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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

It was not only avoiding thoughts of home that helped the good sniper to carry out his mission as he lay on the roof of a building in Tulkarem It was not only the disconnection from his mother, that not thinking about her constituted a kind of rest for him Sniper number two, Hai-Ad Gonen, had given him a bit of cocaine earlier, and Dael could already feel its blessed effects Dael Gruber, who all the guys in the army and in civilian life called Gruber due to the difficulty in pronouncing the two vowels one after the other, was regarded by his friends as a sensitive sniper with a delicate soul And indeed, he was an example to contradict what people generally say about snipers in armies, that they detach themselves from feelings and simply say to themselves, ‘Someone has to do the job,’ and execute their task with cold-blooded composure   This was a sweeping generalisation, and it didn’t apply to Dael Dael went for it in a big way, in other words he shot to kill, otherwise it wouldn’t have worked for him It’s a question of psychological makeup Sometimes it was a little hard for him to shoot at a concrete target, but then he concentrated and took targets from his life instead and set them up in his imagination in the place of the wanted man In many cases he imagined the father of Moran Eliot, his girlfriend when he was at the end of the eleventh grade, when she was at the end of the twelfth grade   Moran Eliot was his first love It lasted for June–July–August and half of September Moran was his first, but he wasn’t her first, and she said that after the first it didn’t matter anymore what number he was It ended badly between them, and with hindsight he didn’t care Her father was in his sights because he threw Dael out of the house in the most humiliating way, after Moran didn’t want to see him and called him a

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

fiction

April 2013

The Taxidermist

Olivia Heal

fiction

April 2013

I did not want to walk. The day was dull. But imperative or impulsion pushed me out, onto the...

 

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