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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

WHISKY WITH MOTHER as the electric blue fades into the small hours and now, a long way from home, my hands are covered in excrement I didn’t know my own smell, the layer of smell that forms on the body as the hours without water go by My tongue gets distracted by eating grass Sucking on an animal’s hard udders, sucking on the fur, the teeth all dolled up, or imagining the death of your parents It’s all the same From the moment he entered my head, this saltwater hell Zealous hammering on my veins The trouble with my brain is I can’t hold it back, it rolls on and on through the spiky undergrowth like a bulldozer Where am I I don’t recognise these big houses I’ve never rounded this bend in the road Degenerate desire Damaging desire Demented desire I don’t know how to get back My mother will be blind drunk, sprawled on the sloping grass, her feet carved up by the blades The clouds are tree trunks at this time of night My hangover’s fierce and I collapse any old how to masturbate, my hair electrified, my skin hot, my eyelids stiff My hand works away then falls still as an insect, so that nothing is enough Me and him in a convertible Me and him on a muddy road Bodies shouldn’t have breasts after a certain age; when my breasts turn to thick heavy flesh I’ll have them removed Women should stop opening their sex, too I look for a word to replace the word I look for a word that shows my devotion The word that marks the spot, the distance, the exact centre of my delirium We should be like tiny snakes till the end, and be buried that way, in long holes like gutters I get up feeling anxious, my head thick with blood I walk round the house and open the windows The wind sweeps over the insect corpses trapped in the mosquito net He keeps jars back there full of rusty water and all kinds

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

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February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

Interview

Issue No. 7

Interview with Keston Sutherland

Natalie Ferris

Interview

Issue No. 7

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston...

Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

 

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