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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear He gripped the shopping bags, grabbed Lo Ling’s arm and pulled her into a sprint Together they made for the alleys with the rest of the crowd   He could not believe it – the troops were shooting again His shock endured even as a line of wet red spattered up his shirtsleeve A man spun and fell Any thought of helping was gone before it was fully considered The pulpy mess was soon out of sight   Lo Ling was screaming, struggling to keep up Ti held firm at her elbow He dared not slow down His grandfather’s sìhéyuàn was close by and would be safe   There was another crack of gunfire More whistles Panic stretched across his belly, bound tighter and tighter by the footfall of everyone running The relentless stomp-stomp-stomp alarmed him most, over the barging and stumbling; the regular cries of ‘They’re coming! They’re coming!’   Not for the first time, he cursed the students in the square His anger was personal, far from any political point of view More than anything he wished for a return to normality   If the students dispersed, the army would leave and order could be restored, which was best for all People could get on with their lives He could get on with courting Lo Ling in peace   ‘I need to stop,’ she called behind   ‘Not far to Wài Gōng’s,’ he answered and hauled her into another side lane of the hútòng   They ran on, as fast as his heavying legs and scorching lungs could carry them His grandfather’s courtyard residence was at the end of the next passage, less than ten minutes’ away   ‘Please’ Lo Ling pulled harder against him ‘I’m going to be ill,’ she sobbed   Hesitantly, he stopped to let her catch her breath She bent double and panted at a wall Despite a searing thud to his own chest, he fought the urge to join her   Their fellow citizens rushed by They warned Ti not to stay out of doors It was not safe tonight He nodded at them politely, a whir in his ears causing

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

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Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

Art

Issue No. 11

Sarah Jones

Sarah Jones

Art

Issue No. 11

A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11. 

 

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