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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

My first impression was of a tall building laid down for a nap, with all its parts nestled together side-by-side The lawn in front seemed out of place, discoloured by spots I moved into the spare bedroom of my grandfather’s house and started my new teaching job at a local college They’d hired me to teach video game environment design, but I was still too young to own real furniture On free days I drove my grandfather to his haematology appointments He navigated our route and swore at the German nurse who drew his blood in German She laughed from her belly and called him a hick, because he spoke in a dialect, just like his parents, who came from a German-speaking village in the Ukraine In the mornings I made elaborate coffees while he rested at the kitchen table, cracking his knuckles He often spoke to his friends on the phone in a low, rhythmic voice I couldn’t follow I remember wiping down the red Formica counters and thinking that perhaps the lawn was diminished due to stress Then a pox of barren patches swept up from the street, and what green remained just withered and crisped   I looked online and certain companies can be hired to paint your grass the appropriate colour, which is the solution I would have entertained, had it been my lawn One day I walked around the side of the house and found the irrigation switch turned off and taped over with a big black X I recognised this intervention as my grandfather’s handiwork, perhaps a statement about the drought, a water conserving measure, or who knows what I wasn’t too surprised   So I went to work and flirted with the product designers They wore dark-rimmed glasses and were the best dressed of anyone on staff I mentioned the immaculately restored 1950s single-story home where I’d deposited my trash bags full of shoes One of them bought me three martinis, and though he hadn’t yet seen my grandfather’s house, he described its features: A simple floor plan sprawling out instead of up, an attached garage

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

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June 2013

Jean Genet in Spain

Juan Goytisolo

TR. Peter Bush

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June 2013

‘1932. Spain at the time was over-run with vermin, its beggars. They went from village to village, in Andalusia...

Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

 

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