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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed to join the Stop the War demonstration against the Iraq War I had arrived in Bangkok’s central most park, Lumpini Park, just as people were dismantling their signs and banners Seven years on, Lumpini Park was to be the site for a different kind of protest, and this time around, I was to have some experience of it   The ‘Red Shirts’ had arrived en masse in Bangkok in March, six months after I had moved to the city to live Made redundant and with no job on the horizon, I had moved here to teach English and had been enjoying the peaceful lifestyle, hot weather and delicious food There had been some warning signs before the protest began The Red Shirts had taken responsibility for a rocket launcher attack on a market in January 2010, and I asked my Thai friends a lot of questions about the attack They seemed concerned about the situation, but assured me Bangkok was quite safe and they would not target the areas frequented by foreigners   I first heard that there would be a protest a few weeks before it began It got everyone at my school talking, and the Red Shirts’ imminent presence seemed to catapult the ex-pat community into a frenzy of speculation and intrigue Numerous rumours were bandied around about their intentions, motivations and strengths and weaknesses A colleague of mine remarked, not long before the protests began: ‘I don’t want to sound alarmist, but from what I can make out we should be expecting civil war quite soon’ He nodded this in such a grave and knowing fashion that others around him momentarily forgot not to get carried away Thai friends I spoke to seemed more measured, but already there was a feeling that they were unappreciated and unwanted by most Bangkok residents, who cited the protesters’ poor education to discredit their motives   In the early days of the protest, the Red Shirts camped out across the river from my work and my apartment

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

November 2016

Interview with Dodie Bellamy

Lucy Ives

Interview

November 2016

The summer of 2016 was for me the Summer of Dodie Bellamy. I am a New York resident, but...

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January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

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January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

 

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