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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt Watt was an alchemist An alchemist is a? Dad wanted me to have the definition by heart Someone who, through belief, hard work and persistence, turns the ordinary into the extraordinary I knew the rhythm of it I don’t think I quite knew what belief, hard work or persistence were; extraordinary I probably had some sense of Allegory was still a long way off   Watt was a good man, there was no doubt about that But he didn’t always seem it Often he would be so absorbed in his work that he could go days, even weeks, without seeing his family His mother was sick and bedridden His wife was stooped and bent from scrubbing the floor, washing the clothes, milking the cows And his son, his only son, clothed in rags, missed him terribly But Watt knew, Dad would say, that when his son grew up, he would come to understand how important his work was, the true wealth it had brought them, and would forgive him   It happened without warning One night, after a long day’s work, when Watt was tidying up his laboratory, he went to pick up a certain block of lead which he’d been experimenting on, when a terrific pain shot up his arm His body was thrown across the dark room in a spray of sparks, as though an anvil had been struck   When he came to, he found himself lying flat on his back on the cold stone floor The block of lead, which sat on the big oak table, glowed a strange orange colour and the air around it flowed like water Watt, brave man, stood up and reached again for the lead and again the pain shot through his arm and again a splash and flurry of sparks and his body again shuddered with the force   When he came to once again he once again stood up and one again touched the block of metal Once again the same sharp pain, the same shaking, as

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

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May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

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May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

fiction

September 2015

The Afternoon

Wolfgang Hilbig

TR. Isabel Fargo Cole

fiction

September 2015

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival. With the word...

 

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