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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I I used to worry about how much more intelligent and successful I would be if I hadn’t spent so much time talking to other people, waking up in their homes, never sleeping enough, enraptured by temporary intimacies, by the women I would introduce myself to and the challenges we’d make to each other What a brighter mind I’d have if I’d stayed in, if I’d read and written much more – and I wished I had behaved differently, until I realised that this was useless, suicidal, that the man I would have become would feel no sympathy whatsoever for the man I am, and I have only narrowly avoided being murdered by him, this superior bastard, this loathsome know-it-all, who would have got away with it completely, and no one would have mourned me When I think about this I don’t feel so bad about my choices   My name is Paul I work in a bookshop and write two pages for a style magazine called Haircut The pages were both my idea I pitched them to the editor – Stev’n, ‘rhymes with seven,’ he insists – when he was going on dates with my sister and briefly listened to what I had to say In one page I write about books In the other I write about haircuts The juxtaposition of these two pages might perfectly express the contradictions of my soul I get paid twice the amount to write the haircut page as the books page, and it takes me perhaps less than a tenth of the time I go out in Hackney and Peckham, approach strangers, and ask if I can take a picture of them to feature in Paul’s Haircut Review Alongside their picture in the magazine and online I award their hairstyle between one and five pairs of scissors – a system I developed personally and which as far as I know is unique Hair criticism is not a hard science – it is more akin to the interpretation of dreams Using imaginative empathy like that of an analyst or old-fashioned literary realist, I write a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

READ NEXT

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July 2014

The Fast, the Furious and the Power of Frivolity

Orlando Whitfield

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July 2014

The six chapters that comprise the Fast & Furious franchise thus far (a seventh is due for release in...

Interview

June 2017

Interview with Elif Batuman

Yen Pham

Interview

June 2017

Elif Batuman never intended to become a non-fiction writer. She always planned to write novels, and it was only...

poetry

June 2012

At Night the Wife Makes Her Point: Two Poems

Gioconda Belli

TR. Charles Castaldi

poetry

June 2012

AT NIGHT, THE WIFE MAKES HER POINT   No. I don’t have Cindy Crawford’s legs. I haven’t spent my...

 

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