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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

THREE DAYS   so it’s like, we shouldn’t press our cheeks together like we think / we know because say i saw pen on my sock this morning i looked and finally let some noise pass through lodge / into my ledgers, take heart there & i thought that there was something in the words it slipped down but then all of this   my padded fingers slip on to the handles swing above us we are shifted i mean shifting through the undergrowth & i am   i have fallen over i slipped #~#~# yeah but it’s fucking cheap they’re all so frightened of him and i want some lemon drizzle & the pub & you   HERE east oxford smells like cress now burnt rubber snakes its way up st clements smokes out the morning from my eyes & now the day is rotten limes in the way i speak to you, love   (####take heart, i never hit the right keys))   so the notebook bloomed when my cola leaked & i must wait for it to dry you try to make sense of it, the brown from the red, i mean but i can’t see that you’re right all my thoughts come in full sentences i am trying to pretend they do not three weeks in muck &   three days away from you they have nothing to do with what i mean? but the radio, what men say, #hahaha somebody lives there & kicks the ticker when they should edit, circle me deeper they only know grammar, & even when you are waiting we slip on my surfaces, talk for days about how i should learn to eat again with half a broken jaw & you will be here when i sleep, three days from now   & the days past   & i am always a gutted thing with hands too cold still to work the phone                             POETA EX MACHINA for Veronica Forrest-Thomson   my voice makes the machine work the tape clicks inside but it’s just ether now   if a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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November 2013

I Can’t Stop Thinking Through What Other People Are Thinking

David Shields

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November 2013

Originally, feathers evolved to retain heat; later, they were repurposed for a means of flight. No one ever accuses...

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Issue No. 11

Literature in a Distracted Era

Adam Thirlwell

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Issue No. 11

There are two categories in the literary system I’d like to celebrate at high speed: the lonely writer, and...

Interview

February 2011

Interview with David Vann

Marissa Cox

Interview

February 2011

I am a little apprehensive about meeting David Vann for the first time. His father committed suicide when David...

 

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