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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

We are not tourists We are journalists We fly out from Heathrow, Bristol, Glasgow and Newcastle to foreign airports where we are met by charming multilingual individuals employed by the holiday companies that pay for our trips They whisk away our luggage and usher us through customs, ensuring that our initial impression of their country is not of queues and body-cavity searches, but easeful efficiency They escort us around galleries, museums and examples of local industry They arrange courteous meetings with experts in many, many fields We eat eight fine meals a day, and everywhere we go we are presented with plastic bags full of information leaflets, promotional videos and the detritus of marketing: logo hats, boggle-eyed mascots, optimistic stickers   Collectively, we are treated as delegates from a distant kingdom who may – if pleased – bestow great largesse We leave behind most of our gifts, considering ourselves to be above such currying of favours We know the hospitality we want: it involves the bar We know the stories we want: they involve the authentic, the real, the colourful They must also be photogenic, accessible and easily cut-and-pastable Do you have some fun facts about the region? Do I have to write them down or are they on the press release? Could you fax that to me when I’m back in the office? Your English, by the way, is excellent   I was among them once Some of you were there too It was the last decade of the twentieth century and we could put things on expenses   *   During a five-day tour of Hungary we become furious when an elderly reporter from the Birmingham Post insists on interviewing the curator of a porcelain museum What can he possibly want to know? It’s all in the leaflets Just take the leaflets and go   ‘Rural Hungary looks like Somerset,’ says a man from The Mirror as our courtesy mini-bus trundles past thatched cottages, ‘apart from the fact that a freakishly high proportion of the population is selling paprika’   We can’t figure out the preponderance of paprika and we can’t figure out the natural mineral bathing

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

Art

July 2012

Interview with Ben Rivers

Alice Hattrick

Art

July 2012

Ben Rivers is an artist who makes films. Two Years at Sea, his first feature-length film, was released to...

fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

 

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