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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Leo had stopped the car and sat talking at the dash He talked like he didn’t want to say any of it, but at the same time he seemed in a hurry to get it out, to reach the end of what he was telling her He was wired with excitement and shame, perched at the brink of a new life now, Jolanta understood as much   She sat in the back seat with her handbag Leo wouldn’t look at her, he kept his eyes straight on the street, the skip outside the neighbours’ house Jolanta looked at him in the rearview, looked hard at the black of his sunglasses   ‘I’ll help you,’ he said, finally   Where the mirror cut off his jaw hung the prayer beads that he had kept after his father died, smooth and dry like his voice, like cockroaches in the sun   Help her? she thought; a sock for the dismembered, and his help for her   She keeps her job at the campsite, beats dawn without an alarm clock now When the motion detector spots her, fluorescent lights suck the dark from the room The white tiles are glossed like wet teeth The floor is littered with paper towels and dragged in leaves The stalls smell of urine She opens the cupboard marked Private, plastic bottles rattling as she hoicks the cleaning cart over the threshold   There are different kinds of shit stains The darker the stain, the longer and harder she must rub with the toilet brush to get the porcelain shining like crockery again A drop flies up in her face, a cold mouche on her lip She wipes it off on the shoulder of her t-shirt and works her way down the stalls Sweat tickles her spine   She continues going into reception to sign off her shifts At the check-in desk, Eva is sitting with her head in her hand She is wearing a blouse with First Camp stitched on the back and a name tag pinned on the front A round office lamp hangs like an unlit gloria above her head   Behind Eva’s swivel chair is the shelf with the

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

 

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