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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

This is the story of a book we are still writing   –   Edinburgh, July 2014 The sluggishness of early afternoon The sky clouding over, a slight chill in the air The same uninterrupted sadness, a kind of listlessness that went with everything we did We’d made it to the Meadows It had taken us a while to get out of the flat, him offering to buy us a coffee from the Swedish café and one of those cardamom buns we liked so much if she would come to the library We noticed how people passing noticed us She noticed how much thinner he was than in London, joggers slipping down on his hips, constantly tugging at the waistband We slowed our pace We were still talking about the morning as if something out of the ordinary had happened, when really we’d spent it the way we spent every morning, him coming to her room with coffee, her accusing him of switching the heating off, him denying this He’d told her, We really must get up earlier It won’t help to stay in bed This because we sometimes spent entire days in bed In the kitchen she lit a tube, picked the raisins out of his cereal, milk still unpoured, put them with the other raisins extracted from other breakfasts Currency she said, They’ll see us through The Emergency He ate We stared at his opened screen We argued about whether to cycle to the library But the sky seemed unsettled and unusually close from up here, on the sixth floor We decided to walk The billboard above ScotMid still read ‘Straight Talking Money Wonga’   In the Meadows, some kind of fair Tabletop stalls and food tents Let’s mill she said He began to look for something – a set of Encyclopaedia Britannica 1911 – he was always looking for a set of Encyclopaedia Britannica 1911 By the time we met again the rain was falling She took him to a stall and said, I’m buying this dress Is that a dress? Yes she said She paid then disappeared with the

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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September 2013

9/11 Emerging

Joseph McElroy

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September 2013

Others have it worse, have had, will always. ‘We,’ though, own the record now for largest building collapse.  ...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

 

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