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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My parents were grocers For twenty-five years they owned a shop with a green awning and crates of vegetables on the pavement outside, and they worked hard with only Sundays off to go to church, and even on Sundays they went through the accounts after lunch On bank holidays and early-closing days when other people put on their best hats and went visiting my parents would check stock: sorting vegetables, pulling wilted cabbages and rotting carrots from the bottoms of sacks and setting them aside to be sold as swill They could judge weight with their hands but they were not educated people and had little time for the things which interested me, for books or for numbers beyond imperial measures and the columns of pounds and shillings and pence I was their only child, and I have never been sure if I was a source of pride to them or a disappointment, because it is true that I was clever, that I was quick with my mind, but the academic life that I have chosen could not possibly be the one they would have thought of for me, and there is no reason to say they would have judged it better I showed no interest in the shop, ever: quite the reverse, or perhaps they wouldn’t have sold it   Two months after my eleventh birthday I passed the exam to go to the grammar school There I found that the fathers of the other children were not shop­keepers Instead they were men who rose each morning to walk up the hill to the station and take the train to city jobs They worked in banks and offices, places whose interiors were unimaginable to me They didn’t have breakfast in their shirtsleeves before walking down the stairs to put the trays of apples out, or go next door for a pint of bitter in the evening while the dinner cooked They drank wine from stemmed glasses The mothers of the other children didn’t work at all They sat on committees and collected things for the Save the Children fund and

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

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June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

Interview

July 2013

Interview with Paul Muldoon

Alice Whitwham

Interview

July 2013

A major figure in English-language poetry for decades, Paul Muldoon has enjoyed one of the most successful careers of...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

 

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