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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and wind those together into a bunch (They’re as pliable as pipe cleaners They stay put)   As for milk teeth, keep those with spare buttons in a Fosters Mints tin Shake them when you feel cranky See how their little lives rattling about in there can calm you so much better than any shop-bought stress-ball   When it comes to hair bands, keep one on each door handle, in case   With needles, stick them into the kitchen notice board   And as for tampons and shotgun cartridges, keep them in the sewing box with the Fosters Mints tin That way you’ll always be sure of finding one when you’re desperate   By eyes, I mean glass ones They’re sold like that, by the dozen, in a bouquet Ours came from a shop in Chester Rows, not far from Lowe’s, where all the family’s engagement rings came from Green eyes with a devil-red spark in the pupils We had ten eyes left after someone in the family made Foxy   All families have secret boxes, right? For things you’re not quite ready to throw out but can’t bear to have around you either And an odd uncle who causes embarrassment in back bars and midnight masses And unwanted, scary heirlooms It’s part of being in a family, isn’t it? Clutter accumulates   We had Mam’s sewing box It was meant to be a tool box, metal blue, cold, and it folded out like an upside-down iron bridge with gaps and nooks and slots for bits and bobs and a huge space at the bottom Magic Mam hadn’t done any sewing since the summer we came back from Normandy and she tried making a section of the Bayeux Tapestry by hand A yard of sea crossing Her fingertips and her patience wore away by the time she got to the decorative shields along the side of the ship, so the box became a resting place for odds and ends   There was a scrap of paper with hooks in it: I never knew for sure if they

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

April 2014

MUEUM

SJ Fowler

poetry

April 2014

Since I have worked at the mueum I have published, and I have written 486 pems. I have seen...

poetry

June 2011

Beautiful Poetry

Camille Guthrie

poetry

June 2011

‘Being so caught up So mastered.’ Yeats     I was too shy to say anything but Your poems...

poetry

December 2011

Return After Earthquake

Jeffrey Angles

poetry

December 2011

although left for months my house is still standing here on terra firma branches broken by snow fallen into...

 

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