yet I did not remember it from earlier readings Perhaps I was not ready I scraped broccoli stems off a plate into the bin I started, ‘Once upon a time, there was a poor Brown woman in Guatemala and she fell in love with a wealthy hidalgo,’   ‘What’s a hidalgo? And where is this taking place?’ He handed me another dirty plate   ‘It’s a Spanish lord in colonial times And the story comes from a small Latin country in central America, not far from Haiti’   I am from Haiti   ‘So,’ I continued, ‘They were happy because the lord thought this poor woman was very beautiful and he took her into his hacienda – which is Spanish for villa – surrounded by bougainvillea and the sweet smell of almonds from the fragrant virgin’s bower that climbed the old stone walls They made two babies together and loved and cared for them One sunny morning she smiled at him and he didn’t smile back He told her without looking at her that he was leaving her and taking the children with him He had found a woman he could marry, European and wealthy Our lady looked around herself and saw that everything good had been taken away from her In despair, she took their two small boys to the river and she tied a rock to her ankle Hugging them tight, she jumped in where the water was deep They all drowned She came back though,’   ‘What?’ He stopped loading the dishwasher and looked at me

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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Issue No. 20

Editorial

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

Prize Entry

April 2015

The Incidental

Luke Melia

Prize Entry

April 2015

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear. He gripped the shopping bags, grabbed...

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Issue No. 2

Three Poets and the World

Caleb Klaces

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Issue No. 2

In 1925, aged 20, the Hungarian poet Attila József was expelled from the University of Szeged for a radical...

 

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