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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I   The first time I had to wear a uniform I looked like a madman struggling against a straitjacket I wept so hard that my parents got scared Mother became frustrated ‘What is the matter with you?’ Father demanded ‘You look so handsome in that uniform Why don’t you enjoy it rather than cry like an infant?’   Changing into my first school uniform had made me self-conscious I touched the fabric of this second skin with a sense of disgust The white shirt, blue waistcoat, grey trousers and bow tie had stripped me of my self I had morphed externally into someone else –  one of those who work   There was but one consolation: this was temporary When I returned from school I would recover my identity But the discovery of its instability troubled me That day had marked the beginning of an almost lifelong difficulty As children we become adults through the performance of dressing up, a ritual one cannot easily forget Having adopted its disguise, can there be a self outside the uniform?     II   In the last days of 2012, the Turkish government announced their decision to remove all uniforms from the country’s public schools Politicians in Ankara seemed committed to lifting a regulation which had been planned during the first decades of the Republican era, without paying much attention to the socio-political consequences Generations of Turkish pupils have been educated in and through uniforms Educational, military and social discipline have been maintained through their imposition Many ex-students, like me, spent a significant portion of their lives learning how best to carry them The uniform was the fundamental component of the school system, embodying a broader ideological programme that championed the concept of uniformity Teachers asked us to appreciate the importance of acting in unison: they lectured us about the value of homogenisation Turkey’s founding ideologues reformed the Turkish identity on the same principle, asking the country’s multiracial, multicultural population to willingly erase their heritage Through this cultural amnesia the diverse national identity could be reconstructed as a homogenised, and therefore more governable, entity   The uniform is both a symbol and a constitutive

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

 

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