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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist A member of the influential literary association Gruppe 47, with Günter Grass, Heinrich Böll and Paul Celan, he was extremely well-connected in the world of German publishing and an astute observer of the literary scene As this 1980 letter to his publisher Siegfried Unseld, the formidable director of Suhrkamp Verlag, reveals, he was one of the first to notice the importance of Renata Adler’s experimental novel Speedboat —S W   *   Dear Siegfried,   You were not mistaken in your suspicion that Renata Adler’s Speedboat would ‘hit home’ with me I find it – to use a fashionable word – a captivatingly good book, at least the – more or less – five sixths that I understand: to understand the remaining sixth, one would either have to be an American or know America very well, because it is an eminently American book, and sometimes I lack the key to the metaphors But that does not compromise a reading of the book, because its structure allows you to open it up at random and read it, without being aware of the context, like a breviary   Now you ask me why the book is so good I may assume that you have read it, so that my answer can only be seen as a recommendation to those who have not read it To sum up this answer in a sentence, I would say: here journalism has grown far beyond its own boundaries to create a masterpiece That has, to my knowledge, never happened before, not least because journalism, however outstanding it may sometimes be, must be measured by its currency value, and thus has to respond to a precise theme But I have never read a report whose theme, as here, is nothing less than our life   In general, it does not take any particular analytical perspicacity to unmask our life as an absurd and potentially catastrophic sequence of events, deliberate or otherwise, an implementation of something that is essentially impossible But this book does more than that,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

fiction

Issue No. 17

Boom Boom

Clemens Meyer

TR. Katy Derbyshire

fiction

Issue No. 17

You’re flat on your back on the street. And you thought the nineties were over.   And they nearly...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

 

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