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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

What follows could have been an essay or an interview In the event, it resembles the one as little as it resembles the other The images are nearly all by Vanessa Hodgkinson David Trotter supplied most of the words   This is the story of a critic’s encounter with work by an artist who had encountered some of his ideas Although the artist the story describes is an artist and the critic a critic, it’s not always easy to tell exactly where in the art the artist ends and the critic begins, and exactly where in the criticism the critic ends and the artist begins What follows is the log of a conversation which has been going on in various ways for about six months, and will be continued It is the record of images that would not have been made and thoughts that would not have been thought had two individuals not chanced to become conversant   Techno-primitivism made its first public appearance in an essay I published in the London Review of Books in August 2012 on DH Lawrence’s Lady Chatterley’s Lover Lady Chatterley’s Lover is full-on primitivist During the First World War, Lawrence finally became convinced that Europe was in the process of destroying itself, and that renewal – if renewal were still possible – could only come from sources in a mentality at once beyond and before the civilisation it had brought about In works like Fantasia of the Unconscious, St Mawr, The Plumed Serpent, and Mornings in Mexico, he drew a stark contrast between a white European and North American civilisation rendered lethally sterile by its commitment to Christian-Platonic idealism and doctrines of scientific-industrial ‘progress’, and that of aboriginal peoples whose custodianship of ancient intuitive and animist modes of consciousness had encouraged momentous if ultimately futile resistance to colonial expansion After the war, he travelled to Italy, Ceylon, Australia, and New Mexico in search of the few remaining custodians His letters of this period express both contempt for Western attitudes and ways of life in toxic decline, and uncertainty about what the available alternatives might add up to

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

August 2016

Boy With Frog

Kristin Posehn

fiction

August 2016

My first impression was of a tall building laid down for a nap, with all its parts nestled together...

fiction

Issue No. 15

Haircut Magazine

Luke Brown

fiction

Issue No. 15

I. I used to worry about how much more intelligent and successful I would be if I hadn’t spent...

poetry

December 2011

Sonic Peace

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Beneath the sun My interchangeable routines Are formed from superfluous things Managing this place is A metal will, swelling...

 

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