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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We live in interesting times A few years ago, with little warning and for reasons obscure to all but a few, an economic system trumpeted as infallible broke down Since then, while we acquainted ourselves with such apocalyptically dull concepts as collateralised debt and sovereign credit ratings, it has become increasingly clear that our future has, almost literally, been mortgaged away The result, for the vast majority, is a feeling of individual and collective embattlement exacerbated by an overwhelming sense of disempowerment   Such gloomy circumstances inevitably engender anxiety We worry for our jobs, we worry for our families and we worry in the most general terms about what is to come We have been reminded that the future is contingent, as commodities traders have learned to our cost But we have learned again that change is possible and inevitable, that the status quo is more fragile than we were led to understand and that received wisdom is best ignored   As we allowed ourselves for too long to believe those who reassured us that all shall be well and all shall be well, so we must take issue with those who are now all too eager to extrapolate endless and inevitable decline We must not allow ourselves the indulgence of timidity, we must shake off any listlessness, and we must refuse to be austere Instead we must make, write, argue, dream, paint and act in the faith that creativity is commensurate with progress, and that we are responsible for our own futures The future is there to be forged   The White Review believes that it is more important now than ever to provide a forum for expression and debate We are indebted to the support of the many people who are similarly committed to the idea that a healthy and varied culture is integral to a society’s well-being We hope that you find something in this issue to provoke or inspire you to pick up a pen, a paintbrush, or a placard

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

October 2012

Girl on a Bridge

Wayne Holloway

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October 2012

Pirajoux… The middle of a hot endless summer, driving on the A39 through an as always empty central France,...

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Issue No. 1

From the Town

Desmond Hogan

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Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

 

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