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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

  Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting in 2020       Victoria Adukwei Bulley   First and foremost, The Yellow House by Sarah M Broom was a book that I’d been dying to read since I first heard about it, and to my joy it absolutely delivered Revolving around Broom’s New Orleans childhood home, this is a work that covers memoir, cultural geography, archival practice, oral tradition, and so much more Broom has such mastery of language that all of this hangs together seamlessly, and on my shelf The Yellow House lives next to Wayward Lives, Beautiful Experiments by Saidiya Hartman, because I think both authors are at work on the same kind of project in each their own brilliant ways I also want to shoutout Freedom Dreams: The Black Radical Imagination by Robin D G Kelley for its rich expansiveness — Kelley is an incredible writer and scholar, and there is nothing better than reading a non-fiction book where the enthusiast in the author spills through And finally, I too would like to add to the hype of Raven Leilani’s Luster, which I think is a stunning and perceptively sharp debut that glimmers with deep tenderness as well as humour     Katherine Angel   This year I was blown away by Jeremy Atherton Lin’s Gay Bar: Why We Went Out, which isn’t out until March 2021 (Granta) It does many things at once, in gorgeous prose I also loved Selva Almada’s Dead Girls (translated by Annie McDermott, Charco Press), about murdered women in Argentina It’s crisp, bracing, and beautiful Richard Seymour’s The Twittering Machine (Indigo Press, 2019) was a satisfyingly nuanced account of the terrible bind we’re in, in relation to social media I loved reading Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (UCP, 2009), which, amongst other things, explores the limits of identification and empathy as a starting-point for thought and politics — themes that recur in Bruce Fink’s Fundamentals of Psychoanalytic Technique (Norton, 2007), which conveys what Lacanian ideas might mean in practice Cathy Park Hong’s Minor Feelings (Profile, 2020) was brilliant, thoughtful, and funny Right now I’m loving Bette

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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poetry

December 2011

Sonic Peace

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Beneath the sun My interchangeable routines Are formed from superfluous things Managing this place is A metal will, swelling...

poetry

November 2011

Cooper's Hawk

Elyse Fenton

poetry

November 2011

My breath’s the wind’s breathless down-stroke hasty claw like the gnarred finger of juniper just now clambering for a...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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