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Jáchym Topol

Jáchym Topol (b. 1962), like most Czech authors of his generation, wrote poetry for years before turning to prose. His first two collections of poems were both published in samizdat (i.e., unofficially and illegally), in 1985 and 1988. The poems here come from V úterý bude válka (Tuesday Will Be War, 1992), his first 'aboveground' appearance in print and his last poetry outing prior to his prose debut, Výlet k nádražní hale (A Trip to the Train Station, 1993). Topol’s verse, with its lack of rhyme and meter, may remind English speakers of the Beats. Topol himself, however, cites his chief poetic influences as Ivan Jirous, aka 'Magor', poet, essayist, and guru of the Czech underground in the 1970s and 1980s; Egon Bondy, a metaphysical philosopher and surrealist poet whose verses served as lyrics for the first album by the Plastic People of the Universe; and Jiří Kolář of Skupina 42 (Group 42), a 1940s association of Czech avant-garde poets and painters inspired by the city and the industrial periphery. Thematically, the three selections here reflect several of Topol’s abiding interests and influences, visible in his novels as well: Native Americans, World War II atrocities, and the spy and adventure stories he devoured as a boy.



Articles Available Online


Tuesday Will Be War

poetry

January 2014

Jáchym Topol

TR. Alex Zucker

poetry

January 2014

Jáchym Topol (b. 1962), like most Czech authors of his generation, wrote poetry for years before turning to prose. His first two collections of...

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poetry

November 2011

Cooper's Hawk

Elyse Fenton

poetry

November 2011

My breath’s the wind’s breathless down-stroke hasty claw like the gnarred finger of juniper just now clambering for a...

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

 

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