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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

1 SF vs NY   Anna Wiener found herself in the right place at the right time That is, if that was what she wanted At the beginning of Uncanny Valley, her memoir about working in Silicon Valley in the middle of the 2010s, Wiener is 25 and working as a publishing assistant in New York Her mother is wondering why she’s still taking coats and serving coffee She isn’t asking her daughter for a structural explanation about the recession and job prospects for Wiener’s generation, nor how Wiener imagines a future within the publishing industry’s idiosyncratic hierarchies and ‘shabby, nostalgic glamour’ She’s asking where Wiener’s career is going, if anywhere This is the tenth page of the book and Wiener seems unconvinced as well: her descriptions of the uniform aesthetic of a publishing career – wrap dresses, sad salads for lunch at your desk, parties where you only talk to the people you already know – are funny, but also expose an existential uncertainty that Wiener will replicate when she moves to San Francisco At this stage in her career, Wiener writes, ‘my desires were generic I wanted to find my place in the world, and be independent, useful, and good I wanted to make money, because I wanted to feel affirmed, confident, and valued I wanted to be taken seriously’   Of these desires, Silicon Valley could give her one: the money Wiener’s career in the technology industry begins somewhere familiar for her: one day at her desk in the literary agency, she reads about a startup dedicated to reading, whose founders had raised three million dollars (she didn’t know then that that was not a lot of money in startup terms) She writes to them because she’s interested, impressed, and feels she could contribute using her background in publishing and love of literature, while participating in the contemporary economy If this is where the book trade is going, Wiener wants to be part of it: the startup offers a way for her to change everything while holding on to what is

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

fiction

January 2015

The Vegetarian

Han Kang

TR. Deborah Smith

fiction

January 2015

Originally published as three separate novellas, the second of which secured the prestigious Yi Sang prize, The Vegetarian has...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

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July 2013

Love Dog

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping...

 

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