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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a French flag on my cheek with a blue-white-and-red roller It was the World Cup quarter-final and France were playing Brazil When that game ended (1-0 from a Thierry Henry goal in the fifty-seventh minute), my friends and I ran outside to Boulevard Saint Germain to hear the cacophony of car horns and watch a group of young men spreading a French flag so large it stretched across the boulevard, enveloping the cars on the road, turning Saint Germain into a river of the three-coloured fabric As we walked towards the Seine, the Saint Michel fountain was full of people singing and shouting ‘qui ne saute pas n’est pas Français!’ (‘You’re not French if you don’t jump’)   That summer, I learned the words to the Marseillaise Although at that point I’d lived in France for three and a half years, I’d never picked up anything beyond ‘Allons enfants de la Patrie / La jour de gloire est arrivé!’ Perhaps because that idea, patrie, which impossibly combines homeland, nation, birthplace, feels untranslatable Or maybe it was the feeling that the anthem creates an image of France that feels white and monolingual and Catholic — an idea of France that includes few of its people I knew that football players were often criticised for not singing along to the Marseillaise before matches, because they felt the song did not represent them I understood them I was still looking for a France that I could celebrate   *   The celebrations of that summer, with people pouring into the Paris streets, marked a distinct shift from the intense demonstrations in the city that year The previous autumn, dissent arose following the death of two teenagers, Zyed Benna and Bouna Traoré, who were electrocuted when police chased them to a power substation The demonstrations in response sparked violence across Paris and the rest of the country Months later, in the spring, students were demonstrating over a new labour bill that introduced ways for employers to fire workers under

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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November 2013

I Can’t Stop Thinking Through What Other People Are Thinking

David Shields

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November 2013

Originally, feathers evolved to retain heat; later, they were repurposed for a means of flight. No one ever accuses...

Art

September 2014

Semi Floating Sculpture

Luke Hart

Patrick Langley

Art

September 2014

Luke Hart will meet me at Gate 7. I get the text on the DLR, heading east past Canary...

Interview

Issue No. 1

Interview with Tom McCarthy

Fred Fernandez Armesto

Interview

Issue No. 1

For those expecting him to be, as the New Statesman called him, ‘the most galling interviewee in Britain’, Tom...

 

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