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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were identical To say, as people do, ‘They were like two peas in a pod’, the same age, the same height, and wearing, by choice, the same hairdo Moreover, they both must have weighed around one hundred and thirty pounds—let’s move into the present—: that is, from a certain distance: which one of them is which? One is the other, and the other sometimes denies it, though always secretly, of course, because this business of having a double can be vexatious, almost almost leech-like, but it’s their own fault, because with each passing year they try ever harder to emulate each other Their tics, gestures, and facial expressions, all the same, as if mirror images Do they ever grow weary of one another? Possibly, though if they did, their souls would be void The thing is: their sole importance has only ever been this similitude—a double meaning that just might be single   On the other hand: there are differences in the details Constitución Gamal has a sizable beauty mark just above her right shoulder blade, whereas the other doesn’t: her name is Gloria and she is the more subdued of the two, the observer, so This physical trait is easy to conceal: they wear clothes that cover that particular zone For their daily attire: in the morning, whoever gets to it first decides for both, chooses the colour and style, and the other simply consents There’s no discussion, no sudden whims   As for their personalities: one is discreet and the other a chatterbox, but this, too, can be managed: neither indulges excessively, as a rule And their names? They swap them—why shouldn’t they! Their daily activities: they are seamstresses, and such perfectionists Paltry, dullards What began as an innocuous pastime became the profession that took hold   Many years ago they set up shop here: in Ocampo: where they live without so much as a twinge of longing, confident that their daily and

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

November 2012

Interview with Simon Critchley

John Douglas Millar

Interview

November 2012

Over the last twenty years Simon Critchley has produced a series of elegant works of political and cultural theory....

poetry

Issue No. 3

Camera & Even After He is Gone, the Cat is Here and I Cast My Suspicions on Him

Toshiko Hirata

TR. Jeffrey Angles

poetry

Issue No. 3

Camera You take my sweet sleeping face You take my innocent smile You take my large breasts Even though...

Art

February 2013

Haitian Art and National Tragedy

Rob Sharp

Art

February 2013

Thousands of Haiti’s poorest call it home: Grand Rue, a district of Port-au-Prince once run by merchants and bankers,...

 

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