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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

1   A mural with a soldier and a worker at its centre Broken tiles on the floor A red star, peeling Angles from the ground, from up high Angles that require crouching and climbing, dirt under fingernails     2   He loves nothing more than a derelict GDR factory, an abandoned asylum An amusement park left to the elements   The weekend comes around and he sets off with his bag of provisions Snacks, a pre-rolled zoot His DSLR with a wide-angle lens, a macro for close-ups     3   I called it ruin porn   That was a mistake   We were sat in a café in Schillerkiez when I said it    First time we’d met    I was flicking through his photos of something abandoned Military hospital? Cement factory?   He grabbed the camera from my hands   Told me, Don’t call it that    I said, What should I call it then?   It’s the thing I love most about this place, about Berlin, he said, eyes fixed on the camera’s LCD screen    The waiter came by, and we watched in silence as he set down our order Two Americanos and a thick slice of mohnkuchen We exchanged dankes and bittes, waited for him to retreat   Aren’t you scared? I asked   Scared of what?   Glass, debris… needles The polizei picking you up?   You go running in Görlitzer park, no?    He paused Looked down at his camera, then back at me, asked: Come with me some time?     4   We got chatting on the app   A late summer evening, Hasenheide park   A sarong for a picnic blanket, a portable speaker on top There was a spliff going round, a bottle of Sekt warmed by the sun   I thought I’d meet him in the bushes once I was tipsy enough But he wanted to chat, exchange pics – not nudes Not just yet   He said he was from Holon, Israel And from the pics that he sent I could tell he was of Yemeni descent   How’d you guess?   Those cheekbones, I typed in response My dad is from Aden Jewish   He’s from Yemen?   From Aden    Haha I thought that was a stereotype    What is?   That the Adenim think that they’re separate    Aden was a country   Was, he replied, with the eye-roll emoji     5   Rollies Negronis Weserstrasse   We met at the bar

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

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July 2013

Occupy Gezi: From the Fringes to the Centre, and Back Again

Alexander Christie-Miller

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July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus...

Art

June 2013

NEOLOGISM: How words do things with words

Maryam Monalisa Gharavi

Art

June 2013

A version of this paper was delivered at the Global Art Forum at Art Dubai in March 2013. The...

 

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