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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing machine I kept glancing out of the window, anxious that one of the military helicopters which often overfly the estate was, at that very moment, hovering above Surveillance is in the air after all, at least figuratively But there was nothing, no movement whatsoever, save a red kite ‘turning and turning in the widening gyre’ It seemed an apt, apocalyptic image, but as for the bird itself, I dismissed it Kites aren’t even real birds of prey, but scavengers that survive on road-kill, picking at the corpses of precipitous pheasant and hesitant deer   Temporarily satisfied that I was unobserved, I made my way up through the house to my attic office But once I reached it my anxiety resurfaced, and I closed the blinds on the dormers before sitting down at the desk For a moment, distracted, I fiddled with the fabric fraying on the arms of my swivel chair; then, after downing the coffee in a scalding gulp, I prepared to go through the portal that leads to all that is illegal, illicit, and – notwithstanding pop-up text info-panels – bizarrely ineffable The laptop came alive with an optimistic jingle totally at odds with my real intentions My hands were unsteady as I held them poised above the keyboard The espresso and my own adrenaline made common cause, and I felt myself torn between fight and flight And still the conversation from the night before turned over and over in my mind, as I havered What was it Yeats said, about the moral failure of his times? ‘The best lack all conviction, while the worst / Are full of passionate intensity’ But which was I? One of the vacillating best or the fanatical worst?   ‘Is it legal?’ my wife had asked   I had shrugged Until she had put that thought into my mind, I hadn’t even considered something so technical as legality I flattered myself that my issues went deeper   ‘Do you really need to watch them?’ she went on ‘Haven’t you already

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

June 2014

Diane Williams: Two Stories and an Interview

Harriet Pittard

Interview

June 2014

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and...

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September 2013

9/11 Emerging

Joseph McElroy

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September 2013

Others have it worse, have had, will always. ‘We,’ though, own the record now for largest building collapse.  ...

poetry

May 2013

Ad Tertiam

Saskia Hamilton

poetry

May 2013

Rows of pines, planted years ago – so many, were you to count them on your fingers, you would...

 

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