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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

1 Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for this: pulling the rug from under two organisations (the Poetry Book Society (PBS), the Poetry Trust) who for many years have helped make poetry books available to more readers than they’d otherwise get to, and from under the publishers Arc, Enitharmon and Flambard, whose work (translations, new writers and neglected older ones, local writing) is completely in accord with ACE stated priorities ‘Disgusting,’ was a word used by the Poet Laureate, Carol Ann Duffy, in regard to the PBS cut, which along with the others was announced in late March 2011, and she’s right   2 This is a mess come out of a mess, and the first mess is ACE itself Go to the ACE website and you’ll find not just the mission statement stuff (‘Arts Council England works to get great art to everyone by championing, developing and investing in artistic experiences that enrich people’s lives’) and the topical stuff (‘a transformational Olympics opportunity’) and some literature priorities (‘We will prioritise those seeking to implement more sustainable business models’) and a press release on the recent funding decisions (‘The Arts Council has endeavoured to support and protect poetry, new writers and literature in translation’), but enough downloadable material to seriously slow your laptop, including a 47-page ‘Review of research and literature to inform the Arts Council’s ten-year strategic framework’ whose five pages of references include a report on ‘UK Music Industry Greenhouse Gas Emissions for 2007’   3 You could get lost in there Once upon a time the Arts Council literature department was widely viewed as an exclusive gentlemen’s club; now everyone can get in but the extreme bureaucracy is baffling Take the lift to the second floor, the doorman will say, go through the double doors on your left, take the second right, the first left and knock on the door marked ‘Excellence’   4 Part of the fog is business-speak, which so horribly determines the ways in which all facets of public life are debated (the

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

 

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